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Color name
HEX #E6CF97

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E6CF97 it is the complementary color #193068. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E6CF97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E6CF97 shade: #EBCF92, #FCE1A5, #FFF3B8, #FFFFCB and #FFFFDE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E6CF97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E6CF97 shade: #E6CF97, #D5BD84, #C4AB71, #B3995E and #A2874B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E6CF97 shade: #E6CF98, #E6BA98, #E6A598 and #E69898

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E6CF97 shade: #E6CF98, #E6E498, #D2E698, #BDE698 and #A8E698

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E6CF97 shade matches the following richer shades: #E6CF98, #F0D38E and #FAD883

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E6CF97 shade: #E6CF98, #DBCBA2, #D1C6AC, #C7C2B7 and #BCBEC1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E6CF97 shade: #E6A598, #E6BA98, #E6CE98, #E6E398 and #D3E698

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E6CF97 shade: #D6B055, #DEC077, #E6CF98, #EEDEB9 and #F6EEDA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E6CF97 shade: #E6CF97, #A0E698 and #AF98E6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E6CF97 shade: #E6CF97, #98E6CE and #CE98E6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E6CF97 shade: #E6CF97, #A0E698, #98AFE6 and #DE98E6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E6CF97 shade: #E6CF97, #98E6A7, #98AFE6 and #E698D6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 34 / 10

HEX #E6CF97

RGB 230 207 151

HSL 42.53, 0.61%, 0.75%

LAB 83.8, 0.01, 30.79

 

Complementary color

CMYK 76 / 54 / 0 / 59

HEX #193068

RGB 25 48 104

HSL 222.53, 0.61%, 0.25%

LAB 21.28, 12.58, -35.52

 

CMYK 0 / 12 / 38 / 8

HEX #EBCF92

RGB 235 207 146

HSL 41.12, 0.69%, 0.75%

LAB 84.15, 1.38, 33.92

 

CMYK 0 / 11 / 35 / 1

HEX #FCE1A5

RGB 252 225 165

HSL 41.38, 0.94%, 0.82%

LAB 90.44, 0.89, 32.78

 

CMYK 0 / 5 / 28 / 0

HEX #FFF3B8

RGB 255 243 184

HSL 49.86, 1%, 0.86%

LAB 95.51, -4.75, 29.96

 

CMYK 0 / 0 / 20 / 0

HEX #FFFFCB

RGB 255 255 203

HSL 60, 1%, 0.9%

LAB 98.86, -8.19, 24.92

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDE

RGB 255 255 222

HSL 60, 1%, 0.94%

LAB 99.24, -5.41, 15.79

 

CMYK 0 / 10 / 34 / 10

HEX #E6CF97

RGB 230 207 151

HSL 42.53, 0.61%, 0.75%

LAB 83.8, 0.01, 30.79

 

CMYK 0 / 11 / 38 / 16

HEX #D5BD84

RGB 213 189 132

HSL 42.22, 0.49%, 0.68%

LAB 77.4, 0.49, 31.95

 

CMYK 0 / 13 / 42 / 23

HEX #C4AB71

RGB 196 171 113

HSL 41.93, 0.41%, 0.61%

LAB 70.91, 1.05, 33.17

 

CMYK 0 / 15 / 47 / 30

HEX #B3995E

RGB 179 153 94

HSL 41.65, 0.36%, 0.54%

LAB 64.3, 1.71, 34.46

 

CMYK 0 / 17 / 54 / 36

HEX #A2874B

RGB 162 135 75

HSL 41.38, 0.37%, 0.46%

LAB 57.58, 2.51, 35.81

 

CMYK 0 / 10 / 34 / 10

HEX #E6CF98

RGB 230 207 152

HSL 42.31, 0.61%, 0.75%

LAB 83.82, 0.13, 30.29

 

CMYK 0 / 19 / 34 / 10

HEX #E6BA98

RGB 230 186 152

HSL 26.15, 0.61%, 0.75%

LAB 78.58, 11.13, 23.23

 

