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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E63697 it is the complementary color #19C968. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E63697. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E63697 shade: #EB3692, #FC48A5, #FF5AB8, #FF6CCB and #FF7EDE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E63697. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E63697 shade: #E63697, #D52484, #C41271, #B3005E and #A2004B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E63697 shade: #E63797, #E63768, #E63739 and #E63737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E63697 shade: #E63797, #E637C6, #D637E6, #A737E6 and #7837E6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E63697 shade matches the following richer shades: #E63797 and #F82599

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E63697 shade: #E63797, #D44995, #C25B94, #AF6D92 and #9D7F90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E63697 shade: #D437E6, #E637C9, #E6379A, #E6376B and #E6373D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E63697 shade: #B4166D, #D91A83, #E63797, #EA5CAA and #EF80BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E63697 shade: #E63697, #E6A637 and #37E0E6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E63697 shade: #E63697, #9AE637 and #379AE6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E63697 shade: #E63697, #E6A637, #37E683 and #3777E6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E63697 shade: #E63697, #E6DA37, #37E683 and #3742E6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 34 / 10

HEX #E63697

RGB 230 54 151

HSL 326.93, 0.78%, 0.56%

LAB 53.7, 72.8, -11.93

 

Complementary color

CMYK 88 / 0 / 48 / 21

HEX #19C968

RGB 25 201 104

HSL 146.93, 0.78%, 0.44%

LAB 71.54, -62.24, 36.98

 

CMYK 0 / 77 / 38 / 8

HEX #EB3692

RGB 235 54 146

HSL 329.5, 0.82%, 0.57%

LAB 54.42, 73.53, -7.8

 

CMYK 0 / 71 / 35 / 1

HEX #FC48A5

RGB 252 72 165

HSL 329, 0.97%, 0.64%

LAB 59.93, 74.32, -10.41

 

CMYK 0 / 65 / 28 / 0

HEX #FF5AB8

RGB 255 90 184

HSL 325.82, 1%, 0.68%

LAB 63.37, 70.84, -16.11

 

CMYK 0 / 58 / 20 / 0

HEX #FF6CCB

RGB 255 108 203

HSL 321.22, 1%, 0.71%

LAB 66.75, 65.92, -21.74

 

CMYK 0 / 51 / 13 / 0

HEX #FF7EDE

RGB 255 126 222

HSL 315.35, 1%, 0.75%

LAB 70.49, 60.55, -26.59

 

CMYK 0 / 77 / 34 / 10

HEX #E63697

RGB 230 54 151

HSL 326.93, 0.78%, 0.56%

LAB 53.7, 72.8, -11.93

 

CMYK 0 / 83 / 38 / 16

HEX #D52484

RGB 213 36 132

HSL 327.46, 0.71%, 0.49%

LAB 48.35, 71.31, -8.89

 

CMYK 0 / 91 / 42 / 23

HEX #C41271

RGB 196 18 113

HSL 327.98, 0.83%, 0.42%

LAB 43.3, 68.81, -5.1

 

CMYK 0 / 100 / 47 / 30

HEX #B3005E

RGB 179 0 94

HSL 328.49, 1%, 0.35%

LAB 38.54, 65.32, -0.53

 

CMYK 0 / 100 / 54 / 36

HEX #A2004B

RGB 162 0 75

HSL 332.22, 1%, 0.32%

LAB 34.37, 59.92, 5.29

 

CMYK 0 / 76 / 34 / 10

HEX #E63797

RGB 230 55 151

HSL 327.09, 0.78%, 0.56%

LAB 53.8, 72.52, -11.78

 

CMYK 0 / 76 / 55 / 10

HEX #E63768

RGB 230 55 104

HSL 343.2, 0.78%, 0.56%

LAB 52.46, 68.34, 14.42

 

CMYK 0 / 76 / 75 / 10

HEX #E63739

RGB 230 55 57

HSL 359.31, 0.78%, 0.56%

LAB 51.67, 65.81, 41.11

 

CMYK 0 / 76 / 76 / 10

HEX #E63737

RGB 230 55 55

HSL 0, 0.78%, 0.56%

LAB 51.65, 65.74, 42.19

 

CMYK 0 / 76 / 34 / 10

HEX #E63797

RGB 230 55 151

HSL 327.09, 0.78%, 0.56%

LAB 53.8, 72.52, -11.78

 

CMYK 0 / 76 / 14 / 10

HEX #E637C6

RGB 230 55 198

HSL 310.97, 0.78%, 0.56%

LAB 55.72, 78.22, -36.26

 

CMYK 7 / 76 / 0 / 10

HEX #D637E6

RGB 214 55 230

HSL 294.51, 0.78%, 0.56%

LAB 54.81, 79.77, -56.08

 

CMYK 27 / 76 / 0 / 10

HEX #A737E6

RGB 167 55 230

HSL 278.4, 0.78%, 0.56%

LAB 47.83, 71.2, -67.68

 

CMYK 48 / 76 / 0 / 10

HEX #7837E6

RGB 120 55 230

HSL 262.29, 0.78%, 0.56%

LAB 41.9, 63.76, -77.6

 

CMYK 0 / 76 / 34 / 10

HEX #E63797

RGB 230 55 151

HSL 327.09, 0.78%, 0.56%

LAB 53.8, 72.52, -11.78

 

CMYK 0 / 85 / 38 / 3

HEX #F82599

RGB 248 37 153

HSL 327.01, 0.94%, 0.56%

LAB 55.66, 81.15, -9.84

 

CMYK 0 / 76 / 34 / 10

HEX #E63797

RGB 230 55 151

HSL 327.09, 0.78%, 0.56%

LAB 53.8, 72.52, -11.78

 

