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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E902DB it is the complementary color #16FD24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E902DB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E902DB shade: #EE02D6, #FF14E9, #FF26FC, #FF38FF and #FF4AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E902DB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E902DB shade: #E902DB, #D800C8, #C700B5, #B600A2 and #A5008F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E902DB shade: #E802DA, #E8029C, #E8025E, #E80220 and #E80202

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E902DB shade: #E802DA, #B802E8, #7A02E8, #3C02E8 and #0202E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E902DB shade matches the following richer shades: #E802DA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E902DB shade: #E802DA, #D515C9, #C228B8, #AF3BA8 and #9C4E97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E902DB shade: #7902E8, #B602E8, #E802DC, #E8029F and #E80262

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E902DB shade: #96018D, #BF01B3, #E802DA, #FC17EE and #FD40F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E902DB shade: #E902DB, #E83B02 and #02E897

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E902DB shade: #E902DB, #DCE802 and #02DCE8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E902DB shade: #E902DB, #E83B02, #02E80D and #02AEE8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E902DB shade: #E902DB, #E88002, #02E80D and #0269E8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 99 / 6 / 9

HEX #E902DB

RGB 233 2 219

HSL 303.64, 0.98%, 0.46%

LAB 54.53, 89.71, -50.1

 

Complementary color

CMYK 91 / 0 / 86 / 1

HEX #16FD24

RGB 22 253 36

HSL 123.64, 0.98%, 0.54%

LAB 87.27, -84.1, 78.56

 

CMYK 0 / 99 / 10 / 7

HEX #EE02D6

RGB 238 2 214

HSL 306.1, 0.98%, 0.47%

LAB 55.15, 89.88, -46.22

 

CMYK 0 / 92 / 9 / 0

HEX #FF14E9

RGB 255 20 233

HSL 305.62, 1%, 0.54%

LAB 59.57, 93.95, -49.78

 

CMYK 0 / 85 / 1 / 0

HEX #FF26FC

RGB 255 38 252

HSL 300.83, 1%, 0.57%

LAB 61.37, 94.23, -57.5

 

CMYK 0 / 78 / 0 / 0

HEX #FF38FF

RGB 255 56 255

HSL 300, 1%, 0.61%

LAB 62.77, 91.08, -56.94

 

CMYK 0 / 71 / 0 / 0

HEX #FF4AFF

RGB 255 74 255

HSL 300, 1%, 0.65%

LAB 64.47, 86.19, -54.23

 

CMYK 0 / 99 / 6 / 9

HEX #E902DB

RGB 233 2 219

HSL 303.64, 0.98%, 0.46%

LAB 54.53, 89.71, -50.1

 

CMYK 0 / 100 / 7 / 15

HEX #D800C8

RGB 216 0 200

HSL 304.44, 1%, 0.42%

LAB 50.42, 84.46, -45.94

 

CMYK 0 / 100 / 9 / 22

HEX #C700B5

RGB 199 0 181

HSL 305.43, 1%, 0.39%

LAB 46.28, 78.99, -41.62

 

CMYK 0 / 100 / 11 / 29

HEX #B600A2

RGB 182 0 162

HSL 306.59, 1%, 0.36%

LAB 42.08, 73.44, -37.18

 

CMYK 0 / 100 / 13 / 35

HEX #A5008F

RGB 165 0 143

HSL 308, 1%, 0.32%

LAB 37.81, 67.79, -32.62

 

CMYK 0 / 99 / 6 / 9

HEX #E802DA

RGB 232 2 218

HSL 303.65, 0.98%, 0.46%

LAB 54.3, 89.41, -49.91

 

CMYK 0 / 99 / 33 / 9

HEX #E8029C

RGB 232 2 156

HSL 319.83, 0.98%, 0.46%

LAB 51.38, 82.06, -18.39

 

CMYK 0 / 99 / 59 / 9

HEX #E8025E

RGB 232 2 94

HSL 336, 0.98%, 0.46%

LAB 49.51, 77.12, 16.51

 

CMYK 0 / 99 / 86 / 9

HEX #E80220

RGB 232 2 32

HSL 352.17, 0.98%, 0.46%

LAB 48.64, 74.78, 51.46

 

CMYK 0 / 99 / 99 / 9

HEX #E80202

RGB 232 2 2

HSL 0, 0.98%, 0.46%

LAB 48.52, 74.44, 62.02

 

CMYK 0 / 99 / 6 / 9

HEX #E802DA

RGB 232 2 218

HSL 303.65, 0.98%, 0.46%

LAB 54.3, 89.41, -49.91

 

CMYK 21 / 99 / 0 / 9

HEX #B802E8

RGB 184 2 232

HSL 287.48, 0.98%, 0.46%

LAB 47.05, 84.38, -69.96

 

CMYK 47 / 99 / 0 / 9

HEX #7A02E8

RGB 122 2 232

HSL 271.3, 0.98%, 0.46%

LAB 37.86, 77.69, -85.4

 

CMYK 74 / 99 / 0 / 9

HEX #3C02E8

RGB 60 2 232

HSL 255.13, 0.98%, 0.46%

LAB 31.42, 74.26, -96.27

 

CMYK 99 / 99 / 0 / 9

HEX #0202E8

RGB 2 2 232

HSL 240, 0.98%, 0.46%

LAB 29.11, 73.4, -100.18

 

CMYK 0 / 99 / 6 / 9

HEX #E802DA

RGB 232 2 218

HSL 303.65, 0.98%, 0.46%

LAB 54.3, 89.41, -49.91

 

CMYK 0 / 99 / 6 / 9

HEX #E802DA

RGB 232 2 218

HSL 303.65, 0.98%, 0.46%

LAB 54.3, 89.41, -49.91

 

