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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E671B2 it is the complementary color #198E4D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E671B2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E671B2 shade: #EB71AD, #FC83C0, #FF95D3, #FFA7E6 and #FFB9F9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E671B2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E671B2 shade: #E671B2, #D55F9F, #C44D8C, #B33B79 and #A22966

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E671B2 shade: #E56FB1, #E56F91, #E56F71 and #E56F6F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E671B2 shade: #E56FB1, #E56FD1, #DA6FE5, #BA6FE5 and #9B6FE5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E671B2 shade matches the following richer shades: #E56FB1 and #F362B2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E671B2 shade: #E56FB1, #D87DAF, #CA8BAE, #BC98AC and #AFA6AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E671B2 shade: #D96FE5, #E56FD2, #E56FB2, #E56F93 and #E56F73

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E671B2 shade: #D9298B, #DF4C9E, #E56FB1, #EB93C4 and #F2B6D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E671B2 shade: #E671B2, #E5BA6F and #6FE1E5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E671B2 shade: #E671B2, #B2E56F and #6FB2E5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E671B2 shade: #E671B2, #E5BA6F, #6FE5A2 and #6F9BE5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E671B2 shade: #E671B2, #E5DD6F, #6FE5A2 and #6F77E5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 23 / 10

HEX #E671B2

RGB 230 113 178

HSL 326.67, 0.7%, 0.67%

LAB 63.22, 52.74, -13.29

 

Complementary color

CMYK 82 / 0 / 46 / 44

HEX #198E4D

RGB 25 142 77

HSL 146.67, 0.7%, 0.33%

LAB 51.94, -46.15, 26.01

 

CMYK 0 / 52 / 26 / 8

HEX #EB71AD

RGB 235 113 173

HSL 330.49, 0.75%, 0.68%

LAB 63.75, 53.64, -9.57

 

CMYK 0 / 48 / 24 / 1

HEX #FC83C0

RGB 252 131 192

HSL 329.75, 0.95%, 0.75%

LAB 69.99, 52.91, -10.72

 

CMYK 0 / 42 / 17 / 0

HEX #FF95D3

RGB 255 149 211

HSL 324.91, 1%, 0.79%

LAB 74.48, 47.66, -14.47

 

CMYK 0 / 35 / 10 / 0

HEX #FFA7E6

RGB 255 167 230

HSL 317.05, 1%, 0.83%

LAB 78.82, 41.42, -18.3

 

CMYK 0 / 27 / 2 / 0

HEX #FFB9F9

RGB 255 185 249

HSL 305.14, 1%, 0.86%

LAB 83.34, 35.27, -21.67

 

CMYK 0 / 51 / 23 / 10

HEX #E671B2

RGB 230 113 178

HSL 326.67, 0.7%, 0.67%

LAB 63.22, 52.74, -13.29

 

CMYK 0 / 55 / 25 / 16

HEX #D55F9F

RGB 213 95 159

HSL 327.46, 0.58%, 0.6%

LAB 56.91, 53.38, -12.07

 

CMYK 0 / 61 / 29 / 23

HEX #C44D8C

RGB 196 77 140

HSL 328.24, 0.5%, 0.54%

LAB 50.61, 53.88, -10.61

 

CMYK 0 / 67 / 32 / 30

HEX #B33B79

RGB 179 59 121

HSL 329, 0.5%, 0.47%

LAB 44.36, 54.1, -8.78

 

CMYK 0 / 75 / 37 / 36

HEX #A22966

RGB 162 41 102

HSL 329.75, 0.6%, 0.4%

LAB 38.25, 53.8, -6.42

 

CMYK 0 / 52 / 23 / 10

HEX #E56FB1

RGB 229 111 177

HSL 326.44, 0.69%, 0.67%

LAB 62.68, 53.25, -13.54

 

CMYK 0 / 52 / 37 / 10

HEX #E56F91

RGB 229 111 145

HSL 342.71, 0.69%, 0.67%

LAB 61.72, 49.18, 3.39

 

