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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E861BE it is the complementary color #179E41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E861BE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E861BE shade: #ED61B9, #FE73CC, #FF85DF, #FF97F2 and #FFA9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E861BE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E861BE shade: #E861BE, #D74FAB, #C63D98, #B52B85 and #A41972

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E861BE shade: #E862BF, #E8629A, #E86276 and #E86262

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E861BE shade: #E862BF, #E862E3, #CA62E8, #A662E8 and #8162E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E861BE shade matches the following richer shades: #E862BF and #F754C4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E861BE shade: #E862BF, #DA71B9, #CB7FB4, #BD8EAE and #AE9CA9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E861BE shade: #C962E8, #E862E4, #E862C0, #E8629C and #E86279

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E861BE shade: #D91F9F, #E33EB0, #E862BF, #ED86CD and #F3ABDC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E861BE shade: #E861BE, #E8A562 and #62E8DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E861BE shade: #E861BE, #C0E862 and #62C0E8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E861BE shade: #E861BE, #E8A562, #62E88A and #62A5E8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E861BE shade: #E861BE, #E8CD62, #62E88A and #627DE8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 18 / 9

HEX #E861BE

RGB 232 97 190

HSL 318.67, 0.75%, 0.65%

LAB 61.15, 62.4, -23.23

 

Complementary color

CMYK 85 / 0 / 59 / 38

HEX #179E41

RGB 23 158 65

HSL 138.67, 0.75%, 0.35%

LAB 57.09, -53.96, 38.53

 

CMYK 0 / 59 / 22 / 7

HEX #ED61B9

RGB 237 97 185

HSL 322.29, 0.8%, 0.65%

LAB 61.7, 63.13, -19.47

 

CMYK 0 / 55 / 20 / 0

HEX #FE73CC

RGB 254 115 204

HSL 321.58, 0.99%, 0.72%

LAB 67.79, 62.68, -20.72

 

CMYK 0 / 48 / 13 / 0

HEX #FF85DF

RGB 255 133 223

HSL 315.74, 1%, 0.76%

LAB 71.8, 57.38, -25.14

 

CMYK 0 / 41 / 5 / 0

HEX #FF97F2

RGB 255 151 242

HSL 307.5, 1%, 0.8%

LAB 75.95, 51.59, -29.18

 

CMYK 0 / 34 / 0 / 0

HEX #FFA9FF

RGB 255 169 255

HSL 300, 1%, 0.83%

LAB 80.1, 44.67, -29.82

 

CMYK 0 / 58 / 18 / 9

HEX #E861BE

RGB 232 97 190

HSL 318.67, 0.75%, 0.65%

LAB 61.15, 62.4, -23.23

 

CMYK 0 / 63 / 20 / 16

HEX #D74FAB

RGB 215 79 171

HSL 319.41, 0.63%, 0.58%

LAB 55.05, 62.64, -21.87

 

CMYK 0 / 69 / 23 / 22

HEX #C63D98

RGB 198 61 152

HSL 320.15, 0.55%, 0.51%

LAB 49.02, 62.52, -20.16

 

CMYK 0 / 76 / 27 / 29

HEX #B52B85

RGB 181 43 133

HSL 320.87, 0.62%, 0.44%

LAB 43.13, 61.83, -17.98

 

CMYK 0 / 85 / 30 / 36

HEX #A41972

RGB 164 25 114

HSL 321.58, 0.74%, 0.37%

LAB 37.49, 60.24, -15.11

 

CMYK 0 / 58 / 18 / 9

HEX #E862BF

RGB 232 98 191

HSL 318.36, 0.74%, 0.65%

LAB 61.35, 62.11, -23.5

 

CMYK 0 / 58 / 34 / 9

HEX #E8629A

RGB 232 98 154

HSL 334.93, 0.74%, 0.65%

LAB 60.09, 57.28, -4.13

 

CMYK 0 / 58 / 49 / 9

HEX #E86276

RGB 232 98 118

HSL 351.04, 0.74%, 0.65%

LAB 59.16, 53.58, 15.45

 

CMYK 0 / 58 / 58 / 9

HEX #E86262

RGB 232 98 98

HSL 0, 0.74%, 0.65%

LAB 58.76, 51.97, 26.48

 

CMYK 0 / 58 / 18 / 9

HEX #E862BF

RGB 232 98 191

HSL 318.36, 0.74%, 0.65%

LAB 61.35, 62.11, -23.5

 

CMYK 0 / 58 / 2 / 9

HEX #E862E3

RGB 232 98 227

HSL 302.24, 0.74%, 0.65%

LAB 62.88, 67.68, -41.44

 

CMYK 13 / 58 / 0 / 9

HEX #CA62E8

RGB 202 98 232

HSL 286.57, 0.74%, 0.65%

LAB 59.08, 61.06, -50.49

 

CMYK 28 / 58 / 0 / 9

HEX #A662E8

RGB 166 98 232

HSL 270.45, 0.74%, 0.65%

LAB 54.73, 52.35, -57.69

 

CMYK 44 / 58 / 0 / 9

HEX #8162E8

RGB 129 98 232

HSL 253.88, 0.74%, 0.65%

LAB 50.95, 44.05, -63.96

 

CMYK 0 / 58 / 18 / 9

HEX #E862BF

RGB 232 98 191

HSL 318.36, 0.74%, 0.65%

LAB 61.35, 62.11, -23.5

 

CMYK 0 / 66 / 21 / 3

HEX #F754C4

RGB 247 84 196

HSL 318.77, 0.91%, 0.65%

LAB 61.74, 72.51, -25.55

 

CMYK 0 / 58 / 18 / 9

HEX #E862BF

RGB 232 98 191

HSL 318.36, 0.74%, 0.65%

LAB 61.35, 62.11, -23.5

 

