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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E896B4 it is the complementary color #17694B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E896B4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E896B4 shade: #ED96AF, #FEA8C2, #FFBAD5, #FFCCE8 and #FFDEFB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E896B4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E896B4 shade: #E896B4, #D784A1, #C6728E, #B5607B and #A44E68

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E896B4 shade: #E896B4, #E8969E and #E89696

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E896B4 shade: #E896B4, #E896CA, #E896E0, #D996E8 and #C396E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E896B4 shade matches the following richer shades: #E896B4, #F28CB1 and #FC81AE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E896B4 shade: #E896B4, #DDA0B7, #D3ABB9, #C9B5BC and #BEBFBF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E896B4 shade: #E896DF, #E896CA, #E896B4, #E8969E and #E8A496

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E896B4 shade: #D95283, #E0749C, #E896B4, #EFB8CC and #F6DAE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E896B4 shade: #E896B4, #E8DA96 and #96D5E8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E896B4 shade: #E896B4, #B4E896 and #96B4E8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E896B4 shade: #E896B4, #E8DA96, #96E8CA and #96A4E8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E896B4 shade: #E896B4, #DDE896, #96E8CA and #A196E8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 22 / 9

HEX #E896B4

RGB 232 150 180

HSL 338.05, 0.64%, 0.75%

LAB 71.05, 34.82, -2.73

 

Complementary color

CMYK 78 / 0 / 29 / 59

HEX #17694B

RGB 23 105 75

HSL 158.05, 0.64%, 0.25%

LAB 39.23, -31.77, 10.12

 

CMYK 0 / 37 / 26 / 7

HEX #ED96AF

RGB 237 150 175

HSL 342.76, 0.71%, 0.76%

LAB 71.5, 35.88, 0.77

 

CMYK 0 / 34 / 24 / 0

HEX #FEA8C2

RGB 254 168 194

HSL 341.86, 0.98%, 0.83%

LAB 77.86, 35.08, -0.17

 

CMYK 0 / 27 / 16 / 0

HEX #FFBAD5

RGB 255 186 213

HSL 336.52, 1%, 0.86%

LAB 82.48, 28.8, -3.67

 

CMYK 0 / 20 / 9 / 0

HEX #FFCCE8

RGB 255 204 232

HSL 327.06, 1%, 0.9%

LAB 87.13, 22.39, -6.94

 

CMYK 0 / 13 / 2 / 0

HEX #FFDEFB

RGB 255 222 251

HSL 307.27, 1%, 0.94%

LAB 91.89, 16.23, -9.88

 

CMYK 0 / 35 / 22 / 9

HEX #E896B4

RGB 232 150 180

HSL 338.05, 0.64%, 0.75%

LAB 71.05, 34.82, -2.73

 

CMYK 0 / 39 / 25 / 16

HEX #D784A1

RGB 215 132 161

HSL 339.04, 0.51%, 0.68%

LAB 64.58, 35.63, -1.8

 

CMYK 0 / 42 / 28 / 22

HEX #C6728E

RGB 198 114 142

HSL 340, 0.42%, 0.61%

LAB 58.03, 36.49, -0.75

 

CMYK 0 / 47 / 32 / 29

HEX #B5607B

RGB 181 96 123

HSL 340.94, 0.36%, 0.54%

LAB 51.4, 37.39, 0.45

 

CMYK 0 / 52 / 37 / 36

HEX #A44E68

RGB 164 78 104

HSL 341.86, 0.36%, 0.47%

LAB 44.72, 38.3, 1.89

 

CMYK 0 / 35 / 22 / 9

HEX #E896B4

RGB 232 150 180

HSL 338.05, 0.64%, 0.75%

LAB 71.05, 34.82, -2.73

 

CMYK 0 / 35 / 32 / 9

HEX #E8969E

RGB 232 150 158

HSL 354.15, 0.64%, 0.75%

LAB 70.48, 31.82, 8.68

 

CMYK 0 / 35 / 35 / 9

HEX #E89696

RGB 232 150 150

HSL 0, 0.64%, 0.75%

LAB 70.3, 30.83, 12.86

 

CMYK 0 / 35 / 22 / 9

HEX #E896B4

RGB 232 150 180

HSL 338.05, 0.64%, 0.75%

LAB 71.05, 34.82, -2.73

 

CMYK 0 / 35 / 13 / 9

HEX #E896CA

RGB 232 150 202

HSL 321.95, 0.64%, 0.75%

LAB 71.71, 38.19, -13.94

 

CMYK 0 / 35 / 3 / 9

HEX #E896E0

RGB 232 150 224

HSL 305.85, 0.64%, 0.75%

LAB 72.46, 41.92, -24.92

 

CMYK 6 / 35 / 0 / 9

HEX #D996E8

RGB 217 150 232

HSL 289.02, 0.64%, 0.75%

LAB 71.14, 38.74, -31.48

 

CMYK 16 / 35 / 0 / 9

HEX #C396E8

RGB 195 150 232

HSL 272.93, 0.64%, 0.75%

LAB 68.93, 32.05, -35.09

 

CMYK 0 / 35 / 22 / 9

HEX #E896B4

RGB 232 150 180

HSL 338.05, 0.64%, 0.75%

LAB 71.05, 34.82, -2.73

 

CMYK 0 / 42 / 27 / 5

HEX #F28CB1

RGB 242 140 177

HSL 338.24, 0.8%, 0.75%

LAB 70.04, 43.08, -2.41

 

CMYK 0 / 49 / 31 / 1

HEX #FC81AE

RGB 252 129 174

HSL 338.05, 0.95%, 0.75%

LAB 69.08, 51.54, -1.99

 

