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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E776FE it is the complementary color #188901. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E776FE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E776FE shade: #EC76F9, #FD88FF, #FF9AFF, #FFACFF and #FFBEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E776FE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E776FE shade: #E776FE, #D664EB, #C552D8, #B440C5 and #A32EB2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E776FE shade: #E775FE, #FE75F0, #FE75CB, #FE75A7 and #FE7582

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E776FE shade: #E775FE, #C275FE, #9D75FE, #7875FE and #7575FE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E776FE shade matches the following richer shades: #E775FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E776FE shade: #E775FE, #DF81F3, #D88CE8, #D197DC and #C9A2D1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E776FE shade: #9C75FE, #C075FE, #E575FE, #FE75F2 and #FE75CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E776FE shade: #D923FD, #E04CFE, #E775FE, #EE9FFE and #F5C8FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E776FE shade: #E776FE, #FE7875 and #75FEAE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E776FE shade: #E776FE, #FEE575 and #75FEE5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E776FE shade: #E776FE, #FE7875, #8EFE75 and #75FCFE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E776FE shade: #E776FE, #FEA175, #8EFE75 and #75D3FE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 54 / 0 / 0

HEX #E776FE

RGB 231 118 254

HSL 289.85, 0.99%, 0.73%

LAB 67.35, 63.16, -49.33

 

Complementary color

CMYK 82 / 0 / 99 / 46

HEX #188901

RGB 24 137 1

HSL 109.85, 0.99%, 0.27%

LAB 49.6, -52.14, 52.51

 

CMYK 5 / 53 / 0 / 2

HEX #EC76F9

RGB 236 118 249

HSL 294.05, 0.92%, 0.72%

LAB 67.75, 63.53, -45.93

 

CMYK 1 / 47 / 0 / 0

HEX #FD88FF

RGB 253 136 255

HSL 298.99, 1%, 0.77%

LAB 73.36, 60.63, -40.26

 

CMYK 0 / 40 / 0 / 0

HEX #FF9AFF

RGB 255 154 255

HSL 300, 1%, 0.8%

LAB 77.04, 52.33, -34.54

 

CMYK 0 / 33 / 0 / 0

HEX #FFACFF

RGB 255 172 255

HSL 300, 1%, 0.84%

LAB 80.73, 43.12, -28.85

 

CMYK 0 / 25 / 0 / 0

HEX #FFBEFF

RGB 255 190 255

HSL 300, 1%, 0.87%

LAB 84.64, 33.72, -22.89

 

CMYK 9 / 54 / 0 / 0

HEX #E776FE

RGB 231 118 254

HSL 289.85, 0.99%, 0.73%

LAB 67.35, 63.16, -49.33

 

CMYK 9 / 57 / 0 / 8

HEX #D664EB

RGB 214 100 235

HSL 290.67, 0.77%, 0.66%

LAB 61.14, 63.68, -48.8

 

CMYK 9 / 62 / 0 / 15

HEX #C552D8

RGB 197 82 216

HSL 291.49, 0.63%, 0.58%

LAB 54.93, 64.02, -48.12

 

CMYK 9 / 68 / 0 / 23

HEX #B440C5

RGB 180 64 197

HSL 292.33, 0.53%, 0.51%

LAB 48.76, 64.04, -47.2

 

CMYK 8 / 74 / 0 / 30

HEX #A32EB2

RGB 163 46 178

HSL 293.18, 0.59%, 0.44%

LAB 42.7, 63.55, -45.93

 

CMYK 9 / 54 / 0 / 0

HEX #E775FE

RGB 231 117 254

HSL 289.93, 0.99%, 0.73%

LAB 67.18, 63.63, -49.6

 

CMYK 0 / 54 / 6 / 0

HEX #FE75F0

RGB 254 117 240

HSL 306.13, 0.99%, 0.73%

LAB 69.53, 67.2, -38.02

 

CMYK 0 / 54 / 20 / 0

HEX #FE75CB

RGB 254 117 203

HSL 322.34, 0.99%, 0.73%

LAB 68.1, 61.64, -19.69

 

CMYK 0 / 54 / 34 / 0

HEX #FE75A7

RGB 254 117 167

HSL 338.1, 0.99%, 0.73%

LAB 66.96, 57.05, -1.1

 

CMYK 0 / 54 / 49 / 0

HEX #FE7582

RGB 254 117 130

HSL 354.31, 0.99%, 0.73%

LAB 66.06, 53.28, 18.61

 

CMYK 9 / 54 / 0 / 0

HEX #E775FE

RGB 231 117 254

HSL 289.93, 0.99%, 0.73%

LAB 67.18, 63.63, -49.6

 

CMYK 24 / 54 / 0 / 0

HEX #C275FE

RGB 194 117 254

HSL 273.72, 0.99%, 0.73%

LAB 62.8, 54.32, -56.82

 

CMYK 38 / 54 / 0 / 0

HEX #9D75FE

RGB 157 117 254

HSL 257.52, 0.99%, 0.73%

LAB 59.02, 45.49, -63.09

 

CMYK 53 / 54 / 0 / 0

HEX #7875FE

RGB 120 117 254

HSL 241.31, 0.99%, 0.73%

LAB 55.96, 37.66, -68.17

 

CMYK 54 / 54 / 0 / 0

HEX #7575FE

RGB 117 117 254

HSL 240, 0.99%, 0.73%

LAB 55.75, 37.08, -68.52

 

CMYK 9 / 54 / 0 / 0

HEX #E775FE

RGB 231 117 254

HSL 289.93, 0.99%, 0.73%

LAB 67.18, 63.63, -49.6

 

CMYK 9 / 54 / 0 / 0

HEX #E775FE

RGB 231 117 254

HSL 289.93, 0.99%, 0.73%

LAB 67.18, 63.63, -49.6

 

