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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E8BD30 it is the complementary color #1742CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E8BD30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E8BD30 shade: #EDBD2B, #FECF3E, #FFE151, #FFF364 and #FFFF77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E8BD30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E8BD30 shade: #E8BD30, #D7AB1D, #C6990A, #B58700 and #A47500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E8BD30 shade: #E8BD30, #E88B30, #E85A30 and #E83030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E8BD30 shade: #E8BD30, #E1E830, #AFE830, #7EE830 and #4CE830

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E8BD30 shade matches the following richer shades: #E8BD30 and #FAC71D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E8BD30 shade: #E8BD30, #D5B343, #C2A955, #B09F68 and #9D957A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E8BD30 shade: #E85830, #E88930, #E8BA30, #E4E830 and #B4E830

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E8BD30 shade: #B28D13, #D7AA17, #E8BD30, #ECC855 and #F0D47A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E8BD30 shade: #E8BD30, #39E830 and #7030E8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E8BD30 shade: #E8BD30, #30E8BA and #BA30E8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E8BD30 shade: #E8BD30, #39E830, #305EE8 and #DE30E8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E8BD30 shade: #E8BD30, #30E85E, #305EE8 and #E830BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 79 / 9

HEX #E8BD30

RGB 232 189 48

HSL 45.98, 0.8%, 0.55%

LAB 78.32, 2.39, 71.11

 

Complementary color

CMYK 89 / 68 / 0 / 19

HEX #1742CF

RGB 23 66 207

HSL 225.98, 0.8%, 0.45%

LAB 35.17, 40.73, -75.72

 

CMYK 0 / 20 / 82 / 7

HEX #EDBD2B

RGB 237 189 43

HSL 45.15, 0.84%, 0.55%

LAB 78.8, 4.38, 73.22

 

CMYK 0 / 19 / 76 / 0

HEX #FECF3E

RGB 254 207 62

HSL 45.31, 0.99%, 0.62%

LAB 85.02, 2.94, 73.4

 

CMYK 0 / 12 / 68 / 0

HEX #FFE151

RGB 255 225 81

HSL 49.66, 1%, 0.66%

LAB 89.72, -4.92, 71.06

 

CMYK 0 / 5 / 61 / 0

HEX #FFF364

RGB 255 243 100

HSL 55.35, 1%, 0.7%

LAB 94.43, -12.75, 68.38

 

CMYK 0 / 0 / 53 / 0

HEX #FFFF77

RGB 255 255 119

HSL 60, 1%, 0.73%

LAB 97.68, -17.25, 63.88

 

CMYK 0 / 19 / 79 / 9

HEX #E8BD30

RGB 232 189 48

HSL 45.98, 0.8%, 0.55%

LAB 78.32, 2.39, 71.11

 

CMYK 0 / 20 / 87 / 16

HEX #D7AB1D

RGB 215 171 29

HSL 45.81, 0.76%, 0.48%

LAB 72, 3.95, 70.35

 

CMYK 0 / 23 / 95 / 22

HEX #C6990A

RGB 198 153 10

HSL 45.64, 0.9%, 0.41%

LAB 65.6, 5.75, 68.24

 

CMYK 0 / 25 / 100 / 29

HEX #B58700

RGB 181 135 0

HSL 44.75, 1%, 0.35%

LAB 59.11, 7.81, 64.26

 

CMYK 0 / 29 / 100 / 36

HEX #A47500

RGB 164 117 0

HSL 42.8, 1%, 0.32%

LAB 52.53, 10.09, 58.86

 

CMYK 0 / 19 / 79 / 9

HEX #E8BD30

RGB 232 189 48

HSL 45.98, 0.8%, 0.55%

LAB 78.32, 2.39, 71.11

 

CMYK 0 / 40 / 79 / 9

HEX #E88B30

RGB 232 139 48

HSL 29.67, 0.8%, 0.55%

LAB 66.39, 28.83, 60.28

 

CMYK 0 / 61 / 79 / 9

HEX #E85A30

RGB 232 90 48

HSL 13.7, 0.8%, 0.55%

LAB 56.76, 52.98, 51.14

 

CMYK 0 / 79 / 79 / 9

HEX #E83030

RGB 232 48 48

HSL 0, 0.8%, 0.55%

LAB 51.25, 68.07, 45.69

 

CMYK 0 / 19 / 79 / 9

HEX #E8BD30

RGB 232 189 48

HSL 45.98, 0.8%, 0.55%

LAB 78.32, 2.39, 71.11

 

CMYK 3 / 0 / 79 / 9

HEX #E1E830

RGB 225 232 48

HSL 62.28, 0.8%, 0.55%

LAB 88.89, -22.15, 80.19

 

CMYK 25 / 0 / 79 / 9

HEX #AFE830

RGB 175 232 48

HSL 78.59, 0.8%, 0.55%

LAB 85.52, -42.02, 75.92

 

CMYK 46 / 0 / 79 / 9

HEX #7EE830

RGB 126 232 48

HSL 94.57, 0.8%, 0.55%

LAB 83.11, -58.86, 72.82

 

CMYK 67 / 0 / 79 / 9

HEX #4CE830

RGB 76 232 48

HSL 110.87, 0.8%, 0.55%

LAB 81.55, -71.28, 70.8

 

CMYK 0 / 19 / 79 / 9

HEX #E8BD30

RGB 232 189 48

HSL 45.98, 0.8%, 0.55%

LAB 78.32, 2.39, 71.11

 

CMYK 0 / 20 / 88 / 2

HEX #FAC71D

RGB 250 199 29

HSL 46.15, 0.96%, 0.55%

LAB 82.52, 4.44, 80.17

 

