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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E71D91 it is the complementary color #18E26E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E71D91. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E71D91 shade: #EC1D8C, #FD2F9F, #FF41B2, #FF53C5 and #FF65D8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E71D91. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E71D91 shade: #E71D91, #D60B7E, #C5006B, #B40058 and #A30045

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E71D91 shade: #E71C91, #E71C5A, #E71C23 and #E71C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E71D91 shade: #E71C91, #E71CC7, #D01CE7, #991CE7 and #631CE7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E71D91 shade matches the following richer shades: #E71C91 and #FB0894

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E71D91 shade: #E71C91, #D3318E, #BE458B, #AA5988 and #966D85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E71D91 shade: #CF1CE7, #E71CC8, #E71C92, #E71C5C and #E71C26

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E71D91 shade: #A01063, #C6147A, #E71C91, #EB42A3 and #EF67B5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E71D91 shade: #E71D91, #E7991C and #1CE3E7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E71D91 shade: #E71D91, #92E71C and #1C92E7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E71D91 shade: #E71D91, #E7991C, #1CE771 and #1C6AE7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E71D91 shade: #E71D91, #E7D61C, #1CE771 and #1C2DE7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 37 / 9

HEX #E71D91

RGB 231 29 145

HSL 325.54, 0.81%, 0.51%

LAB 51.74, 78, -11.3

 

Complementary color

CMYK 89 / 0 / 51 / 11

HEX #18E26E

RGB 24 226 110

HSL 145.54, 0.81%, 0.49%

LAB 79.45, -69.53, 43.92

 

CMYK 0 / 88 / 41 / 7

HEX #EC1D8C

RGB 236 29 140

HSL 327.83, 0.84%, 0.52%

LAB 52.51, 78.64, -7.04

 

CMYK 0 / 81 / 37 / 1

HEX #FD2F9F

RGB 253 47 159

HSL 327.38, 0.98%, 0.59%

LAB 57.48, 80.84, -10.56

 

CMYK 0 / 75 / 30 / 0

HEX #FF41B2

RGB 255 65 178

HSL 324.32, 1%, 0.63%

LAB 60.12, 78.64, -17.6

 

CMYK 0 / 67 / 23 / 0

HEX #FF53C5

RGB 255 83 197

HSL 320.23, 1%, 0.66%

LAB 62.91, 75.04, -24.22

 

CMYK 0 / 60 / 15 / 0

HEX #FF65D8

RGB 255 101 216

HSL 315.19, 1%, 0.7%

LAB 66.16, 70.68, -29.93

 

CMYK 0 / 87 / 37 / 9

HEX #E71D91

RGB 231 29 145

HSL 325.54, 0.81%, 0.51%

LAB 51.74, 78, -11.3

 

CMYK 0 / 95 / 41 / 16

HEX #D60B7E

RGB 214 11 126

HSL 326.01, 0.9%, 0.44%

LAB 47.03, 74.76, -7.19

 

CMYK 0 / 100 / 46 / 23

HEX #C5006B

RGB 197 0 107

HSL 327.41, 1%, 0.39%

LAB 42.66, 70.39, -2.28

 

CMYK 0 / 100 / 51 / 29

HEX #B40058

RGB 180 0 88

HSL 330.67, 1%, 0.35%

LAB 38.56, 65.07, 3.37

 

CMYK 0 / 100 / 58 / 36

HEX #A30045

RGB 163 0 69

HSL 334.6, 1%, 0.32%

LAB 34.43, 59.73, 9.33

 

CMYK 0 / 88 / 37 / 9

HEX #E71C91

RGB 231 28 145

HSL 325.42, 0.81%, 0.51%

LAB 51.68, 78.15, -11.38

 

CMYK 0 / 88 / 61 / 9

HEX #E71C5A

RGB 231 28 90

HSL 341.67, 0.81%, 0.51%

LAB 50.17, 73.92, 19.82

 

CMYK 0 / 88 / 85 / 9

HEX #E71C23

RGB 231 28 35

HSL 357.93, 0.81%, 0.51%

LAB 49.42, 71.8, 50.58

 

CMYK 0 / 88 / 88 / 9

HEX #E71C1C

RGB 231 28 28

HSL 0, 0.81%, 0.51%

LAB 49.38, 71.66, 53.8

 

CMYK 0 / 88 / 37 / 9

HEX #E71C91

RGB 231 28 145

HSL 325.42, 0.81%, 0.51%

LAB 51.68, 78.15, -11.38

 

CMYK 0 / 88 / 14 / 9

HEX #E71CC7

RGB 231 28 199

HSL 309.46, 0.81%, 0.51%

LAB 53.97, 84.27, -39.58

 

CMYK 10 / 88 / 0 / 9

HEX #D01CE7

RGB 208 28 231

HSL 293.2, 0.81%, 0.51%

LAB 51.85, 84.88, -61.45

 

CMYK 34 / 88 / 0 / 9

HEX #991CE7

RGB 153 28 231

HSL 276.95, 0.81%, 0.51%

LAB 43.32, 76.91, -75.69

 

CMYK 57 / 88 / 0 / 9

HEX #631CE7

RGB 99 28 231

HSL 260.99, 0.81%, 0.51%

LAB 36.47, 71.17, -87.21

 

CMYK 0 / 88 / 37 / 9

HEX #E71C91

RGB 231 28 145

HSL 325.42, 0.81%, 0.51%

LAB 51.68, 78.15, -11.38

 

CMYK 0 / 97 / 41 / 2

HEX #FB0894

RGB 251 8 148

HSL 325.43, 0.97%, 0.51%

LAB 54.89, 84.77, -7.98

 

