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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E868C6 it is the complementary color #179739. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E868C6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E868C6 shade: #ED68C1, #FE7AD4, #FF8CE7, #FF9EFA and #FFB0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E868C6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E868C6 shade: #E868C6, #D756B3, #C644A0, #B5328D and #A4207A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E868C6 shade: #E868C6, #E868A3, #E86881 and #E86868

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E868C6 shade: #E868C6, #E768E8, #C568E8, #A268E8 and #8068E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E868C6 shade matches the following richer shades: #E868C6 and #F65ACC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E868C6 shade: #E868C6, #DA76BF, #CC84B9, #BE92B2 and #B0A0AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E868C6 shade: #C468E8, #E668E8, #E868C8, #E868A6 and #E86883

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E868C6 shade: #DD21AB, #E344B8, #E868C6, #ED8CD3 and #F3AFE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E868C6 shade: #E868C6, #E8A168 and #68E8D5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E868C6 shade: #E868C6, #C8E868 and #68C8E8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E868C6 shade: #E868C6, #E8A168, #68E888 and #68AEE8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E868C6 shade: #E868C6, #E8C868, #68E888 and #6888E8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 15 / 9

HEX #E868C6

RGB 232 104 198

HSL 315.94, 0.74%, 0.66%

LAB 62.62, 60.46, -25.53

 

Complementary color

CMYK 85 / 0 / 62 / 41

HEX #179739

RGB 23 151 57

HSL 135.94, 0.74%, 0.34%

LAB 54.67, -52.68, 39.52

 

CMYK 0 / 56 / 19 / 7

HEX #ED68C1

RGB 237 104 193

HSL 319.85, 0.79%, 0.67%

LAB 63.14, 61.16, -21.83

 

CMYK 0 / 52 / 17 / 0

HEX #FE7AD4

RGB 254 122 212

HSL 319.09, 0.99%, 0.74%

LAB 69.29, 60.63, -22.91

 

CMYK 0 / 45 / 9 / 0

HEX #FF8CE7

RGB 255 140 231

HSL 312.52, 1%, 0.77%

LAB 73.41, 55.24, -27.08

 

CMYK 0 / 38 / 2 / 0

HEX #FF9EFA

RGB 255 158 250

HSL 303.09, 1%, 0.81%

LAB 77.65, 49.43, -30.9

 

CMYK 0 / 31 / 0 / 0

HEX #FFB0FF

RGB 255 176 255

HSL 300, 1%, 0.85%

LAB 81.58, 41.04, -27.55

 

CMYK 0 / 55 / 15 / 9

HEX #E868C6

RGB 232 104 198

HSL 315.94, 0.74%, 0.66%

LAB 62.62, 60.46, -25.53

 

CMYK 0 / 60 / 17 / 16

HEX #D756B3

RGB 215 86 179

HSL 316.74, 0.62%, 0.59%

LAB 56.44, 60.83, -24.37

 

CMYK 0 / 66 / 19 / 22

HEX #C644A0

RGB 198 68 160

HSL 317.54, 0.53%, 0.52%

LAB 50.31, 60.94, -22.93

 

CMYK 0 / 72 / 22 / 29

HEX #B5328D

RGB 181 50 141

HSL 318.32, 0.57%, 0.45%

LAB 44.27, 60.58, -21.09

 

CMYK 0 / 80 / 26 / 36

HEX #A4207A

RGB 164 32 122

HSL 319.09, 0.67%, 0.38%

LAB 38.43, 59.47, -18.67

 

CMYK 0 / 55 / 15 / 9

HEX #E868C6

RGB 232 104 198

HSL 315.94, 0.74%, 0.66%

LAB 62.62, 60.46, -25.53

 

CMYK 0 / 55 / 30 / 9

HEX #E868A3

RGB 232 104 163

HSL 332.34, 0.74%, 0.66%

LAB 61.4, 55.64, -7.4

 

CMYK 0 / 55 / 44 / 9

HEX #E86881

RGB 232 104 129

HSL 348.28, 0.74%, 0.66%

LAB 60.46, 51.83, 10.9

 

CMYK 0 / 55 / 55 / 9

HEX #E86868

RGB 232 104 104

HSL 0, 0.74%, 0.66%

LAB 59.94, 49.63, 24.59

 

CMYK 0 / 55 / 15 / 9

HEX #E868C6

RGB 232 104 198

HSL 315.94, 0.74%, 0.66%

LAB 62.62, 60.46, -25.53

 

CMYK 0 / 55 / 0 / 9

HEX #E768E8

RGB 231 104 232

HSL 299.53, 0.74%, 0.66%

LAB 63.93, 65.64, -42.58

 

CMYK 15 / 55 / 0 / 9

HEX #C568E8

RGB 197 104 232

HSL 283.59, 0.74%, 0.66%

LAB 59.52, 56.94, -49.83

 

CMYK 30 / 55 / 0 / 9

HEX #A268E8

RGB 162 104 232

HSL 267.19, 0.74%, 0.66%

LAB 55.49, 48.23, -56.49

 

CMYK 45 / 55 / 0 / 9

HEX #8068E8

RGB 128 104 232

HSL 251.25, 0.74%, 0.66%

LAB 52.19, 40.41, -61.97

 

CMYK 0 / 55 / 15 / 9

HEX #E868C6

RGB 232 104 198

HSL 315.94, 0.74%, 0.66%

LAB 62.62, 60.46, -25.53

 

CMYK 0 / 63 / 17 / 4

HEX #F65ACC

RGB 246 90 204

HSL 316.15, 0.9%, 0.66%

LAB 62.73, 71.05, -28.58

 

