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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E8C4F2 it is the complementary color #173B0D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E8C4F2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E8C4F2 shade: #EDC4ED, #FED6FF, #FFE8FF and #FFFAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E8C4F2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E8C4F2 shade: #E8C4F2, #D7B2DF, #C6A0CC, #B58EB9 and #A47CA6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E8C4F2 shade: #E8C4F2, #F2C4EF, #F2C4E3, #F2C4D7 and #F2C4CA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E8C4F2 shade: #E8C4F2, #DBC4F2, #CFC4F2 and #C4C4F2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E8C4F2 shade matches the following richer shades: #E8C4F2, #EBBEF7 and #EEB8FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E8C4F2 shade: #E8C4F2, #E4CAEC, #E1D0E6, #DED5E0 and #DBDBDB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E8C4F2 shade: #CFC4F2, #DBC4F2, #E7C4F2, #F2C4F0 and #F2C4E4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E8C4F2 shade: #CD80E3, #DBA2EA, #E8C4F2 and #F5E6F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E8C4F2 shade: #E8C4F2, #F2C4C5 and #C4F2D5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E8C4F2 shade: #E8C4F2, #F2E7C4 and #C4F2E7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E8C4F2 shade: #E8C4F2, #F2C4C5, #CFF2C4 and #C4F2F0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E8C4F2 shade: #E8C4F2, #F2D0C4, #CFF2C4 and #C4E5F2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 19 / 0 / 5

HEX #E8C4F2

RGB 232 196 242

HSL 286.96, 0.64%, 0.86%

LAB 83.47, 20.74, -17.95

 

Complementary color

CMYK 61 / 0 / 78 / 77

HEX #173B0D

RGB 23 59 13

HSL 106.96, 0.64%, 0.14%

LAB 21.35, -23.2, 23.65

 

CMYK 0 / 17 / 0 / 7

HEX #EDC4ED

RGB 237 196 237

HSL 300, 0.53%, 0.85%

LAB 83.76, 21.44, -14.8

 

CMYK 0 / 16 / 0 / 0

HEX #FED6FF

RGB 254 214 255

HSL 298.54, 1%, 0.92%

LAB 90.04, 20.8, -14.76

 

CMYK 0 / 9 / 0 / 0

HEX #FFE8FF

RGB 255 232 255

HSL 300, 1%, 0.95%

LAB 94.39, 11.75, -8.26

 

CMYK 0 / 2 / 0 / 0

HEX #FFFAFF

RGB 255 250 255

HSL 300, 1%, 0.99%

LAB 98.77, 2.53, -1.81

 

CMYK 4 / 19 / 0 / 5

HEX #E8C4F2

RGB 232 196 242

HSL 286.96, 0.64%, 0.86%

LAB 83.47, 20.74, -17.95

 

CMYK 4 / 20 / 0 / 13

HEX #D7B2DF

RGB 215 178 223

HSL 289.33, 0.41%, 0.79%

LAB 77.05, 21.22, -17.57

 

CMYK 3 / 22 / 0 / 20

HEX #C6A0CC

RGB 198 160 204

HSL 291.82, 0.3%, 0.71%

LAB 70.53, 21.74, -17.18

 

CMYK 2 / 23 / 0 / 27

HEX #B58EB9

RGB 181 142 185

HSL 294.42, 0.23%, 0.64%

LAB 63.89, 22.3, -16.79

 

CMYK 1 / 25 / 0 / 35

HEX #A47CA6

RGB 164 124 166

HSL 297.14, 0.19%, 0.57%

LAB 57.13, 22.91, -16.38

 

CMYK 4 / 19 / 0 / 5

HEX #E8C4F2

RGB 232 196 242

HSL 286.96, 0.64%, 0.86%

LAB 83.47, 20.74, -17.95

 

CMYK 0 / 19 / 1 / 5

HEX #F2C4EF

RGB 242 196 239

HSL 303.91, 0.64%, 0.86%

LAB 84.27, 23.46, -15.05

 

