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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E7128C it is the complementary color #18ED73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E7128C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E7128C shade: #EC1287, #FD249A, #FF36AD, #FF48C0 and #FF5AD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E7128C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E7128C shade: #E7128C, #D60079, #C50066, #B40053 and #A30040

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E7128C shade: #E8118C, #E81152, #E81118 and #E81111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E7128C shade: #E8118C, #E811C6, #D011E8, #9611E8 and #5C11E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E7128C shade matches the following richer shades: #E8118C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E7128C shade: #E8118C, #D42589, #BF3986, #AB4E83 and #976280

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E7128C shade: #CF11E8, #E811C8, #E8118E, #E81155 and #E8111C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E7128C shade: #9B0B5E, #C20E75, #E8118C, #EF339F and #F259B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E7128C shade: #E7128C, #E89611 and #11E4E8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E7128C shade: #E7128C, #8EE811 and #118EE8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E7128C shade: #E7128C, #E89611, #11E86B and #1163E8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E7128C shade: #E7128C, #E8D611, #11E86B and #1123E8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 92 / 39 / 9

HEX #E7128C

RGB 231 18 140

HSL 325.63, 0.86%, 0.49%

LAB 51.05, 79.01, -9.33

 

Complementary color

CMYK 90 / 0 / 51 / 7

HEX #18ED73

RGB 24 237 115

HSL 145.63, 0.86%, 0.51%

LAB 82.91, -72.27, 45.82

 

CMYK 0 / 92 / 43 / 7

HEX #EC1287

RGB 236 18 135

HSL 327.8, 0.86%, 0.5%

LAB 51.85, 79.65, -5.02

 

CMYK 0 / 86 / 39 / 1

HEX #FD249A

RGB 253 36 154

HSL 327.37, 0.98%, 0.57%

LAB 56.56, 82.54, -8.99

 

CMYK 0 / 79 / 32 / 0

HEX #FF36AD

RGB 255 54 173

HSL 324.48, 1%, 0.61%

LAB 58.9, 81.07, -16.56

 

CMYK 0 / 72 / 25 / 0

HEX #FF48C0

RGB 255 72 192

HSL 320.66, 1%, 0.64%

LAB 61.39, 78.13, -23.69

 

CMYK 0 / 65 / 17 / 0

HEX #FF5AD3

RGB 255 90 211

HSL 316, 1%, 0.68%

LAB 64.38, 74.31, -29.87

 

CMYK 0 / 92 / 39 / 9

HEX #E7128C

RGB 231 18 140

HSL 325.63, 0.86%, 0.49%

LAB 51.05, 79.01, -9.33

 

CMYK 0 / 100 / 43 / 16

HEX #D60079

RGB 214 0 121

HSL 326.07, 1%, 0.42%

LAB 46.55, 75.25, -4.84

 

CMYK 0 / 100 / 48 / 23

HEX #C50066

RGB 197 0 102

HSL 328.93, 1%, 0.39%

LAB 42.51, 69.98, 0.64

 

CMYK 0 / 100 / 54 / 29

HEX #B40053

RGB 180 0 83

HSL 332.33, 1%, 0.35%

LAB 38.42, 64.7, 6.38

 

CMYK 0 / 100 / 61 / 36

HEX #A30040

RGB 163 0 64

HSL 336.44, 1%, 0.32%

LAB 34.31, 59.41, 12.45

 

CMYK 0 / 93 / 40 / 9

HEX #E8118C

RGB 232 17 140

HSL 325.67, 0.86%, 0.49%

LAB 51.21, 79.33, -9.07

 

CMYK 0 / 93 / 65 / 9

HEX #E81152

RGB 232 17 82

HSL 341.86, 0.86%, 0.49%

LAB 49.7, 75.21, 24.12

 

CMYK 0 / 93 / 90 / 9

HEX #E81118

RGB 232 17 24

HSL 358.05, 0.86%, 0.49%

LAB 49.04, 73.37, 55.34

 

CMYK 0 / 93 / 93 / 9

HEX #E81111

RGB 232 17 17

HSL 0, 0.86%, 0.49%

LAB 49, 73.28, 57.96

 

CMYK 0 / 93 / 40 / 9

HEX #E8118C

RGB 232 17 140

HSL 325.67, 0.86%, 0.49%

LAB 51.21, 79.33, -9.07

 

CMYK 0 / 93 / 15 / 9

HEX #E811C6

RGB 232 17 198

HSL 309.49, 0.86%, 0.49%

LAB 53.64, 85.67, -39.51

 

CMYK 10 / 93 / 0 / 9

HEX #D011E8

RGB 208 17 232

HSL 293.3, 0.86%, 0.49%

LAB 51.42, 86.49, -62.69

 

CMYK 35 / 93 / 0 / 9

HEX #9611E8

RGB 150 17 232

HSL 277.12, 0.86%, 0.49%

LAB 42.32, 78.67, -77.9

 

CMYK 60 / 93 / 0 / 9

HEX #5C11E8

RGB 92 17 232

HSL 260.93, 0.86%, 0.49%

LAB 35.01, 73.41, -90.22

 

CMYK 0 / 93 / 40 / 9

HEX #E8118C

RGB 232 17 140

HSL 325.67, 0.86%, 0.49%

LAB 51.21, 79.33, -9.07

 

CMYK 0 / 93 / 40 / 9

HEX #E8118C

RGB 232 17 140

HSL 325.67, 0.86%, 0.49%

LAB 51.21, 79.33, -9.07

 

