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Color name
HEX #E6CD1D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E6CD1D it is the complementary color #1932E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E6CD1D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E6CD1D shade: #EBCD18, #FCDF2B, #FFF13E, #FFFF51 and #FFFF64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E6CD1D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E6CD1D shade: #E6CD1D, #D5BB0A, #C4A900, #B39700 and #A28500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E6CD1D shade: #E6CD1E, #E6971E, #E6611E, #E62B1E and #E61E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E6CD1D shade: #E6CD1E, #C8E61E, #93E61E, #5DE61E and #27E61E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E6CD1D shade matches the following richer shades: #E6CD1E and #FADC09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E6CD1D shade: #E6CD1E, #D1BD32, #BDAE46, #A99F5A and #95906E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E6CD1D shade: #E6601E, #E6961E, #E6CB1E, #CBE61E and #96E61E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E6CD1D shade: #9F8E11, #C4AF15, #E6CD1E, #EAD543 and #EEDD68

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E6CD1D shade: #E6CD1D, #1EE62B and #7B1EE6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E6CD1D shade: #E6CD1D, #1EE6CB and #CB1EE6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E6CD1D shade: #E6CD1D, #1EE62B, #1E38E6 and #E61ED8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E6CD1D shade: #E6CD1D, #1EE667, #1E38E6 and #E61E9C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 87 / 10

HEX #E6CD1D

RGB 230 205 29

HSL 52.54, 0.8%, 0.51%

LAB 82.15, -7.2, 79.07

 

Complementary color

CMYK 89 / 78 / 0 / 11

HEX #1932E2

RGB 25 50 226

HSL 232.54, 0.8%, 0.49%

LAB 33.94, 56.55, -88.69

 

CMYK 0 / 13 / 90 / 8

HEX #EBCD18

RGB 235 205 24

HSL 51.47, 0.84%, 0.51%

LAB 82.59, -5.14, 80.51

 

CMYK 0 / 12 / 83 / 1

HEX #FCDF2B

RGB 252 223 43

HSL 51.67, 0.97%, 0.58%

LAB 88.75, -6.61, 82.2

 

CMYK 0 / 5 / 76 / 0

HEX #FFF13E

RGB 255 241 62

HSL 55.65, 1%, 0.62%

LAB 93.68, -13.67, 81.41

 

CMYK 0 / 0 / 68 / 0

HEX #FFFF51

RGB 255 255 81

HSL 60, 1%, 0.66%

LAB 97.38, -19.62, 78.71

 

CMYK 0 / 0 / 61 / 0

HEX #FFFF64

RGB 255 255 100

HSL 60, 1%, 0.7%

LAB 97.51, -18.57, 71.69

 

CMYK 0 / 11 / 87 / 10

HEX #E6CD1D

RGB 230 205 29

HSL 52.54, 0.8%, 0.51%

LAB 82.15, -7.2, 79.07

 

CMYK 0 / 12 / 95 / 16

HEX #D5BB0A

RGB 213 187 10

HSL 52.32, 0.91%, 0.44%

LAB 75.89, -5.61, 76.46

 

CMYK 0 / 14 / 100 / 23

HEX #C4A900

RGB 196 169 0

HSL 51.73, 1%, 0.38%

LAB 69.55, -3.82, 72.27

 

CMYK 0 / 16 / 100 / 30

HEX #B39700

RGB 179 151 0

HSL 50.61, 1%, 0.35%

LAB 63.11, -1.85, 66.94

 

CMYK 0 / 18 / 100 / 36

HEX #A28500

RGB 162 133 0

HSL 49.26, 1%, 0.32%

LAB 56.54, 0.19, 61.52

 

CMYK 0 / 11 / 87 / 10

HEX #E6CD1E

RGB 230 205 30

HSL 52.5, 0.8%, 0.51%

LAB 82.15, -7.17, 78.88

 

CMYK 0 / 34 / 87 / 10

HEX #E6971E

RGB 230 151 30

HSL 36.3, 0.8%, 0.51%

LAB 68.79, 21.13, 68.22

 

