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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E8BF01 it is the complementary color #1740FE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E8BF01. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E8BF01 shade: #EDBF00, #FED10F, #FFE322, #FFF535 and #FFFF48

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E8BF01. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E8BF01 shade: #E8BF01, #D7AD00, #C69B00, #B58900 and #A47700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E8BF01 shade: #E9C001, #E98101, #E94201, #E90401 and #E90101

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E8BF01 shade: #E9C001, #D4E901, #95E901, #56E901 and #18E901

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E8BF01 shade matches the following richer shades: #E9C001

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E8BF01 shade: #E9C001, #D6B314, #C3A727, #B09B3A and #9D8F4D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E8BF01 shade: #E94201, #E98001, #E9BE01, #D6E901 and #98E901

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E8BF01 shade: #977C00, #C09E00, #E9C001, #FDD416 and #FEDC3F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E8BF01 shade: #E8BF01, #01E905 and #6101E9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E8BF01 shade: #E8BF01, #01E9BE and #BE01E9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E8BF01 shade: #E8BF01, #01E905, #012BE9 and #E901E5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E8BF01 shade: #E8BF01, #01E94A, #012BE9 and #E9019F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 100 / 9

HEX #E8BF01

RGB 232 191 1

HSL 49.35, 0.99%, 0.46%

LAB 78.71, 0.5, 80.24

 

Complementary color

CMYK 91 / 75 / 0 / 0

HEX #1740FE

RGB 23 64 254

HSL 229.35, 0.99%, 0.54%

LAB 39.59, 58.17, -95.16

 

CMYK 0 / 19 / 100 / 7

HEX #EDBF00

RGB 237 191 0

HSL 48.35, 1%, 0.46%

LAB 79.19, 2.66, 80.91

 

CMYK 0 / 18 / 94 / 0

HEX #FED10F

RGB 254 209 15

HSL 48.7, 0.99%, 0.53%

LAB 85.36, 0.82, 84.61

 

CMYK 0 / 11 / 87 / 0

HEX #FFE322

RGB 255 227 34

HSL 52.4, 1%, 0.57%

LAB 90, -7.55, 85.29

 

CMYK 0 / 4 / 79 / 0

HEX #FFF535

RGB 255 245 53

HSL 57.03, 1%, 0.6%

LAB 94.66, -15.91, 84.82

 

CMYK 0 / 0 / 72 / 0

HEX #FFFF48

RGB 255 255 72

HSL 60, 1%, 0.64%

LAB 97.33, -20.03, 81.69

 

CMYK 0 / 18 / 100 / 9

HEX #E8BF01

RGB 232 191 1

HSL 49.35, 0.99%, 0.46%

LAB 78.71, 0.5, 80.24

 

CMYK 0 / 20 / 100 / 16

HEX #D7AD00

RGB 215 173 0

HSL 48.28, 1%, 0.42%

LAB 72.45, 2.49, 75.18

 

CMYK 0 / 22 / 100 / 22

HEX #C69B00

RGB 198 155 0

HSL 46.97, 1%, 0.39%

LAB 66.1, 4.55, 69.94

 

CMYK 0 / 24 / 100 / 29

HEX #B58900

RGB 181 137 0

HSL 45.41, 1%, 0.35%

LAB 59.63, 6.71, 64.62

 

CMYK 0 / 27 / 100 / 36

HEX #A47700

RGB 164 119 0

HSL 43.54, 1%, 0.32%

LAB 53.04, 8.96, 59.21

 

CMYK 0 / 18 / 100 / 9

HEX #E9C001

RGB 233 192 1

HSL 49.4, 0.99%, 0.46%

LAB 79.06, 0.42, 80.53

 

CMYK 0 / 45 / 100 / 9

HEX #E98101

RGB 233 129 1

HSL 33.1, 0.99%, 0.46%

LAB 64.18, 33.59, 70.57

 

CMYK 0 / 72 / 100 / 9

HEX #E94201

RGB 233 66 1

HSL 16.81, 0.99%, 0.46%

LAB 53.19, 62.04, 64.41

 

CMYK 0 / 98 / 100 / 9

HEX #E90401

RGB 233 4 1

HSL 0.78, 0.99%, 0.46%

LAB 48.78, 74.52, 62.53

 

CMYK 0 / 100 / 100 / 9

HEX #E90101

RGB 233 1 1

HSL 0, 0.99%, 0.46%

LAB 48.69, 74.75, 62.5

 

CMYK 0 / 18 / 100 / 9

HEX #E9C001

RGB 233 192 1

HSL 49.4, 0.99%, 0.46%

LAB 79.06, 0.42, 80.53

 

CMYK 9 / 0 / 100 / 9

HEX #D4E901

RGB 212 233 1

HSL 65.43, 0.99%, 0.46%

LAB 88.1, -28.81, 86.3

 

CMYK 36 / 0 / 100 / 9

HEX #95E901

RGB 149 233 1

HSL 81.72, 0.99%, 0.46%

LAB 84.31, -52.95, 81.76

 

CMYK 63 / 0 / 100 / 9

HEX #56E901

RGB 86 233 1

HSL 98.02, 0.99%, 0.46%

LAB 81.98, -70.96, 78.93

 

CMYK 90 / 0 / 100 / 9

HEX #18E901

RGB 24 233 1

HSL 114.05, 0.99%, 0.46%

LAB 81, -79.5, 77.74

 

CMYK 0 / 18 / 100 / 9

HEX #E9C001

RGB 233 192 1

HSL 49.4, 0.99%, 0.46%

LAB 79.06, 0.42, 80.53

 

CMYK 0 / 18 / 100 / 9

HEX #E9C001

RGB 233 192 1

HSL 49.4, 0.99%, 0.46%

LAB 79.06, 0.42, 80.53

 

