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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E71899 it is the complementary color #18E766. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E71899. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E71899 shade: #EC1894, #FD2AA7, #FF3CBA, #FF4ECD and #FF60E0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E71899. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E71899 shade: #E71899, #D60686, #C50073, #B40060 and #A3004D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E71899 shade: #E61898, #E61861, #E61829 and #E61818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E71899 shade: #E61898, #E618D0, #C518E6, #8D18E6 and #5518E6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E71899 shade matches the following richer shades: #E61898 and #FB039E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E71899 shade: #E61898, #D22C93, #BD418E, #A85689 and #946A84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E71899 shade: #C418E6, #E618D2, #E6189B, #E61863 and #E6182C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E71899 shade: #9C1067, #C11480, #E61898, #EA3DA9 and #EE62B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E71899 shade: #E71899, #E68D18 and #18E6DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E71899 shade: #E71899, #9BE618 and #189BE6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E71899 shade: #E71899, #E68D18, #18E663 and #1871E6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E71899 shade: #E71899, #E6CB18, #18E663 and #1833E6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 34 / 9

HEX #E71899

RGB 231 24 153

HSL 322.61, 0.81%, 0.5%

LAB 51.77, 79.53, -16.03

 

Complementary color

CMYK 90 / 0 / 56 / 9

HEX #18E766

RGB 24 231 102

HSL 142.61, 0.81%, 0.5%

LAB 80.91, -72.24, 49.42

 

CMYK 0 / 90 / 37 / 7

HEX #EC1894

RGB 236 24 148

HSL 324.91, 0.85%, 0.51%

LAB 52.54, 80.1, -11.8

 

CMYK 0 / 83 / 34 / 1

HEX #FD2AA7

RGB 253 42 167

HSL 324.45, 0.98%, 0.58%

LAB 57.39, 82.68, -15.37

 

CMYK 0 / 76 / 27 / 0

HEX #FF3CBA

RGB 255 60 186

HSL 321.23, 1%, 0.62%

LAB 59.92, 80.95, -22.51

 

CMYK 0 / 69 / 20 / 0

HEX #FF4ECD

RGB 255 78 205

HSL 316.95, 1%, 0.65%

LAB 62.61, 77.8, -29.23

 

CMYK 0 / 62 / 12 / 0

HEX #FF60E0

RGB 255 96 224

HSL 311.7, 1%, 0.69%

LAB 65.75, 73.84, -35.02

 

CMYK 0 / 90 / 34 / 9

HEX #E71899

RGB 231 24 153

HSL 322.61, 0.81%, 0.5%

LAB 51.77, 79.53, -16.03

 

CMYK 0 / 97 / 37 / 16

HEX #D60686

RGB 214 6 134

HSL 323.08, 0.95%, 0.43%

LAB 47.17, 75.92, -11.87

 

CMYK 0 / 100 / 42 / 23

HEX #C50073

RGB 197 0 115

HSL 324.97, 1%, 0.39%

LAB 42.93, 71.09, -6.88

 

CMYK 0 / 100 / 47 / 29

HEX #B40060

RGB 180 0 96

HSL 328, 1%, 0.35%

LAB 38.81, 65.71, -1.39

 

CMYK 0 / 100 / 53 / 36

HEX #A3004D

RGB 163 0 77

HSL 331.66, 1%, 0.32%

LAB 34.65, 60.31, 4.4

 

CMYK 0 / 90 / 34 / 10

HEX #E61898

RGB 230 24 152

HSL 322.72, 0.81%, 0.5%

LAB 51.55, 79.21, -15.79

 

CMYK 0 / 90 / 58 / 10

HEX #E61861

RGB 230 24 97

HSL 338.74, 0.81%, 0.5%

LAB 49.91, 74.71, 15.15

 

CMYK 0 / 90 / 82 / 10

HEX #E61829

RGB 230 24 41

HSL 355.05, 0.81%, 0.5%

LAB 49.05, 72.3, 47.12

 

CMYK 0 / 90 / 90 / 10

HEX #E61818

RGB 230 24 24

HSL 0, 0.81%, 0.5%

LAB 48.94, 71.97, 55.08

 

CMYK 0 / 90 / 34 / 10

HEX #E61898

RGB 230 24 152

HSL 322.72, 0.81%, 0.5%

LAB 51.55, 79.21, -15.79

 

CMYK 0 / 90 / 10 / 10

HEX #E618D0

RGB 230 24 208

HSL 306.41, 0.81%, 0.5%

LAB 54.06, 85.82, -44.61

 

CMYK 14 / 90 / 0 / 10

HEX #C518E6

RGB 197 24 230

HSL 290.39, 0.81%, 0.5%

LAB 49.78, 83.62, -64.3

 

CMYK 39 / 90 / 0 / 10

HEX #8D18E6

RGB 141 24 230

HSL 274.08, 0.81%, 0.5%

LAB 41.26, 76.06, -78.56

 

CMYK 63 / 90 / 0 / 10

HEX #5518E6

RGB 85 24 230

HSL 257.77, 0.81%, 0.5%

LAB 34.6, 70.93, -89.79

 

CMYK 0 / 90 / 34 / 10

HEX #E61898

RGB 230 24 152

HSL 322.72, 0.81%, 0.5%

LAB 51.55, 79.21, -15.79

 

CMYK 0 / 99 / 37 / 2

HEX #FB039E

RGB 251 3 158

HSL 322.5, 0.98%, 0.5%

LAB 55.12, 85.99, -13.56

 

CMYK 0 / 90 / 34 / 10

HEX #E61898

RGB 230 24 152

HSL 322.72, 0.81%, 0.5%

LAB 51.55, 79.21, -15.79

 

