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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E6D4B1 it is the complementary color #192B4E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E6D4B1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E6D4B1 shade: #EBD4AC, #FCE6BF, #FFF8D2, #FFFFE5 and #FFFFF8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E6D4B1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E6D4B1 shade: #E6D4B1, #D5C29E, #C4B08B, #B39E78 and #A28C65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E6D4B1 shade: #E6D4B1, #E6C6B1, #E6B8B1 and #E6B1B1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E6D4B1 shade: #E6D4B1, #E6E2B1, #DBE6B1, #CDE6B1 and #BFE6B1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E6D4B1 shade matches the following richer shades: #E6D4B1, #EED6A9, #F6D9A1 and #FEDC99

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E6D4B1 shade: #E6D4B1, #DDD1BA, #D5CFC2, #CDCCCA and #C5C9D2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E6D4B1 shade: #E6B8B1, #E6C5B1, #E6D3B1, #E6E1B1 and #DCE6B1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E6D4B1 shade: #D1B173, #DBC392, #E6D4B1, #F0E5D1 and #FAF6F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E6D4B1 shade: #E6D4B1, #B9E6B1 and #BEB1E6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E6D4B1 shade: #E6D4B1, #B1E6D3 and #D3B1E6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E6D4B1 shade: #E6D4B1, #B9E6B1, #B1C4E6 and #DEB1E6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E6D4B1 shade: #E6D4B1, #B1E6B9, #B1C4E6 and #E6B1DE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 23 / 10

HEX #E6D4B1

RGB 230 212 177

HSL 39.62, 0.51%, 0.8%

LAB 85.55, 0.8, 19.59

 

Complementary color

CMYK 68 / 45 / 0 / 69

HEX #192B4E

RGB 25 43 78

HSL 219.62, 0.51%, 0.2%

LAB 17.85, 5.52, -23.8

 

CMYK 0 / 10 / 27 / 8

HEX #EBD4AC

RGB 235 212 172

HSL 38.1, 0.61%, 0.8%

LAB 85.87, 1.99, 22.73

 

CMYK 0 / 9 / 24 / 1

HEX #FCE6BF

RGB 252 230 191

HSL 38.36, 0.91%, 0.87%

LAB 92.15, 1.63, 21.75

 

CMYK 0 / 3 / 18 / 0

HEX #FFF8D2

RGB 255 248 210

HSL 50.67, 1%, 0.91%

LAB 97.25, -3.71, 19.11

 

CMYK 0 / 0 / 10 / 0

HEX #FFFFE5

RGB 255 255 229

HSL 60, 1%, 0.95%

LAB 99.39, -4.32, 12.43

 

CMYK 0 / 0 / 3 / 0

HEX #FFFFF8

RGB 255 255 248

HSL 60, 1%, 0.99%

LAB 99.83, -1.2, 3.33

 

CMYK 0 / 8 / 23 / 10

HEX #E6D4B1

RGB 230 212 177

HSL 39.62, 0.51%, 0.8%

LAB 85.55, 0.8, 19.59

 

CMYK 0 / 9 / 26 / 16

HEX #D5C29E

RGB 213 194 158

HSL 39.27, 0.4%, 0.73%

LAB 79.16, 1.14, 20.57

 

CMYK 0 / 10 / 29 / 23

HEX #C4B08B

RGB 196 176 139

HSL 38.95, 0.33%, 0.66%

LAB 72.66, 1.53, 21.6

 

CMYK 0 / 12 / 33 / 30

HEX #B39E78

RGB 179 158 120

HSL 38.64, 0.28%, 0.59%

LAB 66.05, 1.98, 22.71

 

CMYK 0 / 14 / 38 / 36

HEX #A28C65

RGB 162 140 101

HSL 38.36, 0.25%, 0.52%

LAB 59.32, 2.5, 23.9

 

CMYK 0 / 8 / 23 / 10

HEX #E6D4B1

RGB 230 212 177

HSL 39.62, 0.51%, 0.8%

LAB 85.55, 0.8, 19.59

 

CMYK 0 / 14 / 23 / 10

HEX #E6C6B1

RGB 230 198 177

HSL 23.77, 0.51%, 0.8%

LAB 82.05, 8.11, 14.7

 

