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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E6268F it is the complementary color #19D970. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E6268F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E6268F shade: #EB268A, #FC389D, #FF4AB0, #FF5CC3 and #FF6ED6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E6268F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E6268F shade: #E6268F, #D5147C, #C40269, #B30056 and #A20043

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E6268F shade: #E52890, #E5285C, #E52829 and #E52828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E6268F shade: #E52890, #E528C3, #D528E5, #A228E5 and #6F28E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E6268F shade matches the following richer shades: #E52890 and #F91591

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E6268F shade: #E52890, #D23B8E, #BF4F8C, #AB628A and #987688

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E6268F shade: #D628E5, #E528C3, #E52890, #E5285E and #E5282B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E6268F shade: #A81364, #CC187A, #E52890, #EA4DA3 and #EE72B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E6268F shade: #E6268F, #E5A328 and #28DCE5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E6268F shade: #E6268F, #90E528 and #2890E5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E6268F shade: #E6268F, #E5A328, #28E57D and #286AE5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E6268F shade: #E6268F, #E5DC28, #28E57D and #2831E5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 38 / 10

HEX #E6268F

RGB 230 38 143

HSL 327.19, 0.79%, 0.53%

LAB 52.05, 75.92, -9.65

 

Complementary color

CMYK 88 / 0 / 48 / 15

HEX #19D970

RGB 25 217 112

HSL 147.19, 0.79%, 0.47%

LAB 76.68, -66.24, 39.5

 

CMYK 0 / 84 / 41 / 8

HEX #EB268A

RGB 235 38 138

HSL 329.54, 0.83%, 0.54%

LAB 52.82, 76.61, -5.41

 

CMYK 0 / 78 / 38 / 1

HEX #FC389D

RGB 252 56 157

HSL 329.08, 0.97%, 0.6%

LAB 58, 78.23, -8.63

 

CMYK 0 / 71 / 31 / 0

HEX #FF4AB0

RGB 255 74 176

HSL 326.19, 1%, 0.65%

LAB 61.04, 75.63, -15.05

 

CMYK 0 / 64 / 24 / 0

HEX #FF5CC3

RGB 255 92 195

HSL 322.09, 1%, 0.68%

LAB 64.04, 71.44, -21.35

 

CMYK 0 / 57 / 16 / 0

HEX #FF6ED6

RGB 255 110 214

HSL 316.97, 1%, 0.72%

LAB 67.48, 66.6, -26.78

 

CMYK 0 / 83 / 38 / 10

HEX #E6268F

RGB 230 38 143

HSL 327.19, 0.79%, 0.53%

LAB 52.05, 75.92, -9.65

 

CMYK 0 / 91 / 42 / 16

HEX #D5147C

RGB 213 20 124

HSL 327.67, 0.83%, 0.46%

LAB 47.11, 73.37, -5.87

 

CMYK 0 / 99 / 46 / 23

HEX #C40269

RGB 196 2 105

HSL 328.14, 0.98%, 0.39%

LAB 42.46, 69.81, -1.34

 

CMYK 0 / 100 / 52 / 30

HEX #B30056

RGB 179 0 86

HSL 331.17, 1%, 0.35%

LAB 38.3, 64.69, 4.25

 

CMYK 0 / 100 / 59 / 36

HEX #A20043

RGB 162 0 67

HSL 335.19, 1%, 0.32%

LAB 34.16, 59.36, 10.24

 

CMYK 0 / 83 / 37 / 10

HEX #E52890

RGB 229 40 144

HSL 326.98, 0.78%, 0.53%

LAB 52.05, 75.36, -10.27

 

CMYK 0 / 83 / 60 / 10

HEX #E5285C

RGB 229 40 92

HSL 343.49, 0.78%, 0.53%

LAB 50.63, 71.21, 19.15

 

CMYK 0 / 83 / 82 / 10

HEX #E52829

RGB 229 40 41

HSL 359.68, 0.78%, 0.53%

LAB 49.9, 69.03, 47.85

 

CMYK 0 / 83 / 83 / 10

HEX #E52828

RGB 229 40 40

HSL 0, 0.78%, 0.53%

LAB 49.89, 69.01, 48.35

 

CMYK 0 / 83 / 37 / 10

HEX #E52890

RGB 229 40 144

HSL 326.98, 0.78%, 0.53%

LAB 52.05, 75.36, -10.27

 

CMYK 0 / 83 / 15 / 10

HEX #E528C3

RGB 229 40 195

HSL 310.79, 0.78%, 0.53%

LAB 54.15, 81.24, -37.01

 

CMYK 7 / 83 / 0 / 10

HEX #D528E5

RGB 213 40 229

HSL 294.92, 0.78%, 0.53%

LAB 53.3, 83.17, -57.94

 

CMYK 29 / 83 / 0 / 10

HEX #A228E5

RGB 162 40 229

HSL 278.73, 0.78%, 0.53%

LAB 45.44, 74.87, -71.04

 

CMYK 52 / 83 / 0 / 10

HEX #6F28E5

RGB 111 40 229

HSL 262.54, 0.78%, 0.53%

LAB 38.82, 68.16, -82.14

 

CMYK 0 / 83 / 37 / 10

HEX #E52890

RGB 229 40 144

HSL 326.98, 0.78%, 0.53%

LAB 52.05, 75.36, -10.27

 

CMYK 0 / 92 / 42 / 2

HEX #F91591

RGB 249 21 145

HSL 327.37, 0.95%, 0.53%

LAB 54.78, 82.99, -6.39

 

CMYK 0 / 83 / 37 / 10

HEX #E52890

RGB 229 40 144

HSL 326.98, 0.78%, 0.53%

LAB 52.05, 75.36, -10.27

 

