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Color name
HEX #E6DC1E

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E6DC1E it is the complementary color #1923E1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E6DC1E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E6DC1E shade: #EBDC19, #FCEE2C, #FFFF3F, #FFFF52 and #FFFF65

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E6DC1E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E6DC1E shade: #E6DC1E, #D5CA0B, #C4B800, #B3A600 and #A29400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E6DC1E shade: #E6DC1E, #E6A61E, #E6701E, #E63A1E and #E61E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E6DC1E shade: #E6DC1E, #BAE61E, #84E61E, #4EE61E and #1EE623

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E6DC1E shade matches the following richer shades: #E6DC1E and #FAEE09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E6DC1E shade: #E6DC1E, #D1C932, #BDB746, #A9A55A and #95936E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E6DC1E shade: #E6711E, #E6A61E, #E6DC1E, #BAE61E and #85E61E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E6DC1E shade: #9F9811, #C4BC15, #E6DC1E, #EAE143 and #EEE768

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E6DC1E shade: #E6DC1E, #1EE63C and #8C1EE6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E6DC1E shade: #E6DC1E, #1EE6DC and #DC1EE6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E6DC1E shade: #E6DC1E, #1EE63C, #1E28E6 and #E61EC8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E6DC1E shade: #E6DC1E, #1EE678, #1E28E6 and #E61E8C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 87 / 10

HEX #E6DC1E

RGB 230 220 30

HSL 57, 0.8%, 0.51%

LAB 86.06, -14.69, 82

 

Complementary color

CMYK 89 / 84 / 0 / 12

HEX #1923E1

RGB 25 35 225

HSL 237, 0.8%, 0.49%

LAB 31.45, 63.2, -92.26

 

CMYK 0 / 6 / 89 / 8

HEX #EBDC19

RGB 235 220 25

HSL 55.71, 0.84%, 0.51%

LAB 86.46, -12.67, 83.35

 

CMYK 0 / 6 / 83 / 1

HEX #FCEE2C

RGB 252 238 44

HSL 55.96, 0.97%, 0.58%

LAB 92.59, -14, 85.17

 

CMYK 0 / 0 / 75 / 0

HEX #FFFF3F

RGB 255 255 63

HSL 60, 1%, 0.62%

LAB 97.28, -20.38, 84.4

 

CMYK 0 / 0 / 68 / 0

HEX #FFFF52

RGB 255 255 82

HSL 60, 1%, 0.66%

LAB 97.39, -19.57, 78.36

 

CMYK 0 / 0 / 60 / 0

HEX #FFFF65

RGB 255 255 101

HSL 60, 1%, 0.7%

LAB 97.52, -18.5, 71.29

 

CMYK 0 / 4 / 87 / 10

HEX #E6DC1E

RGB 230 220 30

HSL 57, 0.8%, 0.51%

LAB 86.06, -14.69, 82

 

CMYK 0 / 5 / 95 / 16

HEX #D5CA0B

RGB 213 202 11

HSL 56.73, 0.9%, 0.44%

LAB 79.85, -13.25, 79.3

 

CMYK 0 / 6 / 100 / 23

HEX #C4B800

RGB 196 184 0

HSL 56.33, 1%, 0.38%

LAB 73.56, -11.62, 75.14

 

CMYK 0 / 7 / 100 / 30

HEX #B3A600

RGB 179 166 0

HSL 55.64, 1%, 0.35%

LAB 67.17, -9.83, 69.84

 

CMYK 0 / 9 / 100 / 36

HEX #A29400

RGB 162 148 0

HSL 54.81, 1%, 0.32%

LAB 60.66, -7.99, 64.45

 

CMYK 0 / 4 / 87 / 10

HEX #E6DC1E

RGB 230 220 30

HSL 57, 0.8%, 0.51%

LAB 86.06, -14.69, 82

 

CMYK 0 / 28 / 87 / 10

HEX #E6A61E

RGB 230 166 30

HSL 40.8, 0.8%, 0.51%

LAB 72.35, 13.15, 71.06

 

