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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E744C7 it is the complementary color #18BB38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E744C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E744C7 shade: #EC44C2, #FD56D5, #FF68E8, #FF7AFB and #FF8CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E744C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E744C7 shade: #E744C7, #D632B4, #C520A1, #B40E8E and #A3007B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E744C7 shade: #E645C7, #E6459B, #E64570 and #E64545

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E744C7 shade: #E645C7, #DB45E6, #AF45E6, #8445E6 and #5845E6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E744C7 shade matches the following richer shades: #E645C7 and #F735D1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E744C7 shade: #E645C7, #D656BD, #C567B2, #B478A8 and #A3899E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E744C7 shade: #AE45E6, #D945E6, #E645C9, #E6459E and #E64573

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E744C7 shade: #C119A0, #E221BC, #E645C7, #EB6AD2 and #F08EDD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E744C7 shade: #E744C7, #E68345 and #45E6C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E744C7 shade: #E744C7, #C9E645 and #45C9E6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E744C7 shade: #E744C7, #E68345, #45E663 and #45A9E6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E744C7 shade: #E744C7, #E6B345, #45E663 and #4578E6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 14 / 9

HEX #E744C7

RGB 231 68 199

HSL 311.78, 0.77%, 0.59%

LAB 57.31, 74.64, -34.33

 

Complementary color

CMYK 87 / 0 / 70 / 27

HEX #18BB38

RGB 24 187 56

HSL 131.78, 0.77%, 0.41%

LAB 66.54, -64.12, 52.98

 

CMYK 0 / 71 / 18 / 7

HEX #EC44C2

RGB 236 68 194

HSL 315, 0.82%, 0.6%

LAB 57.91, 75.13, -30.48

 

CMYK 0 / 66 / 16 / 1

HEX #FD56D5

RGB 253 86 213

HSL 314.37, 0.98%, 0.66%

LAB 63.62, 75.57, -32.19

 

CMYK 0 / 59 / 9 / 0

HEX #FF68E8

RGB 255 104 232

HSL 309.14, 1%, 0.7%

LAB 67.27, 71.8, -37.12

 

CMYK 0 / 52 / 2 / 0

HEX #FF7AFB

RGB 255 122 251

HSL 301.8, 1%, 0.74%

LAB 70.97, 67.02, -41.79

 

CMYK 0 / 45 / 0 / 0

HEX #FF8CFF

RGB 255 140 255

HSL 300, 1%, 0.77%

LAB 74.34, 59.25, -38.72

 

CMYK 0 / 71 / 14 / 9

HEX #E744C7

RGB 231 68 199

HSL 311.78, 0.77%, 0.59%

LAB 57.31, 74.64, -34.33

 

CMYK 0 / 77 / 16 / 16

HEX #D632B4

RGB 214 50 180

HSL 312.44, 0.67%, 0.52%

LAB 51.69, 73.67, -32.33

 

CMYK 0 / 84 / 18 / 23

HEX #C520A1

RGB 197 32 161

HSL 313.09, 0.72%, 0.45%

LAB 46.28, 71.89, -29.79

 

CMYK 0 / 92 / 21 / 29

HEX #B40E8E

RGB 180 14 142

HSL 313.73, 0.86%, 0.38%

LAB 41.17, 69, -26.53

 

CMYK 0 / 100 / 25 / 36

HEX #A3007B

RGB 163 0 123

HSL 314.72, 1%, 0.32%

LAB 36.4, 64.85, -22.46

 

CMYK 0 / 70 / 13 / 10

HEX #E645C7

RGB 230 69 199

HSL 311.55, 0.76%, 0.59%

LAB 57.27, 74.07, -34.41

 

CMYK 0 / 70 / 33 / 10

HEX #E6459B

RGB 230 69 155

HSL 327.95, 0.76%, 0.59%

LAB 55.53, 68.49, -11.55

 

CMYK 0 / 70 / 51 / 10

HEX #E64570

RGB 230 69 112

HSL 343.98, 0.76%, 0.59%

LAB 54.29, 64.35, 12.17

 

CMYK 0 / 70 / 70 / 10

HEX #E64545

RGB 230 69 69

HSL 0, 0.76%, 0.59%

LAB 53.5, 61.63, 36.44

 

CMYK 0 / 70 / 13 / 10

HEX #E645C7

RGB 230 69 199

HSL 311.55, 0.76%, 0.59%

LAB 57.27, 74.07, -34.41

 

CMYK 5 / 70 / 0 / 10

HEX #DB45E6

RGB 219 69 230

HSL 295.9, 0.76%, 0.59%

LAB 57.1, 76.39, -52.37

 

CMYK 24 / 70 / 0 / 10

HEX #AF45E6

RGB 175 69 230

HSL 279.5, 0.76%, 0.59%

LAB 50.78, 67.39, -62.85

 

CMYK 43 / 70 / 0 / 10

HEX #8445E6

RGB 132 69 230

HSL 263.48, 0.76%, 0.59%

LAB 45.46, 59.35, -71.73

 

CMYK 62 / 70 / 0 / 10

HEX #5845E6

RGB 88 69 230

HSL 247.08, 0.76%, 0.59%

LAB 41.29, 52.62, -78.73

 

CMYK 0 / 70 / 13 / 10

HEX #E645C7

RGB 230 69 199

HSL 311.55, 0.76%, 0.59%

LAB 57.27, 74.07, -34.41

 

CMYK 0 / 79 / 15 / 3

HEX #F735D1

RGB 247 53 209

HSL 311.75, 0.92%, 0.59%

LAB 58.9, 83.81, -37.36

 

CMYK 0 / 70 / 13 / 10

HEX #E645C7

RGB 230 69 199

HSL 311.55, 0.76%, 0.59%

LAB 57.27, 74.07, -34.41

 

