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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E7458F it is the complementary color #18BA70. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E7458F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E7458F shade: #EC458A, #FD579D, #FF69B0, #FF7BC3 and #FF8DD6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E7458F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E7458F shade: #E7458F, #D6337C, #C52169, #B40F56 and #A30043

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E7458F shade: #E6458F, #E64564 and #E64545

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E7458F shade: #E6458F, #E645BA, #E645E6, #BC45E6 and #9045E6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E7458F shade matches the following richer shades: #E6458F and #F7358E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E7458F shade: #E6458F, #D65690, #C56792, #B47893 and #A38995

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E7458F shade: #E645E6, #E645BC, #E64591, #E64566 and #E65045

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E7458F shade: #C11965, #E22179, #E6458F, #EB6AA5 and #F08EBB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E7458F shade: #E7458F, #E6BC45 and #45D1E6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E7458F shade: #E7458F, #91E645 and #4591E6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E7458F shade: #E7458F, #E6BC45, #45E69B and #4570E6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E7458F shade: #E7458F, #E1E645, #45E69B and #4B45E6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 38 / 9

HEX #E7458F

RGB 231 69 143

HSL 332.59, 0.77%, 0.59%

LAB 55.31, 67.47, -4.78

 

Complementary color

CMYK 87 / 0 / 40 / 27

HEX #18BA70

RGB 24 186 112

HSL 152.59, 0.77%, 0.41%

LAB 66.89, -55.67, 26.86

 

CMYK 0 / 71 / 42 / 7

HEX #EC458A

RGB 236 69 138

HSL 335.21, 0.81%, 0.6%

LAB 56.01, 68.34, -0.69

 

CMYK 0 / 66 / 38 / 1

HEX #FD579D

RGB 253 87 157

HSL 334.7, 0.98%, 0.67%

LAB 61.77, 68.42, -3.02

 

CMYK 0 / 59 / 31 / 0

HEX #FF69B0

RGB 255 105 176

HSL 331.6, 1%, 0.71%

LAB 65.36, 63.77, -8.57

 

CMYK 0 / 52 / 24 / 0

HEX #FF7BC3

RGB 255 123 195

HSL 327.27, 1%, 0.74%

LAB 69.02, 58.07, -13.82

 

CMYK 0 / 45 / 16 / 0

HEX #FF8DD6

RGB 255 141 214

HSL 321.58, 1%, 0.78%

LAB 73, 52.1, -18.36

 

CMYK 0 / 70 / 38 / 9

HEX #E7458F

RGB 231 69 143

HSL 332.59, 0.77%, 0.59%

LAB 55.31, 67.47, -4.78

 

CMYK 0 / 76 / 42 / 16

HEX #D6337C

RGB 214 51 124

HSL 333.13, 0.67%, 0.52%

LAB 49.64, 66.9, -2.11

 

CMYK 0 / 83 / 47 / 23

HEX #C52169

RGB 197 33 105

HSL 333.66, 0.71%, 0.45%

LAB 44.2, 65.58, 1.23

 

CMYK 0 / 92 / 52 / 29

HEX #B40F56

RGB 180 15 86

HSL 334.18, 0.85%, 0.38%

LAB 39.1, 63.2, 5.42

 

CMYK 0 / 100 / 59 / 36

HEX #A30043

RGB 163 0 67

HSL 335.34, 1%, 0.32%

LAB 34.38, 59.6, 10.58

 

CMYK 0 / 70 / 38 / 10

HEX #E6458F

RGB 230 69 143

HSL 332.42, 0.76%, 0.59%

LAB 55.14, 67.19, -5.05

 

CMYK 0 / 70 / 57 / 10

HEX #E64564

RGB 230 69 100

HSL 348.45, 0.76%, 0.59%

LAB 54.03, 63.45, 18.96

 

CMYK 0 / 70 / 70 / 10

HEX #E64545

RGB 230 69 69

HSL 0, 0.76%, 0.59%

LAB 53.5, 61.63, 36.44

 

CMYK 0 / 70 / 38 / 10

HEX #E6458F

RGB 230 69 143

HSL 332.42, 0.76%, 0.59%

LAB 55.14, 67.19, -5.05

 

CMYK 0 / 70 / 19 / 10

HEX #E645BA

RGB 230 69 186

HSL 316.4, 0.76%, 0.59%

LAB 56.71, 72.29, -27.81

 

CMYK 0 / 70 / 0 / 10

HEX #E645E6

RGB 230 69 230

HSL 300, 0.76%, 0.59%

LAB 58.78, 78.7, -49.6

 

CMYK 18 / 70 / 0 / 10

HEX #BC45E6

RGB 188 69 230

HSL 284.35, 0.76%, 0.59%

LAB 52.58, 69.99, -59.87

 

CMYK 37 / 70 / 0 / 10

HEX #9045E6

RGB 144 69 230

HSL 267.95, 0.76%, 0.59%

LAB 46.84, 61.48, -69.42

 

CMYK 0 / 70 / 38 / 10

HEX #E6458F

RGB 230 69 143

HSL 332.42, 0.76%, 0.59%

LAB 55.14, 67.19, -5.05

 

CMYK 0 / 79 / 43 / 3

HEX #F7358E

RGB 247 53 142

HSL 332.47, 0.92%, 0.59%

LAB 56.36, 76.39, -2.32

 

CMYK 0 / 70 / 38 / 10

HEX #E6458F

RGB 230 69 143

HSL 332.42, 0.76%, 0.59%

LAB 55.14, 67.19, -5.05

 