CMYK 0 / 19 / 6 / 5

HEX #F2C4E3

RGB 242 196 227

HSL 319.57, 0.64%, 0.86%

LAB 83.92, 21.34, -9.18

 

CMYK 0 / 19 / 11 / 5

HEX #F2C4D7

RGB 242 196 215

HSL 335.22, 0.64%, 0.86%

LAB 83.58, 19.33, -3.26

 

CMYK 0 / 19 / 17 / 5

HEX #F2C4CA

RGB 242 196 202

HSL 352.17, 0.64%, 0.86%

LAB 83.24, 17.26, 3.2

 

CMYK 4 / 19 / 0 / 5

HEX #E8C4F2

RGB 232 196 242

HSL 286.96, 0.64%, 0.86%

LAB 83.47, 20.74, -17.95

 

CMYK 10 / 19 / 0 / 5

HEX #DBC4F2

RGB 219 196 242

HSL 270, 0.64%, 0.86%

LAB 82.35, 16.54, -19.74

 

CMYK 14 / 19 / 0 / 5

HEX #CFC4F2

RGB 207 196 242

HSL 254.35, 0.64%, 0.86%

LAB 81.38, 12.73, -21.31

 

CMYK 19 / 19 / 0 / 5

HEX #C4C4F2

RGB 196 196 242

HSL 240, 0.64%, 0.86%

LAB 80.53, 9.31, -22.67

 

CMYK 4 / 19 / 0 / 5

HEX #E8C4F2

RGB 232 196 242

HSL 286.96, 0.64%, 0.86%

LAB 83.47, 20.74, -17.95

 

CMYK 5 / 23 / 0 / 3

HEX #EBBEF7

RGB 235 190 247

HSL 287.37, 0.78%, 0.86%

LAB 82.49, 25.86, -22.07

 

CMYK 6 / 27 / 0 / 1

HEX #EEB8FD

RGB 238 184 253

HSL 286.96, 0.95%, 0.86%

LAB 81.59, 31.15, -26.61

 

CMYK 4 / 19 / 0 / 5

HEX #E8C4F2

RGB 232 196 242

HSL 286.96, 0.64%, 0.86%

LAB 83.47, 20.74, -17.95

 

CMYK 3 / 14 / 0 / 7

HEX #E4CAEC

RGB 228 202 236

HSL 285.88, 0.47%, 0.86%

LAB 84.38, 15.1, -13.42

 

CMYK 2 / 10 / 0 / 10

HEX #E1D0E6

RGB 225 208 230

HSL 286.36, 0.31%, 0.86%

LAB 85.42, 9.8, -8.7

 

CMYK 1 / 5 / 0 / 12

HEX #DED5E0

RGB 222 213 224

HSL 289.09, 0.15%, 0.86%

LAB 86.26, 5.05, -4.31

 

CMYK 0 / 0 / 0 / 14

HEX #DBDBDB

RGB 219 219 219

HSL 0, 0%, 0.86%

LAB 87.41, 0, -0.01

 

CMYK 14 / 19 / 0 / 5

HEX #CFC4F2

RGB 207 196 242

HSL 254.35, 0.64%, 0.86%

LAB 81.38, 12.73, -21.31

 

CMYK 10 / 19 / 0 / 5

HEX #DBC4F2

RGB 219 196 242

HSL 270, 0.64%, 0.86%

LAB 82.35, 16.54, -19.74

 

CMYK 5 / 19 / 0 / 5

HEX #E7C4F2

RGB 231 196 242

HSL 285.65, 0.64%, 0.86%

LAB 83.38, 20.41, -18.09

 

CMYK 0 / 19 / 1 / 5

HEX #F2C4F0

RGB 242 196 240

HSL 302.61, 0.64%, 0.86%

LAB 84.3, 23.64, -15.54

 

