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Color name
HEX #E6E28D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E6E28D it is the complementary color #191D72. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E6E28D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E6E28D shade: #EBE288, #FCF49B, #FFFFAE, #FFFFC1 and #FFFFD4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E6E28D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E6E28D shade: #E6E28D, #D5D07A, #C4BE67, #B3AC54 and #A29A41

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E6E28D shade: #E6E28E, #E6CA8E, #E6B28E, #E69A8E and #E68E8E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E6E28D shade: #E6E28E, #D2E68E, #BAE68E, #A2E68E and #8EE691

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E6E28D shade matches the following richer shades: #E6E28E, #F1EC82 and #FCF677

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E6E28D shade: #E6E28E, #DBD899, #CFCDA4, #C4C3AF and #B9B9BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E6E28D shade: #E6B28E, #E6CA8E, #E6E18E, #D3E68E and #BBE68E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E6E28D shade: #D7D14A, #DED96C, #E6E28E, #EDEAAF and #F5F3D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E6E28D shade: #E6E28D, #8EE69B and #BE8EE6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E6E28D shade: #E6E28D, #8EE6E1 and #E18EE6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E6E28D shade: #E6E28D, #8EE69B, #8E92E6 and #E68ED8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E6E28D shade: #E6E28D, #8EE6B5, #8E92E6 and #E68EBE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 39 / 10

HEX #E6E28D

RGB 230 226 141

HSL 57.3, 0.64%, 0.73%

LAB 88.51, -10.8, 42.02

 

Complementary color

CMYK 78 / 75 / 0 / 55

HEX #191D72

RGB 25 29 114

HSL 237.3, 0.64%, 0.27%

LAB 16.99, 29.92, -49.01

 

CMYK 0 / 4 / 42 / 8

HEX #EBE288

RGB 235 226 136

HSL 54.55, 0.71%, 0.73%

LAB 88.84, -9.37, 44.98

 

CMYK 0 / 3 / 38 / 1

HEX #FCF49B

RGB 252 244 155

HSL 55.05, 0.94%, 0.8%

LAB 95.06, -9.77, 43.83

 

CMYK 0 / 0 / 32 / 0

HEX #FFFFAE

RGB 255 255 174

HSL 60, 1%, 0.84%

LAB 98.37, -11.92, 38.8

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC1

RGB 255 255 193

HSL 60, 1%, 0.88%

LAB 98.68, -9.55, 29.73

 

CMYK 0 / 0 / 17 / 0

HEX #FFFFD4

RGB 255 255 212

HSL 60, 1%, 0.92%

LAB 99.04, -6.9, 20.6

 

CMYK 0 / 2 / 39 / 10

HEX #E6E28D

RGB 230 226 141

HSL 57.3, 0.64%, 0.73%

LAB 88.51, -10.8, 42.02

 

CMYK 0 / 2 / 43 / 16

HEX #D5D07A

RGB 213 208 122

HSL 56.7, 0.52%, 0.66%

LAB 82.2, -10.41, 43.19

 

CMYK 0 / 3 / 47 / 23

HEX #C4BE67

RGB 196 190 103

HSL 56.13, 0.44%, 0.59%

LAB 75.79, -9.94, 44.38

 

CMYK 0 / 4 / 53 / 30

HEX #B3AC54

RGB 179 172 84

HSL 55.58, 0.38%, 0.52%

LAB 69.28, -9.38, 45.57

 

CMYK 0 / 5 / 60 / 36

HEX #A29A41

RGB 162 154 65

HSL 55.05, 0.43%, 0.45%

LAB 62.65, -8.69, 46.68

 

CMYK 0 / 2 / 38 / 10

HEX #E6E28E

RGB 230 226 142

HSL 57.27, 0.64%, 0.73%

LAB 88.53, -10.69, 41.54

 

CMYK 0 / 12 / 38 / 10

HEX #E6CA8E

RGB 230 202 142

HSL 40.91, 0.64%, 0.73%

LAB 82.39, 1.56, 33.58

 

