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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E6630E it is the complementary color #199CF1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E6630E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E6630E shade: #EB6309, #FC751C, #FF872F, #FF9942 and #FFAB55

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E6630E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E6630E shade: #E6630E, #D55100, #C43F00, #B32D00 and #A21B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E6630E shade: #E7630D, #E7280D and #E70D0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E6630E shade: #E7630D, #E79D0D, #E7D80D, #BBE70D and #80E70D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E6630E shade matches the following richer shades: #E7630D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E6630E shade: #E7630D, #D36721, #BF6B35, #AB6F48 and #98745C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E6630E shade: #E70D2E, #E7260D, #E7600D, #E79B0D and #E7D50D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E6630E shade: #994108, #C0520B, #E7630D, #F2792B and #F49252

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E6630E shade: #E6630E, #68E70D and #0D11E7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E6630E shade: #E6630E, #0DE760 and #600DE7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E6630E shade: #E6630E, #68E70D, #0D93E7 and #8C0DE7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E6630E shade: #E6630E, #26E70D, #0D93E7 and #CD0DE7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 94 / 10

HEX #E6630E

RGB 230 99 14

HSL 23.61, 0.89%, 0.48%

LAB 57.83, 47.44, 64.11

 

Complementary color

CMYK 90 / 35 / 0 / 5

HEX #199CF1

RGB 25 156 241

HSL 203.61, 0.89%, 0.52%

LAB 61.94, -2.6, -51.62

 

CMYK 0 / 58 / 96 / 8

HEX #EB6309

RGB 235 99 9

HSL 23.89, 0.93%, 0.48%

LAB 58.61, 49.24, 65.96

 

CMYK 0 / 54 / 89 / 1

HEX #FC751C

RGB 252 117 28

HSL 23.84, 0.97%, 0.55%

LAB 64.57, 47.33, 66.8

 

CMYK 0 / 47 / 82 / 0

HEX #FF872F

RGB 255 135 47

HSL 25.38, 1%, 0.59%

LAB 68.6, 40.09, 63.81

 

CMYK 0 / 40 / 74 / 0

HEX #FF9942

RGB 255 153 66

HSL 27.62, 1%, 0.63%

LAB 72.52, 31.58, 59.74

 

CMYK 0 / 33 / 67 / 0

HEX #FFAB55

RGB 255 171 85

HSL 30.35, 1%, 0.67%

LAB 76.7, 23.15, 55.59

 

CMYK 0 / 57 / 94 / 10

HEX #E6630E

RGB 230 99 14

HSL 23.61, 0.89%, 0.48%

LAB 57.83, 47.44, 64.11

 

CMYK 0 / 62 / 100 / 16

HEX #D55100

RGB 213 81 0

HSL 22.82, 1%, 0.42%

LAB 51.87, 49.32, 62.02

 

CMYK 0 / 68 / 100 / 23

HEX #C43F00

RGB 196 63 0

HSL 19.29, 1%, 0.38%

LAB 46.03, 51.02, 57.38

 

CMYK 0 / 75 / 100 / 30

HEX #B32D00

RGB 179 45 0

HSL 15.08, 1%, 0.35%

LAB 40.35, 52.17, 52.85

 

CMYK 0 / 83 / 100 / 36

HEX #A21B00

RGB 162 27 0

HSL 10, 1%, 0.32%

LAB 34.93, 52.4, 48.39

 

CMYK 0 / 57 / 94 / 9

HEX #E7630D

RGB 231 99 13

HSL 23.67, 0.89%, 0.48%

LAB 57.98, 47.8, 64.5

 

CMYK 0 / 83 / 94 / 9

HEX #E7280D

RGB 231 40 13

HSL 7.43, 0.89%, 0.48%

LAB 50.14, 69.11, 59.74

 

CMYK 0 / 94 / 94 / 9

HEX #E70D0D

RGB 231 13 13

HSL 0, 0.89%, 0.48%

LAB 48.64, 73.4, 58.92

 

CMYK 0 / 57 / 94 / 9

HEX #E7630D

RGB 231 99 13

HSL 23.67, 0.89%, 0.48%

LAB 57.98, 47.8, 64.5

 

CMYK 0 / 32 / 94 / 9

HEX #E79D0D

RGB 231 157 13

HSL 39.63, 0.89%, 0.48%

LAB 70.27, 18.1, 72.87

 

CMYK 0 / 6 / 94 / 9

HEX #E7D80D

RGB 231 216 13

HSL 55.87, 0.89%, 0.48%

LAB 85.06, -12.53, 83.68

 

CMYK 19 / 0 / 94 / 9

HEX #BBE70D

RGB 187 231 13

HSL 72.11, 0.89%, 0.48%

LAB 85.88, -37.83, 82.88

 

CMYK 45 / 0 / 94 / 9

HEX #80E70D

RGB 128 231 13

HSL 88.35, 0.89%, 0.48%

LAB 82.79, -58.94, 79.13

 

CMYK 0 / 57 / 94 / 9

HEX #E7630D

RGB 231 99 13

HSL 23.67, 0.89%, 0.48%

LAB 57.98, 47.8, 64.5

 

CMYK 0 / 57 / 94 / 9

HEX #E7630D

RGB 231 99 13

HSL 23.67, 0.89%, 0.48%

LAB 57.98, 47.8, 64.5

 

CMYK 0 / 51 / 84 / 17

HEX #D36721

RGB 211 103 33

HSL 23.6, 0.73%, 0.48%

LAB 55.74, 38.55, 55.49

 