CMYK 0 / 60 / 12 / 16

HEX #D656BD

RGB 214 86 189

HSL 311.72, 0.61%, 0.59%

LAB 56.71, 62.06, -29.73

 

CMYK 0 / 48 / 10 / 23

HEX #C567B2

RGB 197 103 178

HSL 312.13, 0.45%, 0.59%

LAB 56.87, 47.39, -23.36

 

CMYK 0 / 33 / 7 / 29

HEX #B478A8

RGB 180 120 168

HSL 312, 0.29%, 0.59%

LAB 58, 31.04, -16.05

 

CMYK 0 / 16 / 3 / 36

HEX #A3899E

RGB 163 137 158

HSL 311.54, 0.12%, 0.59%

LAB 60.02, 13.59, -7.47

 

CMYK 24 / 70 / 0 / 10

HEX #AE45E6

RGB 174 69 230

HSL 279.13, 0.76%, 0.59%

LAB 50.65, 67.19, -63.07

 

CMYK 6 / 70 / 0 / 10

HEX #D945E6

RGB 217 69 230

HSL 295.16, 0.76%, 0.59%

LAB 56.8, 75.97, -52.87

 

CMYK 0 / 70 / 13 / 10

HEX #E645C9

RGB 230 69 201

HSL 310.81, 0.76%, 0.59%

LAB 57.36, 74.35, -35.41

 

CMYK 0 / 70 / 31 / 10

HEX #E6459E

RGB 230 69 158

HSL 326.83, 0.76%, 0.59%

LAB 55.63, 68.83, -13.15

 

CMYK 0 / 70 / 50 / 10

HEX #E64573

RGB 230 69 115

HSL 342.86, 0.76%, 0.59%

LAB 54.36, 64.59, 10.48

 

CMYK 0 / 87 / 17 / 24

HEX #C119A0

RGB 193 25 160

HSL 311.79, 0.77%, 0.43%

LAB 45.04, 72.28, -31.18

 

CMYK 0 / 85 / 17 / 11

HEX #E221BC

RGB 226 33 188

HSL 311.81, 0.77%, 0.51%

LAB 52.83, 81.08, -35.07

 

CMYK 0 / 70 / 13 / 10

HEX #E645C7

RGB 230 69 199

HSL 311.55, 0.76%, 0.59%

LAB 57.27, 74.07, -34.41

 

CMYK 0 / 55 / 11 / 8

HEX #EB6AD2

RGB 235 106 210

HSL 311.63, 0.76%, 0.67%

LAB 63.85, 62.23, -30.36

 

CMYK 0 / 41 / 8 / 6

HEX #F08EDD

RGB 240 142 221

HSL 311.63, 0.77%, 0.75%

LAB 71.62, 48.04, -24.49

 

CMYK 0 / 71 / 14 / 9

HEX #E744C7

RGB 231 68 199

HSL 311.78, 0.77%, 0.59%

LAB 57.31, 74.64, -34.33

 

CMYK 0 / 43 / 70 / 10

HEX #E68345

RGB 230 131 69

HSL 23.11, 0.76%, 0.59%

LAB 64.55, 33.1, 48.98

 

CMYK 70 / 0 / 15 / 10

HEX #45E6C4

RGB 69 230 196

HSL 167.33, 0.76%, 0.59%

LAB 82.83, -49.08, 4.61

 

CMYK 0 / 71 / 14 / 9

HEX #E744C7

RGB 231 68 199

HSL 311.78, 0.77%, 0.59%

LAB 57.31, 74.64, -34.33

 

CMYK 13 / 0 / 70 / 10

HEX #C9E645

RGB 201 230 69

HSL 70.81, 0.76%, 0.59%

LAB 86.72, -30.04, 71.09

 

CMYK 70 / 13 / 0 / 10

HEX #45C9E6

RGB 69 201 230

HSL 190.81, 0.76%, 0.59%

LAB 75.3, -26.4, -24.77

 

CMYK 0 / 71 / 14 / 9

HEX #E744C7

RGB 231 68 199

HSL 311.78, 0.77%, 0.59%

LAB 57.31, 74.64, -34.33

 

CMYK 0 / 43 / 70 / 10

HEX #E68345

RGB 230 131 69

HSL 23.11, 0.76%, 0.59%

LAB 64.55, 33.1, 48.98

 

CMYK 70 / 0 / 57 / 10

HEX #45E663

RGB 69 230 99

HSL 131.18, 0.76%, 0.59%

LAB 81.16, -67.36, 51.22

 

CMYK 70 / 27 / 0 / 10

HEX #45A9E6

RGB 69 169 230

HSL 202.73, 0.76%, 0.59%

LAB 66.02, -9.65, -39.09

 

CMYK 0 / 71 / 14 / 9

HEX #E744C7

RGB 231 68 199

HSL 311.78, 0.77%, 0.59%

LAB 57.31, 74.64, -34.33

 

CMYK 0 / 22 / 70 / 10

HEX #E6B345

RGB 230 179 69

HSL 40.99, 0.76%, 0.59%

LAB 75.76, 7.66, 60.85

 

CMYK 70 / 0 / 57 / 10

HEX #45E663

RGB 69 230 99

HSL 131.18, 0.76%, 0.59%

LAB 81.16, -67.36, 51.22

 

CMYK 70 / 48 / 0 / 10

HEX #4578E6

RGB 69 120 230

HSL 220.99, 0.76%, 0.59%

LAB 52.3, 19.22, -60.86

 

Description

Color code: HEX #E744C7 | qconv.com Color code: HEX #E744C7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 68 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 68 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 14 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 14% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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