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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E75CF1 it is the complementary color #18A30E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E75CF1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E75CF1 shade: #EC5CEC, #FD6EFF, #FF80FF, #FF92FF and #FFA4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E75CF1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E75CF1 shade: #E75CF1, #D64ADE, #C538CB, #B426B8 and #A314A5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E75CF1 shade: #E65AF0, #F05AD2, #F05AA9, #F05A81 and #F05A5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E75CF1 shade: #E65AF0, #BE5AF0, #955AF0, #6D5AF0 and #5A5AF0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E75CF1 shade matches the following richer shades: #E65AF0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E75CF1 shade: #E65AF0, #DA69E2, #CD77D3, #C186C5 and #B494B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E75CF1 shade: #945AF0, #BC5AF0, #E45AF0, #F05AD5 and #F05AAD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E75CF1 shade: #D713E5, #E134ED, #E65AF0, #EC80F4 and #F1A6F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E75CF1 shade: #E75CF1, #F06C5A and #5AF0A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E75CF1 shade: #E75CF1, #F0E45A and #5AF0E4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E75CF1 shade: #E75CF1, #F06C5A, #67F05A and #5ADFF0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E75CF1 shade: #E75CF1, #F0995A, #67F05A and #5AB2F0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 62 / 0 / 5

HEX #E75CF1

RGB 231 92 241

HSL 295.97, 0.84%, 0.65%

LAB 62.5, 72.29, -49.83

 

Complementary color

CMYK 85 / 0 / 91 / 36

HEX #18A30E

RGB 24 163 14

HSL 115.97, 0.84%, 0.35%

LAB 58.43, -59.62, 57.68

 

CMYK 0 / 61 / 0 / 7

HEX #EC5CEC

RGB 236 92 236

HSL 300, 0.79%, 0.64%

LAB 62.96, 72.63, -46.28

 

CMYK 1 / 57 / 0 / 0

HEX #FD6EFF

RGB 253 110 255

HSL 299.17, 1%, 0.72%

LAB 68.94, 72.45, -47.19

 

CMYK 0 / 50 / 0 / 0

HEX #FF80FF

RGB 255 128 255

HSL 300, 1%, 0.75%

LAB 72.17, 64.95, -42.09

 

CMYK 0 / 43 / 0 / 0

HEX #FF92FF

RGB 255 146 255

HSL 300, 1%, 0.79%

LAB 75.47, 56.32, -36.95

 

CMYK 0 / 36 / 0 / 0

HEX #FFA4FF

RGB 255 164 255

HSL 300, 1%, 0.82%

LAB 79.06, 47.25, -31.42

 

CMYK 4 / 62 / 0 / 5

HEX #E75CF1

RGB 231 92 241

HSL 295.97, 0.84%, 0.65%

LAB 62.5, 72.29, -49.83

 

CMYK 4 / 67 / 0 / 13

HEX #D64ADE

RGB 214 74 222

HSL 296.76, 0.69%, 0.58%

LAB 56.55, 72.19, -48.78

 

CMYK 3 / 72 / 0 / 20

HEX #C538CB

RGB 197 56 203

HSL 297.55, 0.59%, 0.51%

LAB 50.7, 71.63, -47.42

 

CMYK 2 / 79 / 0 / 28

HEX #B426B8

RGB 180 38 184

HSL 298.36, 0.66%, 0.44%

LAB 45.01, 70.37, -45.6

 

CMYK 1 / 88 / 0 / 35

HEX #A314A5

RGB 163 20 165

HSL 299.17, 0.78%, 0.36%

LAB 39.59, 68.08, -43.16

 

CMYK 4 / 63 / 0 / 6

HEX #E65AF0

RGB 230 90 240

HSL 296, 0.83%, 0.65%

LAB 62.02, 72.69, -50.05

 

