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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E8164D it is the complementary color #17E9B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E8164D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E8164D shade: #ED1648, #FE285B, #FF3A6E, #FF4C81 and #FF5E94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E8164D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E8164D shade: #E8164D, #D7043A, #C60027, #B50014 and #A40001

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E8164D shade: #E9154D and #E91515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E8164D shade: #E9154D, #E91586, #E915BF, #DA15E9 and #A115E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E8164D shade matches the following richer shades: #E9154D and #FD0143

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E8164D shade: #E9154D, #D42A56, #C03E60, #AB536A and #966874

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E8164D shade: #E915BE, #E91586, #E9154E, #E91515 and #E94E15

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E8164D shade: #9D0E34, #C31240, #E9154D, #EC3B69 and #F06186

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E8164D shade: #E8164D, #E9DB15 and #15A2E9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E8164D shade: #E8164D, #4EE915 and #154EE9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E8164D shade: #E8164D, #E9DB15, #15E9B0 and #1523E9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E8164D shade: #E8164D, #B7E915, #15E9B0 and #4715E9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 67 / 9

HEX #E8164D

RGB 232 22 77

HSL 344.29, 0.83%, 0.5%

LAB 49.82, 74.37, 27.31

 

Complementary color

CMYK 90 / 0 / 24 / 9

HEX #17E9B2

RGB 23 233 178

HSL 164.29, 0.83%, 0.5%

LAB 82.74, -58.79, 13.86

 

CMYK 0 / 91 / 70 / 7

HEX #ED1648

RGB 237 22 72

HSL 346.05, 0.86%, 0.51%

LAB 50.74, 75.36, 31.69

 

CMYK 0 / 84 / 64 / 0

HEX #FE285B

RGB 254 40 91

HSL 345.7, 0.99%, 0.58%

LAB 55.42, 77.51, 26.97

 

CMYK 0 / 77 / 57 / 0

HEX #FF3A6E

RGB 255 58 110

HSL 344.16, 1%, 0.61%

LAB 57.47, 74.63, 18.45

 

CMYK 0 / 70 / 49 / 0

HEX #FF4C81

RGB 255 76 129

HSL 342.23, 1%, 0.65%

LAB 59.9, 70.42, 10.63

 

CMYK 0 / 63 / 42 / 0

HEX #FF5E94

RGB 255 94 148

HSL 339.88, 1%, 0.68%

LAB 62.85, 65.35, 3.79

 

CMYK 0 / 91 / 67 / 9

HEX #E8164D

RGB 232 22 77

HSL 344.29, 0.83%, 0.5%

LAB 49.82, 74.37, 27.31

 

CMYK 0 / 98 / 73 / 16

HEX #D7043A

RGB 215 4 58

HSL 344.64, 0.96%, 0.43%

LAB 45.41, 71.24, 32.64

 

CMYK 0 / 100 / 80 / 22

HEX #C60027

RGB 198 0 39

HSL 348.18, 1%, 0.39%

LAB 41.46, 66.85, 38.53

 

CMYK 0 / 100 / 89 / 29

HEX #B50014

RGB 181 0 20

HSL 353.37, 1%, 0.35%

LAB 37.62, 62.18, 43.9

 

CMYK 0 / 100 / 99 / 36

HEX #A40001

RGB 164 0 1

HSL 359.63, 1%, 0.32%

LAB 33.76, 57.59, 47.55

 

CMYK 0 / 91 / 67 / 9

HEX #E9154D

RGB 233 21 77

HSL 344.15, 0.83%, 0.5%

LAB 49.97, 74.74, 27.55

 

CMYK 0 / 91 / 91 / 9

HEX #E91515

RGB 233 21 21

HSL 0, 0.83%, 0.5%

LAB 49.39, 73.1, 56.86

 

CMYK 0 / 91 / 67 / 9

HEX #E9154D

RGB 233 21 77

HSL 344.15, 0.83%, 0.5%

LAB 49.97, 74.74, 27.55

 

CMYK 0 / 91 / 42 / 9

HEX #E91586

RGB 233 21 134

HSL 328.02, 0.83%, 0.5%

LAB 51.36, 78.56, -5.21

 

CMYK 0 / 91 / 18 / 9

HEX #E915BF

RGB 233 21 191

HSL 311.89, 0.83%, 0.5%

LAB 53.62, 84.56, -35.47

 

CMYK 6 / 91 / 0 / 9

HEX #DA15E9

RGB 218 21 233

HSL 295.75, 0.83%, 0.5%

LAB 53.3, 87.74, -60.15

 

CMYK 31 / 91 / 0 / 9

HEX #A115E9

RGB 161 21 233

HSL 279.62, 0.83%, 0.5%

LAB 44.23, 79.59, -75.29

 

CMYK 0 / 91 / 67 / 9

HEX #E9154D

RGB 233 21 77

HSL 344.15, 0.83%, 0.5%

LAB 49.97, 74.74, 27.55

 

CMYK 0 / 100 / 74 / 1

HEX #FD0143

RGB 253 1 67

HSL 344.29, 0.99%, 0.5%

LAB 53.29, 80.77, 38.46

 

CMYK 0 / 91 / 67 / 9

HEX #E9154D

RGB 233 21 77

HSL 344.15, 0.83%, 0.5%

LAB 49.97, 74.74, 27.55

 

CMYK 0 / 80 / 59 / 17

HEX #D42A56

RGB 212 42 86

HSL 344.47, 0.67%, 0.5%

LAB 47.4, 65.87, 17.91

 

