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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E825E3 it is the complementary color #17DA1C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E825E3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E825E3 shade: #ED25DE, #FE37F1, #FF49FF, #FF5BFF and #FF6DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E825E3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E825E3 shade: #E825E3, #D713D0, #C601BD, #B500AA and #A40097

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E825E3 shade: #E826E3, #E826AE, #E8267A, #E82646 and #E82626

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E825E3 shade: #E826E3, #B826E8, #8426E8, #5026E8 and #2626E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E825E3 shade matches the following richer shades: #E826E3 and #FB12F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E825E3 shade: #E826E3, #D439D0, #C14CBE, #AE60AC and #9A7399

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E825E3 shade: #8326E8, #B726E8, #E826E4, #E826B1 and #E8267D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E825E3 shade: #A911A6, #CF15CA, #E826E3, #EC4BE8 and #F070EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E825E3 shade: #E825E3, #E85026 and #26E89D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E825E3 shade: #E825E3, #E4E826 and #26E4E8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E825E3 shade: #E825E3, #E85026, #26E829 and #26BEE8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E825E3 shade: #E825E3, #E88A26, #26E829 and #2683E8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 84 / 2 / 9

HEX #E825E3

RGB 232 37 227

HSL 301.54, 0.81%, 0.53%

LAB 56.11, 86.8, -52.13

 

Complementary color

CMYK 89 / 0 / 87 / 15

HEX #17DA1C

RGB 23 218 28

HSL 121.54, 0.81%, 0.47%

LAB 76.32, -74.88, 70.54

 

CMYK 0 / 84 / 6 / 7

HEX #ED25DE

RGB 237 37 222

HSL 304.5, 0.85%, 0.54%

LAB 56.69, 87, -48.34

 

CMYK 0 / 78 / 5 / 0

HEX #FE37F1

RGB 254 55 241

HSL 303.92, 0.99%, 0.61%

LAB 61.79, 89.09, -50.74

 

CMYK 0 / 71 / 0 / 0

HEX #FF49FF

RGB 255 73 255

HSL 300, 1%, 0.64%

LAB 64.36, 86.49, -54.4

 

CMYK 0 / 64 / 0 / 0

HEX #FF5BFF

RGB 255 91 255

HSL 300, 1%, 0.68%

LAB 66.49, 80.46, -51.02

 

CMYK 0 / 57 / 0 / 0

HEX #FF6DFF

RGB 255 109 255

HSL 300, 1%, 0.71%

LAB 69.05, 73.36, -46.99

 

CMYK 0 / 84 / 2 / 9

HEX #E825E3

RGB 232 37 227

HSL 301.54, 0.81%, 0.53%

LAB 56.11, 86.8, -52.13

 

CMYK 0 / 91 / 3 / 16

HEX #D713D0

RGB 215 19 208

HSL 302.14, 0.84%, 0.46%

LAB 51.23, 83.79, -49.27

 

CMYK 0 / 99 / 5 / 22

HEX #C601BD

RGB 198 1 189

HSL 302.74, 0.99%, 0.39%

LAB 46.58, 79.84, -45.85

 

CMYK 0 / 100 / 6 / 29

HEX #B500AA

RGB 181 0 170

HSL 303.65, 1%, 0.35%

LAB 42.35, 74.37, -41.56

 

CMYK 0 / 100 / 8 / 36

HEX #A40097

RGB 164 0 151

HSL 304.76, 1%, 0.32%

LAB 38.07, 68.71, -37.11

 

CMYK 0 / 84 / 2 / 9

HEX #E826E3

RGB 232 38 227

HSL 301.55, 0.81%, 0.53%

LAB 56.18, 86.62, -52.03

 

CMYK 0 / 84 / 25 / 9

HEX #E826AE

RGB 232 38 174

HSL 317.94, 0.81%, 0.53%

LAB 53.6, 79.67, -25.62

 

