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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E776E9 it is the complementary color #188916. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E776E9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E776E9 shade: #EC76E4, #FD88F7, #FF9AFF, #FFACFF and #FFBEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E776E9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E776E9 shade: #E776E9, #D664D6, #C552C3, #B440B0 and #A32E9D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E776E9 shade: #E677E8, #E877CC, #E877AD, #E8778E and #E87777

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E776E9 shade: #E677E8, #C877E8, #A977E8, #8A77E8 and #7777E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E776E9 shade matches the following richer shades: #E677E8 and #F36AF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E776E9 shade: #E677E8, #DA83DC, #CE90CF, #C19DC2 and #B5AAB5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E776E9 shade: #A877E8, #C677E8, #E577E8, #E877CE and #E877AF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E776E9 shade: #DA30DD, #E053E3, #E677E8, #ED9AEE and #F3BDF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E776E9 shade: #E776E9, #E88A77 and #77E8B7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E776E9 shade: #E776E9, #E8E577 and #77E8E5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E776E9 shade: #E776E9, #E88A77, #7AE877 and #77D5E8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E776E9 shade: #E776E9, #E8AC77, #7AE877 and #77B3E8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 49 / 0 / 9

HEX #E776E9

RGB 231 118 233

HSL 298.96, 0.72%, 0.69%

LAB 66.39, 59.35, -39.28

 

Complementary color

CMYK 82 / 0 / 84 / 46

HEX #188916

RGB 24 137 22

HSL 118.96, 0.72%, 0.31%

LAB 49.67, -51.29, 48.08

 

CMYK 0 / 50 / 3 / 7

HEX #EC76E4

RGB 236 118 228

HSL 304.07, 0.76%, 0.69%

LAB 66.82, 59.87, -35.8

 

CMYK 0 / 46 / 2 / 1

HEX #FD88F7

RGB 253 136 247

HSL 303.08, 0.97%, 0.76%

LAB 73.03, 59.25, -36.43

 

CMYK 0 / 40 / 0 / 0

HEX #FF9AFF

RGB 255 154 255

HSL 300, 1%, 0.8%

LAB 77.04, 52.33, -34.54

 

CMYK 0 / 33 / 0 / 0

HEX #FFACFF

RGB 255 172 255

HSL 300, 1%, 0.84%

LAB 80.73, 43.12, -28.85

 

CMYK 0 / 25 / 0 / 0

HEX #FFBEFF

RGB 255 190 255

HSL 300, 1%, 0.87%

LAB 84.64, 33.72, -22.89

 

CMYK 1 / 49 / 0 / 9

HEX #E776E9

RGB 231 118 233

HSL 298.96, 0.72%, 0.69%

LAB 66.39, 59.35, -39.28

 

CMYK 0 / 53 / 0 / 16

HEX #D664D6

RGB 214 100 214

HSL 300, 0.58%, 0.62%

LAB 60.13, 59.9, -38.63

 

CMYK 0 / 58 / 1 / 23

HEX #C552C3

RGB 197 82 195

HSL 301.04, 0.5%, 0.55%

LAB 53.86, 60.28, -37.81

 

CMYK 0 / 64 / 2 / 29

HEX #B440B0

RGB 180 64 176

HSL 302.07, 0.48%, 0.48%

LAB 47.63, 60.36, -36.75

 

CMYK 0 / 72 / 4 / 36

HEX #A32E9D

RGB 163 46 157

HSL 303.08, 0.56%, 0.41%

LAB 41.49, 59.96, -35.33

 

CMYK 1 / 49 / 0 / 9

HEX #E677E8

RGB 230 119 232

HSL 298.94, 0.71%, 0.69%

LAB 66.4, 58.42, -38.72

 

CMYK 0 / 49 / 12 / 9

HEX #E877CC

RGB 232 119 204

HSL 314.87, 0.71%, 0.69%

LAB 65.52, 54.32, -24.46

 

