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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E698FB it is the complementary color #196704. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E698FB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E698FB shade: #EB98F6, #FCAAFF, #FFBCFF, #FFCEFF and #FFE0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E698FB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E698FB shade: #E698FB, #D586E8, #C474D5, #B362C2 and #A250AF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E698FB shade: #E697FB, #FB97F5, #FB97DA, #FB97BF and #FB97A4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E698FB shade: #E697FB, #CB97FB, #B097FB and #9797FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E698FB shade matches the following richer shades: #E697FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E698FB shade: #E697FB, #E1A0F2, #DCA8E9, #D7B1E1 and #D2BAD8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E698FB shade: #B097FB, #CB97FB, #E597FB, #FB97F6 and #FB97DB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E698FB shade: #D248F8, #DC6FF9, #E697FB, #EFBFFC and #F9E7FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E698FB shade: #E698FB, #FB9799 and #97FBBD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E698FB shade: #E698FB, #FBE597 and #97FBE5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E698FB shade: #E698FB, #FB9799, #ADFB97 and #97FBF9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E698FB shade: #E698FB, #FBB397, #ADFB97 and #97DFFB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 39 / 0 / 2

HEX #E698FB

RGB 230 152 251

HSL 287.27, 0.93%, 0.79%

LAB 73.7, 45.28, -37.76

 

Complementary color

CMYK 76 / 0 / 96 / 60

HEX #196704

RGB 25 103 4

HSL 107.27, 0.93%, 0.21%

LAB 37.69, -40.73, 42.09

 

CMYK 4 / 38 / 0 / 4

HEX #EB98F6

RGB 235 152 246

HSL 292.98, 0.84%, 0.78%

LAB 74.04, 45.8, -34.47

 

CMYK 1 / 33 / 0 / 0

HEX #FCAAFF

RGB 252 170 255

HSL 297.88, 1%, 0.83%

LAB 79.99, 43.24, -30.01

 

CMYK 0 / 26 / 0 / 0

HEX #FFBCFF

RGB 255 188 255

HSL 300, 1%, 0.87%

LAB 84.2, 34.77, -23.56

 

CMYK 0 / 19 / 0 / 0

HEX #FFCEFF

RGB 255 206 255

HSL 300, 1%, 0.9%

LAB 88.27, 25.32, -17.41

 

CMYK 0 / 12 / 0 / 0

HEX #FFE0FF

RGB 255 224 255

HSL 300, 1%, 0.94%

LAB 92.48, 15.9, -11.1

 

CMYK 8 / 39 / 0 / 2

HEX #E698FB

RGB 230 152 251

HSL 287.27, 0.93%, 0.79%

LAB 73.7, 45.28, -37.76

 

CMYK 8 / 42 / 0 / 9

HEX #D586E8

RGB 213 134 232

HSL 288.37, 0.68%, 0.72%

LAB 67.29, 46.03, -37.48

 

CMYK 8 / 46 / 0 / 16

HEX #C474D5

RGB 196 116 213

HSL 289.48, 0.54%, 0.65%

LAB 60.81, 46.78, -37.17

 

CMYK 8 / 49 / 0 / 24

HEX #B362C2

RGB 179 98 194

HSL 290.63, 0.44%, 0.57%

LAB 54.25, 47.52, -36.79

 

CMYK 7 / 54 / 0 / 31

HEX #A250AF

RGB 162 80 175

HSL 291.79, 0.37%, 0.5%

LAB 47.64, 48.19, -36.32

 

CMYK 8 / 40 / 0 / 2

HEX #E697FB

RGB 230 151 251

HSL 287.4, 0.93%, 0.79%

LAB 73.49, 45.8, -38.08

 

CMYK 0 / 40 / 2 / 2

HEX #FB97F5

RGB 251 151 245

HSL 303.6, 0.93%, 0.79%

LAB 75.6, 50.91, -31.38

 

CMYK 0 / 40 / 13 / 2

HEX #FB97DA

RGB 251 151 218

HSL 319.8, 0.93%, 0.79%

LAB 74.64, 46.43, -18.12

 

CMYK 0 / 40 / 24 / 2

HEX #FB97BF

RGB 251 151 191

HSL 336, 0.93%, 0.79%

LAB 73.81, 42.42, -4.51

 

CMYK 0 / 40 / 35 / 2

HEX #FB97A4

RGB 251 151 164

HSL 352.2, 0.93%, 0.79%

LAB 73.1, 38.93, 9.4

 

CMYK 8 / 40 / 0 / 2

HEX #E697FB

RGB 230 151 251

HSL 287.4, 0.93%, 0.79%

LAB 73.49, 45.8, -38.08

 

CMYK 19 / 40 / 0 / 2

HEX #CB97FB

RGB 203 151 251

HSL 271.2, 0.93%, 0.79%

LAB 70.73, 37.99, -42.6

 

CMYK 30 / 40 / 0 / 2

HEX #B097FB

RGB 176 151 251

HSL 255, 0.93%, 0.79%

LAB 68.26, 30.45, -46.65

 

CMYK 40 / 40 / 0 / 2

HEX #9797FB

RGB 151 151 251

HSL 240, 0.93%, 0.79%

LAB 66.27, 23.91, -49.92

 

CMYK 8 / 40 / 0 / 2

HEX #E697FB

RGB 230 151 251

HSL 287.4, 0.93%, 0.79%

LAB 73.49, 45.8, -38.08

 

CMYK 8 / 40 / 0 / 2

HEX #E697FB

RGB 230 151 251

HSL 287.4, 0.93%, 0.79%

LAB 73.49, 45.8, -38.08

 

