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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E642EB it is the complementary color #19BD14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E642EB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E642EB shade: #EB42E6, #FC54F9, #FF66FF, #FF78FF and #FF8AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E642EB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E642EB shade: #E642EB, #D530D8, #C41EC5, #B30CB2 and #A2009F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E642EB shade: #E641EB, #EB41C2, #EB4194, #EB4167 and #EB4141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E642EB shade: #E641EB, #B841EB, #8A41EB, #5D41EB and #4141EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E642EB shade matches the following richer shades: #E641EB and #F630FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E642EB shade: #E641EB, #D652DA, #C663C9, #B674B8 and #A685A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E642EB shade: #8B41EB, #B841EB, #E541EB, #EB41C3 and #EB4196

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E642EB shade: #C014C5, #E11CE7, #E641EB, #EB67EF and #EF8CF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E642EB shade: #E642EB, #EB5D41 and #41EBA1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E642EB shade: #E642EB, #EBE541 and #41EBE5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E642EB shade: #E642EB, #EB5D41, #47EB41 and #41CEEB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E642EB shade: #E642EB, #EB9041, #47EB41 and #419CEB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 72 / 0 / 8

HEX #E642EB

RGB 230 66 235

HSL 298.22, 0.81%, 0.59%

LAB 58.71, 80.45, -52.51

 

Complementary color

CMYK 87 / 0 / 89 / 26

HEX #19BD14

RGB 25 189 20

HSL 118.22, 0.81%, 0.41%

LAB 67.02, -66.89, 63.98

 

CMYK 0 / 72 / 2 / 8

HEX #EB42E6

RGB 235 66 230

HSL 301.78, 0.81%, 0.59%

LAB 59.23, 80.7, -48.85

 

CMYK 0 / 67 / 1 / 1

HEX #FC54F9

RGB 252 84 249

HSL 301.07, 0.97%, 0.66%

LAB 64.86, 81.35, -50.32

 

CMYK 0 / 60 / 0 / 0

HEX #FF66FF

RGB 255 102 255

HSL 300, 1%, 0.7%

LAB 68.01, 76.24, -48.63

 

CMYK 0 / 53 / 0 / 0

HEX #FF78FF

RGB 255 120 255

HSL 300, 1%, 0.74%

LAB 70.81, 68.59, -44.22

 

CMYK 0 / 46 / 0 / 0

HEX #FF8AFF

RGB 255 138 255

HSL 300, 1%, 0.77%

LAB 73.97, 60.22, -39.29

 

CMYK 2 / 72 / 0 / 8

HEX #E642EB

RGB 230 66 235

HSL 298.22, 0.81%, 0.59%

LAB 58.71, 80.45, -52.51

 

CMYK 1 / 78 / 0 / 15

HEX #D530D8

RGB 213 48 216

HSL 298.93, 0.68%, 0.52%

LAB 53.19, 79.24, -50.74

 

CMYK 1 / 85 / 0 / 23

HEX #C41EC5

RGB 196 30 197

HSL 299.64, 0.74%, 0.45%

LAB 47.87, 77.19, -48.47

 

CMYK 0 / 93 / 1 / 30

HEX #B30CB2

RGB 179 12 178

HSL 300.36, 0.87%, 0.37%

LAB 42.86, 74.01, -45.52

 

CMYK 0 / 100 / 2 / 36

HEX #A2009F

RGB 162 0 159

HSL 301.11, 1%, 0.32%

LAB 38.17, 69.53, -41.82

 

CMYK 2 / 72 / 0 / 8

HEX #E641EB

RGB 230 65 235

HSL 298.24, 0.81%, 0.59%

LAB 58.6, 80.76, -52.68

 

CMYK 0 / 72 / 17 / 8

HEX #EB41C2

RGB 235 65 194

HSL 314.47, 0.81%, 0.59%

LAB 57.4, 75.85, -31.27

 