CMYK 0 / 49 / 25 / 9

HEX #E877AD

RGB 232 119 173

HSL 331.33, 0.71%, 0.69%

LAB 64.46, 49.76, -8.56

 

CMYK 0 / 49 / 39 / 9

HEX #E8778E

RGB 232 119 142

HSL 347.79, 0.71%, 0.69%

LAB 63.59, 45.93, 7.86

 

CMYK 0 / 49 / 49 / 9

HEX #E87777

RGB 232 119 119

HSL 0, 0.71%, 0.69%

LAB 63.08, 43.59, 20.26

 

CMYK 1 / 49 / 0 / 9

HEX #E677E8

RGB 230 119 232

HSL 298.94, 0.71%, 0.69%

LAB 66.4, 58.42, -38.72

 

CMYK 14 / 49 / 0 / 9

HEX #C877E8

RGB 200 119 232

HSL 283.01, 0.71%, 0.69%

LAB 62.76, 50.16, -44.69

 

CMYK 27 / 49 / 0 / 9

HEX #A977E8

RGB 169 119 232

HSL 266.55, 0.71%, 0.69%

LAB 59.39, 41.83, -50.23

 

CMYK 41 / 49 / 0 / 9

HEX #8A77E8

RGB 138 119 232

HSL 250.09, 0.71%, 0.69%

LAB 56.51, 34, -55

 

CMYK 49 / 49 / 0 / 9

HEX #7777E8

RGB 119 119 232

HSL 240, 0.71%, 0.69%

LAB 55.01, 29.63, -57.47

 

CMYK 1 / 49 / 0 / 9

HEX #E677E8

RGB 230 119 232

HSL 298.94, 0.71%, 0.69%

LAB 66.4, 58.42, -38.72

 

CMYK 1 / 57 / 0 / 4

HEX #F36AF5

RGB 243 106 245

HSL 299.14, 0.87%, 0.69%

LAB 66.49, 70.01, -45.65

 

CMYK 1 / 49 / 0 / 9

HEX #E677E8

RGB 230 119 232

HSL 298.94, 0.71%, 0.69%

LAB 66.4, 58.42, -38.72

 

CMYK 1 / 40 / 0 / 14

HEX #DA83DC

RGB 218 131 220

HSL 298.65, 0.56%, 0.69%

LAB 66.75, 46.8, -31.63

 

CMYK 0 / 30 / 0 / 19

HEX #CE90CF

RGB 206 144 207

HSL 299.05, 0.4%, 0.69%

LAB 67.7, 33.72, -23.06

 

CMYK 1 / 19 / 0 / 24

HEX #C19DC2

RGB 193 157 194

HSL 298.38, 0.23%, 0.69%

LAB 69, 19.78, -14

 

CMYK 0 / 6 / 0 / 29

HEX #B5AAB5

RGB 181 170 181

HSL 300, 0.07%, 0.69%

LAB 70.81, 5.97, -4.22

 

CMYK 28 / 49 / 0 / 9

HEX #A877E8

RGB 168 119 232

HSL 266.02, 0.71%, 0.69%

LAB 59.29, 41.57, -50.4

 

CMYK 15 / 49 / 0 / 9

HEX #C677E8

RGB 198 119 232

HSL 281.95, 0.71%, 0.69%

LAB 62.53, 49.62, -45.07

 

CMYK 1 / 49 / 0 / 9

HEX #E577E8

RGB 229 119 232

HSL 298.41, 0.71%, 0.69%

LAB 66.27, 58.15, -38.93

 

CMYK 0 / 49 / 11 / 9

HEX #E877CE

RGB 232 119 206

HSL 313.81, 0.71%, 0.69%

LAB 65.6, 54.63, -25.46

 

CMYK 0 / 49 / 25 / 9

HEX #E877AF

RGB 232 119 175

HSL 330.27, 0.71%, 0.69%

LAB 64.52, 50.03, -9.6

 

