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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E6A7E2 it is the complementary color #19581D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E6A7E2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E6A7E2 shade: #EBA7DD, #FCB9F0, #FFCBFF, #FFDDFF and #FFEFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E6A7E2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E6A7E2 shade: #E6A7E2, #D595CF, #C483BC, #B371A9 and #A25F96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E6A7E2 shade: #E6A7E2, #E6A7D1, #E6A7C0, #E6A7AF and #E6A7A7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E6A7E2 shade: #E6A7E2, #D9A7E6, #C8A7E6, #B7A7E6 and #A7A7E6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E6A7E2 shade matches the following richer shades: #E6A7E2, #EF9EEA and #F895F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E6A7E2 shade: #E6A7E2, #DDB0DA, #D4B9D2, #CBC2CA and #C2CBC2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E6A7E2 shade: #C7A7E6, #D8A7E6, #E6A7E3, #E6A7D2 and #E6A7C1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E6A7E2 shade: #D467CD, #DD87D7, #E6A7E2, #EFC7EC and #F8E7F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E6A7E2 shade: #E6A7E2, #E6B7A7 and #A7E6D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E6A7E2 shade: #E6A7E2, #E3E6A7 and #A7E3E6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E6A7E2 shade: #E6A7E2, #E6B7A7, #A7E6AA and #A7D6E6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E6A7E2 shade: #E6A7E2, #E6CAA7, #A7E6AA and #A7C3E6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 2 / 10

HEX #E6A7E2

RGB 230 167 226

HSL 303.81, 0.56%, 0.78%

LAB 76.04, 32.62, -20.59

 

Complementary color

CMYK 72 / 0 / 67 / 65

HEX #19581D

RGB 25 88 29

HSL 123.81, 0.56%, 0.22%

LAB 32.42, -33.19, 27.81

 

CMYK 0 / 29 / 6 / 8

HEX #EBA7DD

RGB 235 167 221

HSL 312.35, 0.63%, 0.79%

LAB 76.39, 33.37, -17.29

 

CMYK 0 / 27 / 5 / 1

HEX #FCB9F0

RGB 252 185 240

HSL 310.75, 0.92%, 0.86%

LAB 82.75, 32.73, -17.78

 

CMYK 0 / 20 / 0 / 0

HEX #FFCBFF

RGB 255 203 255

HSL 300, 1%, 0.9%

LAB 87.58, 26.9, -18.44

 

CMYK 0 / 13 / 0 / 0

HEX #FFDDFF

RGB 255 221 255

HSL 300, 1%, 0.93%

LAB 91.77, 17.47, -12.16

 

CMYK 0 / 6 / 0 / 0

HEX #FFEFFF

RGB 255 239 255

HSL 300, 1%, 0.97%

LAB 96.09, 8.15, -5.76

 

CMYK 0 / 27 / 2 / 10

HEX #E6A7E2

RGB 230 167 226

HSL 303.81, 0.56%, 0.78%

LAB 76.04, 32.62, -20.59

 

CMYK 0 / 30 / 3 / 16

HEX #D595CF

RGB 213 149 207

HSL 305.63, 0.43%, 0.71%

LAB 69.57, 33.29, -20.15

 

CMYK 0 / 33 / 4 / 23

HEX #C483BC

RGB 196 131 188

HSL 307.38, 0.36%, 0.64%

LAB 63.01, 34, -19.67

 

CMYK 0 / 37 / 6 / 30

HEX #B371A9

RGB 179 113 169

HSL 309.09, 0.3%, 0.57%

LAB 56.35, 34.75, -19.16

 

CMYK 0 / 41 / 7 / 36

HEX #A25F96

RGB 162 95 150

HSL 310.75, 0.26%, 0.5%

LAB 49.58, 35.53, -18.58

 

CMYK 0 / 27 / 2 / 10

HEX #E6A7E2

RGB 230 167 226

HSL 303.81, 0.56%, 0.78%

LAB 76.04, 32.62, -20.59

 

CMYK 0 / 27 / 9 / 10

HEX #E6A7D1

RGB 230 167 209

HSL 320, 0.56%, 0.78%

LAB 75.49, 29.64, -12.15

 

