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Color name
HEX #E622A6

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E622A6 it is the complementary color #19DD59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E622A6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E622A6 shade: #EB22A1, #FC34B4, #FF46C7, #FF58DA and #FF6AED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E622A6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E622A6 shade: #E622A6, #D51093, #C40080, #B3006D and #A2005A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E622A6 shade: #E622A6, #E62271, #E6223C and #E62222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E622A6 shade: #E622A6, #E622DB, #BC22E6, #8822E6 and #5322E6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E622A6 shade matches the following richer shades: #E622A6 and #FA0EAD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E622A6 shade: #E622A6, #D2369F, #BE4A98, #AB5E91 and #97718B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E622A6 shade: #BC22E6, #E622DC, #E622A8, #E62274 and #E62240

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E622A6 shade: #A41274, #C9168F, #E622A6, #EA47B5 and #EE6CC4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E622A6 shade: #E622A6, #E68722 and #22E6D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E622A6 shade: #E622A6, #A8E622 and #22A8E6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E622A6 shade: #E622A6, #E68722, #22E660 and #2281E6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E622A6 shade: #E622A6, #E6C222, #22E660 and #2246E6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 28 / 10

HEX #E622A6

RGB 230 34 166

HSL 319.59, 0.8%, 0.52%

LAB 52.64, 79.1, -22.42

 

Complementary color

CMYK 89 / 0 / 60 / 13

HEX #19DD59

RGB 25 221 89

HSL 139.59, 0.8%, 0.48%

LAB 77.66, -70.79, 51.45

 

CMYK 0 / 86 / 31 / 8

HEX #EB22A1

RGB 235 34 161

HSL 322.09, 0.83%, 0.53%

LAB 53.36, 79.63, -18.28

 

CMYK 0 / 79 / 29 / 1

HEX #FC34B4

RGB 252 52 180

HSL 321.6, 0.97%, 0.6%

LAB 58.46, 81.64, -21.33

 

CMYK 0 / 73 / 22 / 0

HEX #FF46C7

RGB 255 70 199

HSL 318.16, 1%, 0.64%

LAB 61.45, 79.61, -27.6

 

CMYK 0 / 65 / 15 / 0

HEX #FF58DA

RGB 255 88 218

HSL 313.29, 1%, 0.67%

LAB 64.4, 76.02, -33.77

 

CMYK 0 / 58 / 7 / 0

HEX #FF6AED

RGB 255 106 237

HSL 307.25, 1%, 0.71%

LAB 67.79, 71.74, -39.08

 

CMYK 0 / 85 / 28 / 10

HEX #E622A6

RGB 230 34 166

HSL 319.59, 0.8%, 0.52%

LAB 52.64, 79.1, -22.42

 

CMYK 0 / 92 / 31 / 16

HEX #D51093

RGB 213 16 147

HSL 320.1, 0.86%, 0.45%

LAB 47.78, 76.12, -18.83

 

CMYK 0 / 100 / 35 / 23

HEX #C40080

RGB 196 0 128

HSL 320.82, 1%, 0.38%

LAB 43.2, 72.12, -14.54

 

CMYK 0 / 100 / 39 / 30

HEX #B3006D

RGB 179 0 109

HSL 323.46, 1%, 0.35%

LAB 39.05, 66.66, -9.3

 

CMYK 0 / 100 / 44 / 36

HEX #A2005A

RGB 162 0 90

HSL 326.67, 1%, 0.32%

LAB 34.84, 61.16, -3.81

 

CMYK 0 / 85 / 28 / 10

HEX #E622A6

RGB 230 34 166

HSL 319.59, 0.8%, 0.52%

LAB 52.64, 79.1, -22.42

 

CMYK 0 / 85 / 51 / 10

HEX #E62271

RGB 230 34 113

HSL 335.82, 0.8%, 0.52%

LAB 50.87, 74.14, 6.74

 

CMYK 0 / 85 / 74 / 10

HEX #E6223C

RGB 230 34 60

HSL 352.04, 0.8%, 0.52%

LAB 49.85, 71.17, 37.37

 

CMYK 0 / 85 / 85 / 10

HEX #E62222

RGB 230 34 34

HSL 0, 0.8%, 0.52%

LAB 49.6, 70.42, 51.13

 

CMYK 0 / 85 / 28 / 10

HEX #E622A6

RGB 230 34 166

HSL 319.59, 0.8%, 0.52%

LAB 52.64, 79.1, -22.42

 

CMYK 0 / 85 / 5 / 10

HEX #E622DB

RGB 230 34 219

HSL 303.37, 0.8%, 0.52%

LAB 55.16, 85.83, -49.15

 

CMYK 18 / 85 / 0 / 10

HEX #BC22E6

RGB 188 34 230

HSL 287.14, 0.8%, 0.52%

LAB 48.94, 80.47, -65.73

 

CMYK 41 / 85 / 0 / 10

HEX #8822E6

RGB 136 34 230

HSL 271.22, 0.8%, 0.52%

LAB 41.36, 73.15, -78.42

 

CMYK 64 / 85 / 0 / 10

HEX #5322E6

RGB 83 34 230

HSL 255, 0.8%, 0.52%

LAB 35.39, 67.84, -88.47

 

CMYK 0 / 85 / 28 / 10

HEX #E622A6

RGB 230 34 166

HSL 319.59, 0.8%, 0.52%

LAB 52.64, 79.1, -22.42

 

CMYK 0 / 94 / 31 / 2

HEX #FA0EAD

RGB 250 14 173

HSL 319.58, 0.96%, 0.52%

LAB 55.74, 86.51, -21.45

 

CMYK 0 / 85 / 28 / 10

HEX #E622A6

RGB 230 34 166

HSL 319.59, 0.8%, 0.52%

LAB 52.64, 79.1, -22.42

 

