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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E600DB it is the complementary color #19FF24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E600DB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E600DB shade: #EB00D6, #FC12E9, #FF24FC, #FF36FF and #FF48FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E600DB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E600DB shade: #E600DB, #D500C8, #C400B5, #B300A2 and #A2008F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E600DB shade: #E500DA, #E5009C, #E5005E, #E50020 and #E50000

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E600DB shade: #E500DA, #B200E5, #7400E5, #3600E5 and #0000E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E600DB shade matches the following richer shades: #E500DA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E600DB shade: #E500DA, #D212C9, #C025B8, #AD37A8 and #9B4A97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E600DB shade: #7200E5, #AF00E5, #E500DD, #E500A0 and #E50063

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E600DB shade: #92008B, #BC00B3, #E500DA, #FF0FF3 and #FF39F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E600DB shade: #E600DB, #E53500 and #00E591

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E600DB shade: #E600DB, #DDE500 and #00DDE5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E600DB shade: #E600DB, #E53500, #00E507 and #00AFE5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E600DB shade: #E600DB, #E57A00, #00E507 and #006BE5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 100 / 5 / 10

HEX #E600DB

RGB 230 0 219

HSL 302.87, 1%, 0.45%

LAB 53.96, 89.35, -51.05

 

Complementary color

CMYK 90 / 0 / 86 / 0

HEX #19FF24

RGB 25 255 36

HSL 122.87, 1%, 0.55%

LAB 87.9, -84.48, 79.12

 

CMYK 0 / 100 / 9 / 8

HEX #EB00D6

RGB 235 0 214

HSL 305.36, 1%, 0.46%

LAB 54.57, 89.51, -47.17

 

CMYK 0 / 93 / 8 / 1

HEX #FC12E9

RGB 252 18 233

HSL 304.87, 0.98%, 0.53%

LAB 58.98, 93.62, -50.74

 

CMYK 0 / 86 / 1 / 0

HEX #FF24FC

RGB 255 36 252

HSL 300.82, 1%, 0.57%

LAB 61.26, 94.55, -57.67

 

CMYK 0 / 79 / 0 / 0

HEX #FF36FF

RGB 255 54 255

HSL 300, 1%, 0.61%

LAB 62.61, 91.54, -57.19

 

CMYK 0 / 72 / 0 / 0

HEX #FF48FF

RGB 255 72 255

HSL 300, 1%, 0.64%

LAB 64.25, 86.79, -54.57

 

CMYK 0 / 100 / 5 / 10

HEX #E600DB

RGB 230 0 219

HSL 302.87, 1%, 0.45%

LAB 53.96, 89.35, -51.05

 

CMYK 0 / 100 / 6 / 16

HEX #D500C8

RGB 213 0 200

HSL 303.66, 1%, 0.42%

LAB 49.88, 83.95, -46.83

 

CMYK 0 / 100 / 8 / 23

HEX #C400B5

RGB 196 0 181

HSL 304.59, 1%, 0.38%

LAB 45.73, 78.47, -42.52

 

CMYK 0 / 100 / 9 / 30

HEX #B300A2

RGB 179 0 162

HSL 305.7, 1%, 0.35%

LAB 41.52, 72.9, -38.11

 

CMYK 0 / 100 / 12 / 36

HEX #A2008F

RGB 162 0 143

HSL 307.04, 1%, 0.32%

LAB 37.23, 67.24, -33.57

 

CMYK 0 / 100 / 5 / 10

HEX #E500DA

RGB 229 0 218

HSL 302.88, 1%, 0.45%

LAB 53.73, 89.05, -50.86

 

CMYK 0 / 100 / 32 / 10

HEX #E5009C

RGB 229 0 156

HSL 319.13, 1%, 0.45%

LAB 50.76, 81.62, -19.4

 

CMYK 0 / 100 / 59 / 10

HEX #E5005E

RGB 229 0 94

HSL 335.37, 1%, 0.45%

LAB 48.84, 76.6, 15.51

 

CMYK 0 / 100 / 86 / 10

HEX #E50020

RGB 229 0 32

HSL 351.62, 1%, 0.45%

LAB 47.96, 74.22, 50.65

 

CMYK 0 / 100 / 100 / 10

HEX #E50000

RGB 229 0 0

HSL 0, 1%, 0.45%

LAB 47.83, 73.85, 61.97

 

CMYK 0 / 100 / 5 / 10

HEX #E500DA

RGB 229 0 218

HSL 302.88, 1%, 0.45%

LAB 53.73, 89.05, -50.86

 

CMYK 22 / 100 / 0 / 10

HEX #B200E5

RGB 178 0 229

HSL 286.64, 1%, 0.45%

LAB 45.8, 83.26, -70.34

 

CMYK 49 / 100 / 0 / 10

HEX #7400E5

RGB 116 0 229

HSL 270.39, 1%, 0.45%

LAB 36.69, 76.82, -85.64

 

CMYK 76 / 100 / 0 / 10

HEX #3600E5

RGB 54 0 229

HSL 254.15, 1%, 0.45%

LAB 30.5, 73.7, -96.1

 

CMYK 100 / 100 / 0 / 10

HEX #0000E5

RGB 0 0 229

HSL 240, 1%, 0.45%

LAB 28.53, 73.01, -99.44

 

CMYK 0 / 100 / 5 / 10

HEX #E500DA

RGB 229 0 218

HSL 302.88, 1%, 0.45%

LAB 53.73, 89.05, -50.86

 

CMYK 0 / 100 / 5 / 10

HEX #E500DA

RGB 229 0 218

HSL 302.88, 1%, 0.45%

LAB 53.73, 89.05, -50.86

 

