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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E82240 it is the complementary color #17DDBF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E82240. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E82240 shade: #ED223B, #FE344E, #FF4661, #FF5874 and #FF6A87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E82240. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E82240 shade: #E82240, #D7102D, #C6001A, #B50007 and #A40000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E82240 shade: #E7213F and #E72121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E82240 shade: #E7213F, #E72174, #E721AA, #E721DF and #BA21E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E82240 shade matches the following richer shades: #E7213F and #FB0D31

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E82240 shade: #E7213F, #D3354D, #C0495B, #AC5C68 and #987076

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E82240 shade: #E721AC, #E72177, #E72142, #E73521 and #E76A21

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E82240 shade: #A51127, #CA1530, #E7213F, #EB465F and #EF6C80

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E82240 shade: #E82240, #E1E721 and #2191E7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E82240 shade: #E82240, #42E721 and #2142E7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E82240 shade: #E82240, #E1E721, #21E7C6 and #2821E7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E82240 shade: #E82240, #A5E721, #21E7C6 and #6321E7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 72 / 9

HEX #E82240

RGB 232 34 64

HSL 350.91, 0.81%, 0.52%

LAB 50.3, 71.85, 35.66

 

Complementary color

CMYK 90 / 0 / 14 / 13

HEX #17DDBF

RGB 23 221 191

HSL 170.91, 0.81%, 0.48%

LAB 79.42, -50.82, 2.24

 

CMYK 0 / 86 / 75 / 7

HEX #ED223B

RGB 237 34 59

HSL 352.61, 0.85%, 0.53%

LAB 51.23, 72.95, 39.88

 

CMYK 0 / 80 / 69 / 0

HEX #FE344E

RGB 254 52 78

HSL 352.28, 0.99%, 0.6%

LAB 56.16, 74.19, 35.52

 

CMYK 0 / 73 / 62 / 0

HEX #FF4661

RGB 255 70 97

HSL 351.24, 1%, 0.64%

LAB 58.51, 70.22, 27.47

 

CMYK 0 / 65 / 55 / 0

HEX #FF5874

RGB 255 88 116

HSL 349.94, 1%, 0.67%

LAB 61.22, 65, 20.03

 

CMYK 0 / 58 / 47 / 0

HEX #FF6A87

RGB 255 106 135

HSL 348.32, 1%, 0.71%

LAB 64.42, 59.06, 13.5

 

CMYK 0 / 85 / 72 / 9

HEX #E82240

RGB 232 34 64

HSL 350.91, 0.81%, 0.52%

LAB 50.3, 71.85, 35.66

 

CMYK 0 / 93 / 79 / 16

HEX #D7102D

RGB 215 16 45

HSL 351.26, 0.86%, 0.45%

LAB 45.64, 69.67, 40.54

 

CMYK 0 / 100 / 87 / 22

HEX #C6001A

RGB 198 0 26

HSL 352.12, 1%, 0.39%

LAB 41.34, 66.54, 45.47

 

CMYK 0 / 100 / 96 / 29

HEX #B50007

RGB 181 0 7

HSL 357.68, 1%, 0.35%

LAB 37.55, 62.01, 49.18

 

CMYK 0 / 100 / 100 / 36

HEX #A40000

RGB 164 0 0

HSL 0, 1%, 0.32%

LAB 33.76, 57.57, 47.96

 

CMYK 0 / 86 / 73 / 9

HEX #E7213F

RGB 231 33 63

HSL 350.91, 0.8%, 0.52%

LAB 50.02, 71.74, 35.87

 

CMYK 0 / 86 / 86 / 9

HEX #E72121

RGB 231 33 33

HSL 0, 0.8%, 0.52%

LAB 49.72, 70.86, 51.79

 

CMYK 0 / 86 / 73 / 9

HEX #E7213F

RGB 231 33 63

HSL 350.91, 0.8%, 0.52%

LAB 50.02, 71.74, 35.87

 

CMYK 0 / 86 / 50 / 9

HEX #E72174

RGB 231 33 116

HSL 334.85, 0.8%, 0.52%

LAB 51.08, 74.79, 5.23

 

CMYK 0 / 86 / 26 / 9

HEX #E721AA

RGB 231 33 170

HSL 318.48, 0.8%, 0.52%

LAB 52.93, 79.94, -24.32

 

CMYK 0 / 86 / 3 / 9

HEX #E721DF

RGB 231 33 223

HSL 302.42, 0.8%, 0.52%

LAB 55.49, 86.75, -50.88

 

CMYK 19 / 86 / 0 / 9

HEX #BA21E7

RGB 186 33 231

HSL 286.36, 0.8%, 0.52%

LAB 48.63, 80.54, -66.82

 

CMYK 0 / 86 / 73 / 9

HEX #E7213F

RGB 231 33 63

HSL 350.91, 0.8%, 0.52%

LAB 50.02, 71.74, 35.87

 

CMYK 0 / 95 / 80 / 2

HEX #FB0D31

RGB 251 13 49

HSL 350.92, 0.97%, 0.52%

LAB 52.97, 78.91, 48.12

 

CMYK 0 / 86 / 73 / 9

HEX #E7213F

RGB 231 33 63

HSL 350.91, 0.8%, 0.52%

LAB 50.02, 71.74, 35.87

 

CMYK 0 / 75 / 64 / 17

HEX #D3354D

RGB 211 53 77

HSL 350.89, 0.64%, 0.52%

LAB 48.17, 61.83, 24.38

 