CMYK 0 / 19 / 6 / 5

HEX #F2C4E4

RGB 242 196 228

HSL 318.26, 0.64%, 0.86%

LAB 83.94, 21.52, -9.67

 

CMYK 10 / 44 / 0 / 11

HEX #CD80E3

RGB 205 128 227

HSL 286.67, 0.64%, 0.7%

LAB 64.93, 45.86, -38.46

 

CMYK 6 / 31 / 0 / 8

HEX #DBA2EA

RGB 219 162 234

HSL 287.5, 0.63%, 0.78%

LAB 74.09, 33.3, -28.02

 

CMYK 4 / 19 / 0 / 5

HEX #E8C4F2

RGB 232 196 242

HSL 286.96, 0.64%, 0.86%

LAB 83.47, 20.74, -17.95

 

CMYK 2 / 8 / 0 / 2

HEX #F5E6F9

RGB 245 230 249

HSL 287.37, 0.61%, 0.94%

LAB 92.95, 8.42, -7.36

 

CMYK 4 / 19 / 0 / 5

HEX #E8C4F2

RGB 232 196 242

HSL 286.96, 0.64%, 0.86%

LAB 83.47, 20.74, -17.95

 

CMYK 0 / 19 / 19 / 5

HEX #F2C4C5

RGB 242 196 197

HSL 358.7, 0.64%, 0.86%

LAB 83.12, 16.5, 5.69

 

CMYK 19 / 0 / 12 / 5

HEX #C4F2D5

RGB 196 242 213

HSL 142.17, 0.64%, 0.86%

LAB 91.7, -20.3, 9.15

 

CMYK 4 / 19 / 0 / 5

HEX #E8C4F2

RGB 232 196 242

HSL 286.96, 0.64%, 0.86%

LAB 83.47, 20.74, -17.95

 

CMYK 0 / 5 / 19 / 5

HEX #F2E7C4

RGB 242 231 196

HSL 45.65, 0.64%, 0.86%

LAB 91.69, -1.83, 18.4

 

CMYK 19 / 0 / 5 / 5

HEX #C4F2E7

RGB 196 242 231

HSL 165.65, 0.64%, 0.86%

LAB 92.14, -16.86, 0.42

 

CMYK 4 / 19 / 0 / 5

HEX #E8C4F2

RGB 232 196 242

HSL 286.96, 0.64%, 0.86%

LAB 83.47, 20.74, -17.95

 

CMYK 0 / 19 / 19 / 5

HEX #F2C4C5

RGB 242 196 197

HSL 358.7, 0.64%, 0.86%

LAB 83.12, 16.5, 5.69

 

CMYK 14 / 0 / 19 / 5

HEX #CFF2C4

RGB 207 242 196

HSL 105.65, 0.64%, 0.86%

LAB 92.02, -19.64, 18.49

 

CMYK 19 / 0 / 1 / 5

HEX #C4F2F0

RGB 196 242 240

HSL 177.39, 0.64%, 0.86%

LAB 92.37, -15.04, -3.92

 

CMYK 4 / 19 / 0 / 5

HEX #E8C4F2

RGB 232 196 242

HSL 286.96, 0.64%, 0.86%

LAB 83.47, 20.74, -17.95

 

CMYK 0 / 14 / 19 / 5

HEX #F2D0C4

RGB 242 208 196

HSL 15.65, 0.64%, 0.86%

LAB 85.99, 10.04, 10.35

 

CMYK 14 / 0 / 19 / 5

HEX #CFF2C4

RGB 207 242 196

HSL 105.65, 0.64%, 0.86%

LAB 92.02, -19.64, 18.49

 

CMYK 19 / 5 / 0 / 5

HEX #C4E5F2

RGB 196 229 242

HSL 196.96, 0.64%, 0.86%

LAB 89.01, -8.06, -9.93

 

Description

Color code: HEX #E8C4F2 | qconv.com Color code: HEX #E8C4F2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 196 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 196 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 19 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 19% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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