CMYK 0 / 27 / 17 / 10

HEX #E6A7C0

RGB 230 167 192

HSL 336.19, 0.56%, 0.78%

LAB 74.99, 26.87, -3.58

 

CMYK 0 / 27 / 24 / 10

HEX #E6A7AF

RGB 230 167 175

HSL 352.38, 0.56%, 0.78%

LAB 74.54, 24.33, 5.09

 

CMYK 0 / 27 / 27 / 10

HEX #E6A7A7

RGB 230 167 167

HSL 0, 0.56%, 0.78%

LAB 74.35, 23.21, 9.2

 

CMYK 0 / 27 / 2 / 10

HEX #E6A7E2

RGB 230 167 226

HSL 303.81, 0.56%, 0.78%

LAB 76.04, 32.62, -20.59

 

CMYK 6 / 27 / 0 / 10

HEX #D9A7E6

RGB 217 167 230

HSL 287.62, 0.56%, 0.78%

LAB 74.89, 29.18, -24.63

 

CMYK 13 / 27 / 0 / 10

HEX #C8A7E6

RGB 200 167 230

HSL 271.43, 0.56%, 0.78%

LAB 73.3, 23.8, -27.2

 

CMYK 20 / 27 / 0 / 10

HEX #B7A7E6

RGB 183 167 230

HSL 255.24, 0.56%, 0.78%

LAB 71.84, 18.54, -29.58

 

CMYK 27 / 27 / 0 / 10

HEX #A7A7E6

RGB 167 167 230

HSL 240, 0.56%, 0.78%

LAB 70.57, 13.75, -31.63

 

CMYK 0 / 27 / 2 / 10

HEX #E6A7E2

RGB 230 167 226

HSL 303.81, 0.56%, 0.78%

LAB 76.04, 32.62, -20.59

 

CMYK 0 / 34 / 2 / 6

HEX #EF9EEA

RGB 239 158 234

HSL 303.7, 0.72%, 0.78%

LAB 75.29, 41.7, -25.99

 

CMYK 0 / 40 / 2 / 3

HEX #F895F2

RGB 248 149 242

HSL 303.64, 0.88%, 0.78%

LAB 74.74, 50.5, -31.11

 

CMYK 0 / 27 / 2 / 10

HEX #E6A7E2

RGB 230 167 226

HSL 303.81, 0.56%, 0.78%

LAB 76.04, 32.62, -20.59

 

CMYK 0 / 20 / 1 / 13

HEX #DDB0DA

RGB 221 176 218

HSL 304, 0.4%, 0.78%

LAB 76.97, 23.36, -14.92

 

CMYK 0 / 13 / 1 / 17

HEX #D4B9D2

RGB 212 185 210

HSL 304.44, 0.24%, 0.78%

LAB 78.08, 13.98, -9.01

 

CMYK 0 / 4 / 0 / 20

HEX #CBC2CA

RGB 203 194 202

HSL 306.67, 0.08%, 0.78%

LAB 79.35, 4.59, -2.89

 

CMYK 4 / 0 / 4 / 20

HEX #C2CBC2

RGB 194 203 194

HSL 120, 0.08%, 0.78%

LAB 80.78, -4.73, 3.41

HEX #C2CBC2

CMYK 13 / 27 / 0 / 10

HEX #C7A7E6

RGB 199 167 230

HSL 270.48, 0.56%, 0.78%

LAB 73.22, 23.48, -27.34

 

CMYK 6 / 27 / 0 / 10

HEX #D8A7E6

RGB 216 167 230

HSL 286.67, 0.56%, 0.78%

LAB 74.79, 28.86, -24.79

 

CMYK 0 / 27 / 1 / 10

HEX #E6A7E3

RGB 230 167 227

HSL 302.86, 0.56%, 0.78%

LAB 76.07, 32.8, -21.08

 

CMYK 0 / 27 / 9 / 10

HEX #E6A7D2

RGB 230 167 210

HSL 319.05, 0.56%, 0.78%

LAB 75.52, 29.81, -12.65

 