CMYK 0 / 51 / 87 / 10

HEX #E6701E

RGB 230 112 30

HSL 24.6, 0.8%, 0.51%

LAB 60.34, 41.41, 61.5

 

CMYK 0 / 75 / 87 / 10

HEX #E63A1E

RGB 230 58 30

HSL 8.4, 0.8%, 0.51%

LAB 51.77, 64.13, 54.71

 

CMYK 0 / 87 / 87 / 10

HEX #E61E1E

RGB 230 30 30

HSL 0, 0.8%, 0.51%

LAB 49.31, 71.1, 52.76

 

CMYK 0 / 4 / 87 / 10

HEX #E6DC1E

RGB 230 220 30

HSL 57, 0.8%, 0.51%

LAB 86.06, -14.69, 82

 

CMYK 19 / 0 / 87 / 10

HEX #BAE61E

RGB 186 230 30

HSL 73.2, 0.8%, 0.51%

LAB 85.57, -37.47, 80.27

 

CMYK 43 / 0 / 87 / 10

HEX #84E61E

RGB 132 230 30

HSL 89.4, 0.8%, 0.51%

LAB 82.7, -56.92, 76.7

 

CMYK 66 / 0 / 87 / 10

HEX #4EE61E

RGB 78 230 30

HSL 105.6, 0.8%, 0.51%

LAB 80.91, -71.07, 74.47

 

CMYK 87 / 0 / 85 / 10

HEX #1EE623

RGB 30 230 35

HSL 121.5, 0.8%, 0.51%

LAB 80.17, -77.41, 72.52

 

CMYK 0 / 4 / 87 / 10

HEX #E6DC1E

RGB 230 220 30

HSL 57, 0.8%, 0.51%

LAB 86.06, -14.69, 82

 

CMYK 0 / 5 / 96 / 2

HEX #FAEE09

RGB 250 238 9

HSL 57.01, 0.96%, 0.51%

LAB 92.35, -15.39, 90.14

 

CMYK 0 / 4 / 87 / 10

HEX #E6DC1E

RGB 230 220 30

HSL 57, 0.8%, 0.51%

LAB 86.06, -14.69, 82

 

CMYK 0 / 4 / 76 / 18

HEX #D1C932

RGB 209 201 50

HSL 56.98, 0.63%, 0.51%

LAB 79.36, -13.54, 70.64

 

CMYK 0 / 3 / 63 / 26

HEX #BDB746

RGB 189 183 70

HSL 56.97, 0.47%, 0.51%

LAB 72.98, -11.89, 56.34

 

CMYK 0 / 2 / 47 / 34

HEX #A9A55A

RGB 169 165 90

HSL 56.96, 0.31%, 0.51%

LAB 66.58, -9.35, 39.16

 

CMYK 0 / 1 / 26 / 42

HEX #95936E

RGB 149 147 110

HSL 56.92, 0.16%, 0.51%

LAB 60.23, -5.51, 19.91

 

CMYK 0 / 51 / 87 / 10

HEX #E6711E

RGB 230 113 30

HSL 24.9, 0.8%, 0.51%

LAB 60.54, 40.91, 61.66

 

CMYK 0 / 28 / 87 / 10

HEX #E6A61E

RGB 230 166 30

HSL 40.8, 0.8%, 0.51%

LAB 72.35, 13.15, 71.06

 

CMYK 0 / 4 / 87 / 10

HEX #E6DC1E

RGB 230 220 30

HSL 57, 0.8%, 0.51%

LAB 86.06, -14.69, 82

 

CMYK 19 / 0 / 87 / 10

HEX #BAE61E

RGB 186 230 30

HSL 73.2, 0.8%, 0.51%

LAB 85.57, -37.47, 80.27

 

CMYK 42 / 0 / 87 / 10

HEX #85E61E

RGB 133 230 30

HSL 89.1, 0.8%, 0.51%

LAB 82.74, -56.6, 76.76

 

