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Color name
HEX #E8D920

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E8D920 it is the complementary color #1726DF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E8D920. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E8D920 shade: #EDD91B, #FEEB2E, #FFFD41, #FFFF54 and #FFFF67

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E8D920. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E8D920 shade: #E8D920, #D7C70D, #C6B500, #B5A300 and #A49100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E8D920 shade: #E7D821, #E7A321, #E76D21, #E73821 and #E72121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E8D920 shade: #E7D821, #C1E721, #8BE721, #56E721 and #21E722

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E8D920 shade matches the following richer shades: #E7D821 and #FBE90D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E8D920 shade: #E7D821, #D3C835, #C0B749, #ACA65C and #989570

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E8D920 shade: #E76D21, #E7A221, #E7D721, #C3E721 and #8EE721

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E8D920 shade: #A59A11, #CABD15, #E7D821, #EBDF46 and #EFE56C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E8D920 shade: #E8D920, #21E738 and #8721E7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E8D920 shade: #E8D920, #21E7D7 and #D721E7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E8D920 shade: #E8D920, #21E738, #2131E7 and #E721D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E8D920 shade: #E8D920, #21E774, #2131E7 and #E72195

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 86 / 9

HEX #E8D920

RGB 232 217 32

HSL 55.5, 0.81%, 0.52%

LAB 85.45, -12.31, 81.19

 

Complementary color

CMYK 90 / 83 / 0 / 13

HEX #1726DF

RGB 23 38 223

HSL 235.5, 0.81%, 0.48%

LAB 31.57, 61.3, -90.91

 

CMYK 0 / 8 / 89 / 7

HEX #EDD91B

RGB 237 217 27

HSL 54.29, 0.85%, 0.52%

LAB 85.86, -10.29, 82.62

 

CMYK 0 / 7 / 82 / 0

HEX #FEEB2E

RGB 254 235 46

HSL 54.52, 0.99%, 0.59%

LAB 91.99, -11.65, 84.26

 

CMYK 0 / 1 / 75 / 0

HEX #FFFD41

RGB 255 253 65

HSL 59.37, 1%, 0.63%

LAB 96.78, -19.35, 83.34

 

CMYK 0 / 0 / 67 / 0

HEX #FFFF54

RGB 255 255 84

HSL 60, 1%, 0.66%

LAB 97.4, -19.47, 77.66

 

CMYK 0 / 0 / 60 / 0

HEX #FFFF67

RGB 255 255 103

HSL 60, 1%, 0.7%

LAB 97.53, -18.38, 70.5

 

CMYK 0 / 6 / 86 / 9

HEX #E8D920

RGB 232 217 32

HSL 55.5, 0.81%, 0.52%

LAB 85.45, -12.31, 81.19

 

CMYK 0 / 7 / 94 / 16

HEX #D7C70D

RGB 215 199 13

HSL 55.25, 0.89%, 0.45%

LAB 79.23, -10.85, 78.7

 

CMYK 0 / 9 / 100 / 22

HEX #C6B500

RGB 198 181 0

HSL 54.85, 1%, 0.39%

LAB 72.93, -9.2, 74.77

 

CMYK 0 / 10 / 100 / 29

HEX #B5A300

RGB 181 163 0

HSL 54.03, 1%, 0.35%

LAB 66.53, -7.36, 69.47

 

CMYK 0 / 12 / 100 / 36

HEX #A49100

RGB 164 145 0

HSL 53.05, 1%, 0.32%

LAB 60.02, -5.46, 64.08

 

CMYK 0 / 6 / 86 / 9

HEX #E7D821

RGB 231 216 33

HSL 55.45, 0.8%, 0.52%

LAB 85.1, -12.22, 80.68

 

CMYK 0 / 29 / 86 / 9

HEX #E7A321

RGB 231 163 33

HSL 39.39, 0.8%, 0.52%

LAB 71.75, 15.24, 69.85

 