CMYK 0 / 83 / 35 / 17

HEX #D42589

RGB 212 37 137

HSL 325.71, 0.7%, 0.49%

LAB 48.42, 71.35, -11.84

 

CMYK 0 / 70 / 30 / 25

HEX #BF3986

RGB 191 57 134

HSL 325.52, 0.54%, 0.49%

LAB 46.61, 59.83, -13.12

 

CMYK 0 / 54 / 23 / 33

HEX #AB4E83

RGB 171 78 131

HSL 325.81, 0.37%, 0.49%

LAB 46.64, 44.34, -11.57

 

CMYK 0 / 35 / 15 / 41

HEX #976280

RGB 151 98 128

HSL 326.04, 0.21%, 0.49%

LAB 48.1, 26.11, -7.85

 

CMYK 11 / 93 / 0 / 9

HEX #CF11E8

RGB 207 17 232

HSL 293.02, 0.86%, 0.49%

LAB 51.26, 86.34, -62.97

 

CMYK 0 / 93 / 14 / 9

HEX #E811C8

RGB 232 17 200

HSL 308.93, 0.86%, 0.49%

LAB 53.74, 85.92, -40.5

 

CMYK 0 / 93 / 39 / 9

HEX #E8118E

RGB 232 17 142

HSL 325.12, 0.86%, 0.49%

LAB 51.28, 79.51, -10.17

 

CMYK 0 / 93 / 63 / 9

HEX #E81155

RGB 232 17 85

HSL 341.02, 0.86%, 0.49%

LAB 49.75, 75.37, 22.36

 

CMYK 0 / 93 / 88 / 9

HEX #E8111C

RGB 232 17 28

HSL 356.93, 0.86%, 0.49%

LAB 49.06, 73.43, 53.64

 

CMYK 0 / 93 / 39 / 39

HEX #9B0B5E

RGB 155 11 94

HSL 325.42, 0.87%, 0.33%

LAB 34.02, 58.51, -7.78

 

CMYK 0 / 93 / 40 / 24

HEX #C20E75

RGB 194 14 117

HSL 325.67, 0.87%, 0.41%

LAB 42.87, 69.24, -8.28

 

CMYK 0 / 93 / 40 / 9

HEX #E8118C

RGB 232 17 140

HSL 325.67, 0.86%, 0.49%

LAB 51.21, 79.33, -9.07

 

CMYK 0 / 79 / 33 / 6

HEX #EF339F

RGB 239 51 159

HSL 325.53, 0.85%, 0.57%

LAB 55.3, 76.62, -14.09

 

CMYK 0 / 63 / 27 / 5

HEX #F259B1

RGB 242 89 177

HSL 325.49, 0.85%, 0.65%

LAB 60.95, 66.82, -15.96

 

CMYK 0 / 92 / 39 / 9

HEX #E7128C

RGB 231 18 140

HSL 325.63, 0.86%, 0.49%

LAB 51.05, 79.01, -9.33

 

CMYK 0 / 35 / 93 / 9

HEX #E89611

RGB 232 150 17

HSL 37.12, 0.86%, 0.49%

LAB 68.76, 22.29, 71.2

 

CMYK 93 / 2 / 0 / 9

HEX #11E4E8

RGB 17 228 232

HSL 181.12, 0.86%, 0.49%

LAB 82.61, -42.58, -14.83

 

CMYK 0 / 92 / 39 / 9

HEX #E7128C

RGB 231 18 140

HSL 325.63, 0.86%, 0.49%

LAB 51.05, 79.01, -9.33

 

CMYK 39 / 0 / 93 / 9

HEX #8EE811

RGB 142 232 17

HSL 85.12, 0.86%, 0.49%

LAB 83.71, -54.72, 79.69

 

CMYK 93 / 39 / 0 / 9

HEX #118EE8

RGB 17 142 232

HSL 205.12, 0.86%, 0.49%

LAB 57.36, 1.88, -53.94

 

CMYK 0 / 92 / 39 / 9

HEX #E7128C

RGB 231 18 140

HSL 325.63, 0.86%, 0.49%

LAB 51.05, 79.01, -9.33

 

CMYK 0 / 35 / 93 / 9

HEX #E89611

RGB 232 150 17

HSL 37.12, 0.86%, 0.49%

LAB 68.76, 22.29, 71.2

 

CMYK 93 / 0 / 54 / 9

HEX #11E86B

RGB 17 232 107

HSL 145.12, 0.86%, 0.49%

LAB 81.23, -72.21, 47.5

 

CMYK 93 / 57 / 0 / 9

HEX #1163E8

RGB 17 99 232

HSL 217.12, 0.86%, 0.49%

LAB 45.45, 28.78, -73.15

 

CMYK 0 / 92 / 39 / 9

HEX #E7128C

RGB 231 18 140

HSL 325.63, 0.86%, 0.49%

LAB 51.05, 79.01, -9.33

 

CMYK 0 / 8 / 93 / 9

HEX #E8D611

RGB 232 214 17

HSL 54.98, 0.86%, 0.49%

LAB 84.63, -11.07, 82.95

 

CMYK 93 / 0 / 54 / 9

HEX #11E86B

RGB 17 232 107

HSL 145.12, 0.86%, 0.49%

LAB 81.23, -72.21, 47.5

 

CMYK 93 / 85 / 0 / 9

HEX #1123E8

RGB 17 35 232

HSL 234.98, 0.86%, 0.49%

LAB 32.14, 65.07, -95.12

 

Description

Color code: HEX #E7128C | qconv.com Color code: HEX #E7128C | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 18 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 18 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 92 magenta, 39 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 92% 39% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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