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Color name
HEX #E62332

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E62332 it is the complementary color #19DCCD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E62332. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E62332 shade: #EB232D, #FC3540, #FF4753, #FF5966 and #FF6B79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E62332. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E62332 shade: #E62332, #D5111F, #C4000C, #B30000 and #A20000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E62332 shade: #E62231 and #E62222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E62332 shade: #E62231, #E62266, #E6229B, #E622D0 and #C822E6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E62332 shade matches the following richer shades: #E62231 and #FA0E21

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E62332 shade: #E62231, #D23642, #BE4A53, #AB5E64 and #977174

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E62332 shade: #E6229B, #E62267, #E62232, #E64622 and #E67A22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E62332 shade: #A4121D, #C91624, #E62231, #EA4754 and #EE6C76

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E62332 shade: #E62332, #CFE622 and #2281E6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E62332 shade: #E62332, #32E622 and #2233E6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E62332 shade: #E62332, #CFE622, #22E6D6 and #3922E6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E62332 shade: #E62332, #94E622, #22E6D6 and #7422E6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 78 / 10

HEX #E62332

RGB 230 35 50

HSL 355.38, 0.8%, 0.52%

LAB 49.8, 70.63, 43

 

Complementary color

CMYK 89 / 0 / 7 / 14

HEX #19DCCD

RGB 25 220 205

HSL 175.38, 0.8%, 0.48%

LAB 79.5, -46.51, -5.1

 

CMYK 0 / 85 / 81 / 8

HEX #EB232D

RGB 235 35 45

HSL 357, 0.83%, 0.53%

LAB 50.75, 71.81, 46.99

 

CMYK 0 / 79 / 75 / 1

HEX #FC3540

RGB 252 53 64

HSL 356.68, 0.97%, 0.6%

LAB 55.7, 72.83, 42.83

 

CMYK 0 / 72 / 67 / 0

HEX #FF4753

RGB 255 71 83

HSL 356.09, 1%, 0.64%

LAB 58.41, 69.14, 35.41

 

CMYK 0 / 65 / 60 / 0

HEX #FF5966

RGB 255 89 102

HSL 355.3, 1%, 0.67%

LAB 61.1, 63.64, 27.95

 

CMYK 0 / 58 / 53 / 0

HEX #FF6B79

RGB 255 107 121

HSL 354.32, 1%, 0.71%

LAB 64.29, 57.43, 21.32

 

CMYK 0 / 85 / 78 / 10

HEX #E62332

RGB 230 35 50

HSL 355.38, 0.8%, 0.52%

LAB 49.8, 70.63, 43

 

CMYK 0 / 92 / 85 / 16

HEX #D5111F

RGB 213 17 31

HSL 355.71, 0.85%, 0.45%

LAB 45.15, 68.69, 47.44

 

CMYK 0 / 100 / 94 / 23

HEX #C4000C

RGB 196 0 12

HSL 356.33, 1%, 0.38%

LAB 40.84, 65.83, 50.97

 

CMYK 0 / 100 / 100 / 30

HEX #B30000

RGB 179 0 0

HSL 0, 1%, 0.35%

LAB 37.08, 61.42, 51.49

 

CMYK 0 / 100 / 100 / 36

HEX #A20000

RGB 162 0 0

HSL 0, 1%, 0.32%

LAB 33.31, 57.06, 47.46

 

CMYK 0 / 85 / 79 / 10

HEX #E62231

RGB 230 34 49

HSL 355.41, 0.8%, 0.52%

LAB 49.72, 70.8, 43.47

 

CMYK 0 / 85 / 85 / 10

HEX #E62222

RGB 230 34 34

HSL 0, 0.8%, 0.52%

LAB 49.6, 70.42, 51.13

 

CMYK 0 / 85 / 79 / 10

HEX #E62231

RGB 230 34 49

HSL 355.41, 0.8%, 0.52%

LAB 49.72, 70.8, 43.47

 

CMYK 0 / 85 / 56 / 10

HEX #E62266

RGB 230 34 102

HSL 339.18, 0.8%, 0.52%

LAB 50.6, 73.36, 13.06

 

CMYK 0 / 85 / 33 / 10

HEX #E6229B

RGB 230 34 155

HSL 322.96, 0.8%, 0.52%

LAB 52.21, 77.91, -16.56

 

CMYK 0 / 85 / 10 / 10

HEX #E622D0

RGB 230 34 208

HSL 306.73, 0.8%, 0.52%

LAB 54.58, 84.31, -43.79

 

CMYK 13 / 85 / 0 / 10

HEX #C822E6

RGB 200 34 230

HSL 290.82, 0.8%, 0.52%

LAB 50.85, 82.38, -62.56

 

CMYK 0 / 85 / 79 / 10

HEX #E62231

RGB 230 34 49

HSL 355.41, 0.8%, 0.52%

LAB 49.72, 70.8, 43.47

 

CMYK 0 / 94 / 87 / 2

HEX #FA0E21

RGB 250 14 33

HSL 355.17, 0.96%, 0.52%

LAB 52.67, 78.24, 55.78

 

CMYK 0 / 85 / 79 / 10

HEX #E62231

RGB 230 34 49

HSL 355.41, 0.8%, 0.52%

LAB 49.72, 70.8, 43.47

 

CMYK 0 / 74 / 69 / 18

HEX #D23642

RGB 210 54 66

HSL 355.38, 0.63%, 0.52%

LAB 47.92, 60.62, 30.62

 

