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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E6DF3D it is the complementary color #1920C2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E6DF3D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E6DF3D shade: #EBDF38, #FCF14B, #FFFF5E, #FFFF71 and #FFFF84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E6DF3D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E6DF3D shade: #E6DF3D, #D5CD2A, #C4BB17, #B3A904 and #A29700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E6DF3D shade: #E5DE3C, #E5B13C, #E5833C, #E5563C and #E53C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E6DF3D shade: #E5DE3C, #BFE53C, #91E53C, #64E53C and #3CE543

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E6DF3D shade matches the following richer shades: #E5DE3C and #F7EF2B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E6DF3D shade: #E5DE3C, #D4CE4E, #C2BE60, #B0AD72 and #9E9D83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E6DF3D shade: #E5833C, #E5B03C, #E5DD3C, #C1E53C and #94E53C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E6DF3D shade: #B8B117, #DCD41C, #E5DE3C, #EAE461 and #EFEA85

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E6DF3D shade: #E6DF3D, #3CE556 and #993CE5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E6DF3D shade: #E6DF3D, #3CE5DD and #DD3CE5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E6DF3D shade: #E6DF3D, #3CE556, #3C45E5 and #E53CCC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E6DF3D shade: #E6DF3D, #3CE588, #3C45E5 and #E53C99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 73 / 10

HEX #E6DF3D

RGB 230 223 61

HSL 57.51, 0.77%, 0.57%

LAB 86.97, -15.22, 74.79

 

Complementary color

CMYK 87 / 84 / 0 / 24

HEX #1920C2

RGB 25 32 194

HSL 237.51, 0.77%, 0.43%

LAB 27.12, 55.25, -81.46

 

CMYK 0 / 5 / 76 / 8

HEX #EBDF38

RGB 235 223 56

HSL 55.98, 0.82%, 0.57%

LAB 87.35, -13.34, 76.87

 

CMYK 0 / 4 / 70 / 1

HEX #FCF14B

RGB 252 241 75

HSL 56.27, 0.97%, 0.64%

LAB 93.5, -14.36, 76.93

 

CMYK 0 / 0 / 63 / 0

HEX #FFFF5E

RGB 255 255 94

HSL 60, 1%, 0.68%

LAB 97.47, -18.93, 74

 

CMYK 0 / 0 / 56 / 0

HEX #FFFF71

RGB 255 255 113

HSL 60, 1%, 0.72%

LAB 97.62, -17.7, 66.42

 

CMYK 0 / 0 / 48 / 0

HEX #FFFF84

RGB 255 255 132

HSL 60, 1%, 0.76%

LAB 97.81, -16.2, 58.21

 

CMYK 0 / 3 / 73 / 10

HEX #E6DF3D

RGB 230 223 61

HSL 57.51, 0.77%, 0.57%

LAB 86.97, -15.22, 74.79

 

CMYK 0 / 4 / 80 / 16

HEX #D5CD2A

RGB 213 205 42

HSL 57.19, 0.67%, 0.5%

LAB 80.73, -14.13, 74.3

 

CMYK 0 / 5 / 88 / 23

HEX #C4BB17

RGB 196 187 23

HSL 56.88, 0.79%, 0.43%

LAB 74.41, -12.84, 72.8

 

CMYK 0 / 6 / 98 / 30

HEX #B3A904

RGB 179 169 4

HSL 56.57, 0.96%, 0.36%

LAB 68, -11.35, 69.94

 

CMYK 0 / 7 / 100 / 36

HEX #A29700

RGB 162 151 0

HSL 55.93, 1%, 0.32%

LAB 61.49, -9.59, 65.05

 

CMYK 0 / 3 / 74 / 10

HEX #E5DE3C

RGB 229 222 60

HSL 57.51, 0.76%, 0.57%

LAB 86.62, -15.19, 74.76

 

CMYK 0 / 23 / 74 / 10

HEX #E5B13C

RGB 229 177 60

HSL 41.54, 0.76%, 0.57%

LAB 75.09, 7.86, 63.78

 