CMYK 7 / 34 / 0 / 5

HEX #E1A0F2

RGB 225 160 242

HSL 287.56, 0.76%, 0.79%

LAB 74.55, 37.79, -31.61

 

CMYK 6 / 28 / 0 / 9

HEX #DCA8E9

RGB 220 168 233

HSL 288, 0.6%, 0.79%

LAB 75.52, 30.18, -25.28

 

CMYK 4 / 21 / 0 / 12

HEX #D7B1E1

RGB 215 177 225

HSL 287.5, 0.44%, 0.79%

LAB 76.88, 22.14, -18.91

 

CMYK 3 / 14 / 0 / 15

HEX #D2BAD8

RGB 210 186 216

HSL 288, 0.28%, 0.79%

LAB 78.33, 13.89, -11.9

 

CMYK 30 / 40 / 0 / 2

HEX #B097FB

RGB 176 151 251

HSL 255, 0.93%, 0.79%

LAB 68.26, 30.45, -46.65

 

CMYK 19 / 40 / 0 / 2

HEX #CB97FB

RGB 203 151 251

HSL 271.2, 0.93%, 0.79%

LAB 70.73, 37.99, -42.6

 

CMYK 9 / 40 / 0 / 2

HEX #E597FB

RGB 229 151 251

HSL 286.8, 0.93%, 0.79%

LAB 73.39, 45.51, -38.26

 

CMYK 0 / 40 / 2 / 2

HEX #FB97F6

RGB 251 151 246

HSL 303, 0.93%, 0.79%

LAB 75.64, 51.08, -31.87

 

CMYK 0 / 40 / 13 / 2

HEX #FB97DB

RGB 251 151 219

HSL 319.2, 0.93%, 0.79%

LAB 74.67, 46.59, -18.62

 

CMYK 15 / 71 / 0 / 3

HEX #D248F8

RGB 210 72 248

HSL 287.05, 0.93%, 0.63%

LAB 57.19, 76.65, -62.37

 

CMYK 12 / 55 / 0 / 2

HEX #DC6FF9

RGB 220 111 249

HSL 287.39, 0.92%, 0.71%

LAB 64.5, 62.72, -51.18

 

CMYK 8 / 40 / 0 / 2

HEX #E697FB

RGB 230 151 251

HSL 287.4, 0.93%, 0.79%

LAB 73.49, 45.8, -38.08

 

CMYK 5 / 24 / 0 / 1

HEX #EFBFFC

RGB 239 191 252

HSL 287.21, 0.91%, 0.87%

LAB 83.25, 27.55, -23.54

 

CMYK 2 / 9 / 0 / 0

HEX #F9E7FE

RGB 249 231 254

HSL 286.96, 0.92%, 0.95%

LAB 93.64, 10.12, -8.9

 

CMYK 8 / 39 / 0 / 2

HEX #E698FB

RGB 230 152 251

HSL 287.27, 0.93%, 0.79%

LAB 73.7, 45.28, -37.76

 

CMYK 0 / 40 / 39 / 2

HEX #FB9799

RGB 251 151 153

HSL 358.8, 0.93%, 0.79%

LAB 72.85, 37.67, 15.12

 

CMYK 40 / 0 / 25 / 2

HEX #97FBBD

RGB 151 251 189

HSL 142.8, 0.93%, 0.79%

LAB 91.35, -42.43, 20.69

 

CMYK 8 / 39 / 0 / 2

HEX #E698FB

RGB 230 152 251

HSL 287.27, 0.93%, 0.79%

LAB 73.7, 45.28, -37.76

 

CMYK 0 / 9 / 40 / 2

HEX #FBE597

RGB 251 229 151

HSL 46.8, 0.93%, 0.79%

LAB 91.14, -3.09, 40.74

 

CMYK 40 / 0 / 9 / 2

HEX #97FBE5

RGB 151 251 229

HSL 166.8, 0.93%, 0.79%

LAB 92.23, -34.29, 1.33

 

CMYK 8 / 39 / 0 / 2

HEX #E698FB

RGB 230 152 251

HSL 287.27, 0.93%, 0.79%

LAB 73.7, 45.28, -37.76

 

CMYK 0 / 40 / 39 / 2

HEX #FB9799

RGB 251 151 153

HSL 358.8, 0.93%, 0.79%

LAB 72.85, 37.67, 15.12

 

CMYK 31 / 0 / 40 / 2

HEX #ADFB97

RGB 173 251 151

HSL 106.8, 0.93%, 0.79%

LAB 91.74, -41.95, 40.49

 

CMYK 40 / 0 / 1 / 2

HEX #97FBF9

RGB 151 251 249

HSL 178.8, 0.93%, 0.79%

LAB 92.76, -29.72, -8.27

 

CMYK 8 / 39 / 0 / 2

HEX #E698FB

RGB 230 152 251

HSL 287.27, 0.93%, 0.79%

LAB 73.7, 45.28, -37.76

 

CMYK 0 / 29 / 40 / 2

HEX #FBB397

RGB 251 179 151

HSL 16.8, 0.93%, 0.79%

LAB 79.03, 22.82, 24.72

 

CMYK 31 / 0 / 40 / 2

HEX #ADFB97

RGB 173 251 151

HSL 106.8, 0.93%, 0.79%

LAB 91.74, -41.95, 40.49

 

CMYK 40 / 11 / 0 / 2

HEX #97DFFB

RGB 151 223 251

HSL 196.8, 0.93%, 0.79%

LAB 85.16, -15.47, -20.7

 

Description

Color code: HEX #E698FB | qconv.com Color code: HEX #E698FB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 152 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 152 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 39 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 39% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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