CMYK 0 / 84 / 47 / 9

HEX #E8267A

RGB 232 38 122

HSL 334.02, 0.81%, 0.53%

LAB 51.78, 74.53, 2.63

 

CMYK 0 / 84 / 70 / 9

HEX #E82646

RGB 232 38 70

HSL 350.1, 0.81%, 0.53%

LAB 50.67, 71.28, 32.56

 

CMYK 0 / 84 / 84 / 9

HEX #E82626

RGB 232 38 38

HSL 0, 0.81%, 0.53%

LAB 50.31, 70.22, 49.96

 

CMYK 0 / 84 / 2 / 9

HEX #E826E3

RGB 232 38 227

HSL 301.55, 0.81%, 0.53%

LAB 56.18, 86.62, -52.03

 

CMYK 21 / 84 / 0 / 9

HEX #B826E8

RGB 184 38 232

HSL 285.15, 0.81%, 0.53%

LAB 48.76, 79.32, -67.18

 

CMYK 43 / 84 / 0 / 9

HEX #8426E8

RGB 132 38 232

HSL 269.07, 0.81%, 0.53%

LAB 41.4, 71.97, -79.51

 

CMYK 66 / 84 / 0 / 9

HEX #5026E8

RGB 80 38 232

HSL 252.99, 0.81%, 0.53%

LAB 35.83, 66.73, -88.9

 

CMYK 84 / 84 / 0 / 9

HEX #2626E8

RGB 38 38 232

HSL 240, 0.81%, 0.53%

LAB 33.19, 64.39, -93.35

 

CMYK 0 / 84 / 2 / 9

HEX #E826E3

RGB 232 38 227

HSL 301.55, 0.81%, 0.53%

LAB 56.18, 86.62, -52.03

 

CMYK 0 / 93 / 2 / 2

HEX #FB12F5

RGB 251 18 245

HSL 301.55, 0.97%, 0.53%

LAB 59.47, 95.08, -56.69

 

CMYK 0 / 84 / 2 / 9

HEX #E826E3

RGB 232 38 227

HSL 301.55, 0.81%, 0.53%

LAB 56.18, 86.62, -52.03

 

CMYK 0 / 73 / 2 / 17

HEX #D439D0

RGB 212 57 208

HSL 301.55, 0.64%, 0.53%

LAB 53.47, 75.26, -45.74

 

CMYK 0 / 61 / 2 / 24

HEX #C14CBE

RGB 193 76 190

HSL 301.54, 0.49%, 0.53%

LAB 52.09, 61, -37.76

 

CMYK 0 / 45 / 1 / 32

HEX #AE60AC

RGB 174 96 172

HSL 301.54, 0.33%, 0.53%

LAB 52.22, 42.87, -27.29

 

CMYK 0 / 25 / 1 / 40

HEX #9A7399

RGB 154 115 153

HSL 301.54, 0.16%, 0.53%

LAB 53.42, 22.02, -14.58

 

CMYK 44 / 84 / 0 / 9

HEX #8326E8

RGB 131 38 232

HSL 268.76, 0.81%, 0.53%

LAB 41.28, 71.84, -79.72

 

CMYK 21 / 84 / 0 / 9

HEX #B726E8

RGB 183 38 232

HSL 284.85, 0.81%, 0.53%

LAB 48.61, 79.16, -67.44

 

CMYK 0 / 84 / 2 / 9

HEX #E826E4

RGB 232 38 228

HSL 301.24, 0.81%, 0.53%

LAB 56.23, 86.76, -52.51

 

CMYK 0 / 84 / 24 / 9

HEX #E826B1

RGB 232 38 177

HSL 317.01, 0.81%, 0.53%

LAB 53.72, 80.02, -27.17

 

CMYK 0 / 84 / 46 / 9

HEX #E8267D

RGB 232 38 125

HSL 333.09, 0.81%, 0.53%

LAB 51.86, 74.77, 0.94

 