CMYK 8 / 47 / 0 / 5

HEX #DF81F3

RGB 223 129 243

HSL 289.47, 0.83%, 0.73%

LAB 67.92, 53.58, -42.48

 

CMYK 7 / 40 / 0 / 9

HEX #D88CE8

RGB 216 140 232

HSL 289.57, 0.67%, 0.73%

LAB 68.88, 43.75, -34.98

 

CMYK 5 / 31 / 0 / 14

HEX #D197DC

RGB 209 151 220

HSL 290.43, 0.5%, 0.73%

LAB 70.07, 33.37, -26.6

 

CMYK 4 / 22 / 0 / 18

HEX #C9A2D1

RGB 201 162 209

HSL 289.79, 0.34%, 0.73%

LAB 71.46, 22.61, -18.5

 

CMYK 39 / 54 / 0 / 0

HEX #9C75FE

RGB 156 117 254

HSL 257.08, 0.99%, 0.73%

LAB 58.92, 45.27, -63.24

 

CMYK 24 / 54 / 0 / 0

HEX #C075FE

RGB 192 117 254

HSL 272.85, 0.99%, 0.73%

LAB 62.58, 53.83, -57.19

 

CMYK 10 / 54 / 0 / 0

HEX #E575FE

RGB 229 117 254

HSL 289.05, 0.99%, 0.73%

LAB 66.93, 63.12, -50.02

 

CMYK 0 / 54 / 5 / 0

HEX #FE75F2

RGB 254 117 242

HSL 305.26, 0.99%, 0.73%

LAB 69.61, 67.52, -38.99

 

CMYK 0 / 54 / 19 / 0

HEX #FE75CE

RGB 254 117 206

HSL 321.02, 0.99%, 0.73%

LAB 68.2, 62.06, -21.21

 

CMYK 14 / 86 / 0 / 1

HEX #D923FD

RGB 217 35 253

HSL 290.09, 0.98%, 0.56%

LAB 55.12, 88.69, -68.43

 

CMYK 12 / 70 / 0 / 0

HEX #E04CFE

RGB 224 76 254

HSL 289.89, 0.99%, 0.65%

LAB 60.04, 79.09, -61

 

CMYK 9 / 54 / 0 / 0

HEX #E775FE

RGB 231 117 254

HSL 289.93, 0.99%, 0.73%

LAB 67.18, 63.63, -49.6

 

CMYK 6 / 37 / 0 / 0

HEX #EE9FFE

RGB 238 159 254

HSL 289.89, 0.98%, 0.81%

LAB 76.15, 44.56, -35.52

 

CMYK 4 / 21 / 0 / 0

HEX #F5C8FE

RGB 245 200 254

HSL 290, 0.96%, 0.89%

LAB 85.94, 25.07, -20.47

 

CMYK 9 / 54 / 0 / 0

HEX #E776FE

RGB 231 118 254

HSL 289.85, 0.99%, 0.73%

LAB 67.35, 63.16, -49.33

 

CMYK 0 / 53 / 54 / 0

HEX #FE7875

RGB 254 120 117

HSL 1.31, 0.99%, 0.73%

LAB 66.36, 50.78, 26.33

 

CMYK 54 / 0 / 31 / 0

HEX #75FEAE

RGB 117 254 174

HSL 144.96, 0.99%, 0.73%

LAB 90.65, -54.96, 27.16

 

CMYK 9 / 54 / 0 / 0

HEX #E776FE

RGB 231 118 254

HSL 289.85, 0.99%, 0.73%

LAB 67.35, 63.16, -49.33

 

CMYK 0 / 10 / 54 / 0

HEX #FEE575

RGB 254 229 117

HSL 49.05, 0.99%, 0.73%

LAB 90.96, -5.02, 56.99

 

CMYK 54 / 0 / 10 / 0

HEX #75FEE5

RGB 117 254 229

HSL 169.05, 0.99%, 0.73%

LAB 91.83, -43.33, 0.59

 

CMYK 9 / 54 / 0 / 0

HEX #E776FE

RGB 231 118 254

HSL 289.85, 0.99%, 0.73%

LAB 67.35, 63.16, -49.33

 

CMYK 0 / 53 / 54 / 0

HEX #FE7875

RGB 254 120 117

HSL 1.31, 0.99%, 0.73%

LAB 66.36, 50.78, 26.33

 

CMYK 44 / 0 / 54 / 0

HEX #8EFE75

RGB 142 254 117

HSL 109.05, 0.99%, 0.73%

LAB 90.74, -56.99, 55

 

CMYK 54 / 1 / 0 / 0

HEX #75FCFE

RGB 117 252 254

HSL 180.88, 0.99%, 0.73%

LAB 91.93, -36.23, -12.22

 

CMYK 9 / 54 / 0 / 0

HEX #E776FE

RGB 231 118 254

HSL 289.85, 0.99%, 0.73%

LAB 67.35, 63.16, -49.33

 

CMYK 0 / 37 / 54 / 0

HEX #FEA175

RGB 254 161 117

HSL 19.27, 0.99%, 0.73%

LAB 74.73, 30.16, 37.19

 

CMYK 44 / 0 / 54 / 0

HEX #8EFE75

RGB 142 254 117

HSL 109.05, 0.99%, 0.73%

LAB 90.74, -56.99, 55

 

CMYK 54 / 17 / 0 / 0

HEX #75D3FE

RGB 117 211 254

HSL 198.83, 0.99%, 0.73%

LAB 80.47, -16.23, -29.56

 

Description

Color code: HEX #E776FE | qconv.com Color code: HEX #E776FE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 118 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 118 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 54 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 54% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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