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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E7819F it is the complementary color #187E60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E7819F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E7819F shade: #EC819A, #FD93AD, #FFA5C0, #FFB7D3 and #FFC9E6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E7819F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E7819F shade: #E7819F, #D66F8C, #C55D79, #B44B66 and #A33953

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E7819F shade: #E782A0, #E78285 and #E78282

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E7819F shade: #E782A0, #E782BB, #E782D6, #DC82E7 and #C182E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E7819F shade matches the following richer shades: #E782A0 and #F3769B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E7819F shade: #E782A0, #DB8EA5, #CF9AAA, #C3A6AF and #B7B2B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E7819F shade: #E782D6, #E782BB, #E782A0, #E78286 and #E79A82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E7819F shade: #DA3D6B, #E06085, #E782A0, #EDA5BA and #F4C8D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E7819F shade: #E7819F, #E7DD82 and #82C9E7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E7819F shade: #E7819F, #A0E782 and #82A0E7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E7819F shade: #E7819F, #E7DD82, #82E7C9 and #828CE7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E7819F shade: #E7819F, #D3E782, #82E7C9 and #9682E7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 31 / 9

HEX #E7819F

RGB 231 129 159

HSL 342.35, 0.68%, 0.71%

LAB 65.9, 42.55, 1.5

 

Complementary color

CMYK 81 / 0 / 24 / 51

HEX #187E60

RGB 24 126 96

HSL 162.35, 0.68%, 0.29%

LAB 46.92, -35.58, 8.46

 

CMYK 0 / 45 / 35 / 7

HEX #EC819A

RGB 236 129 154

HSL 345.98, 0.74%, 0.72%

LAB 66.42, 43.68, 5.16

 

CMYK 0 / 42 / 32 / 1

HEX #FD93AD

RGB 253 147 173

HSL 345.28, 0.96%, 0.78%

LAB 72.74, 42.78, 3.92

 

CMYK 0 / 35 / 25 / 0

HEX #FFA5C0

RGB 255 165 192

HSL 342, 1%, 0.82%

LAB 77.27, 36.71, 0.07

 

CMYK 0 / 28 / 17 / 0

HEX #FFB7D3

RGB 255 183 211

HSL 336.67, 1%, 0.86%

LAB 81.75, 30.07, -3.67

 

CMYK 0 / 21 / 10 / 0

HEX #FFC9E6

RGB 255 201 230

HSL 327.78, 1%, 0.89%

LAB 86.38, 23.63, -6.99

 

CMYK 0 / 44 / 31 / 9

HEX #E7819F

RGB 231 129 159

HSL 342.35, 0.68%, 0.71%

LAB 65.9, 42.55, 1.5

 

CMYK 0 / 48 / 35 / 16

HEX #D66F8C

RGB 214 111 140

HSL 343.11, 0.56%, 0.64%

LAB 59.49, 43.45, 2.79

 

CMYK 0 / 53 / 39 / 23

HEX #C55D79

RGB 197 93 121

HSL 343.85, 0.47%, 0.57%

LAB 53.04, 44.34, 4.29

 

CMYK 0 / 58 / 43 / 29

HEX #B44B66

RGB 180 75 102

HSL 344.57, 0.41%, 0.5%

LAB 46.57, 45.17, 6.11

 

CMYK 0 / 65 / 49 / 36

HEX #A33953

RGB 163 57 83

HSL 345.28, 0.48%, 0.43%

LAB 40.14, 45.82, 8.35

 

CMYK 0 / 44 / 31 / 9

HEX #E782A0

RGB 231 130 160

HSL 342.18, 0.68%, 0.71%

LAB 66.13, 42.17, 1.27

 

CMYK 0 / 44 / 42 / 9

HEX #E78285

RGB 231 130 133

HSL 358.22, 0.68%, 0.71%

LAB 65.47, 39.01, 15.61

 

CMYK 0 / 44 / 44 / 9

HEX #E78282

RGB 231 130 130

HSL 0, 0.68%, 0.71%

LAB 65.41, 38.7, 17.21

 

CMYK 0 / 44 / 31 / 9

HEX #E782A0

RGB 231 130 160

HSL 342.18, 0.68%, 0.71%

LAB 66.13, 42.17, 1.27

 

CMYK 0 / 44 / 19 / 9

HEX #E782BB

RGB 231 130 187

HSL 326.14, 0.68%, 0.71%

LAB 66.93, 45.91, -12.78

 

CMYK 0 / 44 / 7 / 9

HEX #E782D6

RGB 231 130 214

HSL 310.1, 0.68%, 0.71%

LAB 67.88, 50.19, -26.43

 

CMYK 5 / 44 / 0 / 9

HEX #DC82E7

RGB 220 130 231

HSL 293.47, 0.68%, 0.71%

LAB 67.24, 49.94, -36.95

 

CMYK 16 / 44 / 0 / 9

HEX #C182E7

RGB 193 130 231

HSL 277.43, 0.68%, 0.71%

LAB 64.22, 42.18, -41.89

 

CMYK 0 / 44 / 31 / 9

HEX #E782A0

RGB 231 130 160

HSL 342.18, 0.68%, 0.71%

LAB 66.13, 42.17, 1.27

 

CMYK 0 / 51 / 36 / 5

HEX #F3769B

RGB 243 118 155

HSL 342.24, 0.84%, 0.71%

LAB 65.26, 51.62, 3.04

 

CMYK 0 / 44 / 31 / 9

HEX #E782A0

RGB 231 130 160

HSL 342.18, 0.68%, 0.71%

LAB 66.13, 42.17, 1.27

 

