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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E84C2A it is the complementary color #17B3D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E84C2A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E84C2A shade: #ED4C25, #FE5E38, #FF704B, #FF825E and #FF9471

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E84C2A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E84C2A shade: #E84C2A, #D73A17, #C62804, #B51600 and #A40400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E84C2A shade: #E84C2A and #E82A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E84C2A shade: #E84C2A, #E87F2A, #E8B32A, #E8E62A and #B7E82A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E84C2A shade matches the following richer shades: #E84C2A and #FB4017

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E84C2A shade: #E84C2A, #D5583D, #C26550, #AF7163 and #9C7D76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E84C2A shade: #E82A70, #E82A3D, #E84A2A, #E87D2A and #E8AF2A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E84C2A shade: #AE2E12, #D33816, #E84C2A, #EC6C50 and #F08B75

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E84C2A shade: #E84C2A, #A3E82A and #2A57E8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E84C2A shade: #E84C2A, #2AE84A and #4A2AE8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E84C2A shade: #E84C2A, #A3E82A, #2AC9E8 and #702AE8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E84C2A shade: #E84C2A, #6AE82A, #2AC9E8 and #A92AE8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 82 / 9

HEX #E84C2A

RGB 232 76 42

HSL 10.74, 0.81%, 0.54%

LAB 54.55, 58.63, 51.87

 

Complementary color

CMYK 89 / 16 / 0 / 16

HEX #17B3D5

RGB 23 179 213

HSL 190.74, 0.81%, 0.46%

LAB 67.45, -25.09, -27.61

 

CMYK 0 / 68 / 84 / 7

HEX #ED4C25

RGB 237 76 37

HSL 11.7, 0.85%, 0.54%

LAB 55.39, 60.13, 55.21

 

CMYK 0 / 63 / 78 / 0

HEX #FE5E38

RGB 254 94 56

HSL 11.52, 0.99%, 0.61%

LAB 61.1, 59.07, 52.79

 

CMYK 0 / 56 / 71 / 0

HEX #FF704B

RGB 255 112 75

HSL 12.33, 1%, 0.65%

LAB 64.45, 52.25, 46.85

 

CMYK 0 / 49 / 63 / 0

HEX #FF825E

RGB 255 130 94

HSL 13.42, 1%, 0.68%

LAB 68.05, 44.68, 41.09

 

CMYK 0 / 42 / 56 / 0

HEX #FF9471

RGB 255 148 113

HSL 14.79, 1%, 0.72%

LAB 71.98, 36.95, 35.85

 

CMYK 0 / 67 / 82 / 9

HEX #E84C2A

RGB 232 76 42

HSL 10.74, 0.81%, 0.54%

LAB 54.55, 58.63, 51.87

 

CMYK 0 / 73 / 89 / 16

HEX #D73A17

RGB 215 58 23

HSL 10.94, 0.81%, 0.47%

LAB 48.93, 59.4, 54.13

 

CMYK 0 / 80 / 98 / 22

HEX #C62804

RGB 198 40 4

HSL 11.13, 0.96%, 0.4%

LAB 43.55, 59.63, 55.18

 

CMYK 0 / 88 / 100 / 29

HEX #B51600

RGB 181 22 0

HSL 7.29, 1%, 0.35%

LAB 38.55, 58.99, 52.34

 

CMYK 0 / 98 / 100 / 36

HEX #A40400

RGB 164 4 0

HSL 1.46, 1%, 0.32%

LAB 33.94, 57.05, 48.06

 

CMYK 0 / 67 / 82 / 9

HEX #E84C2A

RGB 232 76 42

HSL 10.74, 0.81%, 0.54%

LAB 54.55, 58.63, 51.87

 

CMYK 0 / 82 / 82 / 9

HEX #E82A2A

RGB 232 42 42

HSL 0, 0.81%, 0.54%

LAB 50.66, 69.41, 48.26

 

CMYK 0 / 67 / 82 / 9

HEX #E84C2A

RGB 232 76 42

HSL 10.74, 0.81%, 0.54%

LAB 54.55, 58.63, 51.87

 

CMYK 0 / 45 / 82 / 9

HEX #E87F2A

RGB 232 127 42

HSL 26.84, 0.81%, 0.54%

LAB 63.76, 34.89, 60.2

 

CMYK 0 / 23 / 82 / 9

HEX #E8B32A

RGB 232 179 42

HSL 43.26, 0.81%, 0.54%

LAB 75.8, 7.44, 70.73

 

CMYK 0 / 1 / 82 / 9

HEX #E8E62A

RGB 232 230 42

HSL 59.37, 0.81%, 0.54%

LAB 88.88, -18.47, 81.87

 

CMYK 21 / 0 / 82 / 9

HEX #B7E82A

RGB 183 232 42

HSL 75.47, 0.81%, 0.54%

LAB 85.98, -39.19, 78.02

 

CMYK 0 / 67 / 82 / 9

HEX #E84C2A

RGB 232 76 42

HSL 10.74, 0.81%, 0.54%

LAB 54.55, 58.63, 51.87

 

CMYK 0 / 75 / 91 / 2

HEX #FB4017

RGB 251 64 23

HSL 10.79, 0.97%, 0.54%

LAB 56.33, 68.4, 62.42

 

CMYK 0 / 67 / 82 / 9

HEX #E84C2A

RGB 232 76 42

HSL 10.74, 0.81%, 0.54%

LAB 54.55, 58.63, 51.87

 

CMYK 0 / 59 / 71 / 16

HEX #D5583D

RGB 213 88 61

HSL 10.66, 0.64%, 0.54%

LAB 53.45, 47.65, 40.07

 