CMYK 0 / 4 / 89 / 38

HEX #9F9811

RGB 159 152 17

HSL 57.04, 0.81%, 0.35%

LAB 61.54, -11.21, 62.34

 

CMYK 0 / 4 / 89 / 23

HEX #C4BC15

RGB 196 188 21

HSL 57.26, 0.81%, 0.43%

LAB 74.67, -13.39, 73.36

 

CMYK 0 / 4 / 87 / 10

HEX #E6DC1E

RGB 230 220 30

HSL 57, 0.8%, 0.51%

LAB 86.06, -14.69, 82

 

CMYK 0 / 4 / 71 / 8

HEX #EAE143

RGB 234 225 67

HSL 56.77, 0.8%, 0.59%

LAB 87.85, -14.29, 73.73

 

CMYK 0 / 3 / 56 / 7

HEX #EEE768

RGB 238 231 104

HSL 56.87, 0.8%, 0.67%

LAB 90.01, -13.44, 61.41

 

CMYK 0 / 4 / 87 / 10

HEX #E6DC1E

RGB 230 220 30

HSL 57, 0.8%, 0.51%

LAB 86.06, -14.69, 82

 

CMYK 87 / 0 / 74 / 10

HEX #1EE63C

RGB 30 230 60

HSL 129, 0.8%, 0.51%

LAB 80.29, -75.95, 65.67

 

CMYK 39 / 87 / 0 / 10

HEX #8C1EE6

RGB 140 30 230

HSL 273, 0.8%, 0.51%

LAB 41.56, 74.64, -78.07

 

CMYK 0 / 4 / 87 / 10

HEX #E6DC1E

RGB 230 220 30

HSL 57, 0.8%, 0.51%

LAB 86.06, -14.69, 82

 

CMYK 87 / 0 / 4 / 10

HEX #1EE6DC

RGB 30 230 220

HSL 177, 0.8%, 0.51%

LAB 82.93, -46.35, -7.98

 

CMYK 4 / 87 / 0 / 10

HEX #DC1EE6

RGB 220 30 230

HSL 297, 0.8%, 0.51%

LAB 53.88, 86.37, -57.52

 

CMYK 0 / 4 / 87 / 10

HEX #E6DC1E

RGB 230 220 30

HSL 57, 0.8%, 0.51%

LAB 86.06, -14.69, 82

 

CMYK 87 / 0 / 74 / 10

HEX #1EE63C

RGB 30 230 60

HSL 129, 0.8%, 0.51%

LAB 80.29, -75.95, 65.67

 

CMYK 87 / 83 / 0 / 10

HEX #1E28E6

RGB 30 40 230

HSL 237, 0.8%, 0.51%

LAB 32.93, 62.7, -92.65

 

CMYK 0 / 87 / 13 / 10

HEX #E61EC8

RGB 230 30 200

HSL 309, 0.8%, 0.51%

LAB 53.94, 83.9, -40.2

 

CMYK 0 / 4 / 87 / 10

HEX #E6DC1E

RGB 230 220 30

HSL 57, 0.8%, 0.51%

LAB 86.06, -14.69, 82

 

CMYK 87 / 0 / 48 / 10

HEX #1EE678

RGB 30 230 120

HSL 147, 0.8%, 0.51%

LAB 80.86, -68.88, 40.88

 

CMYK 87 / 83 / 0 / 10

HEX #1E28E6

RGB 30 40 230

HSL 237, 0.8%, 0.51%

LAB 32.93, 62.7, -92.65

 

CMYK 0 / 87 / 39 / 10

HEX #E61E8C

RGB 230 30 140

HSL 327, 0.8%, 0.51%

LAB 51.43, 77.13, -8.78

 

Description

Color code: HEX #E6DC1E | qconv.com Color code: HEX #E6DC1E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 220 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 220 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 87 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 87% 10% C M Y K

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Provide designers and agencies with accurate color values.

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