CMYK 0 / 66 / 30 / 17

HEX #D44995

RGB 212 73 149

HSL 327.19, 0.62%, 0.56%

LAB 52.88, 61.37, -12.3

 

CMYK 0 / 53 / 24 / 24

HEX #C25B94

RGB 194 91 148

HSL 326.8, 0.46%, 0.56%

LAB 53.05, 47.79, -11.72

 

CMYK 0 / 38 / 17 / 31

HEX #AF6D92

RGB 175 109 146

HSL 326.36, 0.29%, 0.56%

LAB 54.16, 31.6, -9.13

 

CMYK 0 / 19 / 8 / 38

HEX #9D7F90

RGB 157 127 144

HSL 326, 0.13%, 0.56%

LAB 56.45, 14.49, -4.78

 

CMYK 8 / 76 / 0 / 10

HEX #D437E6

RGB 212 55 230

HSL 293.83, 0.78%, 0.56%

LAB 54.49, 79.39, -56.6

 

CMYK 0 / 76 / 13 / 10

HEX #E637C9

RGB 230 55 201

HSL 309.94, 0.78%, 0.56%

LAB 55.86, 78.63, -37.76

 

CMYK 0 / 76 / 33 / 10

HEX #E6379A

RGB 230 55 154

HSL 326.06, 0.78%, 0.56%

LAB 53.91, 72.84, -13.4

 

CMYK 0 / 76 / 53 / 10

HEX #E6376B

RGB 230 55 107

HSL 342.17, 0.78%, 0.56%

LAB 52.53, 68.56, 12.7

 

CMYK 0 / 76 / 73 / 10

HEX #E6373D

RGB 230 55 61

HSL 357.94, 0.78%, 0.56%

LAB 51.72, 65.96, 38.91

 

CMYK 0 / 88 / 39 / 29

HEX #B4166D

RGB 180 22 109

HSL 326.96, 0.78%, 0.4%

LAB 40.22, 64.08, -7.53

 

CMYK 0 / 88 / 40 / 15

HEX #D91A83

RGB 217 26 131

HSL 327.02, 0.79%, 0.48%

LAB 48.42, 74.03, -8.1

 

CMYK 0 / 76 / 34 / 10

HEX #E63797

RGB 230 55 151

HSL 327.09, 0.78%, 0.56%

LAB 53.8, 72.52, -11.78

 

CMYK 0 / 61 / 27 / 8

HEX #EA5CAA

RGB 234 92 170

HSL 327.04, 0.77%, 0.64%

LAB 59.93, 62.44, -13.59

 

CMYK 0 / 46 / 21 / 6

HEX #EF80BD

RGB 239 128 189

HSL 327.03, 0.78%, 0.72%

LAB 67.62, 49.8, -12.76

 

CMYK 0 / 77 / 34 / 10

HEX #E63697

RGB 230 54 151

HSL 326.93, 0.78%, 0.56%

LAB 53.7, 72.8, -11.93

 

CMYK 0 / 28 / 76 / 10

HEX #E6A637

RGB 230 166 55

HSL 38.06, 0.78%, 0.56%

LAB 72.48, 13.91, 63.21

 

CMYK 76 / 3 / 0 / 10

HEX #37E0E6

RGB 55 224 230

HSL 182.06, 0.78%, 0.56%

LAB 81.75, -38.95, -15.02

 

CMYK 0 / 77 / 34 / 10

HEX #E63697

RGB 230 54 151

HSL 326.93, 0.78%, 0.56%

LAB 53.7, 72.8, -11.93

 

CMYK 33 / 0 / 76 / 10

HEX #9AE637

RGB 154 230 55

HSL 86.06, 0.78%, 0.56%

LAB 83.83, -48.52, 71.93

 

CMYK 76 / 33 / 0 / 10

HEX #379AE6

RGB 55 154 230

HSL 206.06, 0.78%, 0.56%

LAB 61.34, -3, -46.48

 

CMYK 0 / 77 / 34 / 10

HEX #E63697

RGB 230 54 151

HSL 326.93, 0.78%, 0.56%

LAB 53.7, 72.8, -11.93

 

CMYK 0 / 28 / 76 / 10

HEX #E6A637

RGB 230 166 55

HSL 38.06, 0.78%, 0.56%

LAB 72.48, 13.91, 63.21

 

CMYK 76 / 0 / 43 / 10

HEX #37E683

RGB 55 230 131

HSL 146.06, 0.78%, 0.56%

LAB 81.32, -64.64, 36.1

 

CMYK 76 / 48 / 0 / 10

HEX #3777E6

RGB 55 119 230

HSL 218.06, 0.78%, 0.56%

LAB 51.52, 18.07, -62.15

 

CMYK 0 / 77 / 34 / 10

HEX #E63697

RGB 230 54 151

HSL 326.93, 0.78%, 0.56%

LAB 53.7, 72.8, -11.93

 

CMYK 0 / 5 / 76 / 10

HEX #E6DA37

RGB 230 218 55

HSL 55.89, 0.78%, 0.56%

LAB 85.63, -12.99, 75.45

 

CMYK 76 / 0 / 43 / 10

HEX #37E683

RGB 55 230 131

HSL 146.06, 0.78%, 0.56%

LAB 81.32, -64.64, 36.1

 

CMYK 76 / 71 / 0 / 10

HEX #3742E6

RGB 55 66 230

HSL 236.23, 0.78%, 0.56%

LAB 38.59, 50.8, -83.24

 

Description

Color code: HEX #E63697 | qconv.com Color code: HEX #E63697 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 54 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 54 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 34 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 34% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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