CMYK 0 / 79 / 30 / 18

HEX #D22C93

RGB 210 44 147

HSL 322.77, 0.65%, 0.5%

LAB 49.02, 70.26, -16.99

 

CMYK 0 / 66 / 25 / 26

HEX #BD418E

RGB 189 65 142

HSL 322.74, 0.49%, 0.5%

LAB 47.69, 57.21, -16.34

 

CMYK 0 / 49 / 18 / 34

HEX #A85689

RGB 168 86 137

HSL 322.68, 0.32%, 0.5%

LAB 47.99, 40.17, -13.18

 

CMYK 0 / 28 / 11 / 42

HEX #946A84

RGB 148 106 132

HSL 322.86, 0.17%, 0.5%

LAB 49.82, 21.09, -7.7

 

CMYK 15 / 90 / 0 / 10

HEX #C418E6

RGB 196 24 230

HSL 290.1, 0.81%, 0.5%

LAB 49.62, 83.47, -64.57

 

CMYK 0 / 90 / 9 / 10

HEX #E618D2

RGB 230 24 210

HSL 305.83, 0.81%, 0.5%

LAB 54.16, 86.09, -45.59

 

CMYK 0 / 90 / 33 / 10

HEX #E6189B

RGB 230 24 155

HSL 321.84, 0.81%, 0.5%

LAB 51.66, 79.52, -17.41

 

CMYK 0 / 90 / 57 / 10

HEX #E61863

RGB 230 24 99

HSL 338.16, 0.81%, 0.5%

LAB 49.95, 74.84, 13.99

 

CMYK 0 / 90 / 81 / 10

HEX #E6182C

RGB 230 24 44

HSL 354.17, 0.81%, 0.5%

LAB 49.08, 72.37, 45.55

 

CMYK 0 / 90 / 34 / 39

HEX #9C1067

RGB 156 16 103

HSL 322.71, 0.81%, 0.34%

LAB 34.84, 58.91, -12.31

 

CMYK 0 / 90 / 34 / 24

HEX #C11480

RGB 193 20 128

HSL 322.54, 0.81%, 0.42%

LAB 43.35, 69.31, -14.36

 

CMYK 0 / 90 / 34 / 10

HEX #E61898

RGB 230 24 152

HSL 322.72, 0.81%, 0.5%

LAB 51.55, 79.21, -15.79

 

CMYK 0 / 74 / 28 / 8

HEX #EA3DA9

RGB 234 61 169

HSL 322.54, 0.8%, 0.58%

LAB 55.78, 73.73, -19.31

 

CMYK 0 / 59 / 22 / 7

HEX #EE62B9

RGB 238 98 185

HSL 322.71, 0.8%, 0.66%

LAB 62.01, 62.98, -18.99

 

CMYK 0 / 90 / 34 / 9

HEX #E71899

RGB 231 24 153

HSL 322.61, 0.81%, 0.5%

LAB 51.77, 79.53, -16.03

 

CMYK 0 / 39 / 90 / 10

HEX #E68D18

RGB 230 141 24

HSL 34.08, 0.81%, 0.5%

LAB 66.47, 26.32, 67.95

 

CMYK 90 / 0 / 3 / 10

HEX #18E6DF

RGB 24 230 223

HSL 177.96, 0.81%, 0.5%

LAB 82.97, -45.8, -9.51

 

CMYK 0 / 90 / 34 / 9

HEX #E71899

RGB 231 24 153

HSL 322.61, 0.81%, 0.5%

LAB 51.77, 79.53, -16.03

 

CMYK 33 / 0 / 90 / 10

HEX #9BE618

RGB 155 230 24

HSL 81.84, 0.81%, 0.5%

LAB 83.77, -49.28, 79.06

 

CMYK 90 / 33 / 0 / 10

HEX #189BE6

RGB 24 155 230

HSL 201.84, 0.81%, 0.5%

LAB 61.09, -6.13, -46.91

 

CMYK 0 / 90 / 34 / 9

HEX #E71899

RGB 231 24 153

HSL 322.61, 0.81%, 0.5%

LAB 51.77, 79.53, -16.03

 

CMYK 0 / 39 / 90 / 10

HEX #E68D18

RGB 230 141 24

HSL 34.08, 0.81%, 0.5%

LAB 66.47, 26.32, 67.95

 

CMYK 90 / 0 / 57 / 10

HEX #18E663

RGB 24 230 99

HSL 141.84, 0.81%, 0.5%

LAB 80.57, -72.33, 50.37

 

CMYK 90 / 51 / 0 / 10

HEX #1871E6

RGB 24 113 230

HSL 214.08, 0.81%, 0.5%

LAB 49.15, 19.34, -66.01

 

CMYK 0 / 90 / 34 / 9

HEX #E71899

RGB 231 24 153

HSL 322.61, 0.81%, 0.5%

LAB 51.77, 79.53, -16.03

 

CMYK 0 / 12 / 90 / 10

HEX #E6CB18

RGB 230 203 24

HSL 52.14, 0.81%, 0.5%

LAB 81.62, -6.27, 79.56

 

CMYK 90 / 0 / 57 / 10

HEX #18E663

RGB 24 230 99

HSL 141.84, 0.81%, 0.5%

LAB 80.57, -72.33, 50.37

 

CMYK 90 / 78 / 0 / 10

HEX #1833E6

RGB 24 51 230

HSL 232.14, 0.81%, 0.5%

LAB 34.55, 57.29, -89.97

 

Description

Color code: HEX #E71899 | qconv.com Color code: HEX #E71899 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 24 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 24 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 34 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 34% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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