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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E727D6 it is the complementary color #18D829. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E727D6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E727D6 shade: #EC27D1, #FD39E4, #FF4BF7, #FF5DFF and #FF6FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E727D6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E727D6 shade: #E727D6, #D615C3, #C503B0, #B4009D and #A3008A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E727D6 shade: #E727D6, #E727A2, #E7276E, #E7273A and #E72727

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E727D6 shade: #E727D6, #C427E7, #9027E7, #5C27E7 and #2927E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E727D6 shade matches the following richer shades: #E727D6 and #FA13E6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E727D6 shade: #E727D6, #D33AC6, #C04EB6, #AC61A6 and #997496

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E727D6 shade: #9027E7, #C327E7, #E727D7, #E727A3 and #E72770

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E727D6 shade: #A9129B, #CE16BD, #E727D6, #EB4CDD and #EF71E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E727D6 shade: #E727D6, #E75D27 and #27E7AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E727D6 shade: #E727D6, #D7E727 and #27D7E7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E727D6 shade: #E727D6, #E75D27, #27E737 and #27B0E7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E727D6 shade: #E727D6, #E79727, #27E737 and #2777E7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 7 / 9

HEX #E727D6

RGB 231 39 214

HSL 305.31, 0.8%, 0.53%

LAB 55.37, 84.39, -45.94

 

Complementary color

CMYK 89 / 0 / 81 / 15

HEX #18D829

RGB 24 216 41

HSL 125.31, 0.8%, 0.47%

LAB 75.74, -73.66, 67.01

 

CMYK 0 / 83 / 11 / 7

HEX #EC27D1

RGB 236 39 209

HSL 308.22, 0.84%, 0.54%

LAB 55.97, 84.66, -42.09

 

CMYK 0 / 77 / 10 / 1

HEX #FD39E4

RGB 253 57 228

HSL 307.65, 0.98%, 0.61%

LAB 61.14, 86.59, -44.51

 

CMYK 0 / 71 / 3 / 0

HEX #FF4BF7

RGB 255 75 247

HSL 302.67, 1%, 0.65%

LAB 64.17, 84.66, -50.29

 

CMYK 0 / 64 / 0 / 0

HEX #FF5DFF

RGB 255 93 255

HSL 300, 1%, 0.68%

LAB 66.76, 79.72, -50.61

 

CMYK 0 / 56 / 0 / 0

HEX #FF6FFF

RGB 255 111 255

HSL 300, 1%, 0.72%

LAB 69.36, 72.52, -46.5

 

CMYK 0 / 83 / 7 / 9

HEX #E727D6

RGB 231 39 214

HSL 305.31, 0.8%, 0.53%

LAB 55.37, 84.39, -45.94

 

CMYK 0 / 90 / 9 / 16

HEX #D615C3

RGB 214 21 195

HSL 305.91, 0.82%, 0.46%

LAB 50.42, 81.56, -43.06

 

CMYK 0 / 98 / 11 / 23

HEX #C503B0

RGB 197 3 176

HSL 306.49, 0.97%, 0.39%

LAB 45.73, 77.71, -39.57

 

CMYK 0 / 100 / 13 / 29

HEX #B4009D

RGB 180 0 157

HSL 307.67, 1%, 0.35%

LAB 41.43, 72.41, -35.22

 

CMYK 0 / 100 / 15 / 36

HEX #A3008A

RGB 163 0 138

HSL 309.2, 1%, 0.32%

LAB 37.15, 66.75, -30.6

 

CMYK 0 / 83 / 7 / 9

HEX #E727D6

RGB 231 39 214

HSL 305.31, 0.8%, 0.53%

LAB 55.37, 84.39, -45.94

 

CMYK 0 / 83 / 30 / 9

HEX #E727A2

RGB 231 39 162

HSL 321.56, 0.8%, 0.53%

LAB 53, 77.9, -19.49

 