CMYK 0 / 55 / 15 / 9

HEX #E868C6

RGB 232 104 198

HSL 315.94, 0.74%, 0.66%

LAB 62.62, 60.46, -25.53

 

CMYK 0 / 46 / 12 / 15

HEX #DA76BF

RGB 218 118 191

HSL 316.2, 0.57%, 0.66%

LAB 63.03, 48.46, -21.1

 

CMYK 0 / 35 / 9 / 20

HEX #CC84B9

RGB 204 132 185

HSL 315.83, 0.41%, 0.66%

LAB 64.03, 35.59, -16.34

 

CMYK 0 / 23 / 6 / 25

HEX #BE92B2

RGB 190 146 178

HSL 316.36, 0.25%, 0.66%

LAB 65.53, 21.86, -10.3

 

CMYK 0 / 9 / 2 / 31

HEX #B0A0AC

RGB 176 160 172

HSL 315, 0.09%, 0.66%

LAB 67.54, 8.01, -4.1

 

CMYK 16 / 55 / 0 / 9

HEX #C468E8

RGB 196 104 232

HSL 283.13, 0.74%, 0.66%

LAB 59.4, 56.68, -50.03

 

CMYK 1 / 55 / 0 / 9

HEX #E668E8

RGB 230 104 232

HSL 299.06, 0.74%, 0.66%

LAB 63.79, 65.39, -42.8

 

CMYK 0 / 55 / 14 / 9

HEX #E868C8

RGB 232 104 200

HSL 315, 0.74%, 0.66%

LAB 62.7, 60.76, -26.54

 

CMYK 0 / 55 / 28 / 9

HEX #E868A6

RGB 232 104 166

HSL 330.94, 0.74%, 0.66%

LAB 61.49, 56.01, -8.98

 

CMYK 0 / 55 / 44 / 9

HEX #E86883

RGB 232 104 131

HSL 347.34, 0.74%, 0.66%

LAB 60.51, 52.03, 9.81

 

CMYK 0 / 85 / 23 / 13

HEX #DD21AB

RGB 221 33 171

HSL 315.96, 0.74%, 0.5%

LAB 51.15, 77.97, -27.8

 

CMYK 0 / 70 / 19 / 11

HEX #E344B8

RGB 227 68 184

HSL 316.23, 0.74%, 0.58%

LAB 56.01, 71.63, -27.77

 

CMYK 0 / 55 / 15 / 9

HEX #E868C6

RGB 232 104 198

HSL 315.94, 0.74%, 0.66%

LAB 62.62, 60.46, -25.53

 

CMYK 0 / 41 / 11 / 7

HEX #ED8CD3

RGB 237 140 211

HSL 316.08, 0.73%, 0.74%

LAB 70.5, 46.48, -20.7

 

CMYK 0 / 28 / 7 / 5

HEX #F3AFE1

RGB 243 175 225

HSL 315.88, 0.74%, 0.82%

LAB 79.13, 32.47, -15.25

 

CMYK 0 / 55 / 15 / 9

HEX #E868C6

RGB 232 104 198

HSL 315.94, 0.74%, 0.66%

LAB 62.62, 60.46, -25.53

 

CMYK 0 / 31 / 55 / 9

HEX #E8A168

RGB 232 161 104

HSL 26.72, 0.74%, 0.66%

LAB 71.99, 20.34, 40.02

 

CMYK 55 / 0 / 8 / 9

HEX #68E8D5

RGB 104 232 213

HSL 171.09, 0.74%, 0.66%

LAB 84.72, -39.95, -1.49

 

CMYK 0 / 55 / 15 / 9

HEX #E868C6

RGB 232 104 198

HSL 315.94, 0.74%, 0.66%

LAB 62.62, 60.46, -25.53

 

CMYK 14 / 0 / 55 / 9

HEX #C8E868

RGB 200 232 104

HSL 75, 0.74%, 0.66%

LAB 87.48, -28.94, 57.79

 

CMYK 55 / 14 / 0 / 9

HEX #68C8E8

RGB 104 200 232

HSL 195, 0.74%, 0.66%

LAB 76.12, -19.48, -24.5

 

CMYK 0 / 55 / 15 / 9

HEX #E868C6

RGB 232 104 198

HSL 315.94, 0.74%, 0.66%

LAB 62.62, 60.46, -25.53

 

CMYK 0 / 31 / 55 / 9

HEX #E8A168

RGB 232 161 104

HSL 26.72, 0.74%, 0.66%

LAB 71.99, 20.34, 40.02

 

CMYK 55 / 0 / 41 / 9

HEX #68E888

RGB 104 232 136

HSL 135, 0.74%, 0.66%

LAB 83.14, -55.77, 36.21

 

CMYK 55 / 25 / 0 / 9

HEX #68AEE8

RGB 104 174 232

HSL 207.19, 0.74%, 0.66%

LAB 68.78, -5.66, -35.8

 

CMYK 0 / 55 / 15 / 9

HEX #E868C6

RGB 232 104 198

HSL 315.94, 0.74%, 0.66%

LAB 62.62, 60.46, -25.53

 

CMYK 0 / 14 / 55 / 9

HEX #E8C868

RGB 232 200 104

HSL 45, 0.74%, 0.66%

LAB 81.55, -0.22, 51.54

 

CMYK 55 / 0 / 41 / 9

HEX #68E888

RGB 104 232 136

HSL 135, 0.74%, 0.66%

LAB 83.14, -55.77, 36.21

 

CMYK 55 / 41 / 0 / 9

HEX #6888E8

RGB 104 136 232

HSL 225, 0.74%, 0.66%

LAB 58.39, 16.25, -52.13

 

Description

Color code: HEX #E868C6 | qconv.com Color code: HEX #E868C6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 104 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 104 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 15 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 15% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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