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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E797C9 it is the complementary color #186836. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E797C9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E797C9 shade: #EC97C4, #FDA9D7, #FFBBEA, #FFCDFD and #FFDFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E797C9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E797C9 shade: #E797C9, #D685B6, #C573A3, #B46190 and #A34F7D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E797C9 shade: #E797C9, #E797B3, #E7979D and #E79797

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E797C9 shade: #E797C9, #E797DE, #DA97E7, #C497E7 and #AE97E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E797C9 shade matches the following richer shades: #E797C9, #F18CCB and #FC82CE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E797C9 shade: #E797C9, #DDA1C6, #D2ABC4, #C8B6C1 and #BEC0BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E797C9 shade: #DA97E7, #E797DF, #E797C9, #E797B4 and #E7979F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E797C9 shade: #D853A6, #DF75B7, #E797C9, #EFB8DA and #F6DAEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E797C9 shade: #E797C9, #E7C497 and #97E7E4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E797C9 shade: #E797C9, #C9E797 and #97C9E7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E797C9 shade: #E797C9, #E7C497, #97E7B4 and #97B9E7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E797C9 shade: #E797C9, #E7DC97, #97E7B4 and #97A1E7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 13 / 9

HEX #E797C9

RGB 231 151 201

HSL 322.5, 0.63%, 0.75%

LAB 71.78, 37.17, -13.29

 

Complementary color

CMYK 77 / 0 / 48 / 59

HEX #186836

RGB 24 104 54

HSL 142.5, 0.63%, 0.25%

LAB 38.48, -35.83, 21.49

 

CMYK 0 / 36 / 17 / 7

HEX #EC97C4

RGB 236 151 196

HSL 328.24, 0.69%, 0.76%

LAB 72.2, 38.07, -9.86

 

CMYK 0 / 33 / 15 / 1

HEX #FDA9D7

RGB 253 169 215

HSL 327.14, 0.95%, 0.83%

LAB 78.56, 37.33, -10.58

 

CMYK 0 / 27 / 8 / 0

HEX #FFBBEA

RGB 255 187 234

HSL 318.53, 1%, 0.87%

LAB 83.31, 31.65, -13.7

 

CMYK 0 / 20 / 1 / 0

HEX #FFCDFD

RGB 255 205 253

HSL 302.4, 1%, 0.9%

LAB 87.98, 25.49, -16.79

 

CMYK 0 / 13 / 0 / 0

HEX #FFDFFF

RGB 255 223 255

HSL 300, 1%, 0.94%

LAB 92.25, 16.43, -11.45

 

CMYK 0 / 35 / 13 / 9

HEX #E797C9

RGB 231 151 201

HSL 322.5, 0.63%, 0.75%

LAB 71.78, 37.17, -13.29

 

CMYK 0 / 38 / 15 / 16

HEX #D685B6

RGB 214 133 182

HSL 323.7, 0.5%, 0.68%

LAB 65.32, 37.93, -12.6

 

CMYK 0 / 42 / 17 / 23

HEX #C573A3

RGB 197 115 163

HSL 324.88, 0.41%, 0.61%

LAB 58.77, 38.71, -11.82

 

CMYK 0 / 46 / 20 / 29

HEX #B46190

RGB 180 97 144

HSL 326.02, 0.36%, 0.54%

LAB 52.14, 39.52, -10.93

 

CMYK 0 / 52 / 23 / 36

HEX #A34F7D

RGB 163 79 125

HSL 327.14, 0.35%, 0.47%

LAB 45.44, 40.3, -9.86

 

CMYK 0 / 35 / 13 / 9

HEX #E797C9

RGB 231 151 201

HSL 322.5, 0.63%, 0.75%

LAB 71.78, 37.17, -13.29

 

CMYK 0 / 35 / 23 / 9

HEX #E797B3

RGB 231 151 179

HSL 339, 0.63%, 0.75%

LAB 71.13, 33.79, -2.07

 