CMYK 0 / 58 / 87 / 10

HEX #E6611E

RGB 230 97 30

HSL 20.1, 0.8%, 0.51%

LAB 57.53, 48.62, 59.27

 

CMYK 0 / 81 / 87 / 10

HEX #E62B1E

RGB 230 43 30

HSL 3.9, 0.8%, 0.51%

LAB 50.27, 68.36, 53.52

 

CMYK 0 / 87 / 87 / 10

HEX #E61E1E

RGB 230 30 30

HSL 0, 0.8%, 0.51%

LAB 49.31, 71.1, 52.76

 

CMYK 0 / 11 / 87 / 10

HEX #E6CD1E

RGB 230 205 30

HSL 52.5, 0.8%, 0.51%

LAB 82.15, -7.17, 78.88

 

CMYK 13 / 0 / 87 / 10

HEX #C8E61E

RGB 200 230 30

HSL 69, 0.8%, 0.51%

LAB 86.49, -31.9, 81.4

 

CMYK 36 / 0 / 87 / 10

HEX #93E61E

RGB 147 230 30

HSL 84.9, 0.8%, 0.51%

LAB 83.38, -51.94, 77.56

 

CMYK 60 / 0 / 87 / 10

HEX #5DE61E

RGB 93 230 30

HSL 101.1, 0.8%, 0.51%

LAB 81.3, -67.81, 74.96

 

CMYK 83 / 0 / 87 / 10

HEX #27E61E

RGB 39 230 30

HSL 117.3, 0.8%, 0.51%

LAB 80.25, -76.83, 73.63

 

CMYK 0 / 11 / 87 / 10

HEX #E6CD1E

RGB 230 205 30

HSL 52.5, 0.8%, 0.51%

LAB 82.15, -7.17, 78.88

 

CMYK 0 / 12 / 96 / 2

HEX #FADC09

RGB 250 220 9

HSL 52.53, 0.96%, 0.51%

LAB 87.74, -6.5, 86.76

 

CMYK 0 / 11 / 87 / 10

HEX #E6CD1E

RGB 230 205 30

HSL 52.5, 0.8%, 0.51%

LAB 82.15, -7.17, 78.88

 

CMYK 0 / 10 / 76 / 18

HEX #D1BD32

RGB 209 189 50

HSL 52.45, 0.63%, 0.51%

LAB 76.18, -7.43, 67.72

 

CMYK 0 / 8 / 63 / 26

HEX #BDAE46

RGB 189 174 70

HSL 52.44, 0.47%, 0.51%

LAB 70.55, -7.22, 53.74

 

CMYK 0 / 6 / 47 / 34

HEX #A99F5A

RGB 169 159 90

HSL 52.41, 0.31%, 0.51%

LAB 64.94, -6.16, 37.14

 

CMYK 0 / 3 / 26 / 42

HEX #95906E

RGB 149 144 110

HSL 52.31, 0.16%, 0.51%

LAB 59.4, -3.86, 18.78

 

CMYK 0 / 58 / 87 / 10

HEX #E6601E

RGB 230 96 30

HSL 19.8, 0.8%, 0.51%

LAB 57.35, 49.09, 59.13

 

CMYK 0 / 35 / 87 / 10

HEX #E6961E

RGB 230 150 30

HSL 36, 0.8%, 0.51%

LAB 68.55, 21.67, 68.04

 

CMYK 0 / 12 / 87 / 10

HEX #E6CB1E

RGB 230 203 30

HSL 51.9, 0.8%, 0.51%

LAB 81.64, -6.16, 78.47

 

CMYK 12 / 0 / 87 / 10

HEX #CBE61E

RGB 203 230 30

HSL 68.1, 0.8%, 0.51%

LAB 86.69, -30.69, 81.65

 

CMYK 35 / 0 / 87 / 10

HEX #96E61E

RGB 150 230 30

HSL 84, 0.8%, 0.51%

LAB 83.53, -50.89, 77.75

 