CMYK 0 / 61 / 56 / 25

HEX #BE4A53

RGB 190 74 83

HSL 355.34, 0.47%, 0.52%

LAB 47.58, 47.33, 19.3

 

CMYK 0 / 45 / 42 / 33

HEX #AB5E64

RGB 171 94 100

HSL 355.32, 0.31%, 0.52%

LAB 48.99, 31.9, 10.54

 

CMYK 0 / 25 / 23 / 41

HEX #977174

RGB 151 113 116

HSL 355.26, 0.15%, 0.52%

LAB 51.44, 15.47, 4.19

 

CMYK 0 / 85 / 33 / 10

HEX #E6229B

RGB 230 34 155

HSL 322.96, 0.8%, 0.52%

LAB 52.21, 77.91, -16.56

 

CMYK 0 / 85 / 55 / 10

HEX #E62267

RGB 230 34 103

HSL 338.88, 0.8%, 0.52%

LAB 50.62, 73.42, 12.48

 

CMYK 0 / 85 / 78 / 10

HEX #E62232

RGB 230 34 50

HSL 355.1, 0.8%, 0.52%

LAB 49.73, 70.83, 42.93

 

CMYK 0 / 70 / 85 / 10

HEX #E64622

RGB 230 70 34

HSL 11.02, 0.8%, 0.52%

LAB 53.3, 60.07, 54.25

 

CMYK 0 / 47 / 85 / 10

HEX #E67A22

RGB 230 122 34

HSL 26.94, 0.8%, 0.52%

LAB 62.39, 36.45, 61.82

 

CMYK 0 / 89 / 82 / 36

HEX #A4121D

RGB 164 18 29

HSL 355.48, 0.8%, 0.36%

LAB 34.83, 55.52, 35.25

 

CMYK 0 / 89 / 82 / 21

HEX #C91624

RGB 201 22 36

HSL 355.31, 0.8%, 0.44%

LAB 42.94, 64.98, 41.9

 

CMYK 0 / 85 / 79 / 10

HEX #E62231

RGB 230 34 49

HSL 355.41, 0.8%, 0.52%

LAB 49.72, 70.8, 43.47

 

CMYK 0 / 70 / 64 / 8

HEX #EA4754

RGB 234 71 84

HSL 355.21, 0.8%, 0.6%

LAB 54.7, 62.91, 29.41

 

CMYK 0 / 55 / 50 / 7

HEX #EE6C76

RGB 238 108 118

HSL 355.38, 0.79%, 0.68%

LAB 61.84, 50.98, 19.28

 

CMYK 0 / 85 / 78 / 10

HEX #E62332

RGB 230 35 50

HSL 355.38, 0.8%, 0.52%

LAB 49.8, 70.63, 43

 

CMYK 10 / 0 / 85 / 10

HEX #CFE622

RGB 207 230 34

HSL 67.04, 0.8%, 0.52%

LAB 86.98, -28.97, 81.25

 

CMYK 85 / 44 / 0 / 10

HEX #2281E6

RGB 34 129 230

HSL 210.92, 0.8%, 0.52%

LAB 53.76, 9.93, -58.56

 

CMYK 0 / 85 / 78 / 10

HEX #E62332

RGB 230 35 50

HSL 355.38, 0.8%, 0.52%

LAB 49.8, 70.63, 43

 

CMYK 78 / 0 / 85 / 10

HEX #32E622

RGB 50 230 34

HSL 115.1, 0.8%, 0.52%

LAB 80.4, -75.45, 73.01

 

CMYK 85 / 78 / 0 / 10

HEX #2233E6

RGB 34 51 230

HSL 234.8, 0.8%, 0.52%

LAB 34.84, 57.65, -89.47

 

CMYK 0 / 85 / 78 / 10

HEX #E62332

RGB 230 35 50

HSL 355.38, 0.8%, 0.52%

LAB 49.8, 70.63, 43

 

CMYK 10 / 0 / 85 / 10

HEX #CFE622

RGB 207 230 34

HSL 67.04, 0.8%, 0.52%

LAB 86.98, -28.97, 81.25

 

CMYK 85 / 0 / 7 / 10

HEX #22E6D6

RGB 34 230 214

HSL 175.1, 0.8%, 0.52%

LAB 82.8, -47.79, -5

 

CMYK 75 / 85 / 0 / 10

HEX #3922E6

RGB 57 34 230

HSL 247.04, 0.8%, 0.52%

LAB 33.41, 66.2, -91.82

 

CMYK 0 / 85 / 78 / 10

HEX #E62332

RGB 230 35 50

HSL 355.38, 0.8%, 0.52%

LAB 49.8, 70.63, 43

 

CMYK 36 / 0 / 85 / 10

HEX #94E622

RGB 148 230 34

HSL 85.1, 0.8%, 0.52%

LAB 83.45, -51.47, 76.85

 

CMYK 85 / 0 / 7 / 10

HEX #22E6D6

RGB 34 230 214

HSL 175.1, 0.8%, 0.52%

LAB 82.8, -47.79, -5

 

CMYK 50 / 85 / 0 / 10

HEX #7422E6

RGB 116 34 230

HSL 265.1, 0.8%, 0.52%

LAB 38.85, 70.85, -82.65

 

Description

Color code: HEX #E62332 | qconv.com Color code: HEX #E62332 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 35 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 35 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 78 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 78% 10% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

65% - myHermes - Courier S...
Link: https://www.myhermes.co.uk

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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