CMYK 0 / 20 / 23 / 10

HEX #E6B8B1

RGB 230 184 177

HSL 7.92, 0.51%, 0.8%

LAB 78.62, 15.53, 9.85

 

CMYK 0 / 23 / 23 / 10

HEX #E6B1B1

RGB 230 177 177

HSL 0, 0.51%, 0.8%

LAB 76.95, 19.26, 7.45

 

CMYK 0 / 8 / 23 / 10

HEX #E6D4B1

RGB 230 212 177

HSL 39.62, 0.51%, 0.8%

LAB 85.55, 0.8, 19.59

 

CMYK 0 / 2 / 23 / 10

HEX #E6E2B1

RGB 230 226 177

HSL 55.47, 0.51%, 0.8%

LAB 89.11, -6.37, 24.51

 

CMYK 5 / 0 / 23 / 10

HEX #DBE6B1

RGB 219 230 177

HSL 72.45, 0.51%, 0.8%

LAB 89.31, -12.41, 24.65

 

CMYK 11 / 0 / 23 / 10

HEX #CDE6B1

RGB 205 230 177

HSL 88.3, 0.51%, 0.8%

LAB 88.33, -17.43, 23.14

 

CMYK 17 / 0 / 23 / 10

HEX #BFE6B1

RGB 191 230 177

HSL 104.15, 0.51%, 0.8%

LAB 87.41, -22.32, 21.73

 

CMYK 0 / 8 / 23 / 10

HEX #E6D4B1

RGB 230 212 177

HSL 39.62, 0.51%, 0.8%

LAB 85.55, 0.8, 19.59

 

CMYK 0 / 10 / 29 / 7

HEX #EED6A9

RGB 238 214 169

HSL 39.13, 0.67%, 0.8%

LAB 86.57, 1.69, 25.29

 

CMYK 0 / 12 / 35 / 4

HEX #F6D9A1

RGB 246 217 161

HSL 39.53, 0.83%, 0.8%

LAB 87.87, 2.21, 31.3

 

CMYK 0 / 13 / 40 / 0

HEX #FEDC99

RGB 254 220 153

HSL 39.8, 0.98%, 0.8%

LAB 89.19, 2.86, 37.26

 

CMYK 0 / 8 / 23 / 10

HEX #E6D4B1

RGB 230 212 177

HSL 39.62, 0.51%, 0.8%

LAB 85.55, 0.8, 19.59

 

CMYK 0 / 5 / 16 / 13

HEX #DDD1BA

RGB 221 209 186

HSL 39.43, 0.34%, 0.8%

LAB 84.23, 0.37, 12.9

 

CMYK 0 / 3 / 9 / 16

HEX #D5CFC2

RGB 213 207 194

HSL 41.05, 0.18%, 0.8%

LAB 83.27, -0.17, 7.18

 

CMYK 0 / 0 / 1 / 20

HEX #CDCCCA

RGB 205 204 202

HSL 40, 0.03%, 0.8%

LAB 82.07, -0.01, 1.11

 

CMYK 6 / 4 / 0 / 18

HEX #C5C9D2

RGB 197 201 210

HSL 221.54, 0.13%, 0.8%

LAB 80.9, 0.34, -4.96

 

CMYK 0 / 20 / 23 / 10

HEX #E6B8B1

RGB 230 184 177

HSL 7.92, 0.51%, 0.8%

LAB 78.62, 15.53, 9.85

 

CMYK 0 / 14 / 23 / 10

HEX #E6C5B1

RGB 230 197 177

HSL 22.64, 0.51%, 0.8%

LAB 81.8, 8.64, 14.35

 

CMYK 0 / 8 / 23 / 10

HEX #E6D3B1

RGB 230 211 177

HSL 38.49, 0.51%, 0.8%

LAB 85.29, 1.32, 19.24

 

CMYK 0 / 2 / 23 / 10

HEX #E6E1B1

RGB 230 225 177

HSL 54.34, 0.51%, 0.8%

LAB 88.85, -5.86, 24.15

 

