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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E79DEC it is the complementary color #186213. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E79DEC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E79DEC shade: #EC9DE7, #FDAFFA, #FFC1FF, #FFD3FF and #FFE5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E79DEC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E79DEC shade: #E79DEC, #D68BD9, #C579C6, #B467B3 and #A355A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E79DEC shade: #E79CEC, #EC9CDB, #EC9CC6, #EC9CB0 and #EC9C9C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E79DEC shade: #E79CEC, #D19CEC, #BC9CEC, #A69CEC and #9C9CEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E79DEC shade matches the following richer shades: #E79CEC and #EF92F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E79DEC shade: #E79CEC, #DEA5E2, #D6AFD9, #CEB8CF and #C6C2C6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E79DEC shade: #BC9CEC, #D19CEC, #E69CEC, #EC9CDC and #EC9CC7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E79DEC shade: #D657DF, #DE79E5, #E79CEC, #EFBFF2 and #F7E1F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E79DEC shade: #E79DEC, #ECA79C and #9CECC7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E79DEC shade: #E79DEC, #ECE69C and #9CECE6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E79DEC shade: #E79DEC, #ECA79C, #A1EC9C and #9CE1EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E79DEC shade: #E79DEC, #ECBF9C, #A1EC9C and #9CC9EC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 33 / 0 / 7

HEX #E79DEC

RGB 231 157 236

HSL 296.2, 0.68%, 0.77%

LAB 74.29, 40.09, -28.69

 

Complementary color

CMYK 76 / 0 / 81 / 62

HEX #186213

RGB 24 98 19

HSL 116.2, 0.68%, 0.23%

LAB 35.94, -38.27, 35.98

 

CMYK 0 / 33 / 2 / 7

HEX #EC9DE7

RGB 236 157 231

HSL 303.8, 0.68%, 0.77%

LAB 74.65, 40.75, -25.37

 

CMYK 0 / 31 / 1 / 1

HEX #FDAFFA

RGB 253 175 250

HSL 302.31, 0.95%, 0.84%

LAB 80.99, 40.05, -25.8

 

CMYK 0 / 24 / 0 / 0

HEX #FFC1FF

RGB 255 193 255

HSL 300, 1%, 0.88%

LAB 85.31, 32.15, -21.87

 

CMYK 0 / 17 / 0 / 0

HEX #FFD3FF

RGB 255 211 255

HSL 300, 1%, 0.91%

LAB 89.43, 22.7, -15.67

 

CMYK 0 / 10 / 0 / 0

HEX #FFE5FF

RGB 255 229 255

HSL 300, 1%, 0.95%

LAB 93.68, 13.31, -9.32

 

CMYK 2 / 33 / 0 / 7

HEX #E79DEC

RGB 231 157 236

HSL 296.2, 0.68%, 0.77%

LAB 74.29, 40.09, -28.69

 

CMYK 1 / 36 / 0 / 15

HEX #D68BD9

RGB 214 139 217

HSL 297.69, 0.51%, 0.7%

LAB 67.85, 40.82, -28.31

 

CMYK 1 / 39 / 0 / 22

HEX #C579C6

RGB 197 121 198

HSL 299.22, 0.4%, 0.63%

LAB 61.33, 41.56, -27.9

 

CMYK 0 / 43 / 1 / 29

HEX #B467B3

RGB 180 103 179

HSL 300.78, 0.34%, 0.55%

LAB 54.72, 42.32, -27.43

 

CMYK 0 / 48 / 2 / 36

HEX #A355A0

RGB 163 85 160

HSL 302.31, 0.31%, 0.49%

LAB 48.03, 43.05, -26.86

 

CMYK 2 / 34 / 0 / 7

HEX #E79CEC

RGB 231 156 236

HSL 296.25, 0.68%, 0.77%

LAB 74.08, 40.62, -29.02

 

CMYK 0 / 34 / 7 / 7

HEX #EC9CDB

RGB 236 156 219

HSL 312.75, 0.68%, 0.77%

LAB 74.01, 39.18, -19.78

 