CMYK 0 / 74 / 24 / 18

HEX #D2369F

RGB 210 54 159

HSL 319.62, 0.63%, 0.52%

LAB 50.5, 68.82, -21.87

 

CMYK 0 / 61 / 20 / 25

HEX #BE4A98

RGB 190 74 152

HSL 319.66, 0.47%, 0.52%

LAB 49.63, 55.07, -19.33

 

CMYK 0 / 45 / 15 / 33

HEX #AB5E91

RGB 171 94 145

HSL 320.26, 0.31%, 0.52%

LAB 50.34, 38.23, -14.34

 

CMYK 0 / 25 / 8 / 41

HEX #97718B

RGB 151 113 139

HSL 318.95, 0.15%, 0.52%

LAB 52.12, 19.42, -8.36

 

CMYK 18 / 85 / 0 / 10

HEX #BC22E6

RGB 188 34 230

HSL 287.14, 0.8%, 0.52%

LAB 48.94, 80.47, -65.73

 

CMYK 0 / 85 / 4 / 10

HEX #E622DC

RGB 230 34 220

HSL 303.06, 0.8%, 0.52%

LAB 55.21, 85.97, -49.63

 

CMYK 0 / 85 / 27 / 10

HEX #E622A8

RGB 230 34 168

HSL 318.98, 0.8%, 0.52%

LAB 52.72, 79.32, -23.47

 

CMYK 0 / 85 / 50 / 10

HEX #E62274

RGB 230 34 116

HSL 334.9, 0.8%, 0.52%

LAB 50.95, 74.37, 5.03

 

CMYK 0 / 85 / 72 / 10

HEX #E62240

RGB 230 34 64

HSL 350.82, 0.8%, 0.52%

LAB 49.9, 71.33, 35.1

 

CMYK 0 / 89 / 29 / 36

HEX #A41274

RGB 164 18 116

HSL 319.73, 0.8%, 0.36%

LAB 37.09, 61.86, -16.98

 

CMYK 0 / 89 / 29 / 21

HEX #C9168F

RGB 201 22 143

HSL 319.44, 0.8%, 0.44%

LAB 45.6, 72.37, -19.96

 

CMYK 0 / 85 / 28 / 10

HEX #E622A6

RGB 230 34 166

HSL 319.59, 0.8%, 0.52%

LAB 52.64, 79.1, -22.42

 

CMYK 0 / 70 / 23 / 8

HEX #EA47B5

RGB 234 71 181

HSL 319.51, 0.8%, 0.6%

LAB 57.4, 71.94, -23.8

 

CMYK 0 / 55 / 18 / 7

HEX #EE6CC4

RGB 238 108 196

HSL 319.38, 0.79%, 0.68%

LAB 64.07, 60.07, -22.1

 

CMYK 0 / 85 / 28 / 10

HEX #E622A6

RGB 230 34 166

HSL 319.59, 0.8%, 0.52%

LAB 52.64, 79.1, -22.42

 

CMYK 0 / 41 / 85 / 10

HEX #E68722

RGB 230 135 34

HSL 30.92, 0.8%, 0.52%

LAB 65.17, 29.7, 64.12

 

CMYK 85 / 0 / 7 / 10

HEX #22E6D6

RGB 34 230 214

HSL 175.1, 0.8%, 0.52%

LAB 82.8, -47.79, -5

 

CMYK 0 / 85 / 28 / 10

HEX #E622A6

RGB 230 34 166

HSL 319.59, 0.8%, 0.52%

LAB 52.64, 79.1, -22.42

 

CMYK 27 / 0 / 85 / 10

HEX #A8E622

RGB 168 230 34

HSL 78.98, 0.8%, 0.52%

LAB 84.5, -44.27, 78.17

 

CMYK 85 / 27 / 0 / 10

HEX #22A8E6

RGB 34 168 230

HSL 198.98, 0.8%, 0.52%

LAB 65.01, -12.78, -40.73

 

CMYK 0 / 85 / 28 / 10

HEX #E622A6

RGB 230 34 166

HSL 319.59, 0.8%, 0.52%

LAB 52.64, 79.1, -22.42

 

CMYK 0 / 41 / 85 / 10

HEX #E68722

RGB 230 135 34

HSL 30.92, 0.8%, 0.52%

LAB 65.17, 29.7, 64.12

 

CMYK 85 / 0 / 58 / 10

HEX #22E660

RGB 34 230 96

HSL 138.98, 0.8%, 0.52%

LAB 80.62, -72.02, 51.8

 

CMYK 85 / 44 / 0 / 10

HEX #2281E6

RGB 34 129 230

HSL 210.92, 0.8%, 0.52%

LAB 53.76, 9.93, -58.56

 

CMYK 0 / 85 / 28 / 10

HEX #E622A6

RGB 230 34 166

HSL 319.59, 0.8%, 0.52%

LAB 52.64, 79.1, -22.42

 

CMYK 0 / 16 / 85 / 10

HEX #E6C222

RGB 230 194 34

HSL 48.98, 0.8%, 0.52%

LAB 79.34, -1.45, 75.74

 

CMYK 85 / 0 / 58 / 10

HEX #22E660

RGB 34 230 96

HSL 138.98, 0.8%, 0.52%

LAB 80.62, -72.02, 51.8

 

CMYK 85 / 70 / 0 / 10

HEX #2246E6

RGB 34 70 230

HSL 228.98, 0.8%, 0.52%

LAB 38.61, 47.06, -83.24

 

Description

Color code: HEX #E622A6 | qconv.com Color code: HEX #E622A6 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 34 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 34 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 28 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 28% 10% C M Y K

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Provide designers and agencies with accurate color values.

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