CMYK 0 / 68 / 50 / 25

HEX #C03E60

RGB 192 62 96

HSL 344.31, 0.51%, 0.5%

LAB 46.31, 54.22, 9.68

 

CMYK 0 / 51 / 38 / 33

HEX #AB536A

RGB 171 83 106

HSL 344.32, 0.35%, 0.5%

LAB 46.82, 38.46, 3.85

 

CMYK 0 / 31 / 23 / 41

HEX #966874

RGB 150 104 116

HSL 344.35, 0.18%, 0.5%

LAB 49.06, 20.28, 0.73

 

CMYK 0 / 91 / 18 / 9

HEX #E915BE

RGB 233 21 190

HSL 312.17, 0.83%, 0.5%

LAB 53.58, 84.44, -34.96

 

CMYK 0 / 91 / 42 / 9

HEX #E91586

RGB 233 21 134

HSL 328.02, 0.83%, 0.5%

LAB 51.36, 78.56, -5.21

 

CMYK 0 / 91 / 67 / 9

HEX #E9154E

RGB 233 21 78

HSL 343.87, 0.83%, 0.5%

LAB 49.99, 74.79, 26.97

 

CMYK 0 / 91 / 91 / 9

HEX #E91515

RGB 233 21 21

HSL 0, 0.83%, 0.5%

LAB 49.39, 73.1, 56.86

 

CMYK 0 / 67 / 91 / 9

HEX #E94E15

RGB 233 78 21

HSL 16.13, 0.83%, 0.5%

LAB 54.89, 57.74, 60.55

 

CMYK 0 / 91 / 67 / 38

HEX #9D0E34

RGB 157 14 52

HSL 344.06, 0.84%, 0.34%

LAB 33.41, 55.28, 18.89

 

CMYK 0 / 91 / 67 / 24

HEX #C31240

RGB 195 18 64

HSL 344.41, 0.83%, 0.42%

LAB 41.85, 65.11, 23.64

 

CMYK 0 / 91 / 67 / 9

HEX #E9154D

RGB 233 21 77

HSL 344.15, 0.83%, 0.5%

LAB 49.97, 74.74, 27.55

 

CMYK 0 / 75 / 56 / 7

HEX #EC3B69

RGB 236 59 105

HSL 344.41, 0.82%, 0.58%

LAB 54.01, 68.86, 16.12

 

CMYK 0 / 60 / 44 / 6

HEX #F06186

RGB 240 97 134

HSL 344.48, 0.83%, 0.66%

LAB 60.6, 58.11, 8.36

 

CMYK 0 / 91 / 67 / 9

HEX #E8164D

RGB 232 22 77

HSL 344.29, 0.83%, 0.5%

LAB 49.82, 74.37, 27.31

 

CMYK 0 / 6 / 91 / 9

HEX #E9DB15

RGB 233 219 21

HSL 56.04, 0.83%, 0.5%

LAB 86.03, -13.08, 83.53

 

CMYK 91 / 30 / 0 / 9

HEX #15A2E9

RGB 21 162 233

HSL 200.09, 0.83%, 0.5%

LAB 63.25, -9.13, -45.16

 

CMYK 0 / 91 / 67 / 9

HEX #E8164D

RGB 232 22 77

HSL 344.29, 0.83%, 0.5%

LAB 49.82, 74.37, 27.31

 

CMYK 67 / 0 / 91 / 9

HEX #4EE915

RGB 78 233 21

HSL 103.87, 0.83%, 0.5%

LAB 81.81, -72.27, 76.71

 

CMYK 91 / 67 / 0 / 9

HEX #154EE9

RGB 21 78 233

HSL 223.87, 0.83%, 0.5%

LAB 40.4, 42.66, -82

 

CMYK 0 / 91 / 67 / 9

HEX #E8164D

RGB 232 22 77

HSL 344.29, 0.83%, 0.5%

LAB 49.82, 74.37, 27.31

 

CMYK 0 / 6 / 91 / 9

HEX #E9DB15

RGB 233 219 21

HSL 56.04, 0.83%, 0.5%

LAB 86.03, -13.08, 83.53

 

CMYK 91 / 0 / 24 / 9

HEX #15E9B0

RGB 21 233 176

HSL 163.87, 0.83%, 0.5%

LAB 82.69, -59.35, 14.83

 

CMYK 91 / 85 / 0 / 9

HEX #1523E9

RGB 21 35 233

HSL 236.04, 0.83%, 0.5%

LAB 32.36, 65.43, -95.32

 

CMYK 0 / 91 / 67 / 9

HEX #E8164D

RGB 232 22 77

HSL 344.29, 0.83%, 0.5%

LAB 49.82, 74.37, 27.31

 

CMYK 21 / 0 / 91 / 9

HEX #B7E915

RGB 183 233 21

HSL 74.15, 0.83%, 0.5%

LAB 86.21, -40.16, 82.12

 

CMYK 91 / 0 / 24 / 9

HEX #15E9B0

RGB 21 233 176

HSL 163.87, 0.83%, 0.5%

LAB 82.69, -59.35, 14.83

 

CMYK 70 / 91 / 0 / 9

HEX #4715E9

RGB 71 21 233

HSL 254.15, 0.83%, 0.5%

LAB 33.48, 71.59, -93.39

 

Description

Color code: HEX #E8164D | qconv.com Color code: HEX #E8164D | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 22 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 22 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 67 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 67% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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