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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E87F95 it is the complementary color #17806A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E87F95. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E87F95 shade: #ED7F90, #FE91A3, #FFA3B6, #FFB5C9 and #FFC7DC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E87F95. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E87F95 shade: #E87F95, #D76D82, #C65B6F, #B5495C and #A43749

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E87F95 shade: #E87C93 and #E87C7C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E87F95 shade: #E87C93, #E87CB0, #E87CCD, #E67CE8 and #C97CE8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E87F95 shade matches the following richer shades: #E87C93 and #F4708C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E87F95 shade: #E87C93, #DB899A, #CF95A1, #C2A2A8 and #B6AEB0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E87F95 shade: #E87CCD, #E87CB0, #E87C94, #E8827C and #E89E7C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E87F95 shade: #DB3659, #E15976, #E87C93, #EEA0B0 and #F4C3CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E87F95 shade: #E87F95, #E8E67C and #7CBEE8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E87F95 shade: #E87F95, #94E87C and #7C94E8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E87F95 shade: #E87F95, #E8E67C, #7CE8D0 and #7C7EE8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E87F95 shade: #E87F95, #C9E87C, #7CE8D0 and #9B7CE8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 36 / 9

HEX #E87F95

RGB 232 127 149

HSL 347.43, 0.7%, 0.7%

LAB 65.36, 42.7, 6.41

 

Complementary color

CMYK 82 / 0 / 17 / 50

HEX #17806A

RGB 23 128 106

HSL 167.43, 0.7%, 0.3%

LAB 47.83, -33.9, 3.88

 

CMYK 0 / 46 / 39 / 7

HEX #ED7F90

RGB 237 127 144

HSL 350.73, 0.75%, 0.71%

LAB 65.9, 43.9, 10.1

 

CMYK 0 / 43 / 36 / 0

HEX #FE91A3

RGB 254 145 163

HSL 350.09, 0.98%, 0.78%

LAB 72.21, 42.95, 8.72

 

CMYK 0 / 36 / 29 / 0

HEX #FFA3B6

RGB 255 163 182

HSL 347.61, 1%, 0.82%

LAB 76.58, 36.41, 4.54

 

CMYK 0 / 29 / 21 / 0

HEX #FFB5C9

RGB 255 181 201

HSL 343.78, 1%, 0.85%

LAB 81.03, 29.63, 0.68

 

CMYK 0 / 22 / 14 / 0

HEX #FFC7DC

RGB 255 199 220

HSL 337.5, 1%, 0.89%

LAB 85.64, 23.06, -2.76

 

CMYK 0 / 45 / 36 / 9

HEX #E87F95

RGB 232 127 149

HSL 347.43, 0.7%, 0.7%

LAB 65.36, 42.7, 6.41

 

CMYK 0 / 49 / 40 / 16

HEX #D76D82

RGB 215 109 130

HSL 348.11, 0.57%, 0.64%

LAB 58.97, 43.64, 7.86

 

CMYK 0 / 54 / 44 / 22

HEX #C65B6F

RGB 198 91 111

HSL 348.79, 0.48%, 0.57%

LAB 52.55, 44.58, 9.56

 

CMYK 0 / 60 / 49 / 29

HEX #B5495C

RGB 181 73 92

HSL 349.44, 0.43%, 0.5%

LAB 46.13, 45.46, 11.6

 

CMYK 0 / 66 / 55 / 36

HEX #A43749

RGB 164 55 73

HSL 350.09, 0.5%, 0.43%

LAB 39.76, 46.15, 14.13

 

CMYK 0 / 47 / 37 / 9

HEX #E87C93

RGB 232 124 147

HSL 347.22, 0.7%, 0.7%

LAB 64.71, 43.99, 6.6

 

CMYK 0 / 47 / 47 / 9

HEX #E87C7C

RGB 232 124 124

HSL 0, 0.7%, 0.7%

LAB 64.18, 41.54, 18.93

 

CMYK 0 / 47 / 37 / 9

HEX #E87C93

RGB 232 124 147

HSL 347.22, 0.7%, 0.7%

LAB 64.71, 43.99, 6.6

 

CMYK 0 / 47 / 24 / 9

HEX #E87CB0

RGB 232 124 176

HSL 331.11, 0.7%, 0.7%

LAB 65.52, 47.69, -8.67

 

CMYK 0 / 47 / 12 / 9

HEX #E87CCD

RGB 232 124 205

HSL 315, 0.7%, 0.7%

LAB 66.5, 52.02, -23.51

 

CMYK 1 / 47 / 0 / 9

HEX #E67CE8

RGB 230 124 232

HSL 298.89, 0.7%, 0.7%

LAB 67.33, 55.99, -37.28

 

CMYK 13 / 47 / 0 / 9

HEX #C97CE8

RGB 201 124 232

HSL 282.78, 0.7%, 0.7%

LAB 63.88, 47.84, -42.91

 

CMYK 0 / 47 / 37 / 9

HEX #E87C93

RGB 232 124 147

HSL 347.22, 0.7%, 0.7%

LAB 64.71, 43.99, 6.6

 

CMYK 0 / 54 / 43 / 4

HEX #F4708C

RGB 244 112 140

HSL 347.27, 0.86%, 0.7%

LAB 63.93, 53.2, 9.72

 

CMYK 0 / 47 / 37 / 9

HEX #E87C93

RGB 232 124 147

HSL 347.22, 0.7%, 0.7%

LAB 64.71, 43.99, 6.6

 