CMYK 0 / 72 / 32 / 18

HEX #D23B8E

RGB 210 59 142

HSL 327.02, 0.63%, 0.53%

LAB 50.43, 65.17, -11.85

 

CMYK 0 / 59 / 27 / 25

HEX #BF4F8C

RGB 191 79 140

HSL 327.32, 0.47%, 0.53%

LAB 50.17, 51.45, -11.35

 

CMYK 0 / 43 / 19 / 33

HEX #AB628A

RGB 171 98 138

HSL 327.12, 0.3%, 0.53%

LAB 50.95, 34.94, -9.27

 

CMYK 0 / 22 / 11 / 40

HEX #987688

RGB 152 118 136

HSL 328.24, 0.14%, 0.53%

LAB 53.4, 16.35, -4.7

 

CMYK 7 / 83 / 0 / 10

HEX #D628E5

RGB 214 40 229

HSL 295.24, 0.78%, 0.53%

LAB 53.46, 83.34, -57.67

 

CMYK 0 / 83 / 15 / 10

HEX #E528C3

RGB 229 40 195

HSL 310.79, 0.78%, 0.53%

LAB 54.15, 81.24, -37.01

 

CMYK 0 / 83 / 37 / 10

HEX #E52890

RGB 229 40 144

HSL 326.98, 0.78%, 0.53%

LAB 52.05, 75.36, -10.27

 

CMYK 0 / 83 / 59 / 10

HEX #E5285E

RGB 229 40 94

HSL 342.86, 0.78%, 0.53%

LAB 50.67, 71.33, 17.99

 

CMYK 0 / 83 / 81 / 10

HEX #E5282B

RGB 229 40 43

HSL 359.05, 0.78%, 0.53%

LAB 49.92, 69.09, 46.83

 

CMYK 0 / 89 / 40 / 34

HEX #A81364

RGB 168 19 100

HSL 327.38, 0.8%, 0.37%

LAB 37.32, 60.89, -6.42

 

CMYK 0 / 88 / 40 / 20

HEX #CC187A

RGB 204 24 122

HSL 327.33, 0.79%, 0.45%

LAB 45.49, 70.56, -7.24

 

CMYK 0 / 83 / 37 / 10

HEX #E52890

RGB 229 40 144

HSL 326.98, 0.78%, 0.53%

LAB 52.05, 75.36, -10.27

 

CMYK 0 / 67 / 30 / 8

HEX #EA4DA3

RGB 234 77 163

HSL 327.13, 0.79%, 0.61%

LAB 57.51, 67.58, -13.19

 

CMYK 0 / 52 / 24 / 7

HEX #EE72B6

RGB 238 114 182

HSL 327.1, 0.78%, 0.69%

LAB 64.64, 55.31, -13.31

 

CMYK 0 / 83 / 38 / 10

HEX #E6268F

RGB 230 38 143

HSL 327.19, 0.79%, 0.53%

LAB 52.05, 75.92, -9.65

 

CMYK 0 / 29 / 83 / 10

HEX #E5A328

RGB 229 163 40

HSL 39.05, 0.78%, 0.53%

LAB 71.56, 14.57, 67.57

 

CMYK 83 / 4 / 0 / 10

HEX #28DCE5

RGB 40 220 229

HSL 182.86, 0.78%, 0.53%

LAB 80.35, -38.69, -16.62

 

CMYK 0 / 83 / 38 / 10

HEX #E6268F

RGB 230 38 143

HSL 327.19, 0.79%, 0.53%

LAB 52.05, 75.92, -9.65

 

CMYK 37 / 0 / 83 / 10

HEX #90E528

RGB 144 229 40

HSL 86.98, 0.78%, 0.53%

LAB 82.98, -52.23, 75.04

 

CMYK 83 / 37 / 0 / 10

HEX #2890E5

RGB 40 144 229

HSL 206.98, 0.78%, 0.53%

LAB 58.09, 0.97, -51.09

 

CMYK 0 / 83 / 38 / 10

HEX #E6268F

RGB 230 38 143

HSL 327.19, 0.79%, 0.53%

LAB 52.05, 75.92, -9.65

 

CMYK 0 / 29 / 83 / 10

HEX #E5A328

RGB 229 163 40

HSL 39.05, 0.78%, 0.53%

LAB 71.56, 14.57, 67.57

 

CMYK 83 / 0 / 45 / 10

HEX #28E57D

RGB 40 229 125

HSL 146.98, 0.78%, 0.53%

LAB 80.72, -66.92, 38.27

 

CMYK 83 / 54 / 0 / 10

HEX #286AE5

RGB 40 106 229

HSL 219.05, 0.78%, 0.53%

LAB 47.52, 24.47, -68.08

 

CMYK 0 / 83 / 38 / 10

HEX #E6268F

RGB 230 38 143

HSL 327.19, 0.79%, 0.53%

LAB 52.05, 75.92, -9.65

 

CMYK 0 / 4 / 83 / 10

HEX #E5DC28

RGB 229 220 40

HSL 57.14, 0.78%, 0.53%

LAB 86.01, -14.88, 79.82

 

CMYK 83 / 0 / 45 / 10

HEX #28E57D

RGB 40 229 125

HSL 146.98, 0.78%, 0.53%

LAB 80.72, -66.92, 38.27

 

CMYK 83 / 79 / 0 / 10

HEX #2831E5

RGB 40 49 229

HSL 237.14, 0.78%, 0.53%

LAB 34.61, 58.6, -89.28

 

Description

Color code: HEX #E6268F | qconv.com Color code: HEX #E6268F | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 38 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 38 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 38 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 38% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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