CMYK 0 / 16 / 91 / 16

HEX #D6B314

RGB 214 179 20

HSL 49.18, 0.83%, 0.46%

LAB 73.92, -0.88, 73.66

 

CMYK 0 / 14 / 80 / 24

HEX #C3A727

RGB 195 167 39

HSL 49.23, 0.67%, 0.46%

LAB 69.03, -2.45, 64.3

 

CMYK 0 / 12 / 67 / 31

HEX #B09B3A

RGB 176 155 58

HSL 49.32, 0.5%, 0.46%

LAB 64.14, -3.55, 51.82

 

CMYK 0 / 9 / 51 / 38

HEX #9D8F4D

RGB 157 143 77

HSL 49.5, 0.34%, 0.46%

LAB 59.3, -3.91, 36.73

 

CMYK 0 / 72 / 100 / 9

HEX #E94201

RGB 233 66 1

HSL 16.81, 0.99%, 0.46%

LAB 53.19, 62.04, 64.41

 

CMYK 0 / 45 / 100 / 9

HEX #E98001

RGB 233 128 1

HSL 32.84, 0.99%, 0.46%

LAB 63.97, 34.1, 70.44

 

CMYK 0 / 18 / 100 / 9

HEX #E9BE01

RGB 233 190 1

HSL 48.88, 0.99%, 0.46%

LAB 78.55, 1.45, 80.17

 

CMYK 8 / 0 / 100 / 9

HEX #D6E901

RGB 214 233 1

HSL 64.91, 0.99%, 0.46%

LAB 88.25, -27.99, 86.47

 

CMYK 35 / 0 / 100 / 9

HEX #98E901

RGB 152 233 1

HSL 80.95, 0.99%, 0.46%

LAB 84.46, -51.9, 81.94

 

CMYK 0 / 18 / 100 / 41

HEX #977C00

RGB 151 124 0

HSL 49.27, 1%, 0.3%

LAB 52.94, 0.08, 58.46

 

CMYK 0 / 18 / 100 / 25

HEX #C09E00

RGB 192 158 0

HSL 49.38, 1%, 0.38%

LAB 66.26, 0.25, 69.77

 

CMYK 0 / 18 / 100 / 9

HEX #E9C001

RGB 233 192 1

HSL 49.4, 0.99%, 0.46%

LAB 79.06, 0.42, 80.53

 

CMYK 0 / 16 / 91 / 1

HEX #FDD416

RGB 253 212 22

HSL 49.35, 0.98%, 0.54%

LAB 86.02, -1.05, 84.16

 

CMYK 0 / 13 / 75 / 0

HEX #FEDC3F

RGB 254 220 63

HSL 49.32, 0.99%, 0.62%

LAB 88.26, -3.62, 76.09

 

CMYK 0 / 18 / 100 / 9

HEX #E8BF01

RGB 232 191 1

HSL 49.35, 0.99%, 0.46%

LAB 78.71, 0.5, 80.24

 

CMYK 100 / 0 / 98 / 9

HEX #01E905

RGB 1 233 5

HSL 121.03, 0.99%, 0.46%

LAB 80.9, -80.39, 77.27

 

CMYK 58 / 100 / 0 / 9

HEX #6101E9

RGB 97 1 233

HSL 264.83, 0.99%, 0.46%

LAB 34.9, 76.27, -90.96

 

CMYK 0 / 18 / 100 / 9

HEX #E8BF01

RGB 232 191 1

HSL 49.35, 0.99%, 0.46%

LAB 78.71, 0.5, 80.24

 

CMYK 100 / 0 / 18 / 9

HEX #01E9BE

RGB 1 233 190

HSL 168.88, 0.99%, 0.46%

LAB 82.91, -56.58, 7.81

 

CMYK 18 / 100 / 0 / 9

HEX #BE01E9

RGB 190 1 233

HSL 288.88, 0.99%, 0.46%

LAB 48.07, 85.43, -68.83

 

CMYK 0 / 18 / 100 / 9

HEX #E8BF01

RGB 232 191 1

HSL 49.35, 0.99%, 0.46%

LAB 78.71, 0.5, 80.24

 

CMYK 100 / 0 / 98 / 9

HEX #01E905

RGB 1 233 5

HSL 121.03, 0.99%, 0.46%

LAB 80.9, -80.39, 77.27

 

CMYK 100 / 82 / 0 / 9

HEX #012BE9

RGB 1 43 233

HSL 229.14, 0.99%, 0.46%

LAB 33.17, 61.71, -93.97

 

CMYK 0 / 100 / 2 / 9

HEX #E901E5

RGB 233 1 229

HSL 301.03, 0.99%, 0.46%

LAB 55.07, 91.14, -54.91

 

CMYK 0 / 18 / 100 / 9

HEX #E8BF01

RGB 232 191 1

HSL 49.35, 0.99%, 0.46%

LAB 78.71, 0.5, 80.24

 

CMYK 100 / 0 / 68 / 9

HEX #01E94A

RGB 1 233 74

HSL 138.88, 0.99%, 0.46%

LAB 81.17, -76.94, 61.51

 

CMYK 100 / 82 / 0 / 9

HEX #012BE9

RGB 1 43 233

HSL 229.14, 0.99%, 0.46%

LAB 33.17, 61.71, -93.97

 

CMYK 0 / 100 / 32 / 9

HEX #E9019F

RGB 233 1 159

HSL 319.14, 0.99%, 0.46%

LAB 51.67, 82.64, -19.72

 

Description

Color code: HEX #E8BF01 | qconv.com Color code: HEX #E8BF01 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 191 green and 1 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 191 1 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 100 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 100% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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