CMYK 0 / 35 / 32 / 9

HEX #E7979D

RGB 231 151 157

HSL 355.5, 0.63%, 0.75%

LAB 70.56, 30.8, 9.33

 

CMYK 0 / 35 / 35 / 9

HEX #E79797

RGB 231 151 151

HSL 0, 0.63%, 0.75%

LAB 70.42, 30.05, 12.47

 

CMYK 0 / 35 / 13 / 9

HEX #E797C9

RGB 231 151 201

HSL 322.5, 0.63%, 0.75%

LAB 71.78, 37.17, -13.29

 

CMYK 0 / 35 / 4 / 9

HEX #E797DE

RGB 231 151 222

HSL 306.75, 0.63%, 0.75%

LAB 72.49, 40.72, -23.79

 

CMYK 6 / 35 / 0 / 9

HEX #DA97E7

RGB 218 151 231

HSL 290.25, 0.63%, 0.75%

LAB 71.42, 38.32, -30.49

 

CMYK 15 / 35 / 0 / 9

HEX #C497E7

RGB 196 151 231

HSL 273.75, 0.63%, 0.75%

LAB 69.21, 31.59, -34.09

 

CMYK 25 / 35 / 0 / 9

HEX #AE97E7

RGB 174 151 231

HSL 257.25, 0.63%, 0.75%

LAB 67.2, 25.04, -37.36

 

CMYK 0 / 35 / 13 / 9

HEX #E797C9

RGB 231 151 201

HSL 322.5, 0.63%, 0.75%

LAB 71.78, 37.17, -13.29

 

CMYK 0 / 42 / 16 / 5

HEX #F18CCB

RGB 241 140 203

HSL 322.57, 0.78%, 0.75%

LAB 70.71, 46.49, -15.9

 

CMYK 0 / 48 / 18 / 1

HEX #FC82CE

RGB 252 130 206

HSL 322.62, 0.95%, 0.75%

LAB 70.26, 55.37, -18.12

 

CMYK 0 / 35 / 13 / 9

HEX #E797C9

RGB 231 151 201

HSL 322.5, 0.63%, 0.75%

LAB 71.78, 37.17, -13.29

 

CMYK 0 / 27 / 10 / 13

HEX #DDA1C6

RGB 221 161 198

HSL 323, 0.47%, 0.75%

LAB 72.85, 27.93, -10.15

 

CMYK 0 / 19 / 7 / 18

HEX #D2ABC4

RGB 210 171 196

HSL 321.54, 0.3%, 0.75%

LAB 74.07, 18.35, -7.36

 

CMYK 0 / 9 / 4 / 22

HEX #C8B6C1

RGB 200 182 193

HSL 323.33, 0.14%, 0.75%

LAB 75.81, 8.34, -3.24

 

CMYK 1 / 0 / 1 / 25

HEX #BEC0BE

RGB 190 192 190

HSL 120, 0.02%, 0.75%

LAB 77.5, -1.06, 0.75

 

CMYK 6 / 35 / 0 / 9

HEX #DA97E7

RGB 218 151 231

HSL 290.25, 0.63%, 0.75%

LAB 71.42, 38.32, -30.49

 

CMYK 0 / 35 / 3 / 9

HEX #E797DF

RGB 231 151 223

HSL 306, 0.63%, 0.75%

LAB 72.53, 40.9, -24.28

 

CMYK 0 / 35 / 13 / 9

HEX #E797C9

RGB 231 151 201

HSL 322.5, 0.63%, 0.75%

LAB 71.78, 37.17, -13.29

 

CMYK 0 / 35 / 22 / 9

HEX #E797B4

RGB 231 151 180

HSL 338.25, 0.63%, 0.75%

LAB 71.16, 33.94, -2.59

 

CMYK 0 / 35 / 31 / 9

HEX #E7979F

RGB 231 151 159

HSL 354, 0.63%, 0.75%

LAB 70.61, 31.05, 8.29

 

