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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E61E71 it is the complementary color #19E18E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E61E71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E61E71 shade: #EB1E6C, #FC307F, #FF4292, #FF54A5 and #FF66B8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E61E71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E61E71 shade: #E61E71, #D50C5E, #C4004B, #B30038 and #A20025

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E61E71 shade: #E61E71, #E61E3B and #E61E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E61E71 shade: #E61E71, #E61EA6, #E61EDC, #B91EE6 and #831EE6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E61E71 shade matches the following richer shades: #E61E71 and #FA096D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E61E71 shade: #E61E71, #D13274, #BD4677, #A95A7B and #956E7E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E61E71 shade: #E61EDC, #E61EA6, #E61E71, #E61E3C and #E6351E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E61E71 shade: #9F114C, #C4155E, #E61E71, #EA4388 and #EE689F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E61E71 shade: #E61E71, #E6BA1E and #1EC1E6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E61E71 shade: #E61E71, #71E61E and #1E71E6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E61E71 shade: #E61E71, #E6BA1E, #1EE692 and #1E49E6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E61E71 shade: #E61E71, #D5E61E, #1EE692 and #2E1EE6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 51 / 10

HEX #E61E71

RGB 230 30 113

HSL 335.1, 0.8%, 0.51%

LAB 50.62, 74.86, 6.38

 

Complementary color

CMYK 89 / 0 / 37 / 12

HEX #19E18E

RGB 25 225 142

HSL 155.1, 0.8%, 0.49%

LAB 79.62, -63.56, 28.24

 

CMYK 0 / 87 / 54 / 8

HEX #EB1E6C

RGB 235 30 108

HSL 337.17, 0.84%, 0.52%

LAB 51.47, 75.7, 10.75

 

CMYK 0 / 81 / 50 / 1

HEX #FC307F

RGB 252 48 127

HSL 336.76, 0.97%, 0.59%

LAB 56.43, 77.6, 6.8

 

CMYK 0 / 74 / 43 / 0

HEX #FF4292

RGB 255 66 146

HSL 334.6, 1%, 0.63%

LAB 59.19, 75.12, -0.36

 

CMYK 0 / 67 / 35 / 0

HEX #FF54A5

RGB 255 84 165

HSL 331.58, 1%, 0.66%

LAB 61.93, 70.94, -7.38

 

CMYK 0 / 60 / 28 / 0

HEX #FF66B8

RGB 255 102 184

HSL 327.84, 1%, 0.7%

LAB 65.14, 66.01, -13.45

 

CMYK 0 / 87 / 51 / 10

HEX #E61E71

RGB 230 30 113

HSL 335.1, 0.8%, 0.51%

LAB 50.62, 74.86, 6.38

 

CMYK 0 / 94 / 56 / 16

HEX #D50C5E

RGB 213 12 94

HSL 335.52, 0.89%, 0.44%

LAB 45.93, 71.94, 10.97

 

CMYK 0 / 100 / 62 / 23

HEX #C4004B

RGB 196 0 75

HSL 337.04, 1%, 0.38%

LAB 41.6, 67.9, 16.42

 

CMYK 0 / 100 / 69 / 30

HEX #B30038

RGB 179 0 56

HSL 341.23, 1%, 0.35%

LAB 37.61, 62.84, 22.62

 

CMYK 0 / 100 / 77 / 36

HEX #A20025

RGB 162 0 37

HSL 346.3, 1%, 0.32%

LAB 33.59, 57.83, 29

 

CMYK 0 / 87 / 51 / 10

HEX #E61E71

RGB 230 30 113

HSL 335.1, 0.8%, 0.51%

LAB 50.62, 74.86, 6.38

 

CMYK 0 / 87 / 74 / 10

HEX #E61E3B

RGB 230 30 59

HSL 351.3, 0.8%, 0.51%

LAB 49.58, 71.88, 37.64

 

CMYK 0 / 87 / 87 / 10

HEX #E61E1E

RGB 230 30 30

HSL 0, 0.8%, 0.51%

LAB 49.31, 71.1, 52.76

 

CMYK 0 / 87 / 51 / 10

HEX #E61E71

RGB 230 30 113

HSL 335.1, 0.8%, 0.51%

LAB 50.62, 74.86, 6.38

 

CMYK 0 / 87 / 28 / 10

HEX #E61EA6

RGB 230 30 166

HSL 319.2, 0.8%, 0.51%

LAB 52.4, 79.79, -22.78

 

CMYK 0 / 87 / 4 / 10

HEX #E61EDC

RGB 230 30 220

HSL 303, 0.8%, 0.51%

LAB 54.99, 86.62, -49.98

 

CMYK 20 / 87 / 0 / 10

HEX #B91EE6

RGB 185 30 230

HSL 286.5, 0.8%, 0.51%

LAB 48.2, 80.8, -66.95

 

CMYK 43 / 87 / 0 / 10

HEX #831EE6

RGB 131 30 230

HSL 270.3, 0.8%, 0.51%

LAB 40.36, 73.59, -80.09

 

CMYK 0 / 87 / 51 / 10

HEX #E61E71

RGB 230 30 113

HSL 335.1, 0.8%, 0.51%

LAB 50.62, 74.86, 6.38

 

CMYK 0 / 96 / 56 / 2

HEX #FA096D

RGB 250 9 109

HSL 335.1, 0.96%, 0.51%

LAB 53.63, 81.58, 13.6

 

CMYK 0 / 87 / 51 / 10

HEX #E61E71

RGB 230 30 113

HSL 335.1, 0.8%, 0.51%

LAB 50.62, 74.86, 6.38

 

