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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E896CF it is the complementary color #176930. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E896CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E896CF shade: #ED96CA, #FEA8DD, #FFBAF0, #FFCCFF and #FFDEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E896CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E896CF shade: #E896CF, #D784BC, #C672A9, #B56096 and #A44E83

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E896CF shade: #E896CF, #E896B9, #E896A3 and #E89696

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E896CF shade: #E896CF, #E896E5, #D496E8, #BE96E8 and #A896E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E896CF shade matches the following richer shades: #E896CF, #F28CD3 and #FC81D7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E896CF shade: #E896CF, #DDA0CB, #D3ABC7, #C9B5C3 and #BEBFBF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E896CF shade: #D596E8, #E896E5, #E896CF, #E896B9 and #E896A4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E896CF shade: #D952B0, #E074BF, #E896CF, #EFB8DE and #F6DAEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E896CF shade: #E896CF, #E8BF96 and #96E8DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E896CF shade: #E896CF, #CFE896 and #96CFE8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E896CF shade: #E896CF, #E8BF96, #96E8AE and #96BFE8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E896CF shade: #E896CF, #E8D796, #96E8AE and #96A6E8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 11 / 9

HEX #E896CF

RGB 232 150 207

HSL 318.29, 0.64%, 0.75%

LAB 71.88, 39.01, -16.46

 

Complementary color

CMYK 78 / 0 / 54 / 59

HEX #176930

RGB 23 105 48

HSL 138.29, 0.64%, 0.25%

LAB 38.72, -37.47, 25.15

 

CMYK 0 / 37 / 15 / 7

HEX #ED96CA

RGB 237 150 202

HSL 324.14, 0.71%, 0.76%

LAB 72.28, 39.86, -13.03

 

CMYK 0 / 34 / 13 / 0

HEX #FEA8DD

RGB 254 168 221

HSL 323.02, 0.98%, 0.83%

LAB 78.63, 39.12, -13.71

 

CMYK 0 / 27 / 6 / 0

HEX #FFBAF0

RGB 255 186 240

HSL 313.04, 1%, 0.86%

LAB 83.27, 33.19, -16.97

 

CMYK 0 / 20 / 0 / 0

HEX #FFCCFF

RGB 255 204 255

HSL 300, 1%, 0.9%

LAB 87.81, 26.37, -18.1

 

CMYK 0 / 13 / 0 / 0

HEX #FFDEFF

RGB 255 222 255

HSL 300, 1%, 0.94%

LAB 92.01, 16.95, -11.8

 

CMYK 0 / 35 / 11 / 9

HEX #E896CF

RGB 232 150 207

HSL 318.29, 0.64%, 0.75%

LAB 71.88, 39.01, -16.46

 

CMYK 0 / 39 / 13 / 16

HEX #D784BC

RGB 215 132 188

HSL 319.52, 0.51%, 0.68%

LAB 65.42, 39.76, -15.81

 

CMYK 0 / 42 / 15 / 22

HEX #C672A9

RGB 198 114 169

HSL 320.71, 0.42%, 0.61%

LAB 58.89, 40.54, -15.08

 

CMYK 0 / 47 / 17 / 29

HEX #B56096

RGB 181 96 150

HSL 321.88, 0.36%, 0.54%

LAB 52.28, 41.32, -14.24

 

CMYK 0 / 52 / 20 / 36

HEX #A44E83

RGB 164 78 131

HSL 323.02, 0.36%, 0.47%

LAB 45.61, 42.06, -13.23

 

CMYK 0 / 35 / 11 / 9

HEX #E896CF

RGB 232 150 207

HSL 318.29, 0.64%, 0.75%

LAB 71.88, 39.01, -16.46

 

CMYK 0 / 35 / 20 / 9

HEX #E896B9

RGB 232 150 185

HSL 334.39, 0.64%, 0.75%

LAB 71.19, 35.55, -5.3

 

