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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E62D8C it is the complementary color #19D273. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E62D8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E62D8C shade: #EB2D87, #FC3F9A, #FF51AD, #FF63C0 and #FF75D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E62D8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E62D8C shade: #E62D8C, #D51B79, #C40966, #B30053 and #A20040

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E62D8C shade: #E62D8C, #E62D5A and #E62D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E62D8C shade: #E62D8C, #E62DBE, #DC2DE6, #AA2DE6 and #782DE6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E62D8C shade matches the following richer shades: #E62D8C and #F91A8C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E62D8C shade: #E62D8C, #D3408B, #C0528B, #AD658A and #9A788A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E62D8C shade: #DD2DE6, #E62DBE, #E62D8C, #E62D5B and #E6302D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E62D8C shade: #AC1462, #D11877, #E62D8C, #EA51A0 and #EF76B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E62D8C shade: #E62D8C, #E6AB2D and #2DD6E6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E62D8C shade: #E62D8C, #8CE62D and #2D8CE6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E62D8C shade: #E62D8C, #E6AB2D, #2DE686 and #2D67E6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E62D8C shade: #E62D8C, #E6E32D, #2DE686 and #2D30E6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 39 / 10

HEX #E62D8C

RGB 230 45 140

HSL 329.19, 0.79%, 0.54%

LAB 52.5, 74.06, -7.18

 

Complementary color

CMYK 88 / 0 / 45 / 18

HEX #19D273

RGB 25 210 115

HSL 149.19, 0.79%, 0.46%

LAB 74.53, -63.41, 35.28

 

CMYK 0 / 81 / 43 / 8

HEX #EB2D87

RGB 235 45 135

HSL 331.58, 0.83%, 0.55%

LAB 53.26, 74.81, -2.96

 

CMYK 0 / 75 / 39 / 1

HEX #FC3F9A

RGB 252 63 154

HSL 331.11, 0.97%, 0.62%

LAB 58.59, 76, -6

 

CMYK 0 / 68 / 32 / 0

HEX #FF51AD

RGB 255 81 173

HSL 328.28, 1%, 0.66%

LAB 61.79, 72.9, -12.19

 

CMYK 0 / 61 / 25 / 0

HEX #FF63C0

RGB 255 99 192

HSL 324.23, 1%, 0.69%

LAB 64.95, 68.26, -18.26

 

CMYK 0 / 54 / 17 / 0

HEX #FF75D3

RGB 255 117 211

HSL 319.13, 1%, 0.73%

LAB 68.52, 63.06, -23.5

 

CMYK 0 / 80 / 39 / 10

HEX #E62D8C

RGB 230 45 140

HSL 329.19, 0.79%, 0.54%

LAB 52.5, 74.06, -7.18

 

CMYK 0 / 87 / 43 / 16

HEX #D51B79

RGB 213 27 121

HSL 329.68, 0.78%, 0.47%

LAB 47.38, 72.03, -3.63

 

CMYK 0 / 95 / 48 / 23

HEX #C40966

RGB 196 9 102

HSL 330.16, 0.91%, 0.4%

LAB 42.6, 68.89, 0.75

 

CMYK 0 / 100 / 54 / 30

HEX #B30053

RGB 179 0 83

HSL 332.18, 1%, 0.35%

LAB 38.21, 64.47, 6.05

 

CMYK 0 / 100 / 60 / 36

HEX #A20040

RGB 162 0 64

HSL 336.3, 1%, 0.32%

LAB 34.09, 59.17, 12.12

 

CMYK 0 / 80 / 39 / 10

HEX #E62D8C

RGB 230 45 140

HSL 329.19, 0.79%, 0.54%

LAB 52.5, 74.06, -7.18

 

CMYK 0 / 80 / 61 / 10

HEX #E62D5A

RGB 230 45 90

HSL 345.41, 0.79%, 0.54%

LAB 51.2, 70.16, 21.16

 

CMYK 0 / 80 / 80 / 10

HEX #E62D2D

RGB 230 45 45

HSL 0, 0.79%, 0.54%

LAB 50.56, 68.21, 46.47

 

CMYK 0 / 80 / 39 / 10

HEX #E62D8C

RGB 230 45 140

HSL 329.19, 0.79%, 0.54%

LAB 52.5, 74.06, -7.18

 

CMYK 0 / 80 / 17 / 10

HEX #E62DBE

RGB 230 45 190

HSL 312.97, 0.79%, 0.54%

LAB 54.47, 79.7, -33.61

 

CMYK 4 / 80 / 0 / 10

HEX #DC2DE6

RGB 220 45 230

HSL 296.76, 0.79%, 0.54%

LAB 54.87, 83.46, -55.92

 

CMYK 26 / 80 / 0 / 10

HEX #AA2DE6

RGB 170 45 230

HSL 280.54, 0.79%, 0.54%

LAB 47.15, 74.9, -68.76

 

CMYK 48 / 80 / 0 / 10

HEX #782DE6

RGB 120 45 230

HSL 264.32, 0.79%, 0.54%

LAB 40.55, 67.7, -79.83

 

CMYK 0 / 80 / 39 / 10

HEX #E62D8C

RGB 230 45 140

HSL 329.19, 0.79%, 0.54%

LAB 52.5, 74.06, -7.18

 

CMYK 0 / 90 / 44 / 2

HEX #F91A8C

RGB 249 26 140

HSL 329.33, 0.95%, 0.54%

LAB 54.84, 81.96, -3.33

 

CMYK 0 / 80 / 39 / 10

HEX #E62D8C

RGB 230 45 140

HSL 329.19, 0.79%, 0.54%

LAB 52.5, 74.06, -7.18

 