CMYK 0 / 43 / 74 / 10

HEX #E5833C

RGB 229 131 60

HSL 25.21, 0.76%, 0.57%

LAB 64.34, 32.27, 52.99

 

CMYK 0 / 62 / 74 / 10

HEX #E5563C

RGB 229 86 60

HSL 9.23, 0.76%, 0.57%

LAB 55.73, 54.13, 43.86

 

CMYK 0 / 74 / 74 / 10

HEX #E53C3C

RGB 229 60 60

HSL 0, 0.76%, 0.57%

LAB 52.08, 64.06, 39.84

 

CMYK 0 / 3 / 74 / 10

HEX #E5DE3C

RGB 229 222 60

HSL 57.51, 0.76%, 0.57%

LAB 86.62, -15.19, 74.76

 

CMYK 17 / 0 / 74 / 10

HEX #BFE53C

RGB 191 229 60

HSL 73.49, 0.76%, 0.57%

LAB 85.73, -33.99, 72.93

 

CMYK 37 / 0 / 74 / 10

HEX #91E53C

RGB 145 229 60

HSL 89.82, 0.76%, 0.57%

LAB 83.12, -50.94, 69.51

 

CMYK 56 / 0 / 74 / 10

HEX #64E53C

RGB 100 229 60

HSL 105.8, 0.76%, 0.57%

LAB 81.33, -64.29, 67.16

 

CMYK 74 / 0 / 71 / 10

HEX #3CE543

RGB 60 229 67

HSL 122.49, 0.76%, 0.57%

LAB 80.41, -71.76, 63.47

 

CMYK 0 / 3 / 74 / 10

HEX #E5DE3C

RGB 229 222 60

HSL 57.51, 0.76%, 0.57%

LAB 86.62, -15.19, 74.76

 

CMYK 0 / 3 / 83 / 3

HEX #F7EF2B

RGB 247 239 43

HSL 57.65, 0.93%, 0.57%

LAB 92.43, -16.59, 85.1

 

CMYK 0 / 3 / 74 / 10

HEX #E5DE3C

RGB 229 222 60

HSL 57.51, 0.76%, 0.57%

LAB 86.62, -15.19, 74.76

 

CMYK 0 / 3 / 63 / 17

HEX #D4CE4E

RGB 212 206 78

HSL 57.31, 0.61%, 0.57%

LAB 81.12, -13.39, 62.2

 

CMYK 0 / 2 / 51 / 24

HEX #C2BE60

RGB 194 190 96

HSL 57.55, 0.45%, 0.57%

LAB 75.54, -11.4, 47.46

 

CMYK 0 / 2 / 35 / 31

HEX #B0AD72

RGB 176 173 114

HSL 57.1, 0.28%, 0.57%

LAB 69.71, -8.04, 30.74

 

CMYK 0 / 1 / 17 / 38

HEX #9E9D83

RGB 158 157 131

HSL 57.78, 0.12%, 0.57%

LAB 64.18, -4.21, 13.76

 

CMYK 0 / 43 / 74 / 10

HEX #E5833C

RGB 229 131 60

HSL 25.21, 0.76%, 0.57%

LAB 64.34, 32.27, 52.99

 

CMYK 0 / 23 / 74 / 10

HEX #E5B03C

RGB 229 176 60

HSL 41.18, 0.76%, 0.57%

LAB 74.85, 8.39, 63.53

 

CMYK 0 / 3 / 74 / 10

HEX #E5DD3C

RGB 229 221 60

HSL 57.16, 0.76%, 0.57%

LAB 86.35, -14.69, 74.51

 

CMYK 16 / 0 / 74 / 10

HEX #C1E53C

RGB 193 229 60

HSL 72.78, 0.76%, 0.57%

LAB 85.86, -33.2, 73.1

 

CMYK 35 / 0 / 74 / 10

HEX #94E53C

RGB 148 229 60

HSL 88.76, 0.76%, 0.57%

LAB 83.26, -49.92, 69.71

 