CMYK 0 / 52 / 51 / 10

HEX #E56F71

RGB 229 111 113

HSL 358.98, 0.69%, 0.67%

LAB 60.97, 45.94, 20.75

 

CMYK 0 / 52 / 52 / 10

HEX #E56F6F

RGB 229 111 111

HSL 0, 0.69%, 0.67%

LAB 60.94, 45.76, 21.84

 

CMYK 0 / 52 / 23 / 10

HEX #E56FB1

RGB 229 111 177

HSL 326.44, 0.69%, 0.67%

LAB 62.68, 53.25, -13.54

 

CMYK 0 / 52 / 9 / 10

HEX #E56FD1

RGB 229 111 209

HSL 310.17, 0.69%, 0.67%

LAB 63.86, 58.07, -29.85

 

CMYK 5 / 52 / 0 / 10

HEX #DA6FE5

RGB 218 111 229

HSL 294.41, 0.69%, 0.67%

LAB 63.29, 58.46, -42.04

 

CMYK 19 / 52 / 0 / 10

HEX #BA6FE5

RGB 186 111 229

HSL 278.14, 0.69%, 0.67%

LAB 59.4, 49.92, -48.43

 

CMYK 32 / 52 / 0 / 10

HEX #9B6FE5

RGB 155 111 229

HSL 262.37, 0.69%, 0.67%

LAB 56.08, 41.94, -53.91

 

CMYK 0 / 52 / 23 / 10

HEX #E56FB1

RGB 229 111 177

HSL 326.44, 0.69%, 0.67%

LAB 62.68, 53.25, -13.54

 

CMYK 0 / 60 / 27 / 5

HEX #F362B2

RGB 243 98 178

HSL 326.9, 0.86%, 0.67%

LAB 62.51, 63.5, -14.16

 

CMYK 0 / 52 / 23 / 10

HEX #E56FB1

RGB 229 111 177

HSL 326.44, 0.69%, 0.67%

LAB 62.68, 53.25, -13.54

 

CMYK 0 / 42 / 19 / 15

HEX #D87DAF

RGB 216 125 175

HSL 327.03, 0.54%, 0.67%

LAB 63.64, 41.72, -11.13

 

CMYK 0 / 31 / 14 / 21

HEX #CA8BAE

RGB 202 139 174

HSL 326.67, 0.37%, 0.67%

LAB 65.02, 29.25, -8.67

 

CMYK 0 / 19 / 9 / 26

HEX #BC98AC

RGB 188 152 172

HSL 326.67, 0.21%, 0.67%

LAB 66.62, 16.75, -5.34

 

CMYK 0 / 5 / 2 / 31

HEX #AFA6AB

RGB 175 166 171

HSL 326.67, 0.05%, 0.67%

LAB 68.99, 4.16, -1.42

 

CMYK 5 / 52 / 0 / 10

HEX #D96FE5

RGB 217 111 229

HSL 293.9, 0.69%, 0.67%

LAB 63.16, 58.19, -42.25

 

CMYK 0 / 52 / 8 / 10

HEX #E56FD2

RGB 229 111 210

HSL 309.66, 0.69%, 0.67%

LAB 63.9, 58.23, -30.35

 

CMYK 0 / 52 / 22 / 10

HEX #E56FB2

RGB 229 111 178

HSL 325.93, 0.69%, 0.67%

LAB 62.71, 53.39, -14.06

 

CMYK 0 / 52 / 36 / 10

HEX #E56F93

RGB 229 111 147

HSL 341.69, 0.69%, 0.67%

LAB 61.77, 49.41, 2.32

 

CMYK 0 / 52 / 50 / 10

HEX #E56F73

RGB 229 111 115

HSL 357.97, 0.69%, 0.67%

LAB 61.01, 46.11, 19.66

 