CMYK 0 / 62 / 23 / 15

HEX #D853A6

RGB 216 83 166

HSL 322.56, 0.63%, 0.59%

LAB 55.62, 60.57, -18.06

 

CMYK 0 / 48 / 18 / 13

HEX #DF75B7

RGB 223 117 183

HSL 322.64, 0.62%, 0.67%

LAB 63.2, 49.29, -16.24

 

CMYK 0 / 35 / 13 / 9

HEX #E797C9

RGB 231 151 201

HSL 322.5, 0.63%, 0.75%

LAB 71.78, 37.17, -13.29

 

CMYK 0 / 23 / 9 / 6

HEX #EFB8DA

RGB 239 184 218

HSL 322.91, 0.63%, 0.83%

LAB 80.57, 25.16, -9.36

 

CMYK 0 / 11 / 4 / 4

HEX #F6DAEC

RGB 246 218 236

HSL 321.43, 0.61%, 0.91%

LAB 89.76, 12.68, -5.25

 

CMYK 0 / 35 / 13 / 9

HEX #E797C9

RGB 231 151 201

HSL 322.5, 0.63%, 0.75%

LAB 71.78, 37.17, -13.29

 

CMYK 0 / 15 / 35 / 9

HEX #E7C497

RGB 231 196 151

HSL 33.75, 0.63%, 0.75%

LAB 81.13, 6.13, 27.22

 

CMYK 35 / 0 / 1 / 9

HEX #97E7E4

RGB 151 231 228

HSL 177.75, 0.63%, 0.75%

LAB 86.67, -25.02, -6.32

 

CMYK 0 / 35 / 13 / 9

HEX #E797C9

RGB 231 151 201

HSL 322.5, 0.63%, 0.75%

LAB 71.78, 37.17, -13.29

 

CMYK 13 / 0 / 35 / 9

HEX #C9E797

RGB 201 231 151

HSL 82.5, 0.63%, 0.75%

LAB 87.87, -23.03, 35.77

 

CMYK 35 / 13 / 0 / 9

HEX #97C9E7

RGB 151 201 231

HSL 202.5, 0.63%, 0.75%

LAB 78.53, -9.1, -20.09

 

CMYK 0 / 35 / 13 / 9

HEX #E797C9

RGB 231 151 201

HSL 322.5, 0.63%, 0.75%

LAB 71.78, 37.17, -13.29

 

CMYK 0 / 15 / 35 / 9

HEX #E7C497

RGB 231 196 151

HSL 33.75, 0.63%, 0.75%

LAB 81.13, 6.13, 27.22

 

CMYK 35 / 0 / 22 / 9

HEX #97E7B4

RGB 151 231 180

HSL 141.75, 0.63%, 0.75%

LAB 85.52, -35.09, 17.21

 

CMYK 35 / 20 / 0 / 9

HEX #97B9E7

RGB 151 185 231

HSL 214.5, 0.63%, 0.75%

LAB 74.22, -0.53, -26.66

 

CMYK 0 / 35 / 13 / 9

HEX #E797C9

RGB 231 151 201

HSL 322.5, 0.63%, 0.75%

LAB 71.78, 37.17, -13.29

 

CMYK 0 / 5 / 35 / 9

HEX #E7DC97

RGB 231 220 151

HSL 51.75, 0.63%, 0.75%

LAB 87.2, -6.27, 35.3

 

CMYK 35 / 0 / 22 / 9

HEX #97E7B4

RGB 151 231 180

HSL 141.75, 0.63%, 0.75%

LAB 85.52, -35.09, 17.21

 

CMYK 35 / 30 / 0 / 9

HEX #97A1E7

RGB 151 161 231

HSL 232.5, 0.63%, 0.75%

LAB 67.9, 12.84, -36.41

 

Description

Color code: HEX #E797C9 | qconv.com Color code: HEX #E797C9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 151 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 151 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 13 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 13% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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