CMYK 0 / 35 / 30 / 9

HEX #E896A3

RGB 232 150 163

HSL 350.49, 0.64%, 0.75%

LAB 70.6, 32.47, 6.07

 

CMYK 0 / 35 / 35 / 9

HEX #E89696

RGB 232 150 150

HSL 0, 0.64%, 0.75%

LAB 70.3, 30.83, 12.86

 

CMYK 0 / 35 / 11 / 9

HEX #E896CF

RGB 232 150 207

HSL 318.29, 0.64%, 0.75%

LAB 71.88, 39.01, -16.46

 

CMYK 0 / 35 / 1 / 9

HEX #E896E5

RGB 232 150 229

HSL 302.2, 0.64%, 0.75%

LAB 72.64, 42.81, -27.39

 

CMYK 9 / 35 / 0 / 9

HEX #D496E8

RGB 212 150 232

HSL 285.37, 0.64%, 0.75%

LAB 70.62, 37.21, -32.33

 

CMYK 18 / 35 / 0 / 9

HEX #BE96E8

RGB 190 150 232

HSL 269.27, 0.64%, 0.75%

LAB 68.45, 30.55, -35.86

 

CMYK 28 / 35 / 0 / 9

HEX #A896E8

RGB 168 150 232

HSL 253.17, 0.64%, 0.75%

LAB 66.49, 24.12, -39.06

 

CMYK 0 / 35 / 11 / 9

HEX #E896CF

RGB 232 150 207

HSL 318.29, 0.64%, 0.75%

LAB 71.88, 39.01, -16.46

 

CMYK 0 / 42 / 13 / 5

HEX #F28CD3

RGB 242 140 211

HSL 318.24, 0.8%, 0.75%

LAB 71.1, 48.06, -19.73

 

CMYK 0 / 49 / 15 / 1

HEX #FC81D7

RGB 252 129 215

HSL 318.05, 0.95%, 0.75%

LAB 70.39, 57.18, -22.92

 

CMYK 0 / 35 / 11 / 9

HEX #E896CF

RGB 232 150 207

HSL 318.29, 0.64%, 0.75%

LAB 71.88, 39.01, -16.46

 

CMYK 0 / 28 / 8 / 13

HEX #DDA0CB

RGB 221 160 203

HSL 317.7, 0.47%, 0.75%

LAB 72.78, 29.32, -13.02

 

CMYK 0 / 19 / 6 / 17

HEX #D3ABC7

RGB 211 171 199

HSL 318, 0.31%, 0.75%

LAB 74.25, 19.23, -8.72

 

CMYK 0 / 10 / 3 / 21

HEX #C9B5C3

RGB 201 181 195

HSL 318, 0.16%, 0.75%

LAB 75.7, 9.59, -4.49

 

CMYK 1 / 0 / 0 / 25

HEX #BEBFBF

RGB 190 191 191

HSL 180, 0.01%, 0.75%

LAB 77.26, -0.34, -0.13

 

CMYK 8 / 35 / 0 / 9

HEX #D596E8

RGB 213 150 232

HSL 286.1, 0.64%, 0.75%

LAB 70.72, 37.51, -32.16

 

CMYK 0 / 35 / 1 / 9

HEX #E896E5

RGB 232 150 229

HSL 302.2, 0.64%, 0.75%

LAB 72.64, 42.81, -27.39

 

CMYK 0 / 35 / 11 / 9

HEX #E896CF

RGB 232 150 207

HSL 318.29, 0.64%, 0.75%

LAB 71.88, 39.01, -16.46

 

CMYK 0 / 35 / 20 / 9

HEX #E896B9

RGB 232 150 185

HSL 334.39, 0.64%, 0.75%

LAB 71.19, 35.55, -5.3

 

CMYK 0 / 35 / 29 / 9

HEX #E896A4

RGB 232 150 164

HSL 349.76, 0.64%, 0.75%

LAB 70.63, 32.6, 5.55

 