CMYK 0 / 37 / 30 / 14

HEX #DB899A

RGB 219 137 154

HSL 347.56, 0.53%, 0.7%

LAB 65.97, 33.45, 4.24

 

CMYK 0 / 28 / 22 / 19

HEX #CF95A1

RGB 207 149 161

HSL 347.59, 0.38%, 0.7%

LAB 67.53, 23.55, 2.39

 

CMYK 0 / 16 / 13 / 24

HEX #C2A2A8

RGB 194 162 168

HSL 348.75, 0.21%, 0.7%

LAB 69.57, 12.73, 1.29

 

CMYK 0 / 4 / 3 / 29

HEX #B6AEB0

RGB 182 174 176

HSL 345, 0.05%, 0.7%

LAB 71.79, 3.22, -0.01

 

CMYK 0 / 47 / 12 / 9

HEX #E87CCD

RGB 232 124 205

HSL 315, 0.7%, 0.7%

LAB 66.5, 52.02, -23.51

 

CMYK 0 / 47 / 24 / 9

HEX #E87CB0

RGB 232 124 176

HSL 331.11, 0.7%, 0.7%

LAB 65.52, 47.69, -8.67

 

CMYK 0 / 47 / 36 / 9

HEX #E87C94

RGB 232 124 148

HSL 346.67, 0.7%, 0.7%

LAB 64.73, 44.11, 6.07

 

CMYK 0 / 44 / 47 / 9

HEX #E8827C

RGB 232 130 124

HSL 3.33, 0.7%, 0.7%

LAB 65.42, 38.47, 20.62

 

CMYK 0 / 32 / 47 / 9

HEX #E89E7C

RGB 232 158 124

HSL 18.89, 0.7%, 0.7%

LAB 71.6, 23.73, 28.91

 

CMYK 0 / 75 / 59 / 14

HEX #DB3659

RGB 219 54 89

HSL 347.27, 0.7%, 0.54%

LAB 50, 64.56, 19.8

 

CMYK 0 / 60 / 48 / 12

HEX #E15976

RGB 225 89 118

HSL 347.21, 0.69%, 0.62%

LAB 56.55, 55.3, 11.65

 

CMYK 0 / 47 / 37 / 9

HEX #E87C93

RGB 232 124 147

HSL 347.22, 0.7%, 0.7%

LAB 64.71, 43.99, 6.6

 

CMYK 0 / 33 / 26 / 7

HEX #EEA0B0

RGB 238 160 176

HSL 347.69, 0.7%, 0.78%

LAB 73.84, 31.1, 3.63

 

CMYK 0 / 20 / 16 / 4

HEX #F4C3CD

RGB 244 195 205

HSL 347.76, 0.69%, 0.86%

LAB 83.27, 18.96, 1.65

 

CMYK 0 / 45 / 36 / 9

HEX #E87F95

RGB 232 127 149

HSL 347.43, 0.7%, 0.7%

LAB 65.36, 42.7, 6.41

 

CMYK 0 / 1 / 47 / 9

HEX #E8E67C

RGB 232 230 124

HSL 58.89, 0.7%, 0.7%

LAB 89.49, -13.69, 51.52

 

CMYK 47 / 18 / 0 / 9

HEX #7CBEE8

RGB 124 190 232

HSL 203.33, 0.7%, 0.7%

LAB 74.15, -9.9, -27.43

 

CMYK 0 / 45 / 36 / 9

HEX #E87F95

RGB 232 127 149

HSL 347.43, 0.7%, 0.7%

LAB 65.36, 42.7, 6.41

 

CMYK 36 / 0 / 47 / 9

HEX #94E87C

RGB 148 232 124

HSL 106.67, 0.7%, 0.7%

LAB 84.72, -45.3, 44.47

 

CMYK 47 / 36 / 0 / 9

HEX #7C94E8

RGB 124 148 232

HSL 226.67, 0.7%, 0.7%

LAB 62.75, 13.62, -45.16

 

CMYK 0 / 45 / 36 / 9

HEX #E87F95

RGB 232 127 149

HSL 347.43, 0.7%, 0.7%

LAB 65.36, 42.7, 6.41

 

CMYK 0 / 1 / 47 / 9

HEX #E8E67C

RGB 232 230 124

HSL 58.89, 0.7%, 0.7%

LAB 89.49, -13.69, 51.52

 

CMYK 47 / 0 / 10 / 9

HEX #7CE8D0

RGB 124 232 208

HSL 166.67, 0.7%, 0.7%

LAB 85.28, -36.84, 2.03

 

CMYK 47 / 46 / 0 / 9

HEX #7C7EE8

RGB 124 126 232

HSL 238.89, 0.7%, 0.7%

LAB 57.11, 26.59, -54.1

 

CMYK 0 / 45 / 36 / 9

HEX #E87F95

RGB 232 127 149

HSL 347.43, 0.7%, 0.7%

LAB 65.36, 42.7, 6.41

 

CMYK 13 / 0 / 47 / 9

HEX #C9E87C

RGB 201 232 124

HSL 77.22, 0.7%, 0.7%

LAB 87.77, -26.67, 48.91

 

CMYK 47 / 0 / 10 / 9

HEX #7CE8D0

RGB 124 232 208

HSL 166.67, 0.7%, 0.7%

LAB 85.28, -36.84, 2.03

 

CMYK 33 / 47 / 0 / 9

HEX #9B7CE8

RGB 155 124 232

HSL 257.22, 0.7%, 0.7%

LAB 59.17, 35.37, -50.67

 

Description

Color code: HEX #E87F95 | qconv.com Color code: HEX #E87F95 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 127 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 127 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 36 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 36% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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