CMYK 0 / 53 / 86 / 9

HEX #E76D21

RGB 231 109 33

HSL 23.03, 0.8%, 0.52%

LAB 59.92, 43.34, 60.19

 

CMYK 0 / 76 / 86 / 9

HEX #E73821

RGB 231 56 33

HSL 6.97, 0.8%, 0.52%

LAB 51.75, 65.12, 53.47

 

CMYK 0 / 86 / 86 / 9

HEX #E72121

RGB 231 33 33

HSL 0, 0.8%, 0.52%

LAB 49.72, 70.86, 51.79

 

CMYK 0 / 6 / 86 / 9

HEX #E7D821

RGB 231 216 33

HSL 55.45, 0.8%, 0.52%

LAB 85.1, -12.22, 80.68

 

CMYK 16 / 0 / 86 / 9

HEX #C1E721

RGB 193 231 33

HSL 71.52, 0.8%, 0.52%

LAB 86.31, -35.09, 80.5

 

CMYK 40 / 0 / 86 / 9

HEX #8BE721

RGB 139 231 33

HSL 87.88, 0.8%, 0.52%

LAB 83.31, -54.94, 76.77

 

CMYK 63 / 0 / 86 / 9

HEX #56E721

RGB 86 231 33

HSL 103.94, 0.8%, 0.52%

LAB 81.42, -69.62, 74.4

 

CMYK 86 / 0 / 85 / 9

HEX #21E722

RGB 33 231 34

HSL 120.3, 0.8%, 0.52%

LAB 80.51, -77.49, 73.04

 

CMYK 0 / 6 / 86 / 9

HEX #E7D821

RGB 231 216 33

HSL 55.45, 0.8%, 0.52%

LAB 85.1, -12.22, 80.68

 

CMYK 0 / 7 / 95 / 2

HEX #FBE90D

RGB 251 233 13

HSL 55.46, 0.97%, 0.52%

LAB 91.15, -12.5, 88.97

 

CMYK 0 / 6 / 86 / 9

HEX #E7D821

RGB 231 216 33

HSL 55.45, 0.8%, 0.52%

LAB 85.1, -12.22, 80.68

 

CMYK 0 / 5 / 75 / 17

HEX #D3C835

RGB 211 200 53

HSL 55.82, 0.64%, 0.52%

LAB 79.28, -12.07, 69.67

 

CMYK 0 / 5 / 62 / 25

HEX #C0B749

RGB 192 183 73

HSL 55.46, 0.49%, 0.52%

LAB 73.26, -10.42, 55.42

 

CMYK 0 / 3 / 47 / 33

HEX #ACA65C

RGB 172 166 92

HSL 55.5, 0.33%, 0.52%

LAB 67.14, -8.43, 38.88

 

CMYK 0 / 2 / 26 / 40

HEX #989570

RGB 152 149 112

HSL 55.5, 0.16%, 0.52%

LAB 61.08, -5.11, 19.99

 

CMYK 0 / 53 / 86 / 9

HEX #E76D21

RGB 231 109 33

HSL 23.03, 0.8%, 0.52%

LAB 59.92, 43.34, 60.19

 

CMYK 0 / 30 / 86 / 9

HEX #E7A221

RGB 231 162 33

HSL 39.09, 0.8%, 0.52%

LAB 71.51, 15.77, 69.66

 

CMYK 0 / 7 / 86 / 9

HEX #E7D721

RGB 231 215 33

HSL 55.15, 0.8%, 0.52%

LAB 84.84, -11.72, 80.47

 

CMYK 16 / 0 / 86 / 9

HEX #C3E721

RGB 195 231 33

HSL 70.91, 0.8%, 0.52%

LAB 86.44, -34.29, 80.66

 

CMYK 39 / 0 / 86 / 9

HEX #8EE721

RGB 142 231 33

HSL 86.97, 0.8%, 0.52%

LAB 83.45, -53.95, 76.94

 

