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Color name
HEX #E65750

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E65750 it is the complementary color #19A8AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E65750. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E65750 shade: #EB574B, #FC695E, #FF7B71, #FF8D84 and #FF9F97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E65750. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E65750 shade: #E65750, #D5453D, #C4332A, #B32117 and #A20F04

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E65750 shade: #E65750 and #E65050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E65750 shade: #E65750, #E68050, #E6A850, #E6D050 and #D3E650

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E65750 shade matches the following richer shades: #E65750 and #F64940

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E65750 shade: #E65750, #D66661, #C57571, #B58381 and #A59291

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E65750 shade: #E6509B, #E65073, #E65550, #E67D50 and #E6A550

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E65750 shade: #C8241C, #E0352C, #E65750, #EB7A75 and #F09D99

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E65750 shade: #E65750, #C3E650 and #5087E6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E65750 shade: #E65750, #50E655 and #5550E6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E65750 shade: #E65750, #C3E650, #50E1E6 and #7350E6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E65750 shade: #E65750, #96E650, #50E1E6 and #A050E6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 65 / 10

HEX #E65750

RGB 230 87 80

HSL 2.8, 0.75%, 0.61%

LAB 56.31, 55.02, 33.57

 

Complementary color

CMYK 86 / 4 / 0 / 31

HEX #19A8AF

RGB 25 168 175

HSL 182.8, 0.75%, 0.39%

LAB 62.77, -31.86, -13.65

 

CMYK 0 / 63 / 68 / 8

HEX #EB574B

RGB 235 87 75

HSL 4.5, 0.8%, 0.61%

LAB 57.06, 56.43, 37.49

 

CMYK 0 / 58 / 63 / 1

HEX #FC695E

RGB 252 105 94

HSL 4.18, 0.96%, 0.68%

LAB 63.02, 55.41, 34.81

 

CMYK 0 / 52 / 56 / 0

HEX #FF7B71

RGB 255 123 113

HSL 4.23, 1%, 0.72%

LAB 66.99, 49.39, 29.42

 

CMYK 0 / 45 / 48 / 0

HEX #FF8D84

RGB 255 141 132

HSL 4.39, 1%, 0.76%

LAB 70.85, 42.11, 24.04

 

CMYK 0 / 38 / 41 / 0

HEX #FF9F97

RGB 255 159 151

HSL 4.62, 1%, 0.8%

LAB 75.01, 34.79, 19.29

 

CMYK 0 / 62 / 65 / 10

HEX #E65750

RGB 230 87 80

HSL 2.8, 0.75%, 0.61%

LAB 56.31, 55.02, 33.57

 

CMYK 0 / 68 / 71 / 16

HEX #D5453D

RGB 213 69 61

HSL 3.16, 0.64%, 0.54%

LAB 50.38, 55.86, 36.57

 

CMYK 0 / 74 / 79 / 23

HEX #C4332A

RGB 196 51 42

HSL 3.51, 0.65%, 0.47%

LAB 44.62, 56.34, 39.96

 

CMYK 0 / 82 / 87 / 30

HEX #B32117

RGB 179 33 23

HSL 3.85, 0.77%, 0.4%

LAB 39.13, 56.21, 43.49

 

CMYK 0 / 91 / 98 / 36

HEX #A20F04

RGB 162 15 4

HSL 4.18, 0.95%, 0.33%

LAB 34.05, 55.03, 46.27

 

CMYK 0 / 62 / 65 / 10

HEX #E65750

RGB 230 87 80

HSL 2.8, 0.75%, 0.61%

LAB 56.31, 55.02, 33.57

 

CMYK 0 / 65 / 65 / 10

HEX #E65050

RGB 230 80 80

HSL 0, 0.75%, 0.61%

LAB 55.22, 57.95, 32.23

 

CMYK 0 / 62 / 65 / 10

HEX #E65750

RGB 230 87 80

HSL 2.8, 0.75%, 0.61%

LAB 56.31, 55.02, 33.57

 

CMYK 0 / 44 / 65 / 10

HEX #E68050

RGB 230 128 80

HSL 19.2, 0.75%, 0.61%

LAB 64.03, 35.27, 42.83

 

CMYK 0 / 27 / 65 / 10

HEX #E6A850

RGB 230 168 80

HSL 35.2, 0.75%, 0.61%

LAB 73.16, 14.1, 53.21

 

CMYK 0 / 10 / 65 / 10

HEX #E6D050

RGB 230 208 80

HSL 51.2, 0.75%, 0.61%

LAB 83.19, -6.78, 64.02

 

CMYK 8 / 0 / 65 / 10

HEX #D3E650

RGB 211 230 80

HSL 67.6, 0.75%, 0.61%

LAB 87.5, -25.42, 68.04

 

CMYK 0 / 62 / 65 / 10

HEX #E65750

RGB 230 87 80

HSL 2.8, 0.75%, 0.61%

LAB 56.31, 55.02, 33.57

 

CMYK 0 / 70 / 74 / 4

HEX #F64940

RGB 246 73 64

HSL 2.97, 0.91%, 0.61%

LAB 56.81, 64.92, 43.75

 

CMYK 0 / 62 / 65 / 10

HEX #E65750

RGB 230 87 80

HSL 2.8, 0.75%, 0.61%

LAB 56.31, 55.02, 33.57

 

