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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E6E74A it is the complementary color #1918B5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E6E74A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E6E74A shade: #EBE745, #FCF958, #FFFF6B, #FFFF7E and #FFFF91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E6E74A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E6E74A shade: #E6E74A, #D5D537, #C4C324, #B3B111 and #A29F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E6E74A shade: #E6E74A, #E7BE4A, #E7934A, #E7694A and #E74A4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E6E74A shade: #E6E74A, #BCE74A, #91E74A, #67E74A and #4AE757

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E6E74A shade matches the following richer shades: #E6E74A and #F6F839

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E6E74A shade: #E6E74A, #D6D75A, #C5C66B, #B5B67B and #A5A58C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E6E74A shade: #E7934A, #E7BD4A, #E7E74A, #BDE74A and #93E74A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E6E74A shade: #C4C519, #E1E225, #E6E74A, #EBEC6E and #F0F193

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E6E74A shade: #E6E74A, #4AE769 and #A84AE7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E6E74A shade: #E6E74A, #4AE7E7 and #E74AE7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E6E74A shade: #E6E74A, #4AE769, #4A4AE7 and #E74AC8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E6E74A shade: #E6E74A, #4AE799, #4A4AE7 and #E74A99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 68 / 9

HEX #E6E74A

RGB 230 231 74

HSL 60.38, 0.77%, 0.6%

LAB 89.14, -18.54, 72.42

 

Complementary color

CMYK 86 / 87 / 0 / 29

HEX #1918B5

RGB 25 24 181

HSL 240.38, 0.77%, 0.4%

LAB 24.31, 54.72, -78.42

 

CMYK 0 / 2 / 71 / 8

HEX #EBE745

RGB 235 231 69

HSL 58.55, 0.81%, 0.6%

LAB 89.51, -16.73, 74.67

 

CMYK 0 / 1 / 65 / 1

HEX #FCF958

RGB 252 249 88

HSL 58.9, 0.96%, 0.67%

LAB 95.64, -17.58, 74.34

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6B

RGB 255 255 107

HSL 60, 1%, 0.71%

LAB 97.57, -18.11, 68.89

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7E

RGB 255 255 126

HSL 60, 1%, 0.75%

LAB 97.75, -16.7, 60.86

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF91

RGB 255 255 145

HSL 60, 1%, 0.78%

LAB 97.96, -15.02, 52.34

 

CMYK 0 / 0 / 68 / 9

HEX #E6E74A

RGB 230 231 74

HSL 60.38, 0.77%, 0.6%

LAB 89.14, -18.54, 72.42

 

CMYK 0 / 0 / 74 / 16

HEX #D5D537

RGB 213 213 55

HSL 60, 0.65%, 0.53%

LAB 82.92, -17.63, 72.46

 

CMYK 0 / 1 / 82 / 23

HEX #C4C324

RGB 196 195 36

HSL 59.63, 0.69%, 0.45%

LAB 76.61, -16.56, 71.77

 

CMYK 0 / 1 / 91 / 30

HEX #B3B111

RGB 179 177 17

HSL 59.26, 0.83%, 0.38%

LAB 70.22, -15.28, 69.93

 

CMYK 0 / 2 / 100 / 36

HEX #A29F00

RGB 162 159 0

HSL 58.89, 1%, 0.32%

LAB 63.74, -13.8, 66.68

 

CMYK 0 / 0 / 68 / 9

HEX #E6E74A

RGB 230 231 74

HSL 60.38, 0.77%, 0.6%

LAB 89.14, -18.54, 72.42

 

CMYK 0 / 18 / 68 / 9

HEX #E7BE4A

RGB 231 190 74

HSL 44.33, 0.77%, 0.6%

LAB 78.64, 2.58, 61.78

 

CMYK 0 / 36 / 68 / 9

HEX #E7934A

RGB 231 147 74

HSL 27.9, 0.77%, 0.6%

LAB 68.28, 25.34, 50.69

 

CMYK 0 / 55 / 68 / 9

HEX #E7694A

RGB 231 105 74

HSL 11.85, 0.77%, 0.6%

LAB 59.51, 46.83, 40.76

 

CMYK 0 / 68 / 68 / 9

HEX #E74A4A

RGB 231 74 74

HSL 0, 0.77%, 0.6%

LAB 54.43, 60.32, 34.74

 

CMYK 0 / 0 / 68 / 9

HEX #E6E74A

RGB 230 231 74

HSL 60.38, 0.77%, 0.6%

LAB 89.14, -18.54, 72.42

 

CMYK 19 / 0 / 68 / 9

HEX #BCE74A

RGB 188 231 74

HSL 76.43, 0.77%, 0.6%

LAB 86.17, -35.3, 68.46

 

CMYK 37 / 0 / 68 / 9

HEX #91E74A

RGB 145 231 74

HSL 92.87, 0.77%, 0.6%

LAB 83.79, -50.85, 65.25

 

CMYK 55 / 0 / 68 / 9

HEX #67E74A

RGB 103 231 74

HSL 108.92, 0.77%, 0.6%

LAB 82.13, -63.19, 62.99

 

CMYK 68 / 0 / 62 / 9

HEX #4AE757

RGB 74 231 87

HSL 124.97, 0.77%, 0.6%

LAB 81.45, -68.21, 56.82

 

CMYK 0 / 0 / 68 / 9

HEX #E6E74A

RGB 230 231 74

HSL 60.38, 0.77%, 0.6%

LAB 89.14, -18.54, 72.42

 

CMYK 1 / 0 / 77 / 3

HEX #F6F839

RGB 246 248 57

HSL 60.63, 0.93%, 0.6%

LAB 94.75, -20.91, 83.55

 

