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Color name
HEX #E6702D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E6702D it is the complementary color #198FD2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E6702D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E6702D shade: #EB7028, #FC823B, #FF944E, #FFA661 and #FFB874

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E6702D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E6702D shade: #E6702D, #D55E1A, #C44C07, #B33A00 and #A22800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E6702D shade: #E6702D, #E63E2D and #E62D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E6702D shade: #E6702D, #E6A22D, #E6D42D, #C6E62D and #94E62D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E6702D shade matches the following richer shades: #E6702D and #F96A1A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E6702D shade: #E6702D, #D37540, #C07A52, #AD7F65 and #9A8578

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E6702D shade: #E62D4F, #E63C2D, #E66D2D, #E69F2D and #E6D02D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E6702D shade: #AC4B14, #D15B18, #E6702D, #EA8951 and #EFA276

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E6702D shade: #E6702D, #80E62D and #2D36E6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E6702D shade: #E6702D, #2DE66D and #6D2DE6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E6702D shade: #E6702D, #80E62D, #2DA5E6 and #922DE6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E6702D shade: #E6702D, #48E62D, #2DA5E6 and #CA2DE6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 80 / 10

HEX #E6702D

RGB 230 112 45

HSL 21.73, 0.79%, 0.54%

LAB 60.43, 41.8, 55.86

 

Complementary color

CMYK 88 / 32 / 0 / 18

HEX #198FD2

RGB 25 143 210

HSL 201.73, 0.79%, 0.46%

LAB 56.59, -6.56, -42.86

 

CMYK 0 / 52 / 83 / 8

HEX #EB7028

RGB 235 112 40

HSL 22.15, 0.83%, 0.54%

LAB 61.14, 43.57, 58.83

 

CMYK 0 / 48 / 77 / 1

HEX #FC823B

RGB 252 130 59

HSL 22.07, 0.97%, 0.61%

LAB 67.26, 41.81, 57.42

 

CMYK 0 / 42 / 69 / 0

HEX #FF944E

RGB 255 148 78

HSL 23.73, 1%, 0.65%

LAB 71.55, 34.71, 53.22

 

CMYK 0 / 35 / 62 / 0

HEX #FFA661

RGB 255 166 97

HSL 26.2, 1%, 0.69%

LAB 75.7, 26.49, 48.66

 

CMYK 0 / 28 / 55 / 0

HEX #FFB874

RGB 255 184 116

HSL 29.35, 1%, 0.73%

LAB 80.07, 18.45, 44.41

 

CMYK 0 / 51 / 80 / 10

HEX #E6702D

RGB 230 112 45

HSL 21.73, 0.79%, 0.54%

LAB 60.43, 41.8, 55.86

 

CMYK 0 / 56 / 88 / 16

HEX #D55E1A

RGB 213 94 26

HSL 21.82, 0.78%, 0.47%

LAB 54.27, 43.62, 56.96

 

CMYK 0 / 61 / 96 / 23

HEX #C44C07

RGB 196 76 7

HSL 21.9, 0.93%, 0.4%

LAB 48.16, 45.46, 56.74

 

CMYK 0 / 68 / 100 / 30

HEX #B33A00

RGB 179 58 0

HSL 19.44, 1%, 0.35%

LAB 42.17, 47.18, 53.73

 

CMYK 0 / 75 / 100 / 36

HEX #A22800

RGB 162 40 0

HSL 14.81, 1%, 0.32%

LAB 36.36, 48.39, 49.11

 

CMYK 0 / 51 / 80 / 10

HEX #E6702D

RGB 230 112 45

HSL 21.73, 0.79%, 0.54%

LAB 60.43, 41.8, 55.86

 

CMYK 0 / 73 / 80 / 10

HEX #E63E2D

RGB 230 62 45

HSL 5.51, 0.79%, 0.54%

LAB 52.35, 63.18, 48.21

 

CMYK 0 / 80 / 80 / 10

HEX #E62D2D

RGB 230 45 45

HSL 0, 0.79%, 0.54%

LAB 50.56, 68.21, 46.47

 

CMYK 0 / 51 / 80 / 10

HEX #E6702D

RGB 230 112 45

HSL 21.73, 0.79%, 0.54%

LAB 60.43, 41.8, 55.86

 

CMYK 0 / 30 / 80 / 10

HEX #E6A22D

RGB 230 162 45

HSL 37.95, 0.79%, 0.54%

LAB 71.46, 15.68, 65.89

 

CMYK 0 / 8 / 80 / 10

HEX #E6D42D

RGB 230 212 45

HSL 54.16, 0.79%, 0.54%

LAB 84.02, -10.33, 76.9

 

CMYK 14 / 0 / 80 / 10

HEX #C6E62D

RGB 198 230 45

HSL 70.38, 0.79%, 0.54%

LAB 86.4, -32.28, 78.03

 

CMYK 36 / 0 / 80 / 10

HEX #94E62D

RGB 148 230 45

HSL 86.59, 0.79%, 0.54%

LAB 83.48, -51.07, 74.33

 

CMYK 0 / 51 / 80 / 10

HEX #E6702D

RGB 230 112 45

HSL 21.73, 0.79%, 0.54%

LAB 60.43, 41.8, 55.86

 

CMYK 0 / 57 / 90 / 2

HEX #F96A1A

RGB 249 106 26

HSL 21.52, 0.95%, 0.54%

LAB 62.1, 51.33, 65.37

 

CMYK 0 / 51 / 80 / 10

HEX #E6702D

RGB 230 112 45

HSL 21.73, 0.79%, 0.54%

LAB 60.43, 41.8, 55.86

 