CMYK 0 / 35 / 22 / 9

HEX #E896B4

RGB 232 150 180

HSL 338.05, 0.64%, 0.75%

LAB 71.05, 34.82, -2.73

 

CMYK 0 / 28 / 17 / 13

HEX #DDA0B7

RGB 221 160 183

HSL 337.38, 0.47%, 0.75%

LAB 72.18, 26.03, -2.87

 

CMYK 0 / 19 / 12 / 17

HEX #D3ABB9

RGB 211 171 185

HSL 339, 0.31%, 0.75%

LAB 73.85, 16.82, -1.63

 

CMYK 0 / 10 / 6 / 21

HEX #C9B5BC

RGB 201 181 188

HSL 339, 0.16%, 0.75%

LAB 75.51, 8.34, -0.96

 

CMYK 1 / 0 / 0 / 25

HEX #BEBFBF

RGB 190 191 191

HSL 180, 0.01%, 0.75%

LAB 77.26, -0.34, -0.13

 

CMYK 0 / 35 / 4 / 9

HEX #E896DF

RGB 232 150 223

HSL 306.59, 0.64%, 0.75%

LAB 72.43, 41.74, -24.43

 

CMYK 0 / 35 / 13 / 9

HEX #E896CA

RGB 232 150 202

HSL 321.95, 0.64%, 0.75%

LAB 71.71, 38.19, -13.94

 

CMYK 0 / 35 / 22 / 9

HEX #E896B4

RGB 232 150 180

HSL 338.05, 0.64%, 0.75%

LAB 71.05, 34.82, -2.73

 

CMYK 0 / 35 / 32 / 9

HEX #E8969E

RGB 232 150 158

HSL 354.15, 0.64%, 0.75%

LAB 70.48, 31.82, 8.68

 

CMYK 0 / 29 / 35 / 9

HEX #E8A496

RGB 232 164 150

HSL 10.24, 0.64%, 0.75%

LAB 73.49, 23.38, 17.32

 

CMYK 0 / 62 / 40 / 15

HEX #D95283

RGB 217 82 131

HSL 338.22, 0.64%, 0.59%

LAB 54.48, 57.08, 0.83

 

CMYK 0 / 48 / 30 / 12

HEX #E0749C

RGB 224 116 156

HSL 337.78, 0.64%, 0.67%

LAB 62.29, 46.36, -2.18

 

CMYK 0 / 35 / 22 / 9

HEX #E896B4

RGB 232 150 180

HSL 338.05, 0.64%, 0.75%

LAB 71.05, 34.82, -2.73

 

CMYK 0 / 23 / 15 / 6

HEX #EFB8CC

RGB 239 184 204

HSL 338.18, 0.63%, 0.83%

LAB 80.17, 22.87, -2.39

 

CMYK 0 / 11 / 7 / 4

HEX #F6DAE4

RGB 246 218 228

HSL 338.57, 0.61%, 0.91%

LAB 89.55, 11.31, -1.36

 

CMYK 0 / 35 / 22 / 9

HEX #E896B4

RGB 232 150 180

HSL 338.05, 0.64%, 0.75%

LAB 71.05, 34.82, -2.73

 

CMYK 0 / 6 / 35 / 9

HEX #E8DA96

RGB 232 218 150

HSL 49.76, 0.64%, 0.75%

LAB 86.75, -4.98, 35.24

 

CMYK 35 / 8 / 0 / 9

HEX #96D5E8

RGB 150 213 232

HSL 193.9, 0.64%, 0.75%

LAB 81.78, -15.34, -15.72

 

CMYK 0 / 35 / 22 / 9

HEX #E896B4

RGB 232 150 180

HSL 338.05, 0.64%, 0.75%

LAB 71.05, 34.82, -2.73

 

CMYK 22 / 0 / 35 / 9

HEX #B4E896

RGB 180 232 150

HSL 98.05, 0.64%, 0.75%

LAB 86.81, -31.12, 34.63

 

CMYK 35 / 22 / 0 / 9

HEX #96B4E8

RGB 150 180 232

HSL 218.05, 0.64%, 0.75%

LAB 72.86, 2.19, -29.29

 

CMYK 0 / 35 / 22 / 9

HEX #E896B4

RGB 232 150 180

HSL 338.05, 0.64%, 0.75%

LAB 71.05, 34.82, -2.73

 

CMYK 0 / 6 / 35 / 9

HEX #E8DA96

RGB 232 218 150

HSL 49.76, 0.64%, 0.75%

LAB 86.75, -4.98, 35.24

 

CMYK 35 / 0 / 13 / 9

HEX #96E8CA

RGB 150 232 202

HSL 158.05, 0.64%, 0.75%

LAB 86.24, -31.49, 6.71

 

CMYK 35 / 29 / 0 / 9

HEX #96A4E8

RGB 150 164 232

HSL 229.76, 0.64%, 0.75%

LAB 68.65, 11.12, -35.8

 

CMYK 0 / 35 / 22 / 9

HEX #E896B4

RGB 232 150 180

HSL 338.05, 0.64%, 0.75%

LAB 71.05, 34.82, -2.73

 

CMYK 5 / 0 / 35 / 9

HEX #DDE896

RGB 221 232 150

HSL 68.05, 0.64%, 0.75%

LAB 89.53, -16.2, 38.7

 

CMYK 35 / 0 / 13 / 9

HEX #96E8CA

RGB 150 232 202

HSL 158.05, 0.64%, 0.75%

LAB 86.24, -31.49, 6.71

 

CMYK 31 / 35 / 0 / 9

HEX #A196E8

RGB 161 150 232

HSL 248.05, 0.64%, 0.75%

LAB 65.92, 22.14, -40

 

Description

Color code: HEX #E896B4 | qconv.com Color code: HEX #E896B4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 150 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 150 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 22 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 22% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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