CMYK 0 / 48 / 15 / 15

HEX #DA71B9

RGB 218 113 185

HSL 318.86, 0.59%, 0.65%

LAB 61.84, 50.01, -19.51

 

CMYK 0 / 37 / 11 / 20

HEX #CB7FB4

RGB 203 127 180

HSL 318.16, 0.42%, 0.65%

LAB 62.65, 37.1, -15.61

 

CMYK 0 / 25 / 8 / 26

HEX #BD8EAE

RGB 189 142 174

HSL 319.15, 0.26%, 0.65%

LAB 64.34, 23.02, -9.84

 

CMYK 0 / 10 / 3 / 32

HEX #AE9CA9

RGB 174 156 169

HSL 316.67, 0.1%, 0.65%

LAB 66.24, 8.95, -4.35

 

CMYK 13 / 58 / 0 / 9

HEX #C962E8

RGB 201 98 232

HSL 286.12, 0.74%, 0.65%

LAB 58.95, 60.82, -50.7

 

CMYK 0 / 58 / 2 / 9

HEX #E862E4

RGB 232 98 228

HSL 301.79, 0.74%, 0.65%

LAB 62.92, 67.84, -41.93

 

CMYK 0 / 58 / 17 / 9

HEX #E862C0

RGB 232 98 192

HSL 317.91, 0.74%, 0.65%

LAB 61.39, 62.25, -24.01

 

CMYK 0 / 58 / 33 / 9

HEX #E8629C

RGB 232 98 156

HSL 334.03, 0.74%, 0.65%

LAB 60.15, 57.52, -5.2

 

CMYK 0 / 58 / 48 / 9

HEX #E86279

RGB 232 98 121

HSL 349.7, 0.74%, 0.65%

LAB 59.22, 53.85, 13.8

 

CMYK 0 / 86 / 27 / 15

HEX #D91F9F

RGB 217 31 159

HSL 318.71, 0.75%, 0.49%

LAB 49.78, 76.08, -22.88

 

CMYK 0 / 73 / 22 / 11

HEX #E33EB0

RGB 227 62 176

HSL 318.55, 0.75%, 0.57%

LAB 54.98, 72.57, -24.72

 

CMYK 0 / 58 / 18 / 9

HEX #E862BF

RGB 232 98 191

HSL 318.36, 0.74%, 0.65%

LAB 61.35, 62.11, -23.5

 

CMYK 0 / 43 / 14 / 7

HEX #ED86CD

RGB 237 134 205

HSL 318.64, 0.74%, 0.73%

LAB 69.08, 48.57, -19.52

 

CMYK 0 / 30 / 9 / 5

HEX #F3ABDC

RGB 243 171 220

HSL 319.17, 0.75%, 0.81%

LAB 78.08, 33.74, -14.12

 

CMYK 0 / 58 / 18 / 9

HEX #E861BE

RGB 232 97 190

HSL 318.67, 0.75%, 0.65%

LAB 61.15, 62.4, -23.23

 

CMYK 0 / 29 / 58 / 9

HEX #E8A562

RGB 232 165 98

HSL 30, 0.74%, 0.65%

LAB 72.86, 17.74, 44.15

 

CMYK 58 / 0 / 6 / 9

HEX #62E8DB

RGB 98 232 219

HSL 174.18, 0.74%, 0.65%

LAB 84.7, -39.57, -4.71

 

CMYK 0 / 58 / 18 / 9

HEX #E861BE

RGB 232 97 190

HSL 318.67, 0.75%, 0.65%

LAB 61.15, 62.4, -23.23

 

CMYK 17 / 0 / 58 / 9

HEX #C0E862

RGB 192 232 98

HSL 77.91, 0.74%, 0.65%

LAB 86.9, -32.51, 59.62

 

CMYK 58 / 17 / 0 / 9

HEX #62C0E8

RGB 98 192 232

HSL 197.91, 0.74%, 0.65%

LAB 73.62, -16.52, -28.33

 

CMYK 0 / 58 / 18 / 9

HEX #E861BE

RGB 232 97 190

HSL 318.67, 0.75%, 0.65%

LAB 61.15, 62.4, -23.23

 

CMYK 0 / 29 / 58 / 9

HEX #E8A562

RGB 232 165 98

HSL 30, 0.74%, 0.65%

LAB 72.86, 17.74, 44.15

 

CMYK 58 / 0 / 41 / 9

HEX #62E88A

RGB 98 232 138

HSL 137.91, 0.74%, 0.65%

LAB 82.99, -56.79, 34.97

 

CMYK 58 / 29 / 0 / 9

HEX #62A5E8

RGB 98 165 232

HSL 210, 0.74%, 0.65%

LAB 66.01, -1.85, -40.14

 

CMYK 0 / 58 / 18 / 9

HEX #E861BE

RGB 232 97 190

HSL 318.67, 0.75%, 0.65%

LAB 61.15, 62.4, -23.23

 

CMYK 0 / 12 / 58 / 9

HEX #E8CD62

RGB 232 205 98

HSL 47.91, 0.74%, 0.65%

LAB 82.75, -3.24, 55.74

 

CMYK 58 / 0 / 41 / 9

HEX #62E88A

RGB 98 232 138

HSL 137.91, 0.74%, 0.65%

LAB 82.99, -56.79, 34.97

 

CMYK 58 / 46 / 0 / 9

HEX #627DE8

RGB 98 125 232

HSL 227.91, 0.74%, 0.65%

LAB 55.17, 21.68, -57.31

 

Description

Color code: HEX #E861BE | qconv.com Color code: HEX #E861BE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 97 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 97 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 18 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 18% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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