CMYK 0 / 88 / 37 / 9

HEX #E71C91

RGB 231 28 145

HSL 325.42, 0.81%, 0.51%

LAB 51.68, 78.15, -11.38

 

CMYK 0 / 77 / 33 / 17

HEX #D3318E

RGB 211 49 142

HSL 325.56, 0.65%, 0.51%

LAB 49.49, 68.57, -13.25

 

CMYK 0 / 64 / 27 / 25

HEX #BE458B

RGB 190 69 139

HSL 325.29, 0.48%, 0.51%

LAB 48.34, 55.44, -13.53

 

CMYK 0 / 48 / 20 / 33

HEX #AA5988

RGB 170 89 136

HSL 325.19, 0.32%, 0.51%

LAB 48.84, 39.11, -11.26

 

CMYK 0 / 27 / 11 / 41

HEX #966D85

RGB 150 109 133

HSL 324.88, 0.16%, 0.51%

LAB 50.82, 20.27, -6.78

 

CMYK 10 / 88 / 0 / 9

HEX #CF1CE7

RGB 207 28 231

HSL 292.91, 0.81%, 0.51%

LAB 51.68, 84.72, -61.72

 

CMYK 0 / 88 / 13 / 9

HEX #E71CC8

RGB 231 28 200

HSL 309.16, 0.81%, 0.51%

LAB 54.02, 84.4, -40.07

 

CMYK 0 / 88 / 37 / 9

HEX #E71C92

RGB 231 28 146

HSL 325.12, 0.81%, 0.51%

LAB 51.72, 78.25, -11.93

 

CMYK 0 / 88 / 60 / 9

HEX #E71C5C

RGB 231 28 92

HSL 341.08, 0.81%, 0.51%

LAB 50.21, 74.04, 18.65

 

CMYK 0 / 88 / 84 / 9

HEX #E71C26

RGB 231 28 38

HSL 357.04, 0.81%, 0.51%

LAB 49.45, 71.86, 49.11

 

CMYK 0 / 90 / 38 / 37

HEX #A01063

RGB 160 16 99

HSL 325.42, 0.82%, 0.35%

LAB 35.49, 59.42, -8.69

 

CMYK 0 / 90 / 38 / 22

HEX #C6147A

RGB 198 20 122

HSL 325.62, 0.82%, 0.43%

LAB 44.11, 69.82, -9.43

 

CMYK 0 / 88 / 37 / 9

HEX #E71C91

RGB 231 28 145

HSL 325.42, 0.81%, 0.51%

LAB 51.68, 78.15, -11.38

 

CMYK 0 / 72 / 31 / 8

HEX #EB42A3

RGB 235 66 163

HSL 325.56, 0.81%, 0.59%

LAB 56.29, 71.7, -15.01

 

CMYK 0 / 57 / 24 / 6

HEX #EF67B5

RGB 239 103 181

HSL 325.59, 0.81%, 0.67%

LAB 62.83, 60.54, -15.45

 

CMYK 0 / 87 / 37 / 9

HEX #E71D91

RGB 231 29 145

HSL 325.54, 0.81%, 0.51%

LAB 51.74, 78, -11.3

 

CMYK 0 / 34 / 88 / 9

HEX #E7991C

RGB 231 153 28

HSL 36.95, 0.81%, 0.51%

LAB 69.37, 20.45, 69.25

 

CMYK 88 / 2 / 0 / 9

HEX #1CE3E7

RGB 28 227 231

HSL 181.18, 0.81%, 0.51%

LAB 82.35, -41.98, -14.67

 

CMYK 0 / 87 / 37 / 9

HEX #E71D91

RGB 231 29 145

HSL 325.54, 0.81%, 0.51%

LAB 51.74, 78, -11.3

 

CMYK 37 / 0 / 88 / 9

HEX #92E71C

RGB 146 231 28

HSL 85.12, 0.81%, 0.51%

LAB 83.62, -52.73, 78.1

 

CMYK 88 / 37 / 0 / 9

HEX #1C92E7

RGB 28 146 231

HSL 205.12, 0.81%, 0.51%

LAB 58.58, -0.32, -51.44

 

CMYK 0 / 87 / 37 / 9

HEX #E71D91

RGB 231 29 145

HSL 325.54, 0.81%, 0.51%

LAB 51.74, 78, -11.3

 

CMYK 0 / 34 / 88 / 9

HEX #E7991C

RGB 231 153 28

HSL 36.95, 0.81%, 0.51%

LAB 69.37, 20.45, 69.25

 

CMYK 88 / 0 / 51 / 9

HEX #1CE771

RGB 28 231 113

HSL 145.12, 0.81%, 0.51%

LAB 81.07, -70.43, 44.49

 

CMYK 88 / 54 / 0 / 9

HEX #1C6AE7

RGB 28 106 231

HSL 216.95, 0.81%, 0.51%

LAB 47.4, 24.41, -69.41

 

CMYK 0 / 87 / 37 / 9

HEX #E71D91

RGB 231 29 145

HSL 325.54, 0.81%, 0.51%

LAB 51.74, 78, -11.3

 

CMYK 0 / 7 / 88 / 9

HEX #E7D61C

RGB 231 214 28

HSL 54.98, 0.81%, 0.51%

LAB 84.57, -11.32, 81.21

 

CMYK 88 / 0 / 51 / 9

HEX #1CE771

RGB 28 231 113

HSL 145.12, 0.81%, 0.51%

LAB 81.07, -70.43, 44.49

 

CMYK 88 / 81 / 0 / 9

HEX #1C2DE7

RGB 28 45 231

HSL 234.98, 0.81%, 0.51%

LAB 33.76, 60.68, -91.84

 

Description

Color code: HEX #E71D91 | qconv.com Color code: HEX #E71D91 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 29 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 29 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 37 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 37% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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