CMYK 4 / 0 / 23 / 10

HEX #DCE6B1

RGB 220 230 177

HSL 71.32, 0.51%, 0.8%

LAB 89.39, -12.05, 24.77

 

CMYK 0 / 15 / 45 / 18

HEX #D1B173

RGB 209 177 115

HSL 39.57, 0.51%, 0.64%

LAB 73.7, 3.38, 35.95

 

CMYK 0 / 11 / 33 / 14

HEX #DBC392

RGB 219 195 146

HSL 40.27, 0.5%, 0.72%

LAB 79.71, 1.37, 27.76

 

CMYK 0 / 8 / 23 / 10

HEX #E6D4B1

RGB 230 212 177

HSL 39.62, 0.51%, 0.8%

LAB 85.55, 0.8, 19.59

 

CMYK 0 / 5 / 13 / 6

HEX #F0E5D1

RGB 240 229 209

HSL 38.71, 0.51%, 0.88%

LAB 91.31, 0.44, 11.08

 

CMYK 0 / 2 / 4 / 2

HEX #FAF6F0

RGB 250 246 240

HSL 36, 0.5%, 0.96%

LAB 97.04, 0.3, 3.34

 

CMYK 0 / 8 / 23 / 10

HEX #E6D4B1

RGB 230 212 177

HSL 39.62, 0.51%, 0.8%

LAB 85.55, 0.8, 19.59

 

CMYK 20 / 0 / 23 / 10

HEX #B9E6B1

RGB 185 230 177

HSL 110.94, 0.51%, 0.8%

LAB 87.04, -24.36, 21.16

 

CMYK 17 / 23 / 0 / 10

HEX #BEB1E6

RGB 190 177 230

HSL 254.72, 0.51%, 0.8%

LAB 74.89, 15.17, -24.84

 

CMYK 0 / 8 / 23 / 10

HEX #E6D4B1

RGB 230 212 177

HSL 39.62, 0.51%, 0.8%

LAB 85.55, 0.8, 19.59

 

CMYK 23 / 0 / 8 / 10

HEX #B1E6D3

RGB 177 230 211

HSL 158.49, 0.51%, 0.8%

LAB 87.31, -20.76, 3.72

 

CMYK 8 / 23 / 0 / 10

HEX #D3B1E6

RGB 211 177 230

HSL 278.49, 0.51%, 0.8%

LAB 76.68, 21.83, -21.95

 

CMYK 0 / 8 / 23 / 10

HEX #E6D4B1

RGB 230 212 177

HSL 39.62, 0.51%, 0.8%

LAB 85.55, 0.8, 19.59

 

CMYK 20 / 0 / 23 / 10

HEX #B9E6B1

RGB 185 230 177

HSL 110.94, 0.51%, 0.8%

LAB 87.04, -24.36, 21.16

 

CMYK 23 / 15 / 0 / 10

HEX #B1C4E6

RGB 177 196 230

HSL 218.49, 0.51%, 0.8%

LAB 78.78, 0.83, -19.03

 

CMYK 3 / 23 / 0 / 10

HEX #DEB1E6

RGB 222 177 230

HSL 290.94, 0.51%, 0.8%

LAB 77.69, 25.39, -20.33

 

CMYK 0 / 8 / 23 / 10

HEX #E6D4B1

RGB 230 212 177

HSL 39.62, 0.51%, 0.8%

LAB 85.55, 0.8, 19.59

 

CMYK 23 / 0 / 20 / 10

HEX #B1E6B9

RGB 177 230 185

HSL 129.06, 0.51%, 0.8%

LAB 86.72, -25.65, 16.49

 

CMYK 23 / 15 / 0 / 10

HEX #B1C4E6

RGB 177 196 230

HSL 218.49, 0.51%, 0.8%

LAB 78.78, 0.83, -19.03

 

CMYK 0 / 23 / 3 / 10

HEX #E6B1DE

RGB 230 177 222

HSL 309.06, 0.51%, 0.8%

LAB 78.19, 26.55, -15.16

 

Description

Color code: HEX #E6D4B1 | qconv.com Color code: HEX #E6D4B1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 212 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 212 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 23 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 23% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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