CMYK 0 / 34 / 16 / 7

HEX #EC9CC6

RGB 236 156 198

HSL 328.5, 0.68%, 0.77%

LAB 73.34, 35.75, -9.25

 

CMYK 0 / 34 / 25 / 7

HEX #EC9CB0

RGB 236 156 176

HSL 345, 0.68%, 0.77%

LAB 72.72, 32.5, 1.98

 

CMYK 0 / 34 / 34 / 7

HEX #EC9C9C

RGB 236 156 156

HSL 0, 0.68%, 0.77%

LAB 72.24, 29.87, 12.34

 

CMYK 2 / 34 / 0 / 7

HEX #E79CEC

RGB 231 156 236

HSL 296.25, 0.68%, 0.77%

LAB 74.08, 40.62, -29.02

 

CMYK 11 / 34 / 0 / 7

HEX #D19CEC

RGB 209 156 236

HSL 279.75, 0.68%, 0.77%

LAB 71.82, 33.85, -32.69

 

CMYK 20 / 34 / 0 / 7

HEX #BC9CEC

RGB 188 156 236

HSL 264, 0.68%, 0.77%

LAB 69.84, 27.52, -35.91

 

CMYK 30 / 34 / 0 / 7

HEX #A69CEC

RGB 166 156 236

HSL 247.5, 0.68%, 0.77%

LAB 67.98, 21.14, -38.95

 

CMYK 34 / 34 / 0 / 7

HEX #9C9CEC

RGB 156 156 236

HSL 240, 0.68%, 0.77%

LAB 67.2, 18.36, -40.22

 

CMYK 2 / 34 / 0 / 7

HEX #E79CEC

RGB 231 156 236

HSL 296.25, 0.68%, 0.77%

LAB 74.08, 40.62, -29.02

 

CMYK 2 / 40 / 0 / 4

HEX #EF92F5

RGB 239 146 245

HSL 296.36, 0.83%, 0.77%

LAB 73.22, 49.89, -35.17

 

CMYK 2 / 34 / 0 / 7

HEX #E79CEC

RGB 231 156 236

HSL 296.25, 0.68%, 0.77%

LAB 74.08, 40.62, -29.02

 

CMYK 2 / 27 / 0 / 11

HEX #DEA5E2

RGB 222 165 226

HSL 296.07, 0.51%, 0.77%

LAB 74.78, 31.1, -22.57

 

CMYK 1 / 19 / 0 / 15

HEX #D6AFD9

RGB 214 175 217

HSL 295.71, 0.36%, 0.77%

LAB 76.05, 21.37, -15.83

 

CMYK 0 / 11 / 0 / 19

HEX #CEB8CF

RGB 206 184 207

HSL 297.39, 0.19%, 0.77%

LAB 77.23, 11.91, -8.71

 

CMYK 0 / 2 / 0 / 22

HEX #C6C2C6

RGB 198 194 198

HSL 300, 0.03%, 0.77%

LAB 78.85, 2.13, -1.52

 

CMYK 20 / 34 / 0 / 7

HEX #BC9CEC

RGB 188 156 236

HSL 264, 0.68%, 0.77%

LAB 69.84, 27.52, -35.91

 

CMYK 11 / 34 / 0 / 7

HEX #D19CEC

RGB 209 156 236

HSL 279.75, 0.68%, 0.77%

LAB 71.82, 33.85, -32.69

 

CMYK 3 / 34 / 0 / 7

HEX #E69CEC

RGB 230 156 236

HSL 295.5, 0.68%, 0.77%

LAB 73.97, 40.31, -29.19

 

CMYK 0 / 34 / 7 / 7

HEX #EC9CDC

RGB 236 156 220

HSL 312, 0.68%, 0.77%

LAB 74.05, 39.35, -20.28

 

CMYK 0 / 34 / 16 / 7

HEX #EC9CC7

RGB 236 156 199

HSL 327.75, 0.68%, 0.77%

LAB 73.37, 35.9, -9.76

 