CMYK 0 / 90 / 2 / 34

HEX #A911A6

RGB 169 17 166

HSL 301.18, 0.82%, 0.36%

LAB 40.56, 69.8, -42.15

 

CMYK 0 / 90 / 2 / 19

HEX #CF15CA

RGB 207 21 202

HSL 301.61, 0.82%, 0.45%

LAB 49.58, 81.31, -48.53

 

CMYK 0 / 84 / 2 / 9

HEX #E826E3

RGB 232 38 227

HSL 301.55, 0.81%, 0.53%

LAB 56.18, 86.62, -52.03

 

CMYK 0 / 68 / 2 / 7

HEX #EC4BE8

RGB 236 75 232

HSL 301.49, 0.81%, 0.61%

LAB 60.51, 78.31, -47.92

 

CMYK 0 / 53 / 2 / 6

HEX #F070EC

RGB 240 112 236

HSL 301.88, 0.81%, 0.69%

LAB 66.65, 65.08, -40.45

 

CMYK 0 / 84 / 2 / 9

HEX #E825E3

RGB 232 37 227

HSL 301.54, 0.81%, 0.53%

LAB 56.11, 86.8, -52.13

 

CMYK 0 / 66 / 84 / 9

HEX #E85026

RGB 232 80 38

HSL 12.99, 0.81%, 0.53%

LAB 55.11, 56.93, 54.19

 

CMYK 84 / 0 / 32 / 9

HEX #26E89D

RGB 38 232 157

HSL 156.8, 0.81%, 0.53%

LAB 82.14, -62.13, 23.96

 

CMYK 0 / 84 / 2 / 9

HEX #E825E3

RGB 232 37 227

HSL 301.54, 0.81%, 0.53%

LAB 56.11, 86.8, -52.13

 

CMYK 2 / 0 / 84 / 9

HEX #E4E826

RGB 228 232 38

HSL 61.24, 0.81%, 0.53%

LAB 89.09, -21.2, 82.81

 

CMYK 84 / 2 / 0 / 9

HEX #26E4E8

RGB 38 228 232

HSL 181.24, 0.81%, 0.53%

LAB 82.77, -41.56, -14.58

 

CMYK 0 / 84 / 2 / 9

HEX #E825E3

RGB 232 37 227

HSL 301.54, 0.81%, 0.53%

LAB 56.11, 86.8, -52.13

 

CMYK 0 / 66 / 84 / 9

HEX #E85026

RGB 232 80 38

HSL 12.99, 0.81%, 0.53%

LAB 55.11, 56.93, 54.19

 

CMYK 84 / 0 / 82 / 9

HEX #26E829

RGB 38 232 41

HSL 120.93, 0.81%, 0.53%

LAB 80.9, -77.02, 71.81

 

CMYK 84 / 18 / 0 / 9

HEX #26BEE8

RGB 38 190 232

HSL 192.99, 0.81%, 0.53%

LAB 71.6, -23.42, -31.57

 

CMYK 0 / 84 / 2 / 9

HEX #E825E3

RGB 232 37 227

HSL 301.54, 0.81%, 0.53%

LAB 56.11, 86.8, -52.13

 

CMYK 0 / 41 / 84 / 9

HEX #E88A26

RGB 232 138 38

HSL 30.93, 0.81%, 0.53%

LAB 66.12, 29.05, 63.7

 

CMYK 84 / 0 / 82 / 9

HEX #26E829

RGB 38 232 41

HSL 120.93, 0.81%, 0.53%

LAB 80.9, -77.02, 71.81

 

CMYK 84 / 44 / 0 / 9

HEX #2683E8

RGB 38 131 232

HSL 211.24, 0.81%, 0.53%

LAB 54.52, 9.76, -58.46

 

Description

Color code: HEX #E825E3 | qconv.com Color code: HEX #E825E3 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 37 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 37 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 84 magenta, 2 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 84% 2% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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