CMYK 0 / 62 / 53 / 25

HEX #C0495B

RGB 192 73 91

HSL 350.92, 0.49%, 0.52%

LAB 47.91, 49.12, 14.96

 

CMYK 0 / 47 / 40 / 33

HEX #AC5C68

RGB 172 92 104

HSL 351, 0.33%, 0.52%

LAB 48.79, 33.83, 7.89

 

CMYK 0 / 26 / 22 / 40

HEX #987076

RGB 152 112 118

HSL 351, 0.16%, 0.52%

LAB 51.35, 16.76, 2.89

 

CMYK 0 / 86 / 26 / 9

HEX #E721AC

RGB 231 33 172

HSL 317.88, 0.8%, 0.52%

LAB 53.01, 80.17, -25.37

 

CMYK 0 / 86 / 48 / 9

HEX #E72177

RGB 231 33 119

HSL 333.94, 0.8%, 0.52%

LAB 51.16, 75.03, 3.53

 

CMYK 0 / 86 / 71 / 9

HEX #E72142

RGB 231 33 66

HSL 350, 0.8%, 0.52%

LAB 50.06, 71.86, 34.15

 

CMYK 0 / 77 / 86 / 9

HEX #E73521

RGB 231 53 33

HSL 6.06, 0.8%, 0.52%

LAB 51.43, 66.02, 53.21

 

CMYK 0 / 54 / 86 / 9

HEX #E76A21

RGB 231 106 33

HSL 22.12, 0.8%, 0.52%

LAB 59.35, 44.8, 59.73

 

CMYK 0 / 90 / 76 / 35

HEX #A51127

RGB 165 17 39

HSL 351.08, 0.81%, 0.36%

LAB 35.1, 56.31, 29.62

 

CMYK 0 / 90 / 76 / 21

HEX #CA1530

RGB 202 21 48

HSL 351.05, 0.81%, 0.44%

LAB 43.22, 65.77, 35.41

 

CMYK 0 / 86 / 73 / 9

HEX #E7213F

RGB 231 33 63

HSL 350.91, 0.8%, 0.52%

LAB 50.02, 71.74, 35.87

 

CMYK 0 / 70 / 60 / 8

HEX #EB465F

RGB 235 70 95

HSL 350.91, 0.8%, 0.6%

LAB 54.94, 64.24, 23.29

 

CMYK 0 / 55 / 46 / 6

HEX #EF6C80

RGB 239 108 128

HSL 350.84, 0.8%, 0.68%

LAB 62.2, 52.22, 14.06

 

CMYK 0 / 85 / 72 / 9

HEX #E82240

RGB 232 34 64

HSL 350.91, 0.81%, 0.52%

LAB 50.3, 71.85, 35.66

 

CMYK 3 / 0 / 86 / 9

HEX #E1E721

RGB 225 231 33

HSL 61.82, 0.8%, 0.52%

LAB 88.58, -22.07, 83.3

 

CMYK 86 / 37 / 0 / 9

HEX #2191E7

RGB 33 145 231

HSL 206.06, 0.8%, 0.52%

LAB 58.36, 0.59, -51.78

 

CMYK 0 / 85 / 72 / 9

HEX #E82240

RGB 232 34 64

HSL 350.91, 0.81%, 0.52%

LAB 50.3, 71.85, 35.66

 

CMYK 71 / 0 / 86 / 9

HEX #42E721

RGB 66 231 33

HSL 110, 0.8%, 0.52%

LAB 80.97, -73.45, 73.83

 

CMYK 86 / 71 / 0 / 9

HEX #2142E7

RGB 33 66 231

HSL 230, 0.8%, 0.52%

LAB 37.82, 49.71, -85.1

 

CMYK 0 / 85 / 72 / 9

HEX #E82240

RGB 232 34 64

HSL 350.91, 0.81%, 0.52%

LAB 50.3, 71.85, 35.66

 

CMYK 3 / 0 / 86 / 9

HEX #E1E721

RGB 225 231 33

HSL 61.82, 0.8%, 0.52%

LAB 88.58, -22.07, 83.3

 

CMYK 86 / 0 / 14 / 9

HEX #21E7C6

RGB 33 231 198

HSL 170, 0.8%, 0.52%

LAB 82.67, -52.52, 3.27

 

CMYK 83 / 86 / 0 / 9

HEX #2821E7

RGB 40 33 231

HSL 242.12, 0.8%, 0.52%

LAB 32.5, 66.12, -93.93

 

CMYK 0 / 85 / 72 / 9

HEX #E82240

RGB 232 34 64

HSL 350.91, 0.81%, 0.52%

LAB 50.3, 71.85, 35.66

 

CMYK 29 / 0 / 86 / 9

HEX #A5E721

RGB 165 231 33

HSL 80, 0.8%, 0.52%

LAB 84.62, -45.84, 78.4

 

CMYK 86 / 0 / 14 / 9

HEX #21E7C6

RGB 33 231 198

HSL 170, 0.8%, 0.52%

LAB 82.67, -52.52, 3.27

 

CMYK 57 / 86 / 0 / 9

HEX #6321E7

RGB 99 33 231

HSL 260, 0.8%, 0.52%

LAB 36.95, 69.73, -86.41

 

Description

Color code: HEX #E82240 | qconv.com Color code: HEX #E82240 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 34 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 34 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 72 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 72% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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