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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E87ECA it is the complementary color #178135. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E87ECA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E87ECA shade: #ED7EC5, #FE90D8, #FFA2EB, #FFB4FE and #FFC6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E87ECA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E87ECA shade: #E87ECA, #D76CB7, #C65AA4, #B54891 and #A4367E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E87ECA shade: #E87CC9, #E87CAC, #E87C8F and #E87C7C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E87ECA shade: #E87CC9, #E87CE6, #CC7CE8, #AF7CE8 and #927CE8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E87ECA shade matches the following richer shades: #E87CC9 and #F470CF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E87ECA shade: #E87CC9, #DB89C4, #CF95BE, #C2A2B9 and #B6AEB4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E87ECA shade: #CB7CE8, #E87CE8, #E87CCB, #E87CAE and #E87C92

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E87ECA shade: #DB36AD, #E159BB, #E87CC9, #EEA0D8 and #F4C3E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E87ECA shade: #E87ECA, #E8AE7C and #7CE8D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E87ECA shade: #E87ECA, #CBE87C and #7CCBE8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E87ECA shade: #E87ECA, #E8AE7C, #7CE899 and #7CB6E8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E87ECA shade: #E87ECA, #E8CF7C, #7CE899 and #7C95E8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 13 / 9

HEX #E87ECA

RGB 232 126 202

HSL 316.98, 0.7%, 0.7%

LAB 66.78, 50.55, -21.41

 

Complementary color

CMYK 82 / 0 / 59 / 49

HEX #178135

RGB 23 129 53

HSL 136.98, 0.7%, 0.3%

LAB 47.16, -45.64, 32.71

 

CMYK 0 / 47 / 17 / 7

HEX #ED7EC5

RGB 237 126 197

HSL 321.62, 0.76%, 0.71%

LAB 67.25, 51.34, -17.84

 

CMYK 0 / 43 / 15 / 0

HEX #FE90D8

RGB 254 144 216

HSL 320.73, 0.98%, 0.78%

LAB 73.53, 50.6, -18.67

 

CMYK 0 / 36 / 8 / 0

HEX #FFA2EB

RGB 255 162 235

HSL 312.9, 1%, 0.82%

LAB 77.93, 44.83, -22.35

 

CMYK 0 / 29 / 0 / 0

HEX #FFB4FE

RGB 255 180 254

HSL 300.8, 1%, 0.85%

LAB 82.41, 38.78, -25.75

 

CMYK 0 / 22 / 0 / 0

HEX #FFC6FF

RGB 255 198 255

HSL 300, 1%, 0.89%

LAB 86.44, 29.52, -20.16

 

CMYK 0 / 46 / 13 / 9

HEX #E87ECA

RGB 232 126 202

HSL 316.98, 0.7%, 0.7%

LAB 66.78, 50.55, -21.41

 

CMYK 0 / 50 / 15 / 16

HEX #D76CB7

RGB 215 108 183

HSL 317.94, 0.57%, 0.63%

LAB 60.42, 51.25, -20.57

 

CMYK 0 / 55 / 17 / 22

HEX #C65AA4

RGB 198 90 164

HSL 318.89, 0.49%, 0.56%

LAB 54.03, 51.87, -19.58

 

CMYK 0 / 60 / 20 / 29

HEX #B54891

RGB 181 72 145

HSL 319.82, 0.43%, 0.5%

LAB 47.63, 52.32, -18.35

 

CMYK 0 / 67 / 23 / 36

HEX #A4367E

RGB 164 54 126

HSL 320.73, 0.5%, 0.43%

LAB 41.28, 52.46, -16.78

 

CMYK 0 / 47 / 13 / 9

HEX #E87CC9

RGB 232 124 201

HSL 317.22, 0.7%, 0.7%

LAB 66.36, 51.39, -21.49

 