CMYK 0 / 35 / 25 / 14

HEX #DB8EA5

RGB 219 142 165

HSL 342.08, 0.52%, 0.71%

LAB 67.37, 32.3, 0.08

 

CMYK 0 / 26 / 18 / 19

HEX #CF9AAA

RGB 207 154 170

HSL 341.89, 0.36%, 0.71%

LAB 68.95, 22.2, -0.56

 

CMYK 0 / 15 / 10 / 24

HEX #C3A6AF

RGB 195 166 175

HSL 341.38, 0.19%, 0.71%

LAB 70.85, 12.08, -0.7

 

CMYK 0 / 3 / 2 / 28

HEX #B7B2B4

RGB 183 178 180

HSL 336, 0.03%, 0.71%

LAB 73.03, 2.14, -0.4

 

CMYK 0 / 44 / 7 / 9

HEX #E782D6

RGB 231 130 214

HSL 310.1, 0.68%, 0.71%

LAB 67.88, 50.19, -26.43

 

CMYK 0 / 44 / 19 / 9

HEX #E782BB

RGB 231 130 187

HSL 326.14, 0.68%, 0.71%

LAB 66.93, 45.91, -12.78

 

CMYK 0 / 44 / 31 / 9

HEX #E782A0

RGB 231 130 160

HSL 342.18, 0.68%, 0.71%

LAB 66.13, 42.17, 1.27

 

CMYK 0 / 44 / 42 / 9

HEX #E78286

RGB 231 130 134

HSL 357.62, 0.68%, 0.71%

LAB 65.5, 39.12, 15.07

 

CMYK 0 / 33 / 44 / 9

HEX #E79A82

RGB 231 154 130

HSL 14.26, 0.68%, 0.71%

LAB 70.67, 26.07, 24.39

 

CMYK 0 / 72 / 51 / 15

HEX #DA3D6B

RGB 218 61 107

HSL 342.42, 0.68%, 0.55%

LAB 51.04, 63.29, 10.3

 

CMYK 0 / 57 / 41 / 12

HEX #E06085

RGB 224 96 133

HSL 342.66, 0.67%, 0.63%

LAB 57.95, 53.3, 4.82

 

CMYK 0 / 44 / 31 / 9

HEX #E782A0

RGB 231 130 160

HSL 342.18, 0.68%, 0.71%

LAB 66.13, 42.17, 1.27

 

CMYK 0 / 30 / 22 / 7

HEX #EDA5BA

RGB 237 165 186

HSL 342.5, 0.67%, 0.79%

LAB 75.11, 29.51, -0.03

 

CMYK 0 / 18 / 13 / 4

HEX #F4C8D5

RGB 244 200 213

HSL 342.27, 0.67%, 0.87%

LAB 84.66, 17.59, -0.59

 

CMYK 0 / 44 / 31 / 9

HEX #E7819F

RGB 231 129 159

HSL 342.35, 0.68%, 0.71%

LAB 65.9, 42.55, 1.5

 

CMYK 0 / 4 / 44 / 9

HEX #E7DD82

RGB 231 221 130

HSL 54.06, 0.68%, 0.71%

LAB 87.15, -9.03, 45.74

 

CMYK 44 / 13 / 0 / 9

HEX #82C9E7

RGB 130 201 231

HSL 197.82, 0.68%, 0.71%

LAB 77.45, -14.52, -21.83

 

CMYK 0 / 44 / 31 / 9

HEX #E7819F

RGB 231 129 159

HSL 342.35, 0.68%, 0.71%

LAB 65.9, 42.55, 1.5

 

CMYK 31 / 0 / 44 / 9

HEX #A0E782

RGB 160 231 130

HSL 102.18, 0.68%, 0.71%

LAB 85.12, -40.18, 42.17

 

CMYK 44 / 31 / 0 / 9

HEX #82A0E7

RGB 130 160 231

HSL 222.18, 0.68%, 0.71%

LAB 66.26, 7.88, -39.08

 

CMYK 0 / 44 / 31 / 9

HEX #E7819F

RGB 231 129 159

HSL 342.35, 0.68%, 0.71%

LAB 65.9, 42.55, 1.5

 

CMYK 0 / 4 / 44 / 9

HEX #E7DD82

RGB 231 221 130

HSL 54.06, 0.68%, 0.71%

LAB 87.15, -9.03, 45.74

 

CMYK 44 / 0 / 13 / 9

HEX #82E7C9

RGB 130 231 201

HSL 162.18, 0.68%, 0.71%

LAB 85.05, -36.51, 5.42

 

CMYK 44 / 39 / 0 / 9

HEX #828CE7

RGB 130 140 231

HSL 234.06, 0.68%, 0.71%

LAB 61.02, 19.46, -47.31

 

CMYK 0 / 44 / 31 / 9

HEX #E7819F

RGB 231 129 159

HSL 342.35, 0.68%, 0.71%

LAB 65.9, 42.55, 1.5

 

CMYK 9 / 0 / 44 / 9

HEX #D3E782

RGB 211 231 130

HSL 71.88, 0.68%, 0.71%

LAB 88.26, -21.76, 46.79

 

CMYK 44 / 0 / 13 / 9

HEX #82E7C9

RGB 130 231 201

HSL 162.18, 0.68%, 0.71%

LAB 85.05, -36.51, 5.42

 

CMYK 35 / 44 / 0 / 9

HEX #9682E7

RGB 150 130 231

HSL 251.88, 0.68%, 0.71%

LAB 60.09, 30.37, -48.69

 

Description

Color code: HEX #E7819F | qconv.com Color code: HEX #E7819F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 129 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 129 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 31 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 31% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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