CMYK 0 / 48 / 59 / 24

HEX #C26550

RGB 194 101 80

HSL 11.05, 0.48%, 0.54%

LAB 53.34, 35.21, 28.66

 

CMYK 0 / 35 / 43 / 31

HEX #AF7163

RGB 175 113 99

HSL 11.05, 0.32%, 0.54%

LAB 53.84, 22.85, 17.92

 

CMYK 0 / 20 / 24 / 39

HEX #9C7D76

RGB 156 125 118

HSL 11.05, 0.16%, 0.54%

LAB 55.12, 10.86, 8.35

 

CMYK 0 / 82 / 52 / 9

HEX #E82A70

RGB 232 42 112

HSL 337.89, 0.81%, 0.54%

LAB 51.82, 72.87, 8.74

 

CMYK 0 / 82 / 74 / 9

HEX #E82A3D

RGB 232 42 61

HSL 354, 0.81%, 0.54%

LAB 50.86, 70.02, 38.05

 

CMYK 0 / 68 / 82 / 9

HEX #E84A2A

RGB 232 74 42

HSL 10.11, 0.81%, 0.54%

LAB 54.26, 59.4, 51.61

 

CMYK 0 / 46 / 82 / 9

HEX #E87D2A

RGB 232 125 42

HSL 26.21, 0.81%, 0.54%

LAB 63.33, 35.92, 59.83

 

CMYK 0 / 25 / 82 / 9

HEX #E8AF2A

RGB 232 175 42

HSL 42, 0.81%, 0.54%

LAB 74.81, 9.55, 69.88

 

CMYK 0 / 74 / 90 / 32

HEX #AE2E12

RGB 174 46 18

HSL 10.77, 0.81%, 0.38%

LAB 39.57, 50.44, 45.66

 

CMYK 0 / 73 / 90 / 17

HEX #D33816

RGB 211 56 22

HSL 10.79, 0.81%, 0.46%

LAB 47.92, 58.82, 53.44

 

CMYK 0 / 67 / 82 / 9

HEX #E84C2A

RGB 232 76 42

HSL 10.74, 0.81%, 0.54%

LAB 54.55, 58.63, 51.87

 

CMYK 0 / 54 / 66 / 7

HEX #EC6C50

RGB 236 108 80

HSL 10.77, 0.8%, 0.62%

LAB 60.9, 47.55, 39.35

 

CMYK 0 / 42 / 51 / 6

HEX #F08B75

RGB 240 139 117

HSL 10.73, 0.8%, 0.7%

LAB 68.22, 36.19, 28.45

 

CMYK 0 / 67 / 82 / 9

HEX #E84C2A

RGB 232 76 42

HSL 10.74, 0.81%, 0.54%

LAB 54.55, 58.63, 51.87

 

CMYK 30 / 0 / 82 / 9

HEX #A3E82A

RGB 163 232 42

HSL 81.79, 0.81%, 0.54%

LAB 84.83, -46.7, 76.57

 

CMYK 82 / 63 / 0 / 9

HEX #2A57E8

RGB 42 87 232

HSL 225.79, 0.81%, 0.54%

LAB 42.97, 37.82, -77.2

 

CMYK 0 / 67 / 82 / 9

HEX #E84C2A

RGB 232 76 42

HSL 10.74, 0.81%, 0.54%

LAB 54.55, 58.63, 51.87

 

CMYK 82 / 0 / 68 / 9

HEX #2AE84A

RGB 42 232 74

HSL 130.11, 0.81%, 0.54%

LAB 81.13, -74.3, 61.54

 

CMYK 68 / 82 / 0 / 9

HEX #4A2AE8

RGB 74 42 232

HSL 250.11, 0.81%, 0.54%

LAB 35.86, 64.73, -88.85

 

CMYK 0 / 67 / 82 / 9

HEX #E84C2A

RGB 232 76 42

HSL 10.74, 0.81%, 0.54%

LAB 54.55, 58.63, 51.87

 

CMYK 30 / 0 / 82 / 9

HEX #A3E82A

RGB 163 232 42

HSL 81.79, 0.81%, 0.54%

LAB 84.83, -46.7, 76.57

 

CMYK 82 / 13 / 0 / 9

HEX #2AC9E8

RGB 42 201 232

HSL 189.79, 0.81%, 0.54%

LAB 74.88, -28.61, -26.52

 

CMYK 52 / 82 / 0 / 9

HEX #702AE8

RGB 112 42 232

HSL 262.11, 0.81%, 0.54%

LAB 39.46, 68.31, -82.79

 

CMYK 0 / 67 / 82 / 9

HEX #E84C2A

RGB 232 76 42

HSL 10.74, 0.81%, 0.54%

LAB 54.55, 58.63, 51.87

 

CMYK 54 / 0 / 82 / 9

HEX #6AE82A

RGB 106 232 42

HSL 99.79, 0.81%, 0.54%

LAB 82.35, -64.79, 73.42

 

CMYK 82 / 13 / 0 / 9

HEX #2AC9E8

RGB 42 201 232

HSL 189.79, 0.81%, 0.54%

LAB 74.88, -28.61, -26.52

 

CMYK 27 / 82 / 0 / 9

HEX #A92AE8

RGB 169 42 232

HSL 280.11, 0.81%, 0.54%

LAB 46.87, 75.98, -70.37

 

Description

Color code: HEX #E84C2A | qconv.com Color code: HEX #E84C2A | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 76 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 76 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 82 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 82% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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