CMYK 0 / 70 / 34 / 17

HEX #D3408B

RGB 211 64 139

HSL 329.39, 0.63%, 0.54%

LAB 51.13, 63.34, -8.99

 

CMYK 0 / 57 / 28 / 25

HEX #C0528B

RGB 192 82 139

HSL 328.91, 0.47%, 0.54%

LAB 50.81, 50.23, -9.78

 

CMYK 0 / 42 / 20 / 32

HEX #AD658A

RGB 173 101 138

HSL 329.17, 0.31%, 0.54%

LAB 51.87, 34.01, -7.88

 

CMYK 0 / 22 / 10 / 40

HEX #9A788A

RGB 154 120 138

HSL 328.24, 0.14%, 0.54%

LAB 54.17, 16.3, -4.69

 

CMYK 4 / 80 / 0 / 10

HEX #DD2DE6

RGB 221 45 230

HSL 297.08, 0.79%, 0.54%

LAB 55.03, 83.64, -55.65

 

CMYK 0 / 80 / 17 / 10

HEX #E62DBE

RGB 230 45 190

HSL 312.97, 0.79%, 0.54%

LAB 54.47, 79.7, -33.61

 

CMYK 0 / 80 / 39 / 10

HEX #E62D8C

RGB 230 45 140

HSL 329.19, 0.79%, 0.54%

LAB 52.5, 74.06, -7.18

 

CMYK 0 / 80 / 60 / 10

HEX #E62D5B

RGB 230 45 91

HSL 345.08, 0.79%, 0.54%

LAB 51.22, 70.22, 20.58

 

CMYK 0 / 79 / 80 / 10

HEX #E6302D

RGB 230 48 45

HSL 0.97, 0.79%, 0.54%

LAB 50.83, 67.42, 46.74

 

CMYK 0 / 88 / 43 / 33

HEX #AC1462

RGB 172 20 98

HSL 329.21, 0.79%, 0.38%

LAB 38.12, 61.48, -3.87

 

CMYK 0 / 89 / 43 / 18

HEX #D11877

RGB 209 24 119

HSL 329.19, 0.79%, 0.46%

LAB 46.37, 71.43, -3.99

 

CMYK 0 / 80 / 39 / 10

HEX #E62D8C

RGB 230 45 140

HSL 329.19, 0.79%, 0.54%

LAB 52.5, 74.06, -7.18

 

CMYK 0 / 65 / 32 / 8

HEX #EA51A0

RGB 234 81 160

HSL 329.02, 0.78%, 0.62%

LAB 57.96, 65.71, -10.76

 

CMYK 0 / 51 / 25 / 6

HEX #EF76B4

RGB 239 118 180

HSL 329.26, 0.79%, 0.7%

LAB 65.44, 53.44, -10.96

 

CMYK 0 / 80 / 39 / 10

HEX #E62D8C

RGB 230 45 140

HSL 329.19, 0.79%, 0.54%

LAB 52.5, 74.06, -7.18

 

CMYK 0 / 26 / 80 / 10

HEX #E6AB2D

RGB 230 171 45

HSL 40.86, 0.79%, 0.54%

LAB 73.64, 10.9, 67.82

 

CMYK 80 / 7 / 0 / 10

HEX #2DD6E6

RGB 45 214 230

HSL 185.19, 0.79%, 0.54%

LAB 78.67, -35.23, -19.67

 

CMYK 0 / 80 / 39 / 10

HEX #E62D8C

RGB 230 45 140

HSL 329.19, 0.79%, 0.54%

LAB 52.5, 74.06, -7.18

 

CMYK 39 / 0 / 80 / 10

HEX #8CE62D

RGB 140 230 45

HSL 89.19, 0.79%, 0.54%

LAB 83.1, -53.77, 73.84

 

CMYK 80 / 39 / 0 / 10

HEX #2D8CE6

RGB 45 140 230

HSL 209.19, 0.79%, 0.54%

LAB 57.1, 4.16, -53.21

 

CMYK 0 / 80 / 39 / 10

HEX #E62D8C

RGB 230 45 140

HSL 329.19, 0.79%, 0.54%

LAB 52.5, 74.06, -7.18

 

CMYK 0 / 26 / 80 / 10

HEX #E6AB2D

RGB 230 171 45

HSL 40.86, 0.79%, 0.54%

LAB 73.64, 10.9, 67.82

 

CMYK 80 / 0 / 42 / 10

HEX #2DE686

RGB 45 230 134

HSL 148.86, 0.79%, 0.54%

LAB 81.22, -65.23, 34.45

 

CMYK 80 / 55 / 0 / 10

HEX #2D67E6

RGB 45 103 230

HSL 221.19, 0.79%, 0.54%

LAB 46.94, 27.18, -69.58

 

CMYK 0 / 80 / 39 / 10

HEX #E62D8C

RGB 230 45 140

HSL 329.19, 0.79%, 0.54%

LAB 52.5, 74.06, -7.18

 

CMYK 0 / 1 / 80 / 10

HEX #E6E32D

RGB 230 227 45

HSL 59.03, 0.79%, 0.54%

LAB 87.94, -17.75, 80.29

 

CMYK 80 / 0 / 42 / 10

HEX #2DE686

RGB 45 230 134

HSL 148.86, 0.79%, 0.54%

LAB 81.22, -65.23, 34.45

 

CMYK 80 / 79 / 0 / 10

HEX #2D30E6

RGB 45 48 230

HSL 239.03, 0.79%, 0.54%

LAB 34.77, 59.64, -89.57

 

Description

Color code: HEX #E62D8C | qconv.com Color code: HEX #E62D8C | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 45 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 45 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 39 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 39% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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