CMYK 0 / 83 / 52 / 9

HEX #E7276E

RGB 231 39 110

HSL 337.81, 0.8%, 0.53%

LAB 51.34, 73.14, 9.25

 

CMYK 0 / 83 / 75 / 9

HEX #E7273A

RGB 231 39 58

HSL 354.06, 0.8%, 0.53%

LAB 50.39, 70.32, 39.18

 

CMYK 0 / 83 / 83 / 9

HEX #E72727

RGB 231 39 39

HSL 0, 0.8%, 0.53%

LAB 50.2, 69.75, 49.28

 

CMYK 0 / 83 / 7 / 9

HEX #E727D6

RGB 231 39 214

HSL 305.31, 0.8%, 0.53%

LAB 55.37, 84.39, -45.94

 

CMYK 15 / 83 / 0 / 9

HEX #C427E7

RGB 196 39 231

HSL 289.06, 0.8%, 0.53%

LAB 50.64, 80.84, -63.5

 

CMYK 38 / 83 / 0 / 9

HEX #9027E7

RGB 144 39 231

HSL 272.81, 0.8%, 0.53%

LAB 42.99, 73, -76.28

 

CMYK 60 / 83 / 0 / 9

HEX #5C27E7

RGB 92 39 231

HSL 256.56, 0.8%, 0.53%

LAB 36.92, 67.1, -86.48

 

CMYK 82 / 83 / 0 / 9

HEX #2927E7

RGB 41 39 231

HSL 240.63, 0.8%, 0.53%

LAB 33.33, 63.8, -92.54

 

CMYK 0 / 83 / 7 / 9

HEX #E727D6

RGB 231 39 214

HSL 305.31, 0.8%, 0.53%

LAB 55.37, 84.39, -45.94

 

CMYK 0 / 92 / 8 / 2

HEX #FA13E6

RGB 250 19 230

HSL 305.19, 0.96%, 0.53%

LAB 58.51, 92.79, -49.82

 

CMYK 0 / 83 / 7 / 9

HEX #E727D6

RGB 231 39 214

HSL 305.31, 0.8%, 0.53%

LAB 55.37, 84.39, -45.94

 

CMYK 0 / 73 / 6 / 17

HEX #D33AC6

RGB 211 58 198

HSL 305.1, 0.63%, 0.53%

LAB 52.9, 73.2, -40.91

 

CMYK 0 / 59 / 5 / 25

HEX #C04EB6

RGB 192 78 182

HSL 305.26, 0.48%, 0.53%

LAB 51.87, 58.53, -33.47

 

CMYK 0 / 44 / 3 / 33

HEX #AC61A6

RGB 172 97 166

HSL 304.8, 0.31%, 0.53%

LAB 51.92, 40.61, -24.28

 

CMYK 0 / 24 / 2 / 40

HEX #997496

RGB 153 116 150

HSL 304.86, 0.15%, 0.53%

LAB 53.45, 20.5, -12.79

 

CMYK 38 / 83 / 0 / 9

HEX #9027E7

RGB 144 39 231

HSL 272.81, 0.8%, 0.53%

LAB 42.99, 73, -76.28

 

CMYK 16 / 83 / 0 / 9

HEX #C327E7

RGB 195 39 231

HSL 288.75, 0.8%, 0.53%

LAB 50.48, 80.68, -63.76

 

CMYK 0 / 83 / 7 / 9

HEX #E727D7

RGB 231 39 215

HSL 305, 0.8%, 0.53%

LAB 55.43, 84.53, -46.43

 

CMYK 0 / 83 / 29 / 9

HEX #E727A3

RGB 231 39 163

HSL 321.25, 0.8%, 0.53%

LAB 53.04, 78.01, -20.02

 

CMYK 0 / 83 / 52 / 9

HEX #E72770

RGB 231 39 112

HSL 337.19, 0.8%, 0.53%

LAB 51.39, 73.29, 8.11

 