CMYK 0 / 44 / 72 / 25

HEX #BF6B35

RGB 191 107 53

HSL 23.48, 0.57%, 0.48%

LAB 53.87, 29.1, 43.76

 

CMYK 0 / 35 / 58 / 33

HEX #AB6F48

RGB 171 111 72

HSL 23.64, 0.41%, 0.48%

LAB 52.39, 19.69, 31.31

 

CMYK 0 / 24 / 39 / 40

HEX #98745C

RGB 152 116 92

HSL 24, 0.25%, 0.48%

LAB 51.77, 10.77, 18.71

 

CMYK 0 / 94 / 80 / 9

HEX #E70D2E

RGB 231 13 46

HSL 350.92, 0.89%, 0.48%

LAB 48.85, 73.98, 44.31

 

CMYK 0 / 84 / 94 / 9

HEX #E7260D

RGB 231 38 13

HSL 6.88, 0.89%, 0.48%

LAB 49.98, 69.55, 59.66

 

CMYK 0 / 58 / 94 / 9

HEX #E7600D

RGB 231 96 13

HSL 22.84, 0.89%, 0.48%

LAB 57.45, 49.19, 64.16

 

CMYK 0 / 33 / 94 / 9

HEX #E79B0D

RGB 231 155 13

HSL 39.08, 0.89%, 0.48%

LAB 69.8, 19.16, 72.53

 

CMYK 0 / 8 / 94 / 9

HEX #E7D50D

RGB 231 213 13

HSL 55.05, 0.89%, 0.48%

LAB 84.28, -11.04, 83.1

 

CMYK 0 / 58 / 95 / 40

HEX #994108

RGB 153 65 8

HSL 23.59, 0.9%, 0.32%

LAB 38.85, 34.22, 46.88

 

CMYK 0 / 57 / 94 / 25

HEX #C0520B

RGB 192 82 11

HSL 23.54, 0.89%, 0.4%

LAB 48.59, 41.16, 55.75

 

CMYK 0 / 57 / 94 / 9

HEX #E7630D

RGB 231 99 13

HSL 23.67, 0.89%, 0.48%

LAB 57.98, 47.8, 64.5

 

CMYK 0 / 50 / 82 / 5

HEX #F2792B

RGB 242 121 43

HSL 23.52, 0.88%, 0.56%

LAB 63.94, 41.91, 60.52

 

CMYK 0 / 40 / 66 / 4

HEX #F49252

RGB 244 146 82

HSL 23.7, 0.88%, 0.64%

LAB 69.75, 31.59, 48.89

 

CMYK 0 / 57 / 94 / 10

HEX #E6630E

RGB 230 99 14

HSL 23.61, 0.89%, 0.48%

LAB 57.83, 47.44, 64.11

 

CMYK 55 / 0 / 94 / 9

HEX #68E70D

RGB 104 231 13

HSL 94.95, 0.89%, 0.48%

LAB 81.91, -65.83, 78.04

 

CMYK 94 / 93 / 0 / 9

HEX #0D11E7

RGB 13 17 231

HSL 238.9, 0.89%, 0.48%

LAB 30.05, 70.45, -98.04

 

CMYK 0 / 57 / 94 / 10

HEX #E6630E

RGB 230 99 14

HSL 23.61, 0.89%, 0.48%

LAB 57.83, 47.44, 64.11

 

CMYK 94 / 0 / 58 / 9

HEX #0DE760

RGB 13 231 96

HSL 142.84, 0.89%, 0.48%

LAB 80.78, -73.54, 51.96

 

CMYK 58 / 94 / 0 / 9

HEX #600DE7

RGB 96 13 231

HSL 262.84, 0.89%, 0.48%

LAB 35.09, 74.13, -89.5

 

CMYK 0 / 57 / 94 / 10

HEX #E6630E

RGB 230 99 14

HSL 23.61, 0.89%, 0.48%

LAB 57.83, 47.44, 64.11

 

CMYK 55 / 0 / 94 / 9

HEX #68E70D

RGB 104 231 13

HSL 94.95, 0.89%, 0.48%

LAB 81.91, -65.83, 78.04

 

CMYK 94 / 36 / 0 / 9

HEX #0D93E7

RGB 13 147 231

HSL 203.12, 0.89%, 0.48%

LAB 58.72, -1.59, -51.23

 

CMYK 39 / 94 / 0 / 9

HEX #8C0DE7

RGB 140 13 231

HSL 274.95, 0.89%, 0.48%

LAB 40.63, 77.91, -80.17

 

CMYK 0 / 57 / 94 / 10

HEX #E6630E

RGB 230 99 14

HSL 23.61, 0.89%, 0.48%

LAB 57.83, 47.44, 64.11

 

CMYK 84 / 0 / 94 / 9

HEX #26E70D

RGB 38 231 13

HSL 113.12, 0.89%, 0.48%

LAB 80.51, -77.67, 76.33

 

CMYK 94 / 36 / 0 / 9

HEX #0D93E7

RGB 13 147 231

HSL 203.12, 0.89%, 0.48%

LAB 58.72, -1.59, -51.23

 

CMYK 11 / 94 / 0 / 9

HEX #CD0DE7

RGB 205 13 231

HSL 292.84, 0.89%, 0.48%

LAB 50.73, 86.27, -63.27

 

Description

Color code: HEX #E6630E | qconv.com Color code: HEX #E6630E | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 99 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 99 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 94 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 94% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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