CMYK 1 / 78 / 0 / 13

HEX #DA30DD

RGB 218 48 221

HSL 298.96, 0.72%, 0.53%

LAB 54.28, 80.97, -51.79

 

CMYK 1 / 63 / 0 / 11

HEX #E053E3

RGB 224 83 227

HSL 298.75, 0.72%, 0.61%

LAB 59.51, 71.88, -46.82

 

CMYK 1 / 49 / 0 / 9

HEX #E677E8

RGB 230 119 232

HSL 298.94, 0.71%, 0.69%

LAB 66.4, 58.42, -38.72

 

CMYK 0 / 35 / 0 / 7

HEX #ED9AEE

RGB 237 154 238

HSL 299.29, 0.71%, 0.77%

LAB 74.37, 43.89, -29.59

 

CMYK 0 / 23 / 0 / 4

HEX #F3BDF4

RGB 243 189 244

HSL 298.91, 0.71%, 0.85%

LAB 82.9, 28.4, -19.77

 

CMYK 1 / 49 / 0 / 9

HEX #E776E9

RGB 231 118 233

HSL 298.96, 0.72%, 0.69%

LAB 66.39, 59.35, -39.28

 

CMYK 0 / 41 / 49 / 9

HEX #E88A77

RGB 232 138 119

HSL 10.09, 0.71%, 0.69%

LAB 67.02, 33.83, 25.57

 

CMYK 49 / 0 / 21 / 9

HEX #77E8B7

RGB 119 232 183

HSL 153.98, 0.71%, 0.69%

LAB 84.51, -43.51, 14.03

 

CMYK 1 / 49 / 0 / 9

HEX #E776E9

RGB 231 118 233

HSL 298.96, 0.72%, 0.69%

LAB 66.39, 59.35, -39.28

 

CMYK 0 / 1 / 49 / 9

HEX #E8E577

RGB 232 229 119

HSL 58.41, 0.71%, 0.69%

LAB 89.17, -13.65, 53.5

 

CMYK 49 / 0 / 1 / 9

HEX #77E8E5

RGB 119 232 229

HSL 178.41, 0.71%, 0.69%

LAB 85.65, -32.9, -8.5

 

CMYK 1 / 49 / 0 / 9

HEX #E776E9

RGB 231 118 233

HSL 298.96, 0.72%, 0.69%

LAB 66.39, 59.35, -39.28

 

CMYK 0 / 41 / 49 / 9

HEX #E88A77

RGB 232 138 119

HSL 10.09, 0.71%, 0.69%

LAB 67.02, 33.83, 25.57

 

CMYK 47 / 0 / 49 / 9

HEX #7AE877

RGB 122 232 119

HSL 118.41, 0.71%, 0.69%

LAB 83.54, -53.69, 45.15

 

CMYK 49 / 8 / 0 / 9

HEX #77D5E8

RGB 119 213 232

HSL 190.09, 0.71%, 0.69%

LAB 80.37, -22.91, -17.99

 

CMYK 1 / 49 / 0 / 9

HEX #E776E9

RGB 231 118 233

HSL 298.96, 0.72%, 0.69%

LAB 66.39, 59.35, -39.28

 

CMYK 0 / 26 / 49 / 9

HEX #E8AC77

RGB 232 172 119

HSL 28.14, 0.71%, 0.69%

LAB 74.82, 15.79, 35.76

 

CMYK 47 / 0 / 49 / 9

HEX #7AE877

RGB 122 232 119

HSL 118.41, 0.71%, 0.69%

LAB 83.54, -53.69, 45.15

 

CMYK 49 / 23 / 0 / 9

HEX #77B3E8

RGB 119 179 232

HSL 208.14, 0.71%, 0.69%

LAB 70.86, -5.12, -32.52

 

Description

Color code: HEX #E776E9 | qconv.com Color code: HEX #E776E9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 118 green and 233 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 118 233 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 49 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 49% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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