CMYK 0 / 47 / 26 / 9

HEX #E87CAC

RGB 232 124 172

HSL 333.33, 0.7%, 0.7%

LAB 65.4, 47.14, -6.59

 

CMYK 0 / 47 / 38 / 9

HEX #E87C8F

RGB 232 124 143

HSL 349.44, 0.7%, 0.7%

LAB 64.61, 43.53, 8.74

 

CMYK 0 / 47 / 47 / 9

HEX #E87C7C

RGB 232 124 124

HSL 0, 0.7%, 0.7%

LAB 64.18, 41.54, 18.93

 

CMYK 0 / 47 / 13 / 9

HEX #E87CC9

RGB 232 124 201

HSL 317.22, 0.7%, 0.7%

LAB 66.36, 51.39, -21.49

 

CMYK 0 / 47 / 1 / 9

HEX #E87CE6

RGB 232 124 230

HSL 301.11, 0.7%, 0.7%

LAB 67.49, 56.2, -35.9

 

CMYK 12 / 47 / 0 / 9

HEX #CC7CE8

RGB 204 124 232

HSL 284.44, 0.7%, 0.7%

LAB 64.22, 48.68, -42.35

 

CMYK 25 / 47 / 0 / 9

HEX #AF7CE8

RGB 175 124 232

HSL 268.33, 0.7%, 0.7%

LAB 61.09, 40.67, -47.5

 

CMYK 37 / 47 / 0 / 9

HEX #927CE8

RGB 146 124 232

HSL 252.22, 0.7%, 0.7%

LAB 58.37, 33.07, -51.99

 

CMYK 0 / 47 / 13 / 9

HEX #E87CC9

RGB 232 124 201

HSL 317.22, 0.7%, 0.7%

LAB 66.36, 51.39, -21.49

 

CMYK 0 / 54 / 15 / 4

HEX #F470CF

RGB 244 112 207

HSL 316.82, 0.86%, 0.7%

LAB 66, 61.59, -25.26

 

CMYK 0 / 47 / 13 / 9

HEX #E87CC9

RGB 232 124 201

HSL 317.22, 0.7%, 0.7%

LAB 66.36, 51.39, -21.49

 

CMYK 0 / 37 / 11 / 14

HEX #DB89C4

RGB 219 137 196

HSL 316.83, 0.53%, 0.7%

LAB 67.23, 39.76, -17.52

 

CMYK 0 / 28 / 8 / 19

HEX #CF95BE

RGB 207 149 190

HSL 317.59, 0.38%, 0.7%

LAB 68.37, 28.25, -12.58

 

CMYK 0 / 16 / 5 / 24

HEX #C2A2B9

RGB 194 162 185

HSL 316.88, 0.21%, 0.7%

LAB 70.04, 15.69, -7.44

 

CMYK 0 / 4 / 1 / 29

HEX #B6AEB4

RGB 182 174 180

HSL 315, 0.05%, 0.7%

LAB 71.9, 3.95, -2.05

 

CMYK 13 / 47 / 0 / 9

HEX #CB7CE8

RGB 203 124 232

HSL 283.89, 0.7%, 0.7%

LAB 64.11, 48.4, -42.54

 

CMYK 0 / 47 / 0 / 9

HEX #E87CE8

RGB 232 124 232

HSL 300, 0.7%, 0.7%

LAB 67.57, 56.55, -36.87

 

CMYK 0 / 47 / 13 / 9

HEX #E87CCB

RGB 232 124 203

HSL 316.11, 0.7%, 0.7%

LAB 66.43, 51.7, -22.5

 

CMYK 0 / 47 / 25 / 9

HEX #E87CAE

RGB 232 124 174

HSL 332.22, 0.7%, 0.7%

LAB 65.46, 47.41, -7.63

 

CMYK 0 / 47 / 37 / 9

HEX #E87C92

RGB 232 124 146

HSL 347.78, 0.7%, 0.7%

LAB 64.68, 43.87, 7.14

 