CMYK 0 / 60 / 33 / 16

HEX #D65690

RGB 214 86 144

HSL 332.81, 0.61%, 0.59%

LAB 55.04, 55.88, -6.08

 

CMYK 0 / 48 / 26 / 23

HEX #C56792

RGB 197 103 146

HSL 332.55, 0.45%, 0.59%

LAB 55.73, 42.46, -6.49

 

CMYK 0 / 33 / 18 / 29

HEX #B47893

RGB 180 120 147

HSL 333, 0.29%, 0.59%

LAB 57.31, 27.46, -4.96

 

CMYK 0 / 16 / 9 / 36

HEX #A38995

RGB 163 137 149

HSL 332.31, 0.12%, 0.59%

LAB 59.75, 11.92, -2.72

 

CMYK 0 / 70 / 0 / 10

HEX #E645E6

RGB 230 69 230

HSL 300, 0.76%, 0.59%

LAB 58.78, 78.7, -49.6

 

CMYK 0 / 70 / 18 / 10

HEX #E645BC

RGB 230 69 188

HSL 315.65, 0.76%, 0.59%

LAB 56.79, 72.56, -28.83

 

CMYK 0 / 70 / 37 / 10

HEX #E64591

RGB 230 69 145

HSL 331.68, 0.76%, 0.59%

LAB 55.2, 67.4, -6.14

 

CMYK 0 / 70 / 56 / 10

HEX #E64566

RGB 230 69 102

HSL 347.7, 0.76%, 0.59%

LAB 54.07, 63.59, 17.82

 

CMYK 0 / 65 / 70 / 10

HEX #E65045

RGB 230 80 69

HSL 4.1, 0.76%, 0.59%

LAB 55.06, 57.38, 38.27

 

CMYK 0 / 87 / 48 / 24

HEX #C11965

RGB 193 25 101

HSL 332.86, 0.77%, 0.43%

LAB 42.72, 65.92, 1.48

 

CMYK 0 / 85 / 46 / 11

HEX #E22179

RGB 226 33 121

HSL 332.64, 0.77%, 0.51%

LAB 50.26, 74, 0.89

 

CMYK 0 / 70 / 38 / 10

HEX #E6458F

RGB 230 69 143

HSL 332.42, 0.76%, 0.59%

LAB 55.14, 67.19, -5.05

 

CMYK 0 / 55 / 30 / 8

HEX #EB6AA5

RGB 235 106 165

HSL 332.56, 0.76%, 0.67%

LAB 62.24, 55.9, -7.24

 

CMYK 0 / 41 / 22 / 6

HEX #F08EBB

RGB 240 142 187

HSL 332.45, 0.77%, 0.75%

LAB 70.5, 42.76, -7.34

 

CMYK 0 / 70 / 38 / 9

HEX #E7458F

RGB 231 69 143

HSL 332.59, 0.77%, 0.59%

LAB 55.31, 67.47, -4.78

 

CMYK 0 / 18 / 70 / 10

HEX #E6BC45

RGB 230 188 69

HSL 44.35, 0.76%, 0.59%

LAB 78, 2.94, 63.15

 

CMYK 70 / 9 / 0 / 10

HEX #45D1E6

RGB 69 209 230

HSL 187.83, 0.76%, 0.59%

LAB 77.63, -30.32, -21.22

 

CMYK 0 / 70 / 38 / 9

HEX #E7458F

RGB 231 69 143

HSL 332.59, 0.77%, 0.59%

LAB 55.31, 67.47, -4.78

 

CMYK 37 / 0 / 70 / 10

HEX #91E645

RGB 145 230 69

HSL 91.68, 0.76%, 0.59%

LAB 83.47, -50.79, 66.76

 

CMYK 70 / 37 / 0 / 10

HEX #4591E6

RGB 69 145 230

HSL 211.68, 0.76%, 0.59%

LAB 59.19, 4.05, -49.86

 

CMYK 0 / 70 / 38 / 9

HEX #E7458F

RGB 231 69 143

HSL 332.59, 0.77%, 0.59%

LAB 55.31, 67.47, -4.78

 

CMYK 0 / 18 / 70 / 10

HEX #E6BC45

RGB 230 188 69

HSL 44.35, 0.76%, 0.59%

LAB 78, 2.94, 63.15

 

CMYK 70 / 0 / 33 / 10

HEX #45E69B

RGB 69 230 155

HSL 152.05, 0.76%, 0.59%

LAB 81.96, -58.26, 24.82

 

CMYK 70 / 51 / 0 / 10

HEX #4570E6

RGB 69 112 230

HSL 223.98, 0.76%, 0.59%

LAB 50.18, 24.2, -64.29

 

CMYK 0 / 70 / 38 / 9

HEX #E7458F

RGB 231 69 143

HSL 332.59, 0.77%, 0.59%

LAB 55.31, 67.47, -4.78

 

CMYK 2 / 0 / 70 / 10

HEX #E1E645

RGB 225 230 69

HSL 61.86, 0.76%, 0.59%

LAB 88.46, -20.35, 73.39

 

CMYK 70 / 0 / 33 / 10

HEX #45E69B

RGB 69 230 155

HSL 152.05, 0.76%, 0.59%

LAB 81.96, -58.26, 24.82

 

CMYK 67 / 70 / 0 / 10

HEX #4B45E6

RGB 75 69 230

HSL 242.24, 0.76%, 0.59%

LAB 40.35, 51.05, -80.3

 

Description

Color code: HEX #E7458F | qconv.com Color code: HEX #E7458F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 69 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 69 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 38 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 38% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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