CMYK 0 / 91 / 4 / 18

HEX #D212C9

RGB 210 18 201

HSL 302.81, 0.84%, 0.45%

LAB 49.92, 82.05, -47.38

 

CMYK 0 / 81 / 4 / 25

HEX #C025B8

RGB 192 37 184

HSL 303.1, 0.68%, 0.45%

LAB 46.96, 72.98, -42.38

 

CMYK 0 / 68 / 3 / 32

HEX #AD37A8

RGB 173 55 168

HSL 302.54, 0.52%, 0.45%

LAB 44.86, 60.85, -36.47

 

CMYK 0 / 52 / 3 / 39

HEX #9B4A97

RGB 155 74 151

HSL 302.96, 0.35%, 0.45%

LAB 44.38, 44.65, -27.28

 

CMYK 50 / 100 / 0 / 10

HEX #7200E5

RGB 114 0 229

HSL 269.87, 1%, 0.45%

LAB 36.43, 76.67, -86.07

 

CMYK 24 / 100 / 0 / 10

HEX #AF00E5

RGB 175 0 229

HSL 285.85, 1%, 0.45%

LAB 45.32, 82.88, -71.14

 

CMYK 0 / 100 / 3 / 10

HEX #E500DD

RGB 229 0 221

HSL 302.1, 1%, 0.45%

LAB 53.9, 89.46, -52.3

 

CMYK 0 / 100 / 30 / 10

HEX #E500A0

RGB 229 0 160

HSL 318.08, 1%, 0.45%

LAB 50.92, 82.03, -21.53

 

CMYK 0 / 100 / 57 / 10

HEX #E50063

RGB 229 0 99

HSL 334.06, 1%, 0.45%

LAB 48.96, 76.91, 12.58

 

CMYK 0 / 100 / 5 / 43

HEX #92008B

RGB 146 0 139

HSL 302.88, 1%, 0.29%

LAB 33.93, 63.78, -36.54

 

CMYK 0 / 100 / 5 / 26

HEX #BC00B3

RGB 188 0 179

HSL 302.87, 1%, 0.37%

LAB 44.16, 76.83, -43.94

 

CMYK 0 / 100 / 5 / 10

HEX #E500DA

RGB 229 0 218

HSL 302.88, 1%, 0.45%

LAB 53.73, 89.05, -50.86

 

CMYK 0 / 94 / 5 / 0

HEX #FF0FF3

RGB 255 15 243

HSL 303, 1%, 0.53%

LAB 59.95, 95.7, -54.76

 

CMYK 0 / 78 / 4 / 0

HEX #FF39F5

RGB 255 57 245

HSL 303.03, 1%, 0.61%

LAB 62.32, 89.38, -52.11

 

CMYK 0 / 100 / 5 / 10

HEX #E600DB

RGB 230 0 219

HSL 302.87, 1%, 0.45%

LAB 53.96, 89.35, -51.05

 

CMYK 0 / 77 / 100 / 10

HEX #E53500

RGB 229 53 0

HSL 13.89, 1%, 0.45%

LAB 50.93, 65.02, 63.18

 

CMYK 100 / 0 / 37 / 10

HEX #00E591

RGB 0 229 145

HSL 157.99, 1%, 0.45%

LAB 80.78, -65.29, 28.25

 

CMYK 0 / 100 / 5 / 10

HEX #E600DB

RGB 230 0 219

HSL 302.87, 1%, 0.45%

LAB 53.96, 89.35, -51.05

 

CMYK 3 / 0 / 100 / 10

HEX #DDE500

RGB 221 229 0

HSL 62.1, 1%, 0.45%

LAB 87.68, -23.21, 86.37

 

CMYK 100 / 3 / 0 / 10

HEX #00DDE5

RGB 0 221 229

HSL 182.1, 1%, 0.45%

LAB 80.39, -40.77, -16.58

 

CMYK 0 / 100 / 5 / 10

HEX #E600DB

RGB 230 0 219

HSL 302.87, 1%, 0.45%

LAB 53.96, 89.35, -51.05

 

CMYK 0 / 77 / 100 / 10

HEX #E53500

RGB 229 53 0

HSL 13.89, 1%, 0.45%

LAB 50.93, 65.02, 63.18

 

CMYK 100 / 0 / 97 / 10

HEX #00E507

RGB 0 229 7

HSL 121.83, 1%, 0.45%

LAB 79.64, -79.34, 76.07

 

CMYK 100 / 24 / 0 / 10

HEX #00AFE5

RGB 0 175 229

HSL 194.15, 1%, 0.45%

LAB 66.76, -18.3, -37.47

 

CMYK 0 / 100 / 5 / 10

HEX #E600DB

RGB 230 0 219

HSL 302.87, 1%, 0.45%

LAB 53.96, 89.35, -51.05

 

CMYK 0 / 47 / 100 / 10

HEX #E57A00

RGB 229 122 0

HSL 31.97, 1%, 0.45%

LAB 62.15, 35.56, 69.2

 

CMYK 100 / 0 / 97 / 10

HEX #00E507

RGB 0 229 7

HSL 121.83, 1%, 0.45%

LAB 79.64, -79.34, 76.07

 

CMYK 100 / 53 / 0 / 10

HEX #006BE5

RGB 0 107 229

HSL 211.97, 1%, 0.45%

LAB 47.2, 21.98, -68.62

 

Description

Color code: HEX #E600DB | qconv.com Color code: HEX #E600DB | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, none green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 0 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 100 magenta, 5 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 100% 5% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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