CMYK 0 / 90 / 6 / 16

HEX #D515C9

RGB 213 21 201

HSL 303.75, 0.82%, 0.46%

LAB 50.57, 82.22, -46.31

 

CMYK 0 / 79 / 5 / 24

HEX #C228B8

RGB 194 40 184

HSL 303.9, 0.66%, 0.46%

LAB 47.56, 72.64, -41.41

 

CMYK 0 / 66 / 4 / 31

HEX #AF3BA8

RGB 175 59 168

HSL 303.62, 0.5%, 0.46%

LAB 45.73, 59.79, -35.08

 

CMYK 0 / 50 / 3 / 39

HEX #9C4E97

RGB 156 78 151

HSL 303.85, 0.33%, 0.46%

LAB 45.29, 42.9, -25.85

 

CMYK 48 / 99 / 0 / 9

HEX #7902E8

RGB 121 2 232

HSL 271.04, 0.98%, 0.46%

LAB 37.72, 77.6, -85.62

 

CMYK 22 / 99 / 0 / 9

HEX #B602E8

RGB 182 2 232

HSL 286.96, 0.98%, 0.46%

LAB 46.73, 84.12, -70.5

 

CMYK 0 / 99 / 5 / 9

HEX #E802DC

RGB 232 2 220

HSL 303.13, 0.98%, 0.46%

LAB 54.41, 89.68, -50.87

 

CMYK 0 / 99 / 31 / 9

HEX #E8029F

RGB 232 2 159

HSL 319.04, 0.98%, 0.46%

LAB 51.5, 82.37, -20

 

CMYK 0 / 99 / 58 / 9

HEX #E80262

RGB 232 2 98

HSL 334.96, 0.98%, 0.46%

LAB 49.59, 77.36, 14.17

 

CMYK 0 / 99 / 6 / 41

HEX #96018D

RGB 150 1 141

HSL 303.62, 0.99%, 0.3%

LAB 34.86, 64.66, -36.24

 

CMYK 0 / 99 / 6 / 25

HEX #BF01B3

RGB 191 1 179

HSL 303.79, 0.99%, 0.38%

LAB 44.73, 77.25, -42.99

 

CMYK 0 / 99 / 6 / 9

HEX #E802DA

RGB 232 2 218

HSL 303.65, 0.98%, 0.46%

LAB 54.3, 89.41, -49.91

 

CMYK 0 / 91 / 6 / 1

HEX #FC17EE

RGB 252 23 238

HSL 303.67, 0.97%, 0.54%

LAB 59.42, 93.8, -52.85

 

CMYK 0 / 75 / 5 / 1

HEX #FD40F1

RGB 253 64 241

HSL 303.81, 0.98%, 0.62%

LAB 62.42, 86.6, -49.74

 

CMYK 0 / 99 / 6 / 9

HEX #E902DB

RGB 233 2 219

HSL 303.64, 0.98%, 0.46%

LAB 54.53, 89.71, -50.1

 

CMYK 0 / 75 / 99 / 9

HEX #E83B02

RGB 232 59 2

HSL 14.87, 0.98%, 0.46%

LAB 52.16, 64.08, 63.58

 

CMYK 99 / 0 / 35 / 9

HEX #02E897

RGB 2 232 151

HSL 158.87, 0.98%, 0.46%

LAB 81.82, -65.07, 26.57

 

CMYK 0 / 99 / 6 / 9

HEX #E902DB

RGB 233 2 219

HSL 303.64, 0.98%, 0.46%

LAB 54.53, 89.71, -50.1

 

CMYK 5 / 0 / 99 / 9

HEX #DCE802

RGB 220 232 2

HSL 63.13, 0.98%, 0.46%

LAB 88.42, -25.04, 86.72

 

CMYK 99 / 5 / 0 / 9

HEX #02DCE8

RGB 2 220 232

HSL 183.13, 0.98%, 0.46%

LAB 80.19, -39.36, -18.47

 

CMYK 0 / 99 / 6 / 9

HEX #E902DB

RGB 233 2 219

HSL 303.64, 0.98%, 0.46%

LAB 54.53, 89.71, -50.1

 

CMYK 0 / 75 / 99 / 9

HEX #E83B02

RGB 232 59 2

HSL 14.87, 0.98%, 0.46%

LAB 52.16, 64.08, 63.58

 

CMYK 99 / 0 / 94 / 9

HEX #02E80D

RGB 2 232 13

HSL 122.87, 0.98%, 0.46%

LAB 80.6, -79.96, 76.31

 

CMYK 99 / 25 / 0 / 9

HEX #02AEE8

RGB 2 174 232

HSL 195.13, 0.98%, 0.46%

LAB 66.6, -16.66, -39.35

 

CMYK 0 / 99 / 6 / 9

HEX #E902DB

RGB 233 2 219

HSL 303.64, 0.98%, 0.46%

LAB 54.53, 89.71, -50.1

 

CMYK 0 / 45 / 99 / 9

HEX #E88002

RGB 232 128 2

HSL 32.87, 0.98%, 0.46%

LAB 63.83, 33.7, 70.13

 

CMYK 99 / 0 / 94 / 9

HEX #02E80D

RGB 2 232 13

HSL 122.87, 0.98%, 0.46%

LAB 80.6, -79.96, 76.31

 

CMYK 99 / 55 / 0 / 9

HEX #0269E8

RGB 2 105 232

HSL 213.13, 0.98%, 0.46%

LAB 46.9, 24.5, -70.8

 

Description

Color code: HEX #E902DB | qconv.com Color code: HEX #E902DB | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 2 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 2 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 99 magenta, 6 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 99% 6% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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