CMYK 0 / 28 / 34 / 10

HEX #E6A598

RGB 230 165 152

HSL 10, 0.61%, 0.75%

LAB 73.55, 22.32, 16.28

 

CMYK 0 / 34 / 34 / 10

HEX #E69898

RGB 230 152 152

HSL 0, 0.61%, 0.75%

LAB 70.56, 29.26, 12.08

 

CMYK 0 / 10 / 34 / 10

HEX #E6CF98

RGB 230 207 152

HSL 42.31, 0.61%, 0.75%

LAB 83.82, 0.13, 30.29

 

CMYK 0 / 1 / 34 / 10

HEX #E6E498

RGB 230 228 152

HSL 58.46, 0.61%, 0.75%

LAB 89.19, -10.56, 37.39

 

CMYK 9 / 0 / 34 / 10

HEX #D2E698

RGB 210 230 152

HSL 75.38, 0.61%, 0.75%

LAB 88.24, -19.1, 35.86

 

CMYK 18 / 0 / 34 / 10

HEX #BDE698

RGB 189 230 152

HSL 91.54, 0.61%, 0.75%

LAB 86.84, -26.74, 33.76

 

CMYK 27 / 0 / 34 / 10

HEX #A8E698

RGB 168 230 152

HSL 107.69, 0.61%, 0.75%

LAB 85.6, -33.99, 31.89

 

CMYK 0 / 10 / 34 / 10

HEX #E6CF98

RGB 230 207 152

HSL 42.31, 0.61%, 0.75%

LAB 83.82, 0.13, 30.29

 

CMYK 0 / 12 / 41 / 6

HEX #F0D38E

RGB 240 211 142

HSL 42.24, 0.77%, 0.75%

LAB 85.54, 0.84, 37.86

 

CMYK 0 / 14 / 48 / 2

HEX #FAD883

RGB 250 216 131

HSL 42.86, 0.92%, 0.75%

LAB 87.52, 1.15, 46.06

 

CMYK 0 / 10 / 34 / 10

HEX #E6CF98

RGB 230 207 152

HSL 42.31, 0.61%, 0.75%

LAB 83.82, 0.13, 30.29

 

CMYK 0 / 7 / 26 / 14

HEX #DBCBA2

RGB 219 203 162

HSL 43.16, 0.44%, 0.75%

LAB 82.04, -0.74, 22.5

 

CMYK 0 / 5 / 18 / 18

HEX #D1C6AC

RGB 209 198 172

HSL 42.16, 0.29%, 0.75%

LAB 80.14, -0.43, 14.41

 

CMYK 0 / 3 / 8 / 22

HEX #C7C2B7

RGB 199 194 183

HSL 41.25, 0.13%, 0.75%

LAB 78.55, -0.19, 6.14

 

CMYK 3 / 2 / 0 / 24

HEX #BCBEC1

RGB 188 190 193

HSL 216, 0.04%, 0.75%

LAB 76.9, -0.13, -1.76

 

CMYK 0 / 28 / 34 / 10

HEX #E6A598

RGB 230 165 152

HSL 10, 0.61%, 0.75%

LAB 73.55, 22.32, 16.28

 

CMYK 0 / 19 / 34 / 10

HEX #E6BA98

RGB 230 186 152

HSL 26.15, 0.61%, 0.75%

LAB 78.58, 11.13, 23.23

 

CMYK 0 / 10 / 34 / 10

HEX #E6CE98

RGB 230 206 152

HSL 41.54, 0.61%, 0.75%

LAB 83.56, 0.64, 29.96

 

CMYK 0 / 1 / 34 / 10

HEX #E6E398

RGB 230 227 152

HSL 57.69, 0.61%, 0.75%

LAB 88.94, -10.06, 37.06

 

CMYK 8 / 0 / 34 / 10

HEX #D3E698

RGB 211 230 152

HSL 74.62, 0.61%, 0.75%

LAB 88.31, -18.73, 35.97

 