CMYK 4 / 61 / 0 / 13

HEX #D657DF

RGB 214 87 223

HSL 296.03, 0.68%, 0.61%

LAB 58.45, 67.21, -46.34

 

CMYK 3 / 47 / 0 / 10

HEX #DE79E5

RGB 222 121 229

HSL 296.11, 0.68%, 0.69%

LAB 65.64, 54.68, -38.32

 

CMYK 2 / 34 / 0 / 7

HEX #E79CEC

RGB 231 156 236

HSL 296.25, 0.68%, 0.77%

LAB 74.08, 40.62, -29.02

 

CMYK 1 / 21 / 0 / 5

HEX #EFBFF2

RGB 239 191 242

HSL 296.47, 0.66%, 0.85%

LAB 82.93, 25.68, -18.7

 

CMYK 1 / 10 / 0 / 2

HEX #F7E1F9

RGB 247 225 249

HSL 295, 0.67%, 0.93%

LAB 91.89, 11.67, -8.91

 

CMYK 2 / 33 / 0 / 7

HEX #E79DEC

RGB 231 157 236

HSL 296.2, 0.68%, 0.77%

LAB 74.29, 40.09, -28.69

 

CMYK 0 / 29 / 34 / 7

HEX #ECA79C

RGB 236 167 156

HSL 8.25, 0.68%, 0.77%

LAB 74.74, 24.03, 15.86

 

CMYK 34 / 0 / 16 / 7

HEX #9CECC7

RGB 156 236 199

HSL 152.25, 0.68%, 0.77%

LAB 87.57, -32.28, 10.24

 

CMYK 2 / 33 / 0 / 7

HEX #E79DEC

RGB 231 157 236

HSL 296.2, 0.68%, 0.77%

LAB 74.29, 40.09, -28.69

 

CMYK 0 / 3 / 34 / 7

HEX #ECE69C

RGB 236 230 156

HSL 55.5, 0.68%, 0.77%

LAB 90.24, -8.81, 36.84

 

CMYK 34 / 0 / 3 / 7

HEX #9CECE6

RGB 156 236 230

HSL 175.5, 0.68%, 0.77%

LAB 88.34, -25.67, -4.87

 

CMYK 2 / 33 / 0 / 7

HEX #E79DEC

RGB 231 157 236

HSL 296.2, 0.68%, 0.77%

LAB 74.29, 40.09, -28.69

 

CMYK 0 / 29 / 34 / 7

HEX #ECA79C

RGB 236 167 156

HSL 8.25, 0.68%, 0.77%

LAB 74.74, 24.03, 15.86

 

CMYK 32 / 0 / 34 / 7

HEX #A1EC9C

RGB 161 236 156

HSL 116.25, 0.68%, 0.77%

LAB 86.98, -38.4, 31.64

 

CMYK 34 / 5 / 0 / 7

HEX #9CE1EC

RGB 156 225 236

HSL 188.25, 0.68%, 0.77%

LAB 85.49, -18.86, -12.26

 

CMYK 2 / 33 / 0 / 7

HEX #E79DEC

RGB 231 157 236

HSL 296.2, 0.68%, 0.77%

LAB 74.29, 40.09, -28.69

 

CMYK 0 / 19 / 34 / 7

HEX #ECBF9C

RGB 236 191 156

HSL 26.25, 0.68%, 0.77%

LAB 80.46, 11.3, 23.75

 

CMYK 32 / 0 / 34 / 7

HEX #A1EC9C

RGB 161 236 156

HSL 116.25, 0.68%, 0.77%

LAB 86.98, -38.4, 31.64

 

CMYK 34 / 15 / 0 / 7

HEX #9CC9EC

RGB 156 201 236

HSL 206.25, 0.68%, 0.77%

LAB 78.98, -6.49, -22.06

 

Description

Color code: HEX #E79DEC | qconv.com Color code: HEX #E79DEC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 157 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 157 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 33 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 33% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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