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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E8A016 it is the complementary color #175FE9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E8A016. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E8A016 shade: #EDA011, #FEB224, #FFC437, #FFD64A and #FFE85D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E8A016. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E8A016 shade: #E8A016, #D78E03, #C67C00, #B56A00 and #A45800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E8A016 shade: #E9A015, #E96715, #E92E15 and #E91515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E8A016 shade: #E9A015, #E9D915, #BFE915, #86E915 and #4DE915

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E8A016 shade matches the following richer shades: #E9A015 and #FDA701

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E8A016 shade: #E9A015, #D49A2A, #C0933E, #AB8D53 and #968668

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E8A016 shade: #E92E15, #E96615, #E99F15, #E9D715 and #C2E915

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E8A016 shade: #9D6C0E, #C38612, #E9A015, #ECB03B and #F0BF61

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E8A016 shade: #E8A016, #35E915 and #4A15E9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E8A016 shade: #E8A016, #15E99F and #9F15E9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E8A016 shade: #E8A016, #35E915, #155FE9 and #C915E9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E8A016 shade: #E8A016, #15E935, #155FE9 and #E915C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 91 / 9

HEX #E8A016

RGB 232 160 22

HSL 39.43, 0.83%, 0.5%

LAB 71.12, 17.05, 71.99

 

Complementary color

CMYK 90 / 59 / 0 / 9

HEX #175FE9

RGB 23 95 233

HSL 219.43, 0.83%, 0.5%

LAB 44.59, 31.98, -75.12

 

CMYK 0 / 32 / 93 / 7

HEX #EDA011

RGB 237 160 17

HSL 39, 0.87%, 0.5%

LAB 71.68, 19.12, 73.58

 

CMYK 0 / 30 / 86 / 0

HEX #FEB224

RGB 254 178 36

HSL 39.08, 0.99%, 0.57%

LAB 77.9, 17.19, 75.11

 

CMYK 0 / 23 / 78 / 0

HEX #FFC437

RGB 255 196 55

HSL 42.3, 1%, 0.61%

LAB 82.39, 8.78, 73.37

 

CMYK 0 / 16 / 71 / 0

HEX #FFD64A

RGB 255 214 74

HSL 46.41, 1%, 0.65%

LAB 86.92, 0.3, 70.92

 

CMYK 0 / 9 / 64 / 0

HEX #FFE85D

RGB 255 232 93

HSL 51.48, 1%, 0.68%

LAB 91.58, -7.76, 68.2

 

CMYK 0 / 31 / 91 / 9

HEX #E8A016

RGB 232 160 22

HSL 39.43, 0.83%, 0.5%

LAB 71.12, 17.05, 71.99

 

CMYK 0 / 34 / 99 / 16

HEX #D78E03

RGB 215 142 3

HSL 39.34, 0.97%, 0.43%

LAB 64.8, 19.13, 69.55

 

CMYK 0 / 37 / 100 / 22

HEX #C67C00

RGB 198 124 0

HSL 37.58, 1%, 0.39%

LAB 58.43, 21.46, 64.79

 

CMYK 0 / 41 / 100 / 29

HEX #B56A00

RGB 181 106 0

HSL 35.14, 1%, 0.35%

LAB 51.99, 23.91, 59.55

 

CMYK 0 / 46 / 100 / 36

HEX #A45800

RGB 164 88 0

HSL 32.2, 1%, 0.32%

LAB 45.46, 26.42, 54.27

 

CMYK 0 / 31 / 91 / 9

HEX #E9A015

RGB 233 160 21

HSL 39.34, 0.83%, 0.5%

LAB 71.23, 17.46, 72.32

 

CMYK 0 / 56 / 91 / 9

HEX #E96715

RGB 233 103 21

HSL 23.21, 0.83%, 0.5%

LAB 59.05, 46.76, 63.45

 

CMYK 0 / 80 / 91 / 9

HEX #E92E15

RGB 233 46 21

HSL 7.08, 0.83%, 0.5%

LAB 51.07, 68.3, 57.97

 

CMYK 0 / 91 / 91 / 9

HEX #E91515

RGB 233 21 21

HSL 0, 0.83%, 0.5%

LAB 49.39, 73.1, 56.86

 

CMYK 0 / 31 / 91 / 9

HEX #E9A015

RGB 233 160 21

HSL 39.34, 0.83%, 0.5%

LAB 71.23, 17.46, 72.32

 

CMYK 0 / 7 / 91 / 9

HEX #E9D915

RGB 233 217 21

HSL 55.47, 0.83%, 0.5%

LAB 85.51, -12.08, 83.13

 

CMYK 18 / 0 / 91 / 9

HEX #BFE915

RGB 191 233 21

HSL 71.89, 0.83%, 0.5%

LAB 86.71, -37.04, 82.73

 

CMYK 42 / 0 / 91 / 9

HEX #86E915

RGB 134 233 21

HSL 88.02, 0.83%, 0.5%

LAB 83.65, -57.66, 78.99

 

CMYK 67 / 0 / 91 / 9

HEX #4DE915

RGB 77 233 21

HSL 104.15, 0.83%, 0.5%

LAB 81.79, -72.46, 76.69

 

CMYK 0 / 31 / 91 / 9

HEX #E9A015

RGB 233 160 21

HSL 39.34, 0.83%, 0.5%

LAB 71.23, 17.46, 72.32

 

CMYK 0 / 34 / 100 / 1

HEX #FDA701

RGB 253 167 1

HSL 39.52, 0.99%, 0.5%

LAB 75.15, 22.06, 78.87

 

CMYK 0 / 31 / 91 / 9

HEX #E9A015

RGB 233 160 21

HSL 39.34, 0.83%, 0.5%

LAB 71.23, 17.46, 72.32

 