CMYK 0 / 18 / 60 / 16

HEX #D6B055

RGB 214 176 85

HSL 42.33, 0.61%, 0.59%

LAB 73.55, 3.42, 50.85

 

CMYK 0 / 14 / 46 / 13

HEX #DEC077

RGB 222 192 119

HSL 42.52, 0.61%, 0.67%

LAB 78.79, 1.17, 40.59

 

CMYK 0 / 10 / 34 / 10

HEX #E6CF98

RGB 230 207 152

HSL 42.31, 0.61%, 0.75%

LAB 83.82, 0.13, 30.29

 

CMYK 0 / 7 / 22 / 7

HEX #EEDEB9

RGB 238 222 185

HSL 41.89, 0.61%, 0.83%

LAB 88.89, -0.26, 20.15

 

CMYK 0 / 3 / 11 / 4

HEX #F6EEDA

RGB 246 238 218

HSL 42.86, 0.61%, 0.91%

LAB 94.23, -0.62, 10.63

 

CMYK 0 / 10 / 34 / 10

HEX #E6CF97

RGB 230 207 151

HSL 42.53, 0.61%, 0.75%

LAB 83.8, 0.01, 30.79

 

CMYK 30 / 0 / 34 / 10

HEX #A0E698

RGB 160 230 152

HSL 113.85, 0.61%, 0.75%

LAB 85.17, -36.62, 31.24

 

CMYK 24 / 34 / 0 / 10

HEX #AF98E6

RGB 175 152 230

HSL 257.69, 0.61%, 0.75%

LAB 67.49, 24.53, -36.36

 

CMYK 0 / 10 / 34 / 10

HEX #E6CF97

RGB 230 207 151

HSL 42.53, 0.61%, 0.75%

LAB 83.8, 0.01, 30.79

 

CMYK 34 / 0 / 10 / 10

HEX #98E6CE

RGB 152 230 206

HSL 161.54, 0.61%, 0.75%

LAB 85.87, -29.14, 4.09

 

CMYK 10 / 34 / 0 / 10

HEX #CE98E6

RGB 206 152 230

HSL 281.54, 0.61%, 0.75%

LAB 70.38, 33.88, -31.65

 

CMYK 0 / 10 / 34 / 10

HEX #E6CF97

RGB 230 207 151

HSL 42.53, 0.61%, 0.75%

LAB 83.8, 0.01, 30.79

 

CMYK 30 / 0 / 34 / 10

HEX #A0E698

RGB 160 230 152

HSL 113.85, 0.61%, 0.75%

LAB 85.17, -36.62, 31.24

 

CMYK 34 / 24 / 0 / 10

HEX #98AFE6

RGB 152 175 230

HSL 222.31, 0.61%, 0.75%

LAB 71.59, 4.99, -30.15

 

CMYK 3 / 34 / 0 / 10

HEX #DE98E6

RGB 222 152 230

HSL 293.85, 0.61%, 0.75%

LAB 72.03, 38.83, -28.97

 

CMYK 0 / 10 / 34 / 10

HEX #E6CF97

RGB 230 207 151

HSL 42.53, 0.61%, 0.75%

LAB 83.8, 0.01, 30.79

 

CMYK 34 / 0 / 27 / 10

HEX #98E6A7

RGB 152 230 167

HSL 131.54, 0.61%, 0.75%

LAB 85.03, -36.68, 23.28

 

CMYK 34 / 24 / 0 / 10

HEX #98AFE6

RGB 152 175 230

HSL 222.31, 0.61%, 0.75%

LAB 71.59, 4.99, -30.15

 

CMYK 0 / 34 / 7 / 10

HEX #E698D6

RGB 230 152 214

HSL 312.31, 0.61%, 0.75%

LAB 72.32, 38.48, -19.67

 

Description

Color code: HEX #E6CF97 | qconv.com Color code: HEX #E6CF97 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 207 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 207 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 34 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 34% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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