CMYK 0 / 81 / 36 / 15

HEX #D9298B

RGB 217 41 139

HSL 326.59, 0.7%, 0.51%

LAB 49.74, 71.81, -10.96

 

CMYK 0 / 66 / 29 / 13

HEX #DF4C9E

RGB 223 76 158

HSL 326.53, 0.7%, 0.59%

LAB 55.41, 64.36, -13.61

 

CMYK 0 / 52 / 23 / 10

HEX #E56FB1

RGB 229 111 177

HSL 326.44, 0.69%, 0.67%

LAB 62.68, 53.25, -13.54

 

CMYK 0 / 37 / 17 / 8

HEX #EB93C4

RGB 235 147 196

HSL 326.59, 0.69%, 0.75%

LAB 71.22, 39.82, -11.32

 

CMYK 0 / 25 / 11 / 5

HEX #F2B6D7

RGB 242 182 215

HSL 327, 0.7%, 0.83%

LAB 80.31, 26.75, -8.09

 

CMYK 0 / 51 / 23 / 10

HEX #E671B2

RGB 230 113 178

HSL 326.67, 0.7%, 0.67%

LAB 63.22, 52.74, -13.29

 

CMYK 0 / 19 / 52 / 10

HEX #E5BA6F

RGB 229 186 111

HSL 38.14, 0.69%, 0.67%

LAB 77.83, 6.43, 43.58

 

CMYK 52 / 2 / 0 / 10

HEX #6FE1E5

RGB 111 225 229

HSL 182.03, 0.69%, 0.67%

LAB 83.38, -31.25, -11.9

 

CMYK 0 / 51 / 23 / 10

HEX #E671B2

RGB 230 113 178

HSL 326.67, 0.7%, 0.67%

LAB 63.22, 52.74, -13.29

 

CMYK 22 / 0 / 52 / 10

HEX #B2E56F

RGB 178 229 111

HSL 85.93, 0.69%, 0.67%

LAB 85.33, -35.16, 51.73

 

CMYK 52 / 22 / 0 / 10

HEX #6FB2E5

RGB 111 178 229

HSL 205.93, 0.69%, 0.67%

LAB 70.09, -7.25, -32.11

 

CMYK 0 / 51 / 23 / 10

HEX #E671B2

RGB 230 113 178

HSL 326.67, 0.7%, 0.67%

LAB 63.22, 52.74, -13.29

 

CMYK 0 / 19 / 52 / 10

HEX #E5BA6F

RGB 229 186 111

HSL 38.14, 0.69%, 0.67%

LAB 77.83, 6.43, 43.58

 

CMYK 52 / 0 / 29 / 10

HEX #6FE5A2

RGB 111 229 162

HSL 145.93, 0.69%, 0.67%

LAB 82.93, -48.33, 22.71

 

CMYK 52 / 32 / 0 / 10

HEX #6F9BE5

RGB 111 155 229

HSL 217.63, 0.69%, 0.67%

LAB 63.74, 5.66, -42

 

CMYK 0 / 51 / 23 / 10

HEX #E671B2

RGB 230 113 178

HSL 326.67, 0.7%, 0.67%

LAB 63.22, 52.74, -13.29

 

CMYK 0 / 3 / 52 / 10

HEX #E5DD6F

RGB 229 221 111

HSL 55.93, 0.69%, 0.67%

LAB 86.76, -11.55, 54.31

 

CMYK 52 / 0 / 29 / 10

HEX #6FE5A2

RGB 111 229 162

HSL 145.93, 0.69%, 0.67%

LAB 82.93, -48.33, 22.71

 

CMYK 52 / 48 / 0 / 10

HEX #6F77E5

RGB 111 119 229

HSL 235.93, 0.69%, 0.67%

LAB 54.27, 26.99, -57.02

 

Description

Color code: HEX #E671B2 | qconv.com Color code: HEX #E671B2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 113 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 113 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 23 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 23% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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