CMYK 0 / 63 / 13 / 6

HEX #F05AD2

RGB 240 90 210

HSL 312, 0.83%, 0.65%

LAB 62.08, 70.36, -33.06

 

CMYK 0 / 63 / 30 / 6

HEX #F05AA9

RGB 240 90 169

HSL 328.4, 0.83%, 0.65%

LAB 60.52, 64.87, -12.04

 

CMYK 0 / 63 / 46 / 6

HEX #F05A81

RGB 240 90 129

HSL 344.4, 0.83%, 0.65%

LAB 59.36, 60.64, 9.52

 

CMYK 0 / 63 / 63 / 6

HEX #F05A5A

RGB 240 90 90

HSL 0, 0.83%, 0.65%

LAB 58.58, 57.66, 31.08

 

CMYK 4 / 63 / 0 / 6

HEX #E65AF0

RGB 230 90 240

HSL 296, 0.83%, 0.65%

LAB 62.02, 72.69, -50.05

 

CMYK 21 / 63 / 0 / 6

HEX #BE5AF0

RGB 190 90 240

HSL 280, 0.83%, 0.65%

LAB 56.64, 63.54, -58.95

 

CMYK 38 / 63 / 0 / 6

HEX #955AF0

RGB 149 90 240

HSL 263.6, 0.83%, 0.65%

LAB 51.83, 54.66, -66.93

 

CMYK 55 / 63 / 0 / 6

HEX #6D5AF0

RGB 109 90 240

HSL 247.6, 0.83%, 0.65%

LAB 48.08, 47.09, -73.2

 

CMYK 63 / 63 / 0 / 6

HEX #5A5AF0

RGB 90 90 240

HSL 240, 0.83%, 0.65%

LAB 46.68, 44.09, -75.53

 

CMYK 4 / 63 / 0 / 6

HEX #E65AF0

RGB 230 90 240

HSL 296, 0.83%, 0.65%

LAB 62.02, 72.69, -50.05

 

CMYK 4 / 63 / 0 / 6

HEX #E65AF0

RGB 230 90 240

HSL 296, 0.83%, 0.65%

LAB 62.02, 72.69, -50.05

 

CMYK 4 / 54 / 0 / 11

HEX #DA69E2

RGB 218 105 226

HSL 296.03, 0.68%, 0.65%

LAB 62.08, 60.76, -42.26

 

CMYK 3 / 44 / 0 / 17

HEX #CD77D3

RGB 205 119 211

HSL 296.09, 0.51%, 0.65%

LAB 62.4, 47.47, -33.48

 

CMYK 2 / 32 / 0 / 23

HEX #C186C5

RGB 193 134 197

HSL 296.19, 0.35%, 0.65%

LAB 63.69, 33.06, -23.74

 

CMYK 1 / 19 / 0 / 29

HEX #B494B6

RGB 180 148 182

HSL 296.47, 0.19%, 0.65%

LAB 65.17, 18.01, -13.19

 

CMYK 38 / 63 / 0 / 6

HEX #945AF0

RGB 148 90 240

HSL 263.2, 0.83%, 0.65%

LAB 51.72, 54.46, -67.11

 

CMYK 22 / 63 / 0 / 6

HEX #BC5AF0

RGB 188 90 240

HSL 279.2, 0.83%, 0.65%

LAB 56.38, 63.09, -59.37

 

CMYK 5 / 63 / 0 / 6

HEX #E45AF0

RGB 228 90 240

HSL 295.2, 0.83%, 0.65%

LAB 61.74, 72.23, -50.51

 

CMYK 0 / 63 / 11 / 6

HEX #F05AD5

RGB 240 90 213

HSL 310.8, 0.83%, 0.65%

LAB 62.2, 70.81, -34.55

 

CMYK 0 / 63 / 28 / 6

HEX #F05AAD

RGB 240 90 173

HSL 326.8, 0.83%, 0.65%

LAB 60.65, 65.36, -14.14

 