CMYK 0 / 72 / 37 / 8

HEX #EB4194

RGB 235 65 148

HSL 330.71, 0.81%, 0.59%

LAB 55.67, 70.41, -7.13

 

CMYK 0 / 72 / 56 / 8

HEX #EB4167

RGB 235 65 103

HSL 346.59, 0.81%, 0.59%

LAB 54.47, 66.51, 17.92

 

CMYK 0 / 72 / 72 / 8

HEX #EB4141

RGB 235 65 65

HSL 0, 0.81%, 0.59%

LAB 53.84, 64.39, 39.32

 

CMYK 2 / 72 / 0 / 8

HEX #E641EB

RGB 230 65 235

HSL 298.24, 0.81%, 0.59%

LAB 58.6, 80.76, -52.68

 

CMYK 22 / 72 / 0 / 8

HEX #B841EB

RGB 184 65 235

HSL 282, 0.81%, 0.59%

LAB 51.8, 71.69, -63.96

 

CMYK 41 / 72 / 0 / 8

HEX #8A41EB

RGB 138 65 235

HSL 265.76, 0.81%, 0.59%

LAB 45.88, 63.43, -73.84

 

CMYK 60 / 72 / 0 / 8

HEX #5D41EB

RGB 93 65 235

HSL 249.88, 0.81%, 0.59%

LAB 41.38, 56.83, -81.39

 

CMYK 72 / 72 / 0 / 8

HEX #4141EB

RGB 65 65 235

HSL 240, 0.81%, 0.59%

LAB 39.42, 53.83, -84.7

 

CMYK 2 / 72 / 0 / 8

HEX #E641EB

RGB 230 65 235

HSL 298.24, 0.81%, 0.59%

LAB 58.6, 80.76, -52.68

 

CMYK 2 / 81 / 0 / 1

HEX #F630FC

RGB 246 48 252

HSL 298.24, 0.97%, 0.59%

LAB 60.55, 90.8, -58.9

 

CMYK 2 / 72 / 0 / 8

HEX #E641EB

RGB 230 65 235

HSL 298.24, 0.81%, 0.59%

LAB 58.6, 80.76, -52.68

 

CMYK 2 / 62 / 0 / 15

HEX #D652DA

RGB 214 82 218

HSL 298.24, 0.65%, 0.59%

LAB 57.46, 68.41, -45.09

 

CMYK 1 / 51 / 0 / 21

HEX #C663C9

RGB 198 99 201

HSL 298.24, 0.49%, 0.59%

LAB 57.22, 53.69, -35.98

 

CMYK 1 / 37 / 0 / 28

HEX #B674B8

RGB 182 116 184

HSL 298.24, 0.32%, 0.59%

LAB 57.94, 36.89, -25.31

 

CMYK 1 / 20 / 0 / 35

HEX #A685A7

RGB 166 133 167

HSL 298.24, 0.16%, 0.59%

LAB 59.59, 18.68, -13.22

 

CMYK 41 / 72 / 0 / 8

HEX #8B41EB

RGB 139 65 235

HSL 266.12, 0.81%, 0.59%

LAB 46, 63.6, -73.65

 

CMYK 22 / 72 / 0 / 8

HEX #B841EB

RGB 184 65 235

HSL 282, 0.81%, 0.59%

LAB 51.8, 71.69, -63.96

 

CMYK 3 / 72 / 0 / 8

HEX #E541EB

RGB 229 65 235

HSL 297.88, 0.81%, 0.59%

LAB 58.45, 80.56, -52.94

 

CMYK 0 / 72 / 17 / 8

HEX #EB41C3

RGB 235 65 195

HSL 314.12, 0.81%, 0.59%

LAB 57.45, 75.99, -31.78

 

CMYK 0 / 72 / 36 / 8

HEX #EB4196

RGB 235 65 150

HSL 330, 0.81%, 0.59%

LAB 55.73, 70.61, -8.21

 