CMYK 0 / 76 / 44 / 18

HEX #D13274

RGB 209 50 116

HSL 335.09, 0.63%, 0.51%

LAB 48.38, 65.13, 0.81

 

CMYK 0 / 63 / 37 / 26

HEX #BD4677

RGB 189 70 119

HSL 335.29, 0.47%, 0.51%

LAB 47.66, 52.26, -2.48

 

CMYK 0 / 47 / 27 / 34

HEX #A95A7B

RGB 169 90 123

HSL 334.94, 0.31%, 0.51%

LAB 48.48, 36.29, -4.03

 

CMYK 0 / 26 / 15 / 42

HEX #956E7E

RGB 149 110 126

HSL 335.38, 0.16%, 0.51%

LAB 50.74, 18.08, -2.76

 

CMYK 0 / 87 / 4 / 10

HEX #E61EDC

RGB 230 30 220

HSL 303, 0.8%, 0.51%

LAB 54.99, 86.62, -49.98

 

CMYK 0 / 87 / 28 / 10

HEX #E61EA6

RGB 230 30 166

HSL 319.2, 0.8%, 0.51%

LAB 52.4, 79.79, -22.78

 

CMYK 0 / 87 / 51 / 10

HEX #E61E71

RGB 230 30 113

HSL 335.1, 0.8%, 0.51%

LAB 50.62, 74.86, 6.38

 

CMYK 0 / 87 / 74 / 10

HEX #E61E3C

RGB 230 30 60

HSL 351, 0.8%, 0.51%

LAB 49.59, 71.92, 37.08

 

CMYK 0 / 77 / 87 / 10

HEX #E6351E

RGB 230 53 30

HSL 6.9, 0.8%, 0.51%

LAB 51.22, 65.66, 54.28

 

CMYK 0 / 89 / 52 / 38

HEX #9F114C

RGB 159 17 76

HSL 335.07, 0.81%, 0.35%

LAB 34.59, 56.89, 4.85

 

CMYK 0 / 89 / 52 / 23

HEX #C4155E

RGB 196 21 94

HSL 334.97, 0.81%, 0.43%

LAB 42.88, 66.78, 6.19

 

CMYK 0 / 87 / 51 / 10

HEX #E61E71

RGB 230 30 113

HSL 335.1, 0.8%, 0.51%

LAB 50.62, 74.86, 6.38

 

CMYK 0 / 71 / 42 / 8

HEX #EA4388

RGB 234 67 136

HSL 335.21, 0.8%, 0.59%

LAB 55.36, 68.28, -0.49

 

CMYK 0 / 56 / 33 / 7

HEX #EE689F

RGB 238 104 159

HSL 335.37, 0.8%, 0.67%

LAB 62.15, 57.03, -3.88

 

CMYK 0 / 87 / 51 / 10

HEX #E61E71

RGB 230 30 113

HSL 335.1, 0.8%, 0.51%

LAB 50.62, 74.86, 6.38

 

CMYK 0 / 19 / 87 / 10

HEX #E6BA1E

RGB 230 186 30

HSL 46.8, 0.8%, 0.51%

LAB 77.3, 2.61, 75.01

 

CMYK 87 / 16 / 0 / 10

HEX #1EC1E6

RGB 30 193 230

HSL 191.1, 0.8%, 0.51%

LAB 72.31, -26.12, -29.4

 

CMYK 0 / 87 / 51 / 10

HEX #E61E71

RGB 230 30 113

HSL 335.1, 0.8%, 0.51%

LAB 50.62, 74.86, 6.38

 

CMYK 51 / 0 / 87 / 10

HEX #71E61E

RGB 113 230 30

HSL 95.1, 0.8%, 0.51%

LAB 81.95, -62.64, 75.77

 

CMYK 87 / 51 / 0 / 10

HEX #1E71E6

RGB 30 113 230

HSL 215.1, 0.8%, 0.51%

LAB 49.25, 19.68, -65.84

 

CMYK 0 / 87 / 51 / 10

HEX #E61E71

RGB 230 30 113

HSL 335.1, 0.8%, 0.51%

LAB 50.62, 74.86, 6.38

 

CMYK 0 / 19 / 87 / 10

HEX #E6BA1E

RGB 230 186 30

HSL 46.8, 0.8%, 0.51%

LAB 77.3, 2.61, 75.01

 

CMYK 87 / 0 / 37 / 10

HEX #1EE692

RGB 30 230 146

HSL 154.8, 0.8%, 0.51%

LAB 81.26, -64.22, 28.41

 

CMYK 87 / 68 / 0 / 10

HEX #1E49E6

RGB 30 73 230

HSL 227.1, 0.8%, 0.51%

LAB 39.16, 45.04, -82.33

 

CMYK 0 / 87 / 51 / 10

HEX #E61E71

RGB 230 30 113

HSL 335.1, 0.8%, 0.51%

LAB 50.62, 74.86, 6.38

 

CMYK 7 / 0 / 87 / 10

HEX #D5E61E

RGB 213 230 30

HSL 65.1, 0.8%, 0.51%

LAB 87.4, -26.61, 82.53

 

CMYK 87 / 0 / 37 / 10

HEX #1EE692

RGB 30 230 146

HSL 154.8, 0.8%, 0.51%

LAB 81.26, -64.22, 28.41

 

CMYK 80 / 87 / 0 / 10

HEX #2E1EE6

RGB 46 30 230

HSL 244.8, 0.8%, 0.51%

LAB 32.31, 67.12, -93.67

 

Description

Color code: HEX #E61E71 | qconv.com Color code: HEX #E61E71 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 30 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 30 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 51 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 51% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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