CMYK 0 / 27 / 80 / 17

HEX #D49A2A

RGB 212 154 42

HSL 39.53, 0.67%, 0.5%

LAB 67.48, 12.1, 62.6

 

CMYK 0 / 23 / 68 / 25

HEX #C0933E

RGB 192 147 62

HSL 39.23, 0.51%, 0.5%

LAB 63.69, 8.08, 50.04

 

CMYK 0 / 18 / 51 / 33

HEX #AB8D53

RGB 171 141 83

HSL 39.55, 0.35%, 0.5%

LAB 60.19, 3.82, 34.98

 

CMYK 0 / 11 / 31 / 41

HEX #968668

RGB 150 134 104

HSL 39.13, 0.18%, 0.5%

LAB 56.62, 1.26, 18.39

 

CMYK 0 / 80 / 91 / 9

HEX #E92E15

RGB 233 46 21

HSL 7.08, 0.83%, 0.5%

LAB 51.07, 68.3, 57.97

 

CMYK 0 / 56 / 91 / 9

HEX #E96615

RGB 233 102 21

HSL 22.92, 0.83%, 0.5%

LAB 58.86, 47.23, 63.32

 

CMYK 0 / 32 / 91 / 9

HEX #E99F15

RGB 233 159 21

HSL 39.06, 0.83%, 0.5%

LAB 70.99, 17.99, 72.15

 

CMYK 0 / 8 / 91 / 9

HEX #E9D715

RGB 233 215 21

HSL 54.91, 0.83%, 0.5%

LAB 84.99, -11.09, 82.73

 

CMYK 17 / 0 / 91 / 9

HEX #C2E915

RGB 194 233 21

HSL 71.04, 0.83%, 0.5%

LAB 86.9, -35.85, 82.96

 

CMYK 0 / 31 / 91 / 38

HEX #9D6C0E

RGB 157 108 14

HSL 39.44, 0.84%, 0.34%

LAB 49.4, 12.2, 53.35

 

CMYK 0 / 31 / 91 / 24

HEX #C38612

RGB 195 134 18

HSL 39.32, 0.83%, 0.42%

LAB 60.51, 14.9, 62.92

 

CMYK 0 / 31 / 91 / 9

HEX #E9A015

RGB 233 160 21

HSL 39.34, 0.83%, 0.5%

LAB 71.23, 17.46, 72.32

 

CMYK 0 / 25 / 75 / 7

HEX #ECB03B

RGB 236 176 59

HSL 39.66, 0.82%, 0.58%

LAB 75.58, 11.33, 64.88

 

CMYK 0 / 20 / 60 / 6

HEX #F0BF61

RGB 240 191 97

HSL 39.44, 0.83%, 0.66%

LAB 79.98, 7.25, 53.23

 

CMYK 0 / 31 / 91 / 9

HEX #E8A016

RGB 232 160 22

HSL 39.43, 0.83%, 0.5%

LAB 71.12, 17.05, 71.99

 

CMYK 77 / 0 / 91 / 9

HEX #35E915

RGB 53 233 21

HSL 110.94, 0.83%, 0.5%

LAB 81.34, -76.35, 76.13

 

CMYK 68 / 91 / 0 / 9

HEX #4A15E9

RGB 74 21 233

HSL 255, 0.83%, 0.5%

LAB 33.72, 71.75, -92.98

 

CMYK 0 / 31 / 91 / 9

HEX #E8A016

RGB 232 160 22

HSL 39.43, 0.83%, 0.5%

LAB 71.12, 17.05, 71.99

 

CMYK 91 / 0 / 32 / 9

HEX #15E99F

RGB 21 233 159

HSL 159.06, 0.83%, 0.5%

LAB 82.35, -63.13, 23.19

 

CMYK 32 / 91 / 0 / 9

HEX #9F15E9

RGB 159 21 233

HSL 279.06, 0.83%, 0.5%

LAB 43.93, 79.34, -75.79

 

CMYK 0 / 31 / 91 / 9

HEX #E8A016

RGB 232 160 22

HSL 39.43, 0.83%, 0.5%

LAB 71.12, 17.05, 71.99

 

CMYK 77 / 0 / 91 / 9

HEX #35E915

RGB 53 233 21

HSL 110.94, 0.83%, 0.5%

LAB 81.34, -76.35, 76.13

 

CMYK 91 / 59 / 0 / 9

HEX #155FE9

RGB 21 95 233

HSL 219.06, 0.83%, 0.5%

LAB 44.56, 31.89, -75.18

 

CMYK 14 / 91 / 0 / 9

HEX #C915E9

RGB 201 21 233

HSL 290.94, 0.83%, 0.5%

LAB 50.5, 85.13, -64.82

 

CMYK 0 / 31 / 91 / 9

HEX #E8A016

RGB 232 160 22

HSL 39.43, 0.83%, 0.5%

LAB 71.12, 17.05, 71.99

 

CMYK 91 / 0 / 77 / 9

HEX #15E935

RGB 21 233 53

HSL 129.06, 0.83%, 0.5%

LAB 81.12, -77.86, 68.69

 

CMYK 91 / 59 / 0 / 9

HEX #155FE9

RGB 21 95 233

HSL 219.06, 0.83%, 0.5%

LAB 44.56, 31.89, -75.18

 

CMYK 0 / 91 / 14 / 9

HEX #E915C9

RGB 233 21 201

HSL 309.06, 0.83%, 0.5%

LAB 54.11, 85.81, -40.48

 

Description

Color code: HEX #E8A016 | qconv.com Color code: HEX #E8A016 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 160 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 160 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 91 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 91% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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