CMYK 0 / 0 / 68 / 9

HEX #E6E74A

RGB 230 231 74

HSL 60.38, 0.77%, 0.6%

LAB 89.14, -18.54, 72.42

 

CMYK 0 / 0 / 58 / 16

HEX #D6D75A

RGB 214 215 90

HSL 60.48, 0.61%, 0.6%

LAB 83.78, -16.26, 60.04

 

CMYK 1 / 0 / 46 / 22

HEX #C5C66B

RGB 197 198 107

HSL 60.66, 0.44%, 0.6%

LAB 78.06, -13.24, 45.2

 

CMYK 1 / 0 / 32 / 29

HEX #B5B67B

RGB 181 182 123

HSL 61.02, 0.29%, 0.6%

LAB 72.7, -9.65, 29.98

 

CMYK 0 / 0 / 15 / 35

HEX #A5A58C

RGB 165 165 140

HSL 60, 0.12%, 0.6%

LAB 67.13, -4.41, 12.98

 

CMYK 0 / 36 / 68 / 9

HEX #E7934A

RGB 231 147 74

HSL 27.9, 0.77%, 0.6%

LAB 68.28, 25.34, 50.69

 

CMYK 0 / 18 / 68 / 9

HEX #E7BD4A

RGB 231 189 74

HSL 43.95, 0.77%, 0.6%

LAB 78.39, 3.1, 61.52

 

CMYK 0 / 0 / 68 / 9

HEX #E7E74A

RGB 231 231 74

HSL 60, 0.77%, 0.6%

LAB 89.22, -18.13, 72.52

 

CMYK 18 / 0 / 68 / 9

HEX #BDE74A

RGB 189 231 74

HSL 76.05, 0.77%, 0.6%

LAB 86.24, -34.92, 68.54

 

CMYK 36 / 0 / 68 / 9

HEX #93E74A

RGB 147 231 74

HSL 92.1, 0.77%, 0.6%

LAB 83.89, -50.18, 65.38

 

CMYK 1 / 0 / 87 / 23

HEX #C4C519

RGB 196 197 25

HSL 60.35, 0.77%, 0.44%

LAB 77.12, -17.84, 74.6

 

CMYK 0 / 0 / 84 / 11

HEX #E1E225

RGB 225 226 37

HSL 60.32, 0.77%, 0.52%

LAB 87.26, -19.57, 81.41

 

CMYK 0 / 0 / 68 / 9

HEX #E6E74A

RGB 230 231 74

HSL 60.38, 0.77%, 0.6%

LAB 89.14, -18.54, 72.42

 

CMYK 0 / 0 / 53 / 7

HEX #EBEC6E

RGB 235 236 110

HSL 60.48, 0.77%, 0.68%

LAB 91.13, -16.64, 59.97

 

CMYK 0 / 0 / 39 / 5

HEX #F0F193

RGB 240 241 147

HSL 60.64, 0.77%, 0.76%

LAB 93.25, -13.74, 45.24

 

CMYK 0 / 0 / 68 / 9

HEX #E6E74A

RGB 230 231 74

HSL 60.38, 0.77%, 0.6%

LAB 89.14, -18.54, 72.42

 

CMYK 68 / 0 / 55 / 9

HEX #4AE769

RGB 74 231 105

HSL 131.85, 0.77%, 0.6%

LAB 81.64, -66.08, 49.08

 

CMYK 27 / 68 / 0 / 9

HEX #A84AE7

RGB 168 74 231

HSL 275.92, 0.77%, 0.6%

LAB 50.68, 64.09, -63.63

 

CMYK 0 / 0 / 68 / 9

HEX #E6E74A

RGB 230 231 74

HSL 60.38, 0.77%, 0.6%

LAB 89.14, -18.54, 72.42

 

CMYK 68 / 0 / 0 / 9

HEX #4AE7E7

RGB 74 231 231

HSL 180, 0.77%, 0.6%

LAB 84.16, -39.67, -11.9

 

CMYK 0 / 68 / 0 / 9

HEX #E74AE7

RGB 231 74 231

HSL 300, 0.77%, 0.6%

LAB 59.58, 77.4, -48.89

 

CMYK 0 / 0 / 68 / 9

HEX #E6E74A

RGB 230 231 74

HSL 60.38, 0.77%, 0.6%

LAB 89.14, -18.54, 72.42

 

CMYK 68 / 0 / 55 / 9

HEX #4AE769

RGB 74 231 105

HSL 131.85, 0.77%, 0.6%

LAB 81.64, -66.08, 49.08

 

CMYK 68 / 68 / 0 / 9

HEX #4A4AE7

RGB 74 74 231

HSL 240, 0.77%, 0.6%

LAB 41.41, 48.42, -79.13

 

CMYK 0 / 68 / 13 / 9

HEX #E74AC8

RGB 231 74 200

HSL 311.85, 0.77%, 0.6%

LAB 58.09, 72.72, -33.69

 

CMYK 0 / 0 / 68 / 9

HEX #E6E74A

RGB 230 231 74

HSL 60.38, 0.77%, 0.6%

LAB 89.14, -18.54, 72.42

 

CMYK 68 / 0 / 34 / 9

HEX #4AE799

RGB 74 231 153

HSL 150.19, 0.77%, 0.6%

LAB 82.33, -58.26, 26.37

 

CMYK 68 / 68 / 0 / 9

HEX #4A4AE7

RGB 74 74 231

HSL 240, 0.77%, 0.6%

LAB 41.41, 48.42, -79.13

 

CMYK 0 / 68 / 34 / 9

HEX #E74A99

RGB 231 74 153

HSL 329.81, 0.77%, 0.6%

LAB 56.27, 66.74, -9.24

 

Description

Color code: HEX #E6E74A | qconv.com Color code: HEX #E6E74A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 231 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 231 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 68 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 68% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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