CMYK 6 / 92 / 0 / 10

HEX #D713E5

RGB 215 19 229

HSL 296, 0.85%, 0.49%

LAB 52.48, 86.89, -59.24

 

CMYK 5 / 78 / 0 / 7

HEX #E134ED

RGB 225 52 237

HSL 296.11, 0.84%, 0.57%

LAB 56.66, 83.77, -56.95

 

CMYK 4 / 63 / 0 / 6

HEX #E65AF0

RGB 230 90 240

HSL 296, 0.83%, 0.65%

LAB 62.02, 72.69, -50.05

 

CMYK 3 / 48 / 0 / 4

HEX #EC80F4

RGB 236 128 244

HSL 295.86, 0.84%, 0.73%

LAB 69.33, 57.86, -40.7

 

CMYK 2 / 33 / 0 / 3

HEX #F1A6F7

RGB 241 166 247

HSL 295.56, 0.84%, 0.81%

LAB 77.69, 40.48, -29.34

 

CMYK 4 / 62 / 0 / 5

HEX #E75CF1

RGB 231 92 241

HSL 295.97, 0.84%, 0.65%

LAB 62.5, 72.29, -49.83

 

CMYK 0 / 55 / 63 / 6

HEX #F06C5A

RGB 240 108 90

HSL 7.2, 0.83%, 0.65%

LAB 61.64, 49.59, 34.92

 

CMYK 63 / 0 / 30 / 6

HEX #5AF0A8

RGB 90 240 168

HSL 151.2, 0.83%, 0.65%

LAB 85.67, -56.04, 23.28

 

CMYK 4 / 62 / 0 / 5

HEX #E75CF1

RGB 231 92 241

HSL 295.97, 0.84%, 0.65%

LAB 62.5, 72.29, -49.83

 

CMYK 0 / 5 / 63 / 6

HEX #F0E45A

RGB 240 228 90

HSL 55.2, 0.83%, 0.65%

LAB 89.28, -12.08, 66.61

 

CMYK 63 / 0 / 5 / 6

HEX #5AF0E4

RGB 90 240 228

HSL 175.2, 0.83%, 0.65%

LAB 87.04, -42.2, -6.01

 

CMYK 4 / 62 / 0 / 5

HEX #E75CF1

RGB 231 92 241

HSL 295.97, 0.84%, 0.65%

LAB 62.5, 72.29, -49.83

 

CMYK 0 / 55 / 63 / 6

HEX #F06C5A

RGB 240 108 90

HSL 7.2, 0.83%, 0.65%

LAB 61.64, 49.59, 34.92

 

CMYK 57 / 0 / 63 / 6

HEX #67F05A

RGB 103 240 90

HSL 114.8, 0.83%, 0.65%

LAB 84.97, -64.93, 59.7

 

CMYK 63 / 7 / 0 / 6

HEX #5ADFF0

RGB 90 223 240

HSL 186.8, 0.83%, 0.65%

LAB 82.51, -31.1, -19.11

 

CMYK 4 / 62 / 0 / 5

HEX #E75CF1

RGB 231 92 241

HSL 295.97, 0.84%, 0.65%

LAB 62.5, 72.29, -49.83

 

CMYK 0 / 36 / 63 / 6

HEX #F0995A

RGB 240 153 90

HSL 25.2, 0.83%, 0.65%

LAB 70.9, 26.81, 46.09

 

CMYK 57 / 0 / 63 / 6

HEX #67F05A

RGB 103 240 90

HSL 114.8, 0.83%, 0.65%

LAB 84.97, -64.93, 59.7

 

CMYK 63 / 26 / 0 / 6

HEX #5AB2F0

RGB 90 178 240

HSL 204.8, 0.83%, 0.65%

LAB 69.69, -8.03, -38.79

 

Description

Color code: HEX #E75CF1 | qconv.com Color code: HEX #E75CF1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 92 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 92 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 62 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 62% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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