CMYK 0 / 62 / 19 / 15

HEX #D952B0

RGB 217 82 176

HSL 318.22, 0.64%, 0.59%

LAB 56.01, 62.65, -23.27

 

CMYK 0 / 48 / 15 / 12

HEX #E074BF

RGB 224 116 191

HSL 318.33, 0.64%, 0.67%

LAB 63.43, 51.32, -20.43

 

CMYK 0 / 35 / 11 / 9

HEX #E896CF

RGB 232 150 207

HSL 318.29, 0.64%, 0.75%

LAB 71.88, 39.01, -16.46

 

CMYK 0 / 23 / 7 / 6

HEX #EFB8DE

RGB 239 184 222

HSL 318.55, 0.63%, 0.83%

LAB 80.69, 25.84, -11.34

 

CMYK 0 / 11 / 3 / 4

HEX #F6DAEE

RGB 246 218 238

HSL 317.14, 0.61%, 0.91%

LAB 89.82, 13.03, -6.22

 

CMYK 0 / 35 / 11 / 9

HEX #E896CF

RGB 232 150 207

HSL 318.29, 0.64%, 0.75%

LAB 71.88, 39.01, -16.46

 

CMYK 0 / 18 / 35 / 9

HEX #E8BF96

RGB 232 191 150

HSL 30, 0.64%, 0.75%

LAB 79.97, 9.02, 26.2

 

CMYK 35 / 0 / 4 / 9

HEX #96E8DF

RGB 150 232 223

HSL 173.41, 0.64%, 0.75%

LAB 86.76, -26.91, -3.55

 

CMYK 0 / 35 / 11 / 9

HEX #E896CF

RGB 232 150 207

HSL 318.29, 0.64%, 0.75%

LAB 71.88, 39.01, -16.46

 

CMYK 11 / 0 / 35 / 9

HEX #CFE896

RGB 207 232 150

HSL 78.29, 0.64%, 0.75%

LAB 88.53, -21.44, 37.22

 

CMYK 35 / 11 / 0 / 9

HEX #96CFE8

RGB 150 207 232

HSL 198.29, 0.64%, 0.75%

LAB 80.14, -12.25, -18.19

 

CMYK 0 / 35 / 11 / 9

HEX #E896CF

RGB 232 150 207

HSL 318.29, 0.64%, 0.75%

LAB 71.88, 39.01, -16.46

 

CMYK 0 / 18 / 35 / 9

HEX #E8BF96

RGB 232 191 150

HSL 30, 0.64%, 0.75%

LAB 79.97, 9.02, 26.2

 

CMYK 35 / 0 / 25 / 9

HEX #96E8AE

RGB 150 232 174

HSL 137.56, 0.64%, 0.75%

LAB 85.63, -36.95, 20.48

 

CMYK 35 / 18 / 0 / 9

HEX #96BFE8

RGB 150 191 232

HSL 210, 0.64%, 0.75%

LAB 75.81, -3.79, -24.78

 

CMYK 0 / 35 / 11 / 9

HEX #E896CF

RGB 232 150 207

HSL 318.29, 0.64%, 0.75%

LAB 71.88, 39.01, -16.46

 

CMYK 0 / 7 / 35 / 9

HEX #E8D796

RGB 232 215 150

HSL 47.56, 0.64%, 0.75%

LAB 85.99, -3.45, 34.23

 

CMYK 35 / 0 / 25 / 9

HEX #96E8AE

RGB 150 232 174

HSL 137.56, 0.64%, 0.75%

LAB 85.63, -36.95, 20.48

 

CMYK 35 / 28 / 0 / 9

HEX #96A6E8

RGB 150 166 232

HSL 228.29, 0.64%, 0.75%

LAB 69.17, 9.99, -34.99

 

Description

Color code: HEX #E896CF | qconv.com Color code: HEX #E896CF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 150 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 150 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 11 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 11% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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