CMYK 0 / 27 / 16 / 10

HEX #E6A7C1

RGB 230 167 193

HSL 335.24, 0.56%, 0.78%

LAB 75.02, 27.03, -4.09

 

CMYK 0 / 51 / 3 / 17

HEX #D467CD

RGB 212 103 205

HSL 303.85, 0.56%, 0.62%

LAB 59.98, 56.38, -33.79

 

CMYK 0 / 39 / 3 / 13

HEX #DD87D7

RGB 221 135 215

HSL 304.19, 0.56%, 0.7%

LAB 67.73, 44.73, -27.32

 

CMYK 0 / 27 / 2 / 10

HEX #E6A7E2

RGB 230 167 226

HSL 303.81, 0.56%, 0.78%

LAB 76.04, 32.62, -20.59

 

CMYK 0 / 17 / 1 / 6

HEX #EFC7EC

RGB 239 199 236

HSL 304.5, 0.56%, 0.86%

LAB 84.61, 20.33, -12.97

 

CMYK 0 / 7 / 0 / 3

HEX #F8E7F7

RGB 248 231 247

HSL 303.53, 0.55%, 0.94%

LAB 93.37, 8.53, -5.66

 

CMYK 0 / 27 / 2 / 10

HEX #E6A7E2

RGB 230 167 226

HSL 303.81, 0.56%, 0.78%

LAB 76.04, 32.62, -20.59

 

CMYK 0 / 20 / 27 / 10

HEX #E6B7A7

RGB 230 183 167

HSL 15.24, 0.56%, 0.78%

LAB 78.16, 14.66, 14.59

 

CMYK 27 / 0 / 10 / 10

HEX #A7E6D0

RGB 167 230 208

HSL 159.05, 0.56%, 0.78%

LAB 86.68, -24.39, 4.32

 

CMYK 0 / 27 / 2 / 10

HEX #E6A7E2

RGB 230 167 226

HSL 303.81, 0.56%, 0.78%

LAB 76.04, 32.62, -20.59

 

CMYK 1 / 0 / 27 / 10

HEX #E3E6A7

RGB 227 230 167

HSL 62.86, 0.56%, 0.78%

LAB 89.73, -10.84, 30.45

 

CMYK 27 / 1 / 0 / 10

HEX #A7E3E6

RGB 167 227 230

HSL 182.86, 0.56%, 0.78%

LAB 86.44, -18.21, -7.62

 

CMYK 0 / 27 / 2 / 10

HEX #E6A7E2

RGB 230 167 226

HSL 303.81, 0.56%, 0.78%

LAB 76.04, 32.62, -20.59

 

CMYK 0 / 20 / 27 / 10

HEX #E6B7A7

RGB 230 183 167

HSL 15.24, 0.56%, 0.78%

LAB 78.16, 14.66, 14.59

 

CMYK 27 / 0 / 26 / 10

HEX #A7E6AA

RGB 167 230 170

HSL 122.86, 0.56%, 0.78%

LAB 85.86, -31.47, 23

 

CMYK 27 / 7 / 0 / 10

HEX #A7D6E6

RGB 167 214 230

HSL 195.24, 0.56%, 0.78%

LAB 82.93, -11.61, -12.85

 

CMYK 0 / 27 / 2 / 10

HEX #E6A7E2

RGB 230 167 226

HSL 303.81, 0.56%, 0.78%

LAB 76.04, 32.62, -20.59

 

CMYK 0 / 12 / 27 / 10

HEX #E6CAA7

RGB 230 202 167

HSL 33.33, 0.56%, 0.78%

LAB 82.84, 4.63, 21.1

 

CMYK 27 / 0 / 26 / 10

HEX #A7E6AA

RGB 167 230 170

HSL 122.86, 0.56%, 0.78%

LAB 85.86, -31.47, 23

 

CMYK 27 / 15 / 0 / 10

HEX #A7C3E6

RGB 167 195 230

HSL 213.33, 0.56%, 0.78%

LAB 77.85, -1.62, -20.49

 

Description

Color code: HEX #E6A7E2 | qconv.com Color code: HEX #E6A7E2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 167 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 167 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 2 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 2% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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