CMYK 0 / 7 / 90 / 35

HEX #A59A11

RGB 165 154 17

HSL 55.54, 0.81%, 0.36%

LAB 62.63, -9.56, 63.43

 

CMYK 0 / 6 / 90 / 21

HEX #CABD15

RGB 202 189 21

HSL 55.69, 0.81%, 0.44%

LAB 75.45, -11.29, 74.2

 

CMYK 0 / 6 / 86 / 9

HEX #E7D821

RGB 231 216 33

HSL 55.45, 0.8%, 0.52%

LAB 85.1, -12.22, 80.68

 

CMYK 0 / 5 / 70 / 8

HEX #EBDF46

RGB 235 223 70

HSL 55.64, 0.8%, 0.6%

LAB 87.43, -12.75, 72.3

 

CMYK 0 / 4 / 55 / 6

HEX #EFE56C

RGB 239 229 108

HSL 55.42, 0.8%, 0.68%

LAB 89.61, -11.75, 59.2

 

CMYK 0 / 6 / 86 / 9

HEX #E8D920

RGB 232 217 32

HSL 55.5, 0.81%, 0.52%

LAB 85.45, -12.31, 81.19

 

CMYK 86 / 0 / 76 / 9

HEX #21E738

RGB 33 231 56

HSL 126.97, 0.8%, 0.52%

LAB 80.61, -76.29, 67.29

 

CMYK 42 / 86 / 0 / 9

HEX #8721E7

RGB 135 33 231

HSL 270.91, 0.8%, 0.52%

LAB 41.23, 73.51, -79.21

 

CMYK 0 / 6 / 86 / 9

HEX #E8D920

RGB 232 217 32

HSL 55.5, 0.81%, 0.52%

LAB 85.45, -12.31, 81.19

 

CMYK 86 / 0 / 7 / 9

HEX #21E7D7

RGB 33 231 215

HSL 175.15, 0.8%, 0.52%

LAB 83.12, -48, -5.07

 

CMYK 7 / 86 / 0 / 9

HEX #D721E7

RGB 215 33 231

HSL 295.15, 0.8%, 0.52%

LAB 53.28, 85.19, -59.08

 

CMYK 0 / 6 / 86 / 9

HEX #E8D920

RGB 232 217 32

HSL 55.5, 0.81%, 0.52%

LAB 85.45, -12.31, 81.19

 

CMYK 86 / 0 / 76 / 9

HEX #21E738

RGB 33 231 56

HSL 126.97, 0.8%, 0.52%

LAB 80.61, -76.29, 67.29

 

CMYK 86 / 79 / 0 / 9

HEX #2131E7

RGB 33 49 231

HSL 235.15, 0.8%, 0.52%

LAB 34.58, 58.92, -90.48

 

CMYK 0 / 86 / 10 / 9

HEX #E721D0

RGB 231 33 208

HSL 306.97, 0.8%, 0.52%

LAB 54.69, 84.66, -43.6

 

CMYK 0 / 6 / 86 / 9

HEX #E8D920

RGB 232 217 32

HSL 55.5, 0.81%, 0.52%

LAB 85.45, -12.31, 81.19

 

CMYK 86 / 0 / 50 / 9

HEX #21E774

RGB 33 231 116

HSL 145.15, 0.8%, 0.52%

LAB 81.15, -69.62, 43.17

 

CMYK 86 / 79 / 0 / 9

HEX #2131E7

RGB 33 49 231

HSL 235.15, 0.8%, 0.52%

LAB 34.58, 58.92, -90.48

 

CMYK 0 / 86 / 35 / 9

HEX #E72195

RGB 231 33 149

HSL 324.85, 0.8%, 0.52%

LAB 52.11, 77.7, -13.12

 

Description

Color code: HEX #E8D920 | qconv.com Color code: HEX #E8D920 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 217 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 217 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 86 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 86% 9% C M Y K

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Provide designers and agencies with accurate color values.

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