CMYK 0 / 45 / 70 / 17

HEX #D37540

RGB 211 117 64

HSL 21.63, 0.63%, 0.54%

LAB 58.92, 32.53, 44.54

 

CMYK 0 / 36 / 57 / 25

HEX #C07A52

RGB 192 122 82

HSL 21.82, 0.47%, 0.54%

LAB 57.78, 23.23, 33.07

 

CMYK 0 / 27 / 42 / 32

HEX #AD7F65

RGB 173 127 101

HSL 21.67, 0.31%, 0.54%

LAB 57.08, 14.39, 21.11

 

CMYK 0 / 14 / 22 / 40

HEX #9A8578

RGB 154 133 120

HSL 22.94, 0.14%, 0.54%

LAB 57.08, 5.82, 9.94

 

CMYK 0 / 80 / 66 / 10

HEX #E62D4F

RGB 230 45 79

HSL 348.97, 0.79%, 0.54%

LAB 50.99, 69.55, 27.52

 

CMYK 0 / 74 / 80 / 10

HEX #E63C2D

RGB 230 60 45

HSL 4.86, 0.79%, 0.54%

LAB 52.11, 63.85, 47.98

 

CMYK 0 / 53 / 80 / 10

HEX #E66D2D

RGB 230 109 45

HSL 20.76, 0.79%, 0.54%

LAB 59.84, 43.28, 55.32

 

CMYK 0 / 31 / 80 / 10

HEX #E69F2D

RGB 230 159 45

HSL 36.97, 0.79%, 0.54%

LAB 70.74, 17.28, 65.25

 

CMYK 0 / 10 / 80 / 10

HEX #E6D02D

RGB 230 208 45

HSL 52.86, 0.79%, 0.54%

LAB 82.98, -8.31, 76.01

 

CMYK 0 / 56 / 88 / 33

HEX #AC4B14

RGB 172 75 20

HSL 21.71, 0.79%, 0.38%

LAB 44.02, 36.96, 48.2

 

CMYK 0 / 56 / 89 / 18

HEX #D15B18

RGB 209 91 24

HSL 21.73, 0.79%, 0.46%

LAB 53.06, 43.51, 56.43

 

CMYK 0 / 51 / 80 / 10

HEX #E6702D

RGB 230 112 45

HSL 21.73, 0.79%, 0.54%

LAB 60.43, 41.8, 55.86

 

CMYK 0 / 41 / 65 / 8

HEX #EA8951

RGB 234 137 81

HSL 21.96, 0.78%, 0.62%

LAB 66.5, 32.23, 45.33

 

CMYK 0 / 32 / 51 / 6

HEX #EFA276

RGB 239 162 118

HSL 21.82, 0.79%, 0.7%

LAB 73.22, 23.81, 34.38

 

CMYK 0 / 51 / 80 / 10

HEX #E6702D

RGB 230 112 45

HSL 21.73, 0.79%, 0.54%

LAB 60.43, 41.8, 55.86

 

CMYK 44 / 0 / 80 / 10

HEX #80E62D

RGB 128 230 45

HSL 93.08, 0.79%, 0.54%

LAB 82.58, -57.63, 73.17

 

CMYK 80 / 77 / 0 / 10

HEX #2D36E6

RGB 45 54 230

HSL 237.08, 0.79%, 0.54%

LAB 35.81, 56.64, -87.85

 

CMYK 0 / 51 / 80 / 10

HEX #E6702D

RGB 230 112 45

HSL 21.73, 0.79%, 0.54%

LAB 60.43, 41.8, 55.86

 

CMYK 80 / 0 / 53 / 10

HEX #2DE66D

RGB 45 230 109

HSL 140.76, 0.79%, 0.54%

LAB 80.88, -69.25, 46.19

 

CMYK 53 / 80 / 0 / 10

HEX #6D2DE6

RGB 109 45 230

HSL 260.76, 0.79%, 0.54%

LAB 39.31, 66.37, -81.91

 

CMYK 0 / 51 / 80 / 10

HEX #E6702D

RGB 230 112 45

HSL 21.73, 0.79%, 0.54%

LAB 60.43, 41.8, 55.86

 

CMYK 44 / 0 / 80 / 10

HEX #80E62D

RGB 128 230 45

HSL 93.08, 0.79%, 0.54%

LAB 82.58, -57.63, 73.17

 

CMYK 80 / 28 / 0 / 10

HEX #2DA5E6

RGB 45 165 230

HSL 201.08, 0.79%, 0.54%

LAB 64.31, -10.24, -41.82

 

CMYK 37 / 80 / 0 / 10

HEX #922DE6

RGB 146 45 230

HSL 272.76, 0.79%, 0.54%

LAB 43.8, 71.23, -74.37

 

CMYK 0 / 51 / 80 / 10

HEX #E6702D

RGB 230 112 45

HSL 21.73, 0.79%, 0.54%

LAB 60.43, 41.8, 55.86

 

CMYK 69 / 0 / 80 / 10

HEX #48E62D

RGB 72 230 45

HSL 111.24, 0.79%, 0.54%

LAB 80.83, -71.56, 70.92

 

CMYK 80 / 28 / 0 / 10

HEX #2DA5E6

RGB 45 165 230

HSL 201.08, 0.79%, 0.54%

LAB 64.31, -10.24, -41.82

 

CMYK 12 / 80 / 0 / 10

HEX #CA2DE6

RGB 202 45 230

HSL 290.92, 0.79%, 0.54%

LAB 52, 80.26, -60.68

 

Description

Color code: HEX #E6702D | qconv.com Color code: HEX #E6702D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 112 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 112 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 80 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 80% 10% C M Y K

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Provide designers and agencies with accurate color values.

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