CMYK 0 / 23 / 38 / 10

HEX #E6B28E

RGB 230 178 142

HSL 24.55, 0.64%, 0.73%

LAB 76.45, 14.19, 25.67

 

CMYK 0 / 33 / 38 / 10

HEX #E69A8E

RGB 230 154 142

HSL 8.18, 0.64%, 0.73%

LAB 70.79, 27, 17.94

 

CMYK 0 / 38 / 38 / 10

HEX #E68E8E

RGB 230 142 142

HSL 0, 0.64%, 0.73%

LAB 68.11, 33.37, 14.21

 

CMYK 0 / 2 / 38 / 10

HEX #E6E28E

RGB 230 226 142

HSL 57.27, 0.64%, 0.73%

LAB 88.53, -10.69, 41.54

 

CMYK 9 / 0 / 38 / 10

HEX #D2E68E

RGB 210 230 142

HSL 73.64, 0.64%, 0.73%

LAB 88.09, -20.32, 40.67

 

CMYK 19 / 0 / 38 / 10

HEX #BAE68E

RGB 186 230 142

HSL 90, 0.64%, 0.73%

LAB 86.5, -29.15, 38.31

 

CMYK 30 / 0 / 38 / 10

HEX #A2E68E

RGB 162 230 142

HSL 106.36, 0.64%, 0.73%

LAB 85.11, -37.44, 36.24

 

CMYK 38 / 0 / 37 / 10

HEX #8EE691

RGB 142 230 145

HSL 122.05, 0.64%, 0.73%

LAB 84.17, -43.33, 33.3

 

CMYK 0 / 2 / 38 / 10

HEX #E6E28E

RGB 230 226 142

HSL 57.27, 0.64%, 0.73%

LAB 88.53, -10.69, 41.54

 

CMYK 0 / 2 / 46 / 5

HEX #F1EC82

RGB 241 236 130

HSL 57.3, 0.8%, 0.73%

LAB 91.82, -12.57, 51.67

 

CMYK 0 / 2 / 53 / 1

HEX #FCF677

RGB 252 246 119

HSL 57.29, 0.96%, 0.73%

LAB 95.14, -14.07, 60.9

 

CMYK 0 / 2 / 38 / 10

HEX #E6E28E

RGB 230 226 142

HSL 57.27, 0.64%, 0.73%

LAB 88.53, -10.69, 41.54

 

CMYK 0 / 1 / 30 / 14

HEX #DBD899

RGB 219 216 153

HSL 57.27, 0.48%, 0.73%

LAB 85.24, -8.6, 31.51

 

CMYK 0 / 1 / 21 / 19

HEX #CFCDA4

RGB 207 205 164

HSL 57.21, 0.31%, 0.73%

LAB 81.62, -6.01, 20.72

 

CMYK 0 / 1 / 11 / 23

HEX #C4C3AF

RGB 196 195 175

HSL 57.14, 0.15%, 0.73%

LAB 78.38, -3.14, 10.18

 

CMYK 1 / 1 / 0 / 27

HEX #B9B9BA

RGB 185 185 186

HSL 240, 0.01%, 0.73%

LAB 75.18, 0.19, -0.51

 

CMYK 0 / 23 / 38 / 10

HEX #E6B28E

RGB 230 178 142

HSL 24.55, 0.64%, 0.73%

LAB 76.45, 14.19, 25.67

 

CMYK 0 / 12 / 38 / 10

HEX #E6CA8E

RGB 230 202 142

HSL 40.91, 0.64%, 0.73%

LAB 82.39, 1.56, 33.58

 

CMYK 0 / 2 / 38 / 10

HEX #E6E18E

RGB 230 225 142

HSL 56.59, 0.64%, 0.73%

LAB 88.27, -10.19, 41.21

 

CMYK 8 / 0 / 38 / 10

HEX #D3E68E

RGB 211 230 142

HSL 72.95, 0.64%, 0.73%

LAB 88.16, -19.94, 40.78

 