CMYK 0 / 52 / 55 / 16

HEX #D66661

RGB 214 102 97

HSL 2.56, 0.59%, 0.61%

LAB 56.74, 43.6, 23.89

 

CMYK 0 / 41 / 43 / 23

HEX #C57571

RGB 197 117 113

HSL 2.86, 0.42%, 0.61%

LAB 57.83, 30.92, 15.74

 

CMYK 0 / 28 / 29 / 29

HEX #B58381

RGB 181 131 129

HSL 2.31, 0.26%, 0.61%

LAB 59.56, 18.97, 8.7

 

CMYK 0 / 12 / 12 / 35

HEX #A59291

RGB 165 146 145

HSL 3, 0.1%, 0.61%

LAB 62.17, 6.89, 3.11

 

CMYK 0 / 65 / 33 / 10

HEX #E6509B

RGB 230 80 155

HSL 330, 0.75%, 0.61%

LAB 57, 64.4, -9.33

 

CMYK 0 / 65 / 50 / 10

HEX #E65073

RGB 230 80 115

HSL 346, 0.75%, 0.61%

LAB 55.89, 60.41, 12.61

 

CMYK 0 / 63 / 65 / 10

HEX #E65550

RGB 230 85 80

HSL 2, 0.75%, 0.61%

LAB 55.99, 55.88, 33.18

 

CMYK 0 / 46 / 65 / 10

HEX #E67D50

RGB 230 125 80

HSL 18, 0.75%, 0.61%

LAB 63.4, 36.82, 42.09

 

CMYK 0 / 28 / 65 / 10

HEX #E6A550

RGB 230 165 80

HSL 34, 0.75%, 0.61%

LAB 72.44, 15.69, 52.41

 

CMYK 0 / 82 / 86 / 22

HEX #C8241C

RGB 200 36 28

HSL 2.79, 0.75%, 0.45%

LAB 43.69, 61.61, 46.61

 

CMYK 0 / 76 / 80 / 12

HEX #E0352C

RGB 224 53 44

HSL 3, 0.74%, 0.53%

LAB 50.19, 64.24, 46.23

 

CMYK 0 / 62 / 65 / 10

HEX #E65750

RGB 230 87 80

HSL 2.8, 0.75%, 0.61%

LAB 56.31, 55.02, 33.57

 

CMYK 0 / 48 / 50 / 8

HEX #EB7A75

RGB 235 122 117

HSL 2.54, 0.75%, 0.69%

LAB 64.05, 43, 22.78

 

CMYK 0 / 35 / 36 / 6

HEX #F09D99

RGB 240 157 153

HSL 2.76, 0.74%, 0.77%

LAB 72.85, 30.47, 14.92

 

CMYK 0 / 62 / 65 / 10

HEX #E65750

RGB 230 87 80

HSL 2.8, 0.75%, 0.61%

LAB 56.31, 55.02, 33.57

 

CMYK 15 / 0 / 65 / 10

HEX #C3E650

RGB 195 230 80

HSL 74, 0.75%, 0.61%

LAB 86.39, -31.75, 66.55

 

CMYK 65 / 41 / 0 / 10

HEX #5087E6

RGB 80 135 230

HSL 218, 0.75%, 0.61%

LAB 56.83, 11.72, -53.58

 

CMYK 0 / 62 / 65 / 10

HEX #E65750

RGB 230 87 80

HSL 2.8, 0.75%, 0.61%

LAB 56.31, 55.02, 33.57

 

CMYK 65 / 0 / 63 / 10

HEX #50E655

RGB 80 230 85

HSL 122, 0.75%, 0.61%

LAB 81.27, -66.97, 57.49

 

CMYK 63 / 65 / 0 / 10

HEX #5550E6

RGB 85 80 230

HSL 242, 0.75%, 0.61%

LAB 43.33, 46.04, -75.38

 

CMYK 0 / 62 / 65 / 10

HEX #E65750

RGB 230 87 80

HSL 2.8, 0.75%, 0.61%

LAB 56.31, 55.02, 33.57

 

CMYK 15 / 0 / 65 / 10

HEX #C3E650

RGB 195 230 80

HSL 74, 0.75%, 0.61%

LAB 86.39, -31.75, 66.55

 

CMYK 65 / 2 / 0 / 10

HEX #50E1E6

RGB 80 225 230

HSL 182, 0.75%, 0.61%

LAB 82.52, -36.37, -13.81

 

CMYK 50 / 65 / 0 / 10

HEX #7350E6

RGB 115 80 230

HSL 254, 0.75%, 0.61%

LAB 45.76, 50.77, -71.31

 

CMYK 0 / 62 / 65 / 10

HEX #E65750

RGB 230 87 80

HSL 2.8, 0.75%, 0.61%

LAB 56.31, 55.02, 33.57

 

CMYK 35 / 0 / 65 / 10

HEX #96E650

RGB 150 230 80

HSL 92, 0.75%, 0.61%

LAB 83.79, -48.31, 63.01

 

CMYK 65 / 2 / 0 / 10

HEX #50E1E6

RGB 80 225 230

HSL 182, 0.75%, 0.61%

LAB 82.52, -36.37, -13.81

 

CMYK 30 / 65 / 0 / 10

HEX #A050E6

RGB 160 80 230

HSL 272, 0.75%, 0.61%

LAB 50.6, 59.5, -63.24

 

Description

Color code: HEX #E65750 | qconv.com Color code: HEX #E65750 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 87 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 87 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 65 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 65% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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