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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E83A66 it is the complementary color #17C599. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E83A66. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E83A66 shade: #ED3A61, #FE4C74, #FF5E87, #FF709A and #FF82AD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E83A66. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E83A66 shade: #E83A66, #D72853, #C61640, #B5042D and #A4001A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E83A66 shade: #E73A66 and #E73A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E83A66 shade: #E73A66, #E73A95, #E73AC3, #DD3AE7 and #AE3AE7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E83A66 shade matches the following richer shades: #E73A66 and #F9285D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E83A66 shade: #E73A66, #D64C6F, #C45E78, #B26F80 and #A18189

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E83A66 shade: #E73AC5, #E73A97, #E73A68, #E73A3A and #E7683A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E83A66 shade: #BA153F, #DF1A4C, #E73A66, #EC5F83 and #F0849F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E83A66 shade: #E83A66, #E7DC3A and #3AAEE7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E83A66 shade: #E83A66, #68E73A and #3A68E7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E83A66 shade: #E83A66, #E7DC3A, #3AE7B9 and #3A46E7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E83A66 shade: #E83A66, #BFE73A, #3AE7B9 and #633AE7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 56 / 9

HEX #E83A66

RGB 232 58 102

HSL 344.83, 0.79%, 0.57%

LAB 53.1, 67.85, 16.57

 

Complementary color

CMYK 88 / 0 / 22 / 23

HEX #17C599

RGB 23 197 153

HSL 164.83, 0.79%, 0.43%

LAB 71.16, -50.81, 10.77

 

CMYK 0 / 76 / 59 / 7

HEX #ED3A61

RGB 237 58 97

HSL 346.93, 0.83%, 0.58%

LAB 53.91, 68.9, 20.81

 

CMYK 0 / 70 / 54 / 0

HEX #FE4C74

RGB 254 76 116

HSL 346.52, 0.99%, 0.65%

LAB 59.43, 69.14, 17.57

 

CMYK 0 / 63 / 47 / 0

HEX #FF5E87

RGB 255 94 135

HSL 344.72, 1%, 0.68%

LAB 62.52, 64.14, 10.84

 

CMYK 0 / 56 / 40 / 0

HEX #FF709A

RGB 255 112 154

HSL 342.38, 1%, 0.72%

LAB 65.89, 58.23, 4.74

 

CMYK 0 / 49 / 32 / 0

HEX #FF82AD

RGB 255 130 173

HSL 339.36, 1%, 0.75%

LAB 69.64, 51.92, -0.55

 

CMYK 0 / 75 / 56 / 9

HEX #E83A66

RGB 232 58 102

HSL 344.83, 0.79%, 0.57%

LAB 53.1, 67.85, 16.57

 

CMYK 0 / 81 / 61 / 16

HEX #D72853

RGB 215 40 83

HSL 345.26, 0.69%, 0.5%

LAB 47.74, 67, 20.31

 

CMYK 0 / 89 / 68 / 22

HEX #C61640

RGB 198 22 64

HSL 345.68, 0.8%, 0.43%

LAB 42.69, 65.25, 24.83

 

CMYK 0 / 98 / 75 / 29

HEX #B5042D

RGB 181 4 45

HSL 346.1, 0.96%, 0.36%

LAB 38.02, 62.41, 30.16

 

CMYK 0 / 100 / 84 / 36

HEX #A4001A

RGB 164 0 26

HSL 350.49, 1%, 0.32%

LAB 33.91, 58, 36.09

 

CMYK 0 / 75 / 56 / 9

HEX #E73A66

RGB 231 58 102

HSL 344.74, 0.78%, 0.57%

LAB 52.92, 67.57, 16.29

 

CMYK 0 / 75 / 75 / 9

HEX #E73A3A

RGB 231 58 58

HSL 0, 0.78%, 0.57%

LAB 52.2, 65.22, 41.19

 

CMYK 0 / 75 / 56 / 9

HEX #E73A66

RGB 231 58 102

HSL 344.74, 0.78%, 0.57%

LAB 52.92, 67.57, 16.29

 

CMYK 0 / 75 / 35 / 9

HEX #E73A95

RGB 231 58 149

HSL 328.44, 0.78%, 0.57%

LAB 54.22, 71.68, -9.95

 

CMYK 0 / 75 / 16 / 9

HEX #E73AC3

RGB 231 58 195

HSL 312.49, 0.78%, 0.57%

LAB 56.04, 77.19, -34.02

 

CMYK 4 / 75 / 0 / 9

HEX #DD3AE7

RGB 221 58 231

HSL 296.53, 0.78%, 0.57%

LAB 56.26, 80.42, -54.26

 

CMYK 25 / 75 / 0 / 9

HEX #AE3AE7

RGB 174 58 231

HSL 280.23, 0.78%, 0.57%

LAB 49.25, 71.58, -65.91

 

CMYK 0 / 75 / 56 / 9

HEX #E73A66

RGB 231 58 102

HSL 344.74, 0.78%, 0.57%

LAB 52.92, 67.57, 16.29

 

CMYK 0 / 84 / 63 / 2

HEX #F9285D

RGB 249 40 93

HSL 344.78, 0.95%, 0.57%

LAB 54.5, 76.36, 24.38

 

CMYK 0 / 75 / 56 / 9

HEX #E73A66

RGB 231 58 102

HSL 344.74, 0.78%, 0.57%

LAB 52.92, 67.57, 16.29

 

CMYK 0 / 64 / 48 / 16

HEX #D64C6F

RGB 214 76 111

HSL 344.78, 0.63%, 0.57%

LAB 52.52, 56.72, 9.88

 