CMYK 0 / 75 / 21 / 14

HEX #DB36AD

RGB 219 54 173

HSL 316.73, 0.7%, 0.54%

LAB 52.64, 72.74, -26.7

 

CMYK 0 / 60 / 17 / 12

HEX #E159BB

RGB 225 89 187

HSL 316.76, 0.69%, 0.62%

LAB 58.73, 63.47, -25.32

 

CMYK 0 / 47 / 13 / 9

HEX #E87CC9

RGB 232 124 201

HSL 317.22, 0.7%, 0.7%

LAB 66.36, 51.39, -21.49

 

CMYK 0 / 33 / 9 / 7

HEX #EEA0D8

RGB 238 160 216

HSL 316.92, 0.7%, 0.78%

LAB 75, 37.22, -16.63

 

CMYK 0 / 20 / 6 / 4

HEX #F4C3E6

RGB 244 195 230

HSL 317.14, 0.69%, 0.86%

LAB 83.95, 23.07, -10.71

 

CMYK 0 / 46 / 13 / 9

HEX #E87ECA

RGB 232 126 202

HSL 316.98, 0.7%, 0.7%

LAB 66.78, 50.55, -21.41

 

CMYK 0 / 25 / 47 / 9

HEX #E8AE7C

RGB 232 174 124

HSL 27.78, 0.7%, 0.7%

LAB 75.38, 15.2, 33.85

 

CMYK 47 / 0 / 6 / 9

HEX #7CE8D9

RGB 124 232 217

HSL 171.67, 0.7%, 0.7%

LAB 85.51, -34.73, -2.37

 

CMYK 0 / 46 / 13 / 9

HEX #E87ECA

RGB 232 126 202

HSL 316.98, 0.7%, 0.7%

LAB 66.78, 50.55, -21.41

 

CMYK 13 / 0 / 47 / 9

HEX #CBE87C

RGB 203 232 124

HSL 76.11, 0.7%, 0.7%

LAB 87.9, -25.91, 49.1

 

CMYK 47 / 13 / 0 / 9

HEX #7CCBE8

RGB 124 203 232

HSL 196.11, 0.7%, 0.7%

LAB 77.77, -16.71, -21.91

 

CMYK 0 / 46 / 13 / 9

HEX #E87ECA

RGB 232 126 202

HSL 316.98, 0.7%, 0.7%

LAB 66.78, 50.55, -21.41

 

CMYK 0 / 25 / 47 / 9

HEX #E8AE7C

RGB 232 174 124

HSL 27.78, 0.7%, 0.7%

LAB 75.38, 15.2, 33.85

 

CMYK 47 / 0 / 34 / 9

HEX #7CE899

RGB 124 232 153

HSL 136.11, 0.7%, 0.7%

LAB 84.12, -47.96, 29.04

 

CMYK 47 / 22 / 0 / 9

HEX #7CB6E8

RGB 124 182 232

HSL 207.78, 0.7%, 0.7%

LAB 71.94, -5.59, -30.84

 

CMYK 0 / 46 / 13 / 9

HEX #E87ECA

RGB 232 126 202

HSL 316.98, 0.7%, 0.7%

LAB 66.78, 50.55, -21.41

 

CMYK 0 / 11 / 47 / 9

HEX #E8CF7C

RGB 232 207 124

HSL 46.11, 0.7%, 0.7%

LAB 83.57, -2.09, 44.25

 

CMYK 47 / 0 / 34 / 9

HEX #7CE899

RGB 124 232 153

HSL 136.11, 0.7%, 0.7%

LAB 84.12, -47.96, 29.04

 

CMYK 47 / 36 / 0 / 9

HEX #7C95E8

RGB 124 149 232

HSL 226.11, 0.7%, 0.7%

LAB 63.02, 13.04, -44.74

 

Description

Color code: HEX #E87ECA | qconv.com Color code: HEX #E87ECA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 126 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 126 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 13 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 13% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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