CMYK 0 / 11 / 89 / 38

HEX #9F8E11

RGB 159 142 17

HSL 52.82, 0.81%, 0.35%

LAB 58.75, -5.85, 60.11

 

CMYK 0 / 11 / 89 / 23

HEX #C4AF15

RGB 196 175 21

HSL 52.8, 0.81%, 0.43%

LAB 71.18, -6.69, 70.62

 

CMYK 0 / 11 / 87 / 10

HEX #E6CD1E

RGB 230 205 30

HSL 52.5, 0.8%, 0.51%

LAB 82.15, -7.17, 78.88

 

CMYK 0 / 9 / 71 / 8

HEX #EAD543

RGB 234 213 67

HSL 52.46, 0.8%, 0.59%

LAB 84.73, -8.3, 70.72

 

CMYK 0 / 7 / 56 / 7

HEX #EEDD68

RGB 238 221 104

HSL 52.39, 0.8%, 0.67%

LAB 87.43, -8.46, 58.49

 

CMYK 0 / 11 / 87 / 10

HEX #E6CD1D

RGB 230 205 29

HSL 52.54, 0.8%, 0.51%

LAB 82.15, -7.2, 79.07

 

CMYK 87 / 0 / 81 / 10

HEX #1EE62B

RGB 30 230 43

HSL 123.9, 0.8%, 0.51%

LAB 80.2, -77.03, 70.64

 

CMYK 47 / 87 / 0 / 10

HEX #7B1EE6

RGB 123 30 230

HSL 267.9, 0.8%, 0.51%

LAB 39.33, 72.7, -81.82

 

CMYK 0 / 11 / 87 / 10

HEX #E6CD1D

RGB 230 205 29

HSL 52.54, 0.8%, 0.51%

LAB 82.15, -7.2, 79.07

 

CMYK 87 / 0 / 12 / 10

HEX #1EE6CB

RGB 30 230 203

HSL 171.9, 0.8%, 0.51%

LAB 82.48, -50.99, 0.34

 

CMYK 12 / 87 / 0 / 10

HEX #CB1EE6

RGB 203 30 230

HSL 291.9, 0.8%, 0.51%

LAB 51.08, 83.59, -62.16

 

CMYK 0 / 11 / 87 / 10

HEX #E6CD1D

RGB 230 205 29

HSL 52.54, 0.8%, 0.51%

LAB 82.15, -7.2, 79.07

 

CMYK 87 / 0 / 81 / 10

HEX #1EE62B

RGB 30 230 43

HSL 123.9, 0.8%, 0.51%

LAB 80.2, -77.03, 70.64

 

CMYK 87 / 76 / 0 / 10

HEX #1E38E6

RGB 30 56 230

HSL 232.2, 0.8%, 0.51%

LAB 35.63, 54.86, -88.17

 

CMYK 0 / 87 / 6 / 10

HEX #E61ED8

RGB 230 30 216

HSL 304.2, 0.8%, 0.51%

LAB 54.77, 86.06, -48.05

 

CMYK 0 / 11 / 87 / 10

HEX #E6CD1D

RGB 230 205 29

HSL 52.54, 0.8%, 0.51%

LAB 82.15, -7.2, 79.07

 

CMYK 87 / 0 / 55 / 10

HEX #1EE667

RGB 30 230 103

HSL 141.9, 0.8%, 0.51%

LAB 80.65, -71.41, 48.67

 

CMYK 87 / 76 / 0 / 10

HEX #1E38E6

RGB 30 56 230

HSL 232.2, 0.8%, 0.51%

LAB 35.63, 54.86, -88.17

 

CMYK 0 / 87 / 32 / 10

HEX #E61E9C

RGB 230 30 156

HSL 322.2, 0.8%, 0.51%

LAB 52.01, 78.72, -17.47

 

Description

Color code: HEX #E6CD1D | qconv.com Color code: HEX #E6CD1D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 205 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 205 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 87 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 87% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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