CMYK 0 / 19 / 79 / 9

HEX #E8BD30

RGB 232 189 48

HSL 45.98, 0.8%, 0.55%

LAB 78.32, 2.39, 71.11

 

CMYK 0 / 16 / 69 / 16

HEX #D5B343

RGB 213 179 67

HSL 46.03, 0.63%, 0.55%

LAB 74.06, 0.29, 59.4

 

CMYK 0 / 13 / 56 / 24

HEX #C2A955

RGB 194 169 85

HSL 46.24, 0.47%, 0.55%

LAB 69.82, -1.35, 46.06

 

CMYK 0 / 10 / 41 / 31

HEX #B09F68

RGB 176 159 104

HSL 45.83, 0.31%, 0.55%

LAB 65.77, -1.74, 30.95

 

CMYK 0 / 5 / 22 / 38

HEX #9D957A

RGB 157 149 122

HSL 46.29, 0.15%, 0.55%

LAB 61.71, -1.63, 15.34

 

CMYK 0 / 62 / 79 / 9

HEX #E85830

RGB 232 88 48

HSL 13.04, 0.8%, 0.55%

LAB 56.44, 53.85, 50.82

 

CMYK 0 / 41 / 79 / 9

HEX #E88930

RGB 232 137 48

HSL 29.02, 0.8%, 0.55%

LAB 65.95, 29.88, 59.87

 

CMYK 0 / 20 / 79 / 9

HEX #E8BA30

RGB 232 186 48

HSL 45, 0.8%, 0.55%

LAB 77.57, 3.96, 70.44

 

CMYK 2 / 0 / 79 / 9

HEX #E4E830

RGB 228 232 48

HSL 61.3, 0.8%, 0.55%

LAB 89.12, -20.91, 80.48

 

CMYK 22 / 0 / 79 / 9

HEX #B4E830

RGB 180 232 48

HSL 76.96, 0.8%, 0.55%

LAB 85.82, -40.12, 76.3

 

CMYK 0 / 21 / 89 / 30

HEX #B28D13

RGB 178 141 19

HSL 46.04, 0.81%, 0.39%

LAB 60.39, 3.42, 61.79

 

CMYK 0 / 21 / 89 / 16

HEX #D7AA17

RGB 215 170 23

HSL 45.94, 0.81%, 0.47%

LAB 71.73, 4.36, 71.45

 

CMYK 0 / 19 / 79 / 9

HEX #E8BD30

RGB 232 189 48

HSL 45.98, 0.8%, 0.55%

LAB 78.32, 2.39, 71.11

 

CMYK 0 / 15 / 64 / 7

HEX #ECC855

RGB 236 200 85

HSL 45.7, 0.8%, 0.63%

LAB 81.73, 0.12, 60.51

 

CMYK 0 / 12 / 49 / 6

HEX #F0D47A

RGB 240 212 122

HSL 45.76, 0.8%, 0.71%

LAB 85.51, -1.62, 47.8

 

CMYK 0 / 19 / 79 / 9

HEX #E8BD30

RGB 232 189 48

HSL 45.98, 0.8%, 0.55%

LAB 78.32, 2.39, 71.11

 

CMYK 75 / 0 / 79 / 9

HEX #39E830

RGB 57 232 48

HSL 117.07, 0.8%, 0.55%

LAB 81.18, -74.42, 70.33

 

CMYK 52 / 79 / 0 / 9

HEX #7030E8

RGB 112 48 232

HSL 260.87, 0.8%, 0.55%

LAB 40.22, 66.07, -81.53

 

CMYK 0 / 19 / 79 / 9

HEX #E8BD30

RGB 232 189 48

HSL 45.98, 0.8%, 0.55%

LAB 78.32, 2.39, 71.11

 

CMYK 79 / 0 / 20 / 9

HEX #30E8BA

RGB 48 232 186

HSL 165, 0.8%, 0.55%

LAB 82.85, -54.74, 9.87

 

CMYK 20 / 79 / 0 / 9

HEX #BA30E8

RGB 186 48 232

HSL 285, 0.8%, 0.55%

LAB 49.95, 77.06, -65.24

 

CMYK 0 / 19 / 79 / 9

HEX #E8BD30

RGB 232 189 48

HSL 45.98, 0.8%, 0.55%

LAB 78.32, 2.39, 71.11

 

CMYK 75 / 0 / 79 / 9

HEX #39E830

RGB 57 232 48

HSL 117.07, 0.8%, 0.55%

LAB 81.18, -74.42, 70.33

 

CMYK 79 / 59 / 0 / 9

HEX #305EE8

RGB 48 94 232

HSL 225, 0.8%, 0.55%

LAB 44.89, 33.9, -74.05

 

CMYK 4 / 79 / 0 / 9

HEX #DE30E8

RGB 222 48 232

HSL 296.74, 0.8%, 0.55%

LAB 55.55, 83.42, -55.94

 

CMYK 0 / 19 / 79 / 9

HEX #E8BD30

RGB 232 189 48

HSL 45.98, 0.8%, 0.55%

LAB 78.32, 2.39, 71.11

 

CMYK 79 / 0 / 59 / 9

HEX #30E85E

RGB 48 232 94

HSL 135, 0.8%, 0.55%

LAB 81.37, -71.53, 53.6

 

CMYK 79 / 59 / 0 / 9

HEX #305EE8

RGB 48 94 232

HSL 225, 0.8%, 0.55%

LAB 44.89, 33.9, -74.05

 

CMYK 0 / 79 / 20 / 9

HEX #E830BA

RGB 232 48 186

HSL 315, 0.8%, 0.55%

LAB 54.88, 78.9, -30.62

 

Description

Color code: HEX #E8BD30 | qconv.com Color code: HEX #E8BD30 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 189 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 189 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 79 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 79% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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