CMYK 3 / 90 / 0 / 23

HEX #C014C5

RGB 192 20 197

HSL 298.31, 0.82%, 0.43%

LAB 46.63, 78.12, -50.5

 

CMYK 3 / 88 / 0 / 9

HEX #E11CE7

RGB 225 28 231

HSL 298.23, 0.81%, 0.51%

LAB 54.67, 87.66, -56.77

 

CMYK 2 / 72 / 0 / 8

HEX #E641EB

RGB 230 65 235

HSL 298.24, 0.81%, 0.59%

LAB 58.6, 80.76, -52.68

 

CMYK 2 / 57 / 0 / 6

HEX #EB67EF

RGB 235 103 239

HSL 298.24, 0.81%, 0.67%

LAB 64.64, 68.29, -45.31

 

CMYK 1 / 42 / 0 / 5

HEX #EF8CF2

RGB 239 140 242

HSL 298.24, 0.8%, 0.75%

LAB 71.9, 52.39, -35.57

 

CMYK 2 / 72 / 0 / 8

HEX #E642EB

RGB 230 66 235

HSL 298.22, 0.81%, 0.59%

LAB 58.71, 80.45, -52.51

 

CMYK 0 / 60 / 72 / 8

HEX #EB5D41

RGB 235 93 65

HSL 9.88, 0.81%, 0.59%

LAB 57.92, 53.35, 43.91

 

CMYK 72 / 0 / 31 / 8

HEX #41EBA1

RGB 65 235 161

HSL 153.88, 0.81%, 0.59%

LAB 83.5, -59.51, 23.83

 

CMYK 2 / 72 / 0 / 8

HEX #E642EB

RGB 230 66 235

HSL 298.22, 0.81%, 0.59%

LAB 58.71, 80.45, -52.51

 

CMYK 0 / 3 / 72 / 8

HEX #EBE541

RGB 235 229 65

HSL 57.88, 0.81%, 0.59%

LAB 88.96, -15.93, 75.5

 

CMYK 72 / 0 / 3 / 8

HEX #41EBE5

RGB 65 235 229

HSL 177.88, 0.81%, 0.59%

LAB 85.1, -43.11, -9.47

 

CMYK 2 / 72 / 0 / 8

HEX #E642EB

RGB 230 66 235

HSL 298.22, 0.81%, 0.59%

LAB 58.71, 80.45, -52.51

 

CMYK 0 / 60 / 72 / 8

HEX #EB5D41

RGB 235 93 65

HSL 9.88, 0.81%, 0.59%

LAB 57.92, 53.35, 43.91

 

CMYK 70 / 0 / 72 / 8

HEX #47EB41

RGB 71 235 65

HSL 117.88, 0.81%, 0.59%

LAB 82.45, -72.02, 66.34

 

CMYK 72 / 12 / 0 / 8

HEX #41CEEB

RGB 65 206 235

HSL 190.24, 0.81%, 0.59%

LAB 76.84, -27.84, -25.11

 

CMYK 2 / 72 / 0 / 8

HEX #E642EB

RGB 230 66 235

HSL 298.22, 0.81%, 0.59%

LAB 58.71, 80.45, -52.51

 

CMYK 0 / 39 / 72 / 8

HEX #EB9041

RGB 235 144 65

HSL 27.88, 0.81%, 0.59%

LAB 68.01, 28.11, 54.76

 

CMYK 70 / 0 / 72 / 8

HEX #47EB41

RGB 71 235 65

HSL 117.88, 0.81%, 0.59%

LAB 82.45, -72.02, 66.34

 

CMYK 72 / 34 / 0 / 8

HEX #419CEB

RGB 65 156 235

HSL 207.88, 0.81%, 0.59%

LAB 62.42, -1.17, -47.51

 

Description

Color code: HEX #E642EB | qconv.com Color code: HEX #E642EB | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 66 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 66 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 72 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 72% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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