CMYK 0 / 89 / 8 / 34

HEX #A9129B

RGB 169 18 155

HSL 305.56, 0.81%, 0.37%

LAB 39.97, 68.02, -36.46

 

CMYK 0 / 89 / 8 / 19

HEX #CE16BD

RGB 206 22 189

HSL 305.54, 0.81%, 0.45%

LAB 48.72, 79.15, -42.35

 

CMYK 0 / 83 / 7 / 9

HEX #E727D6

RGB 231 39 214

HSL 305.31, 0.8%, 0.53%

LAB 55.37, 84.39, -45.94

 

CMYK 0 / 68 / 6 / 8

HEX #EB4CDD

RGB 235 76 221

HSL 305.28, 0.8%, 0.61%

LAB 59.94, 76.04, -42.66

 

CMYK 0 / 53 / 5 / 6

HEX #EF71E4

RGB 239 113 228

HSL 305.24, 0.8%, 0.69%

LAB 66.34, 63.02, -36.51

 

CMYK 0 / 83 / 7 / 9

HEX #E727D6

RGB 231 39 214

HSL 305.31, 0.8%, 0.53%

LAB 55.37, 84.39, -45.94

 

CMYK 0 / 60 / 83 / 9

HEX #E75D27

RGB 231 93 39

HSL 16.88, 0.8%, 0.53%

LAB 57.04, 51.03, 55.4

 

CMYK 83 / 0 / 26 / 9

HEX #27E7AA

RGB 39 231 170

HSL 160.94, 0.8%, 0.53%

LAB 82.1, -58.86, 17.17

 

CMYK 0 / 83 / 7 / 9

HEX #E727D6

RGB 231 39 214

HSL 305.31, 0.8%, 0.53%

LAB 55.37, 84.39, -45.94

 

CMYK 7 / 0 / 83 / 9

HEX #D7E727

RGB 215 231 39

HSL 65, 0.8%, 0.53%

LAB 87.85, -26.05, 81.16

 

CMYK 83 / 7 / 0 / 9

HEX #27D7E7

RGB 39 215 231

HSL 185, 0.8%, 0.53%

LAB 78.93, -35.85, -19.83

 

CMYK 0 / 83 / 7 / 9

HEX #E727D6

RGB 231 39 214

HSL 305.31, 0.8%, 0.53%

LAB 55.37, 84.39, -45.94

 

CMYK 0 / 60 / 83 / 9

HEX #E75D27

RGB 231 93 39

HSL 16.88, 0.8%, 0.53%

LAB 57.04, 51.03, 55.4

 

CMYK 83 / 0 / 76 / 9

HEX #27E737

RGB 39 231 55

HSL 125, 0.8%, 0.53%

LAB 80.66, -75.82, 67.68

 

CMYK 83 / 24 / 0 / 9

HEX #27B0E7

RGB 39 176 231

HSL 197.19, 0.8%, 0.53%

LAB 67.47, -16.38, -37.44

 

CMYK 0 / 83 / 7 / 9

HEX #E727D6

RGB 231 39 214

HSL 305.31, 0.8%, 0.53%

LAB 55.37, 84.39, -45.94

 

CMYK 0 / 35 / 83 / 9

HEX #E79727

RGB 231 151 39

HSL 35, 0.8%, 0.53%

LAB 68.95, 21.78, 65.73

 

CMYK 83 / 0 / 76 / 9

HEX #27E737

RGB 39 231 55

HSL 125, 0.8%, 0.53%

LAB 80.66, -75.82, 67.68

 

CMYK 83 / 48 / 0 / 9

HEX #2777E7

RGB 39 119 231

HSL 215, 0.8%, 0.53%

LAB 51.15, 16.91, -63.33

 

Description

Color code: HEX #E727D6 | qconv.com Color code: HEX #E727D6 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 39 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 39 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 7 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 7% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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