CMYK 19 / 0 / 38 / 10

HEX #BBE68E

RGB 187 230 142

HSL 89.32, 0.64%, 0.73%

LAB 86.56, -28.79, 38.4

 

CMYK 0 / 3 / 66 / 16

HEX #D7D14A

RGB 215 209 74

HSL 57.45, 0.64%, 0.57%

LAB 82.13, -13.89, 64.94

 

CMYK 0 / 2 / 51 / 13

HEX #DED96C

RGB 222 217 108

HSL 57.37, 0.63%, 0.65%

LAB 85.12, -12.62, 53.64

 

CMYK 0 / 2 / 38 / 10

HEX #E6E28E

RGB 230 226 142

HSL 57.27, 0.64%, 0.73%

LAB 88.53, -10.69, 41.54

 

CMYK 0 / 1 / 26 / 7

HEX #EDEAAF

RGB 237 234 175

HSL 57.1, 0.63%, 0.81%

LAB 91.66, -8.08, 29.1

 

CMYK 0 / 1 / 15 / 4

HEX #F5F3D1

RGB 245 243 209

HSL 56.67, 0.64%, 0.89%

LAB 95.21, -4.89, 16.66

 

CMYK 0 / 2 / 39 / 10

HEX #E6E28D

RGB 230 226 141

HSL 57.3, 0.64%, 0.73%

LAB 88.51, -10.8, 42.02

 

CMYK 38 / 0 / 33 / 10

HEX #8EE69B

RGB 142 230 155

HSL 128.86, 0.64%, 0.73%

LAB 84.33, -41.72, 28.44

 

CMYK 17 / 38 / 0 / 10

HEX #BE8EE6

RGB 190 142 230

HSL 272.73, 0.64%, 0.73%

LAB 66.52, 34.54, -37.76

 

CMYK 0 / 2 / 39 / 10

HEX #E6E28D

RGB 230 226 141

HSL 57.3, 0.64%, 0.73%

LAB 88.51, -10.8, 42.02

 

CMYK 38 / 0 / 2 / 10

HEX #8EE6E1

RGB 142 230 225

HSL 176.59, 0.64%, 0.73%

LAB 85.9, -27.56, -5.92

 

CMYK 2 / 38 / 0 / 10

HEX #E18EE6

RGB 225 142 230

HSL 296.59, 0.64%, 0.73%

LAB 70.22, 45.03, -31.73

 

CMYK 0 / 2 / 39 / 10

HEX #E6E28D

RGB 230 226 141

HSL 57.3, 0.64%, 0.73%

LAB 88.51, -10.8, 42.02

 

CMYK 38 / 0 / 33 / 10

HEX #8EE69B

RGB 142 230 155

HSL 128.86, 0.64%, 0.73%

LAB 84.33, -41.72, 28.44

 

CMYK 38 / 37 / 0 / 10

HEX #8E92E6

RGB 142 146 230

HSL 237.27, 0.64%, 0.73%

LAB 63.36, 18.74, -43.01

 

CMYK 0 / 38 / 6 / 10

HEX #E68ED8

RGB 230 142 216

HSL 309.55, 0.64%, 0.73%

LAB 70.26, 44.07, -23.9

 

CMYK 0 / 2 / 39 / 10

HEX #E6E28D

RGB 230 226 141

HSL 57.3, 0.64%, 0.73%

LAB 88.51, -10.8, 42.02

 

CMYK 38 / 0 / 21 / 10

HEX #8EE6B5

RGB 142 230 181

HSL 146.59, 0.64%, 0.73%

LAB 84.83, -37.03, 15.66

 

CMYK 38 / 37 / 0 / 10

HEX #8E92E6

RGB 142 146 230

HSL 237.27, 0.64%, 0.73%

LAB 63.36, 18.74, -43.01

 

CMYK 0 / 38 / 17 / 10

HEX #E68EBE

RGB 230 142 190

HSL 327.27, 0.64%, 0.73%

LAB 69.39, 39.83, -10.79

 

Description

Color code: HEX #E6E28D | qconv.com Color code: HEX #E6E28D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 226 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 226 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 39 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 39% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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