CMYK 0 / 4 / 88 / 28

HEX #B8B117

RGB 184 177 23

HSL 57.39, 0.78%, 0.41%

LAB 70.66, -12.97, 69.37

 

CMYK 0 / 4 / 87 / 14

HEX #DCD41C

RGB 220 212 28

HSL 57.5, 0.77%, 0.49%

LAB 83.12, -15, 79.67

 

CMYK 0 / 3 / 74 / 10

HEX #E5DE3C

RGB 229 222 60

HSL 57.51, 0.76%, 0.57%

LAB 86.62, -15.19, 74.76

 

CMYK 0 / 3 / 59 / 8

HEX #EAE461

RGB 234 228 97

HSL 57.37, 0.77%, 0.65%

LAB 88.85, -14.07, 63.06

 

CMYK 0 / 2 / 44 / 6

HEX #EFEA85

RGB 239 234 133

HSL 57.17, 0.77%, 0.73%

LAB 91.18, -12.08, 49.42

 

CMYK 0 / 3 / 73 / 10

HEX #E6DF3D

RGB 230 223 61

HSL 57.51, 0.77%, 0.57%

LAB 86.97, -15.22, 74.79

 

CMYK 74 / 0 / 62 / 10

HEX #3CE556

RGB 60 229 86

HSL 129.23, 0.76%, 0.57%

LAB 80.56, -69.95, 56.16

 

CMYK 33 / 74 / 0 / 10

HEX #993CE5

RGB 153 60 229

HSL 273.02, 0.76%, 0.57%

LAB 46.53, 66.69, -69.32

 

CMYK 0 / 3 / 73 / 10

HEX #E6DF3D

RGB 230 223 61

HSL 57.51, 0.77%, 0.57%

LAB 86.97, -15.22, 74.79

 

CMYK 74 / 0 / 3 / 10

HEX #3CE5DD

RGB 60 229 221

HSL 177.16, 0.76%, 0.57%

LAB 83.03, -43.21, -8.33

 

CMYK 3 / 74 / 0 / 10

HEX #DD3CE5

RGB 221 60 229

HSL 297.16, 0.76%, 0.57%

LAB 56.35, 79.51, -52.99

 

CMYK 0 / 3 / 73 / 10

HEX #E6DF3D

RGB 230 223 61

HSL 57.51, 0.77%, 0.57%

LAB 86.97, -15.22, 74.79

 

CMYK 74 / 0 / 62 / 10

HEX #3CE556

RGB 60 229 86

HSL 129.23, 0.76%, 0.57%

LAB 80.56, -69.95, 56.16

 

CMYK 74 / 70 / 0 / 10

HEX #3C45E5

RGB 60 69 229

HSL 236.8, 0.76%, 0.57%

LAB 39.37, 49.19, -81.38

 

CMYK 0 / 74 / 11 / 10

HEX #E53CCC

RGB 229 60 204

HSL 308.88, 0.76%, 0.57%

LAB 56.34, 77.41, -38.74

 

CMYK 0 / 3 / 73 / 10

HEX #E6DF3D

RGB 230 223 61

HSL 57.51, 0.77%, 0.57%

LAB 86.97, -15.22, 74.79

 

CMYK 74 / 0 / 41 / 10

HEX #3CE588

RGB 60 229 136

HSL 146.98, 0.76%, 0.57%

LAB 81.17, -62.76, 33.42

 

CMYK 74 / 70 / 0 / 10

HEX #3C45E5

RGB 60 69 229

HSL 236.8, 0.76%, 0.57%

LAB 39.37, 49.19, -81.38

 

CMYK 0 / 74 / 33 / 10

HEX #E53C99

RGB 229 60 153

HSL 326.98, 0.76%, 0.57%

LAB 54.23, 70.98, -12.34

 

Description

Color code: HEX #E6DF3D | qconv.com Color code: HEX #E6DF3D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 223 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 223 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 73 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 73% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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