CMYK 0 / 52 / 39 / 23

HEX #C45E78

RGB 196 94 120

HSL 344.71, 0.46%, 0.57%

LAB 53.06, 43.37, 4.9

 

CMYK 0 / 38 / 28 / 30

HEX #B26F80

RGB 178 111 128

HSL 344.78, 0.3%, 0.57%

LAB 54.44, 28.83, 1.87

 

CMYK 0 / 20 / 15 / 37

HEX #A18189

RGB 161 129 137

HSL 345, 0.15%, 0.57%

LAB 57.16, 13.61, 0.35

 

CMYK 0 / 75 / 15 / 9

HEX #E73AC5

RGB 231 58 197

HSL 311.79, 0.78%, 0.57%

LAB 56.13, 77.46, -35.02

 

CMYK 0 / 75 / 35 / 9

HEX #E73A97

RGB 231 58 151

HSL 327.75, 0.78%, 0.57%

LAB 54.29, 71.89, -11.03

 

CMYK 0 / 75 / 55 / 9

HEX #E73A68

RGB 231 58 104

HSL 344.05, 0.78%, 0.57%

LAB 52.97, 67.71, 15.14

 

CMYK 0 / 75 / 75 / 9

HEX #E73A3A

RGB 231 58 58

HSL 0, 0.78%, 0.57%

LAB 52.2, 65.22, 41.19

 

CMYK 0 / 55 / 75 / 9

HEX #E7683A

RGB 231 104 58

HSL 15.95, 0.78%, 0.57%

LAB 59.15, 46.55, 48.65

 

CMYK 0 / 89 / 66 / 27

HEX #BA153F

RGB 186 21 63

HSL 344.73, 0.8%, 0.41%

LAB 40.14, 62.28, 21.7

 

CMYK 0 / 88 / 66 / 13

HEX #DF1A4C

RGB 223 26 76

HSL 344.77, 0.79%, 0.49%

LAB 48.2, 71.51, 25.48

 

CMYK 0 / 75 / 56 / 9

HEX #E73A66

RGB 231 58 102

HSL 344.74, 0.78%, 0.57%

LAB 52.92, 67.57, 16.29

 

CMYK 0 / 60 / 44 / 7

HEX #EC5F83

RGB 236 95 131

HSL 344.68, 0.79%, 0.65%

LAB 59.58, 57.42, 8.57

 

CMYK 0 / 45 / 34 / 6

HEX #F0849F

RGB 240 132 159

HSL 345, 0.78%, 0.73%

LAB 67.67, 44.16, 4.22

 

CMYK 0 / 75 / 56 / 9

HEX #E83A66

RGB 232 58 102

HSL 344.83, 0.79%, 0.57%

LAB 53.1, 67.85, 16.57

 

CMYK 0 / 5 / 75 / 9

HEX #E7DC3A

RGB 231 220 58

HSL 56.18, 0.78%, 0.57%

LAB 86.25, -13.44, 75.11

 

CMYK 75 / 25 / 0 / 9

HEX #3AAEE7

RGB 58 174 231

HSL 199.77, 0.78%, 0.57%

LAB 67.23, -13.46, -37.78

 

CMYK 0 / 75 / 56 / 9

HEX #E83A66

RGB 232 58 102

HSL 344.83, 0.79%, 0.57%

LAB 53.1, 67.85, 16.57

 

CMYK 55 / 0 / 75 / 9

HEX #68E73A

RGB 104 231 58

HSL 104.05, 0.78%, 0.57%

LAB 82.06, -64.1, 68.56

 

CMYK 75 / 55 / 0 / 9

HEX #3A68E7

RGB 58 104 231

HSL 224.05, 0.78%, 0.57%

LAB 47.71, 28.22, -68.86

 

CMYK 0 / 75 / 56 / 9

HEX #E83A66

RGB 232 58 102

HSL 344.83, 0.79%, 0.57%

LAB 53.1, 67.85, 16.57

 

CMYK 0 / 5 / 75 / 9

HEX #E7DC3A

RGB 231 220 58

HSL 56.18, 0.78%, 0.57%

LAB 86.25, -13.44, 75.11

 

CMYK 75 / 0 / 20 / 9

HEX #3AE7B9

RGB 58 231 185

HSL 164.05, 0.78%, 0.57%

LAB 82.68, -53.53, 10.16

 

CMYK 75 / 70 / 0 / 9

HEX #3A46E7

RGB 58 70 231

HSL 235.84, 0.78%, 0.57%

LAB 39.66, 49.1, -82.03

 

CMYK 0 / 75 / 56 / 9

HEX #E83A66

RGB 232 58 102

HSL 344.83, 0.79%, 0.57%

LAB 53.1, 67.85, 16.57

 

CMYK 17 / 0 / 75 / 9

HEX #BFE73A

RGB 191 231 58

HSL 73.87, 0.78%, 0.57%

LAB 86.27, -34.99, 74.08

 

CMYK 75 / 0 / 20 / 9

HEX #3AE7B9

RGB 58 231 185

HSL 164.05, 0.78%, 0.57%

LAB 82.68, -53.53, 10.16

 

CMYK 57 / 75 / 0 / 9

HEX #633AE7

RGB 99 58 231

HSL 254.22, 0.78%, 0.57%

LAB 40.33, 59.88, -80.84

 

Description

Color code: HEX #E83